BILL BLACK
Born in Manhattan and raised in Brooklyn, Bill is a proud New Yorker.
He
is fortunate to have been the son of parents who shared their love of
music with both their sons, although the music was the American popular
variety (think Gershwins, Jerome Kern, Rodgers and Hammerstein) and not
Irish traditional!
Bill attended high school and college in Brooklyn, graduating cum laude
from Saint Francis College with a BA in French in 1965. He became
interested in Irish music through the influence of his Dublin-born wife
Pat, whom he met* in 1967 shortly after his discharge from the Navy.
He did his Irish traditional apprenticeship in New York in the early
1970's, learning the music with the likes of "the Joe Burkes"
(accordion
and banjo respectively), Andy McGann, Johnny Cronin, Paddy Reynolds,
Mike Rafferty,
and many others. His first instrument was classical guitar; mandolin,
tenor banjo, and bouzouki were added over the years (the first bouzouki
was a gift from some Greek friends).
The kindness and patience of the New York traditional community of the
1970's have had a great influence on Bill's own attitude towards
younger
players, who he believes deserve to be treated with the same respect as
was shown to him in his early days of playing.
In 1975 Bill co-founded the legendary Eagle Pub sessions with John
Dillon, and remained active in the New York session scene at places
like
Wilde's, The Real McCoy, and Ryan's Daughter. It was in the course of
his involvement with these sessions that Bill became acquainted with
the
younger New York area musicians like Jerry O'Sullivan, Brian Conway and
his sister Rose, Joanie Madden, Eileen Ivers, Billy McComiskey, and the
Kelly brothers Willie and Joe, all of whom have remained friends as
they
have moved on to the highest levels in the world of Irish traditional
music.
Soon after moving to Cape Cod in 1979, Bill became an active member of
the Boston scene, then as now replete with excellent musicians like
Larry Reynolds, Séamus Connolly, Paddy Cronin, the McDonaghs,
Billy
Caples, Joe Joyce, Jimmy and Sally Kelly, and countless others who took
- and continue to take - great pride in all aspects of the Irish
tradition.
Bill has been a member of Boston's Hanafin-Cooley-Reynolds branch of CCE for over 20 years.
At present Bill is heavily involved in the Cape Cod traditional scene,
which has grown quite robust in recent years as the result of the
arrival on the Cape of some excellent traditional musicians.
Using music to comfort a fox whose paws
have mysteriously disappeared
Additional information / links:
= Maintains a webpage called CapeIrishNews
which lists traditional activities in the Cape Cod area. He has
been a regular (or irregular) contributor to the IRTRAD mailing list
since 1995.
= Founded and performs in the local traditional groups "Cat's Melodeon" and "Golden Lane".
= Does classical and choral composing and arranging as well as
traditional tune composing, web archiving, production, etc. (Relevant
websites at the end of this bio.)
= Currently (April 2019) leading a weekly peripatetic trad session
called "The Cat's Melodeon Session Series"; involved in local fundraising
= Published (1995) a tune book called Music's the Very Best Thing,
which contained over 350 dance tunes that had never been published
before. .
(Click here for a sample of the most recent online edition of MVBT.)
For a sample of Bill's own contributions to the traditional repertoire, click here.
= Published (2010) a book of piano arrangements
of traditional Irish material . A similar book of arrangements for classical guitar is
available online - click here for a sample.
= Founding member of the Northeast Ceili Band ,
which brings together the best of ceili musicians from the New England
and New York areas. The band's "Cape Cod Ceili Weekends" in January of
each year are the high point of the winter season for many of the
area's set and ceili dancers, and are growing in popularity as the word
gets out into the set dance world.
= Started the annual "Afternoon of Music" which was held in Falmouth
every
December and - with the help of other area musicians, business people,
and the community at large - raised in excess of $50,000 for the
local Homeless Prevention Fund.
= Charter member (now "emeritus") of the Greater Falmouth Mostly
All-Male Men's Chorus, founded in 1991.
Continues to perform with the group on Veteran's Day and Memorial Day.
With Mrs. Black joined the New Bedford Sea Shanty Chorus in 2017. Bill's
compositions "Tankerman's Shanty" and "Cape Cod Canal Shantata"
were recently performed by the group.
Bill's webpages (all can be accessed via the www.capeirish.com
homepage)
- Mostly Gems : 300+
original jigs, reels, etc. in sound, notation, and ABC formats
- Tune Vault : contains rare and
out-of-print traditional recorded material
- BBSongs : original BB songs with
notation and sound files
- BBWorks : 'serious' material,
including some vocal and string quartet arrangements of Irish
traditional pieces
- WebABC : a collection of ~ 9000
Irish dance tunes from various sources in ABC format
- Cape Irish Productions: resource for
traditional entertainment in the Cape Cod / SE New England area
*
and fell madly in love with
updated 04.18.2019