X:49401 
T:ACE AND DEUCE OF PIPERING (1)(long dance), The
S:Cronin
B:ONMI.1781
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:C|
L:1/8
K:G
dc|B2cA BGcA|BdcA B2AG|d2ec d2ec|dfec dcBA|
e2fd edcA|Adde dcBA|BGcA B2AG|FGAB cBcA|
G2ge =fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|
%
GF|G2=f2e2f2|G2=fg fdcA|G2g2f2g2|d2fa gfdc|
A2=f2e2f2|d^cde fefg|agfa gfdc|BGcA B2AG|
G2ge =fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|

%%%

X:49402 
T:ACE AND DEUCE OF PIPERING (2) (long dance)
S:Hartnett
B:ONMI.1782
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:4/4
L:1/8 % dotted rhythm
K:A
cB|BAAG A2AA|BAAG A2AB|cAdB cAdB|cAdB c2cd|
eefd eefd|egfd edBf|g2ge f2fd|e2fd edBd|
cAdB c2BA|GABc d2cB|A2a2 gedB|1 GABc d2:|2 A2AA A2||
%
P:2
cB|BAAG A2AA|BAAG A2Ac|B2g2 f2g2|B2ga gfed|
e2a2 abag|e2ab aged|B2g2 f2gf|eagb a2ab|
c'abg b2ed|cAdB c2BA|GABc dcdB|A2bf gedB|1 GABc d2:|\
[2 A2AA A2||
%
P:3
cB|BAAG A2AA|BAAG A2Ac|B2g2 fedB|cAdB c2cd|
e2f2 edBd|cAdB c2BA|g2ge fedf|egfd edBd|
cAdB c2BA|GABc dcdB|A2af gedB|1 GABc d2:|\
[2 A2AA HA4|]

%%%

X:49403 
T:ALLISTRUM'S MARCH 
S:F.O'Neill
B:ONMI.1802
R:march
Q:1/4=120
Z:Brennan/Black
M:6/8
L:1/8
K:D
A/G/|Fdd fee|fdD dBA|Fdd edd|edD B2A|
Fdd feE|fdD dBA|Fdd feE|fdd B2A||
%
FEE FDD|FEd dBA|FEE FDD|FEd B2A|
FEE FDD|FEd dBA|FEE FDD|FEd B2A||
%
d2f e2f|d2e dBA/F/|ddf eef|d2e dBA/F/|
d2f Eef|d2e d/e/d/c/A/F/|ddf eef|d2e dBA/F/||
%
B2A B2F|B2A B/c/B/A/F|B/c/dB c2F|B/c/dB cAF|
B2A B2F|B2A B/c/B/A/F|B/c/dB c2F|Bdc B3|]

%%%

X:49404
T:BATTLE OF AUGHRIM (march), The 
S:not attributed
B:ONMI.1845
N:This tune bears no relationship to any other "Battle of Aughrim" 
that I have come across.
R:march
Q:1/4=70
Z:Brennan/Black
M:2/4
L:1/16
K:G
ABAG ABAE|ABAG ABAE|ABAG ABAE|ABAG ABAE|
(3AGA (3AGA (3AGA A>E|(3AGA (3AGA (3AGA A>E|
(3AGA (3AGA (3AGA A>E|B3c d3e|d2e2 d2f2|
d2e2 d2f2|d2e2 d2e2|d8|cBAG HE4|
ABAG ABAE|ABAG ABAE|ABAG A3E|(3AGA (3AGA (3AGA A>E|
(3AGA (3AGA(3AGA A>E|
GABc d3e|d3e d2f2|d2e2 d4|cBAG HE4|]

%%%


X:49405
T:BLACK HEADED DARLING (long dance), The 
S:not attributed
B:ONMI.1836
R:jig
Q:1/4=120
Z:Brennan/Black
M:6/8
L:1/8
K:D
A|A2c d2e|fag fed|cAg fed|cAd D2D/E/|
F-F/G/A/B/ cBA|d/c/d/e/f/g/ fed|c B/A/G/F/ G-G/B/A/G/|FDD D2:|
z|f2g a2 (3g/a/b/|agf edc|fed gfe|agf edc|
a b/a/g/f/ g a/g/f/e/|f g/f/e/d cB/c/A/|
a (3b/a/g/ (3a/g/f/ g (3a/g/f/ (3g/f/e/|
f g/f/e/d/ cBc|dDD D2E|F2G AcB|cCD EFG|A^GA D2D/E/|
F-F/G/A/B/ cBA|d/c/d/e/f/g/ fed|c B/A/G/F/ G-G/B/A/G/|FDD D2|]

%%%

X:49406
T:BLACKBIRD (long dance), The 
S:J.O'Neill
B:ONMI.1793 
R:hornpipe
Q:1/4=60
Z:Brennan/Black
M:2/4
L:1/16
K:D
dc|B2d2 c2B2|ABAG ABcA|dcde dcAF|GAGF d2DE|
F2FG A2fe|dcde dcAF|GAGF d2D2|D6:|
de|f2d2 f2g2|abag fgaf|g2gf gbaf|
gagf d2de|f2de f2g2|abag fgaf|
gagf d2d2|defg abag|fgaf gage|
f2ed cA2B|c2de defg|a4 A3G|
FGAB =c3e|d^cAF GAGF|D2D2d2:|

%%%

X:49407
T:BOLD DESERTER (long dance), The 
S:Mrs.Cantwell
B:ONMI.1791
R:hornpipe 
Q:1/4=80
Z:Brennan/Black
M:2/4
L:1/16
K:D
fe|d2A2 B2AF|ABde fedB|AFdB AFDF|E2EE EGFE|
d2A2 B2AF|ABde fedB|AFdB AFEF|D2DD D2:|
DE|F2A2 d2ef|gfge d2de|fedB AFEF|A2AA A2DE|
F2A2 d2ef|gfge d2de|fedB AFDF|E2EE EGFE|
d2A2 B2GF|ABde fedB|AFdB AFEF|D2DD D2:|


%%%


X:49408
T:BONAPARTE CROSSING THE RHINE (march)
S:not attributed
B:ONMI.1824
R:march 
Q:1/4=120
Z:Brennan/Black
M:4/4
L:1/8
K:Ador
EF/^G/|ABcB AGEG|cdec d2ef/^g/|aged cAGE|GFGA G2EF/^G/|
ABcB AGEG|cdec d2ef/^g/|aged cAGE|A2AB A2||
ef/^g/|aged cdef|gega g2ef/^g/|aged cAGE|GFGA G2EF/^G/|
ABcB AGEG|cdec d2ef/^g/|aged cAGE|A2AB A4|]

%%%


X:49409 
T:BONAPARTE'S ADVANCE (long dance)
S:J.O'Neill
B:ONMI.1788
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:4/4
L:1/8
K:A
ed|c2cB cecA|d2dc dfdB|Aceg agaf|e2ef edcB|
c2cB cecA|dcde fgaf|ecAc dBGB|A2A2A2:|
cB|Aceg agaf|e2df edcB|Aceg agaf|e2ef edcB|
ceAe ceAe|dfBf dfBf|ceAe ceAe|GBEB GBEB|
ceAe ceAe|dcde fgaf|ecAc dBGB|A2A2A2:|

%%%

X:49410
T:BONAPARTE'S RETREAT (long dance) 
S:Hartnett
B:ONMI.1789
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:4/4
L:1/8 % dotted rhythm
K:Em
B,2|B,EEF GFED|EFAB d^cde|fde^c dB=cA|BGAF GE=FD|
B,EEF GFED|EFAB d^cde|fedB AFDF|E2EF E2:|
%
B^c|d^cde d2 (3Bcd|e^def e2B^c|d^cde d2B=c|BGAF GE E2|
d^cde d2 (3Bcd|e^def e2ef|gfeg fe^df|e2ef e2B^c|
gfga gfeg|fefg fedf|d^cde d2A=c|BAGF GE=FD|
B,EEF GFED|EFAB d^cde|fde^c dB=cA|BGAF GE =FD|
B,EEF GFED|EFAB d^cde|fedB AFDF|E2EF E4|]

%%%

X:49411
T:BRIAN BORU'S MARCH 
S:not attributed
B:ONMI.1801
R:march
Q:1/4=130
Z:Brennan/Black
M:6/8
L:1/8
K:Ador
e/d/|cBA A2e/d/|cBA A2d/c/|BAG G2d/c/|BAG G2e/d/|
cBA A2e/d/|cBA A2a|efe e2d|cAA A2:|
%
P:2
G|Acd e2d|e2d edB|GBc d2B|d2B dBG|
Acd e2d|e2d ecA|cBA e2d|cAA A2:|
%
P:3
B|cBA a^ga|cBA a^ga|BAG gfg|BAG gfg|
cBA a^ga|cBA a2b|c'ba gfe|dcB A2:|
%
P:4
B|cde/f/ g2a|g2a gec|GAB/c/ d2e|dge dBG|
cde/f/ g2a|g2a geB|cBA e2d|cAA A2:|

%%%

X:49412
T:CONNACHT OUTCRY (pipe solo), The 
S:not attributed
B:ONMI.1848
R:none % sean-nos style
Q:1/4=120
Z:Brennan/Black
M:4/4
L:1/8
K:G
%1-4
"anacr"D//E//F//G// A//B//c//d//|"1"d>ed>e d>ed>e|d8|d8|cBAG E2 E/F/G/A/|
%5-8
"5"B4 B>dB>d|A>dB>d A>dB>d|Ad B6|cBAG E2G>E|
%9-12
"9"AG (3BAG AG (3BAG|A3B cBAG|E2GE AG (3BAG|AG G4A2|
%13-15
"13"(3BAG E2GE AG|(3BAG AG (3BAG A2|zB c/B/A/G/ E3z|
%16-19
"16"GEAG (3BAG AG|(3BAG AG G3A|(3BAG E3zz2|czc2 (3BAG E2|
%20-23
"20"BzB2 (3BAG E2|AzA2 (3BAG E2|Bz (3B>AG z (3A>GE z|\
(3B>AG z (3A>GE G2A|
%24-26
"24"(3BAG E2GE AG|(3BAG AG B/A/G/E/ (3DEG|A>G G4|]

%%%

X:49413 
T:FAREWELL TO WHISKEY (march)
S:F.O'Neill
B:ONMI.1825
R:march
Q:1/4=100
Z:Brennan/Black
M:2/4
L:1/16
K:G
GE|D2G2 B2G2|A2E2 E2G2|D2G2 BAGA|B2d2 d3d|
efge d2g2|cBAG A2B2|D2G2 BAGA|B2G2 G2:|
Bc|d2B2 g2Bc|dcBA G2Bc|d2B2 g2fg|agfe d3d|
efge d2g2|cBAG A2B2|D2G2 BAGA|B2G2 G2:|

%%%

X:49414
T:FOX CHASE (pipe solo), The 
S:Tuohey
B:ONMI.1850
R:none
Q:1/4=240
Z:Brennan/Black
M:4/4
L:1/8
K:G
P:part 1
DE|"1"G2GB d2d2|dedB d3z|G2GB edBG|A4G2 (3def|
"5"g2fe f2ed|edBG A2GE|GABG A^GAB|G4G2:|
%
DE|"9"G2GA B2B2|c2c2 B2B2|c2c2 B2BG|A4 G2 (3def|
"13"g3a gfed|edBG A2GE|GABG A^GAB|G4G2z2||
%
"17"G2GB d2g2|e2g2 d2g2|G2GB dedB|A4G2 (3def|
"21"gfga gfed|e2dB A2GE|GABG A^GAB|G4G2z2||
%
"25"DEGA BGGG|AGGG BGGG|AGBG cGBG|A4G2 (3def|
"29"g2ba gfed|edBG A2GE|GABG A^GAB|G4G2z2||
%
P:HORNS
"33"A3 ^G/A/ A3 G/A/|A3 G/A/ A3 G/A/|d3 ^c/d/ d3 c/d/|
"36"d3 ^c/d/ d3 c/d/|F/E/ F3 F/E/ F3|F/E/ F3 F/E/ F3|
P:CRIES OF THE HOUNDS
"39"F/D/E/D/ F/D/E/D/ F/D/E/D/ F/D/E/D/|\
F/D/d/D/ F/D/E/D/ F/D/E/D/ F/D/G/D/|
"41"f/d/e/d/ f/d/e/d/ f/d/e/d/ f/d/e/d/|\
f/d/g/d/ f/d/e/d/ f/d/g/d/ f/d/e/d/|
"43"g/d/g/d/ f/d/f/d/ g/d/g/d/ f/d/f/d/|ggg zfff z|eee zfff z|
P:HORNS
"46"A3 ^G/A/ A3 G/A/|A3 ^G/A/ A3 ^G/A/|\
d3 ^c/d/ d3 c/d/|d3 ^c/d/ d3 (3A/B/c/||
M:3/4
"50"d2 F2 A2|d4 fe|d2 F2 A2|=c4 BA|B2 F2 A2|
"55"B2dc BA|B2F2A2|B4A2|F2d2d2|F2 dc BA|
"60"BdcBAG|F4FE|D 2F2 A2|B4ed|c2 A2 c2|d4||
%
de|"66"f2f2af|f2e2d2|f2d2B2|B4A2|
"70"f2 f2 af|f2 e2 d2|dc de fd|e4A2|
"74"A2 d2 d2|F2 dc BA|Bd cB AG|
"77"F4 FE|D2 F2 A2|B4 ed|c2 A2 c2|d4||
M:C
K:G
D2|"82"GABc d2d2|dedB d2BA|GABc dedB|A4 G2||
%
(3def|"86"g2g2 f2ed|g2B2 A2GE|GABG A^GAB|G4 G2z2||
M:6/8
"90"DEF DEF|DEF DEF|DEF DEF|DEF DEC:file ID: onmi.misc/|
M:C
"94"DEFE DEFE|DEFE DEFE|DEFE DEFE|DEFE DEFE:|
%
"98"GABc d2d2|dedB d2BA|GABc dedB|A4G2||
%
(3def|"102"g2g2 f2ed|g2B2 A2GE|GABG A^GAB|G4G2z2||
%
M:9/8
K:D
"106"FGF F2D G2E|FGF F2D E2D|FGF F2D G2B|AFD D2F E2D:|
"110"BcB BAG FGA|B2E E2F G2B|ABc dcB ABc|d2D D2F E2D:|
"114"fgf f2d g2e|fgf f2d e2d|fgf f2d g2b|afd d2f e2d:|
"118"gfe dcB AGF|B2E E2F G2B|ABc dcB ABc|d2D D2F E2D:|

%%%

X:49415
T:FREEDOM FOR IRELAND (march)
S:J.O'Neill
B:ONMI.1815
N:Also known as "Banks of Inverness" and "Lakes of Sligo"
R:march 
Q:1/4=100
Z:Brennan/Black
M:2/4
L:1/16
K:A
E3F E2C2|E3F A2B2|c2e2 B2cB|A2F2 FAGF|
E3F E2C2|E3F A2B2|c2e2 B2cB|A3B A2z2:|
c2e2 e3c|d2f2 f2 z2|c2e2 B2cB|A2F2 F2E2|
c2e2 e3c|d2f2 f3g|a2f2 g2e2|f4 f2fg|
a2f2 g2e2|fgfe c2B2|c2e2 B2cB|A2F2 FAGF|
E3F E2C2|E3F A2B2|c2e2 B2cB|A3B A4|]


%%%

X:49416
T:GARDEN of DAISIES (1) (long dance), The
S:Hartnett
B:ONMI.1797
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:C|
L:1/8
K:D
fg|a2b2 gbag|f2a2 gfef|dcde fdec|dedc AGFG|
A3B ABAG|FEFG ABcA|dcde fdec|d2dd d2:|
%
(3ABc|d2e2 fefg|a3f d2ga|b3g a3f|g3e c2de|
f3e f2a2|g2f2 efec|dcde fdec|dedc A2fg|
a2b2 gbag|f2a2 gfef|dcde fdec|dedc AGFG|
A3B ABAG|FEFG ABcA|dcde fdec|d2dd d2||
%
(3ABc|d2e2 f2g2|a2aa a2fg|a2b2 c'2a2|g2gg g2fg|
a2b2 a2g2|e2a2 g2e2|dcde fdec|dedc A2fg|
a2b2 a2g2|e2a2 g2e2|dcde fdec|dedc AGFG|
A2AB ABAG|F2G2 ABcA|d2de fdec|d2dd d4|]

%%%

X:49417 
T:GARDEN of DAISIES (2) (long dance), The
S:Tuohey
B:ONMI.1798
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:C|
L:1/8
K:D
fg|a2af gbag|fefa gfef|dcde fdec|dedc AGFG|
ABcA dcAG|FEFG ABcA|dcdf edce|1 d2dd de:|\
[2 d2dd d2||
A2|dcde fefg|a2af defg|a2af ggag|f2fe defg|
a2af gbag|fefa gfef|dcde fdec|dedc A2fg|
a2af gbag|fefa gfef|dcde fdec|dedc AGFG|
ABcA dcAG|FEFG ABcA|dcdf edce|1 d2dd dc:|\
[2 d2dd dfec||"final"Hd4z4|]

%%%

X:49418
T:HIGH CAULED CAP (march), The  
S:O'Neill
B:ONMI.1807
R:march
Q:1/4=160
Z:Brennan/Black
M:4/4
L:1/8
K:Em % source key = F
D2|G2GA B2d2|dcBA BAGA|B2A2 A2GA|B2A2 A2GE|
G2GA B2d2|cBAG BcAB|G2E2 E2DE|G2E2E2:|
d2|e2g2 d2g2|cBAG BAGA|B2A2 A2GA|B2A2 A2d2|
e2g2 d2g2|cBAG BcAB|G2E2 E2DE|G2E2E2:|

%%%

X:49419 
T:HUNT (1) (long dance), The
S:not attributed
B:ONMI.1799
N:Twelve measures in part 2
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:C|
L:1/8
K:G
D2|GABG AGED|cBce dBAB|GABG AGED|EAAB A2GE|
GABG AGED|cBce gedB|GABG AGED|DGGA G2:|
D2|GABc d2de|(3=fgf ed e2d2|gfge d2dB|GABG A3B|
c2ec B2dB|A2AB A2G2|gfga gedB|A2AB A2GE|
GABG AGED|cBce dBAB|GABG AGED|DGGA G2:|

%%%

X:49420 
T:HUNT (2) (long dance), The
S:Cronin
B:ONMI.1800
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:C|
L:1/8
K:G
D2|GABG AGEG|c2ce dcBA|GABA GEDE|EAAG AcBA|
GABG AGEG|c2ce dcBA|GABA GEDE|G2GG G2:|
D2|GABc d2de|=f2f2 f2ed|e2e2 efge|d2de d2cB|
cBcd edcB|A2AB A2G2|g2g2 gedB|A2AB A2GE|
GABG AGEG|c2ce dcBA|GABA GEDE|G2GG G2:|

%%%

X:49421
T:HURLER'S MARCH, The             
S:F.O'Neill
B:ONMI.1805
R:march
Q:1/4=80
Z:Brennan/Black
M:2/4
L:1/16
K:D
AG|F2A2 ABAF|G2B2 BcBG|F2A2 efed|c2A2 ABAG|
F2A2 ABAF|G2B2 B2 (3ABc|dedc ABAG|F2D2 D2:|
de|f2d2 f2d2|fdfg a2a2|ecAc ecAc|e2f2 g2ag|
f2d2 f2d2|fdfg a2a2|dedc ABAG|F2D2 D2:|

%%%

X:49422
T:I WON'T BE A NUN! (march)
S:F.O'Neill
B:ONMI.1813
N:aka "Captain's Whiskers", "Officer on Guard", others
R:march 4/4
Q:1/4=240
Z:Brennan/Black
M:4/4
L:1/8
K:G
GA|Bdga g2fe|dBBc B2AG|Bdce dBGB|A2AB A2GA|
Bdga gabf|edBc B2AG|Bdge dBAB|G2GA G2||
fg|afdf d2ga|bgef e2ga|bgaf gefd|BAAB A2GA|
Bdga gabf|edBc B2AG|Bdge dBAB|G2GA G2||
ab|c'baf gedc|BGdB g2ab|c'baf gedB|BAAB A2GA|
Bdga gabf|edBc B2AG|Bdge dBAB|G2GA G4|]

%%%

X:49423 
T:JOB OF JOURNEY WORK (long dance), The
S:F.O'Neill
B:ONMI.1792
N:14 measures in second part.
R:hornpipe
Q:1/4=120
Z:Brennan/Black
M:4/4
L:1/8
K:D
fe|dcBA FGAB|cABG A2fe|d2cA BGAF|GBAF DEFG|
ABAF GFEF|D2DE F2G2|A2d2cdef|d2dd d2:|
de|f2ef gfef|dcAG A2de|f2ef gfef|
d3c A2fg|agfa gfef|dcde f2ec|dcAG FGAB|
cABG A2fe|d2cA BGAF|GBAF DEFG|
ABAF GFEF|D2DE F2G2|A2d2cdef|d2dd d2:|

%%%

X:49424 
T:JOCKEY AT THE FAIR (long dance) 
S:J.O'Neill
B:ONMI.1796
N:14 measures in part 2
R:jig
Q:1/4=120
Z:Brennan/Black
M:6/8
L:1/8
K:G
D|G2A B2c|d2g d2c|BdG GFG|cBc A2c|
d^cd efg|a2f d2g|fed AB^c|d3 d2:|
f/g/|afd afd|c2c B2d|dgd dgd|c2c B2d|
e2f gfe|d2c B2d|edc B2A|B2G E2F|
G2G GBd|e2f g2e|dBG A2B|E2F G2A|\
B2g B2A|G3 G2:|

%%%

X:49425
T:JOHNNY COPE (march) 
T:"Irish Version"
S:J.O'Neill
B:ONMI.1812
R:march 2/4
Q:1/4=80
Z:Brennan/Black
N:ONMI's key signature for this is A, which I don't think is
correct. I've added an Ador version below.
M:2/4
L:1/16
K:A
G|E2A2 ABcd|e2A2 B2AG|E2G2 GABc|d2G2 B2AG|
E2A2 AGAB|cBcd e2dc|B2=g2 edcB|c2A2 A3:|
d|e2a2 e2a2|e2a2 gfed|B2=g2 B2g2|B2g2 gfed|
e2a2 a2f2|=g2f2 e2dc|B2=g2 edcB|c2A2 A3:|
%
P:version in Am (dorian)
K:Ador
G|E2A2 ABcd|e2A2 B2AG|E2G2 GABc|d2G2 B2AG|
E2A2 AGAB|cBcd e2dc|B2g2 edcB|c2A2 A3:|
d|e2a2 e2a2|e2a2 gfed|B2g2 B2g2|B2g2 g^fed|
e2a2 a2f2|g2f2 e2dc|B2g2 edcB|c2A2 A3:|


%%%

X:49426 
T:KING OF THE RATH (march)
S:not attributed
B:ONMI.1808
R:march
Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:Am % source key = Gm
c2e edc|BcB dB^G|ABA A2e|edc dBG|
c2e edc|BcB dB^G|ABA A2e|dB^G A3:|
c2c c2e|d2d d2f|e2e e2^f|g2g g3|
e2e e2f|d2d d2e|c2e edc|BcB dcB|
ABA A2e|edc dBG|ccc c2e|ddd d2f|
eee e2^f|ggg g3|eee e2f|ddd d2e|
ccc c2e|edc dB^G|ABA A2e|dB^G A3|]

%%%

X:49427
T:LEINSTER OUTCRY, The 
S:not attributed % ? P.Tuohey
B:ONMI.1847
R:none % sean-nos style
Z:Brennan/Black
M:4/4
L:1/8
K:G
%1-5
G/A/B/c/d/e/|efef efef|e8|e8|(3fed B3B c/d/e/f/|
%6-10
ga ga ga ga|g2g2 g4|g8|f2 e6|edBA BddB|
%11-14
ed (3fed ed (3fed|e3g (3fed B2|dBed (3fed ed|d3e (3fed B2|
%15-18
ed (3fed ed (3fed|e3g (3fed B2|dBed (3fed ed|d3e (3fed B2|
%19-21
(3ABd ed d4|cz (3cBA z (3BAG z|(3AGE z (3GED z (3AGE|
%22-24
z (3BAG z (3BAG (3AGE|G3A (3BAG E2|(3DEG AG G4|]

%%%

X:49428
T:LODGE ROAD (long dance) 
S:J.O'Neill
B:ONMI.1790 % A-B-A
%:hornpipe
Q:1/4=80
Z:Brennan/Black
M:2/4
L:1/16
K:D
A|d2df edcB|A2A2 A2F2|DFAF DFAF|G2FG E2A2|
d2df edcB|A2A2 A2F2|DFAF G2EF|D2D2 D3:|
A|defg agfe|defg a2af|g2eg f2df|edcB ABcA|
f2f2 g2g2|e2e2 f2fe|dfaf dfaf|g2fg e2z2|
f2f2 g2g2|e2e2 f2fe|dfaf bgec|d2de dcB:|
P:repeat part 1
A|d2df edcB|A2A2 A2F2|DFAF DFAF|G2FG E2A2|
d2df edcB|A2A2 A2F2|DFAF G2EF|D2D2 D4|]

%%%

X:49429
T:LOVELY LASS TO A FRIAR CAME (march) 
S:not attributed
B:ONMI.1840
R:march
Q:1/4=80
Z:Brennan/Black
M:2/4
L:1/16
K:D
ef|g2f2 e2d2|edef d2ef|g2f2 e2d2|e4 d2ef|
g2f2 e2d2|edef d2ef|g2g2 e2d2|e4d2||
%
z2|defg a2a2|b2a2 a4|b2a2 a2gf|g4 f2z2|
a4 d4|edef d2ef|g2f2 e2d2|e4 d2||
%
D2|G2F2 E2D2|E2E2 D2EF|G2F2 E2D2|E4 D2D2|
G2F2 E2D2|E2E2 D2EF|G2F2 D2E2|E4 D2||
%
z2|DEFG A2A2|B2A2 A2 z2|B2A2 A2GF|G4 F2z2|
A2A2 D4|EDEF D2EF|G2F2 E2D2|E4D2||
%
ef|gafg efdf|edef defa|gafg efdf|e4 d2EF|
GAFG EFDE|EDEF DEFD|GAFG EFDE|E4D4 |]

%%%

X:49448
T:MARTYR'S LAMENT 
S:F.O'Neill
B:ONMI.1844 
R:jig
Z:Brennan/Black
N:I have no idea how this tune is supposed to be played. There's a
rather rowdy ballad called "Seven Drunken Nights" that's sung to this
melody, which seems a little dissonant from the ONMI title, but I'll
leave it up to you to decide how to handle it!
M:6/8
L:1/8
K:G
A|B2B d2e|B2A G2A|B2d e2f|g3 gfg|
a2g f2e|e2d B2A|Bcd e2f|e3 e2 :|
d2B d2f|e2d B2d|e2f g2f|e3 eze|
d2B e2d|B2A B2G|A2A G2G|G3-G3|]

%%%

X:49430
T:MISS HAMILTON (march)
S:not attributed (? Carolan)
B:ONMI.1830
R:march
Q:1/4=100
Z:Brennan/Black
M:4/4
L:1/8
K:G
B2d2 cBAG|dcBd D2Dz|CEDC B,DGD|CB,CG, A,2A,z|
BdcB AGAF|GBAG EDEG|dBAG EGDC|B,2A,2G,4||
dedc cBAG|dedc cBAG|Bdgd edcB|cBAG A2Az|
BdcB AGAF|GABG EDG2|dBAG EFDC|B,2A,2G,4|]

%%%

X:49431 
T:MUNSTER OUTCRY (pipe solo)
S:not attributed % ? P.Tuohey
B:ONMI.1849
R:none % sean-nos style
Z:Brennan/Black
M:C
L:1/8
K:G
%1-4
d/e/f/g/|"1"abab abab|a8|a8|(3bag e2 e/f/g/a/ b2|
%5-9
"5"bc'bc' bc'bc'|b8|b8|b3a ge3|geag (3bag ag|
%10-12
"10"(3bag a2 b2 c'/b/a/g/|e2ge ag (3bag|ag (3bag ag g2|
%13-16
"13"za (3bag e4|geag (3bag ag|(3bag a2b2 c'/b/a/g/|e2ge ag (3bag|
%17-20
"17"ag (3bag ag g2|za (3bag e4|geag (3bag ag|(3bag ag b/a/g/e/ (3deg|
%21-24
"21"ag g6|cec2 (3cBA BD|B2 (3BAG AD A2|(3AGE GD G2 (3GED|
%25-28
"25"ADA2 (3AGE BD|B2 (3BAG BDB2|(3BAG AD A2 (3AGE|GD G3A (3BAG|
%29-32
E3zc zc2|(3BAG E2B zB2|(3BAG E2A zA2|(3BAG E2B z (3BAG|
%33-35
"33"z (3A>GE z (3B>AG (3A>GE|G3A (3BAG E2|GEAG (3BAG AG|
%36-37
B/A/G/E/ (3DEG AG G2|G8|]


X:49432
T:POLL HA'PENNY (long dance)
S:F.O'Neill
B:ONMI.1783
N:1:This is in the key of D in ONMI, but to my ear the
c's in the first four measures should be natural.
With that in mind I've changed the key signatures
around a bit. (If you esnt to hear how O'Neill's
version sounds, replace K:Am with K:D.)
N:2:Original pickup notes were /fe/ and first figure
of m.1 was /cAAB/. I changed both.
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:4/4
L:1/8
K:Am
AB|cAGA BGEB|cAGE G2cd|edce dcAG|A2AA A2:|
K:D
de|f2fd e2ed|cdef g2gb|aged cAdc|A2AA A2 (3def|
gfga gfef|gfga g2ed|eaab afed|eaab a2ag|
f2fd e2ed|cdef g3b|aged cAdc|A2AA A4-|A4z4|]

%%%

X:49433 
T:RAKES OF MALLOW (march), The 
S:J.O'Neill
B:ONMI.1814
R:march
Q:1/4=100
Z:Brennan/Black
M:2/4
L:1/16
K:G
G2B2 G2B2|G2B2 cBAG|F2A2 F2A2|F2A2 dcBA|
G2B2 G2B2|G2B2 d2B2|cBAG FGAc|B2G2 G2 z2|
GBBB GBBB|GBBB cBAG|FAAA FAAA|FAAA dcBA|
GBBB GBBB|GBBB d2B2|cBAG FGAc|B2G2 G2 z2||
%
g2fe d2c2|B2c2 d2B2|g2fe d2c2|B2e2 A2 z2|
g2fe d2c2|B2c2 d2B2|cBAG FGAc|B2G2 G2 z2|
g2fe dedc|BABc dcBc|g2fe dedc|BABe A2Bd|
g2fe dedc|BABc dcBd|cBAG FGAc|B2G2 G2 z2|]

%%%

X:49434
T:RAMBLING RAKE (long dance), The 
S:Hartnentt
B:ONMI.1785
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:4/4
L:1/8
K:A
E2|AGAB cBcd|efeA d2ge|d2ge d2ge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A2:|
d2|efec d2g2|efec d2g2|fgaf dg g2|fgaf d2ga|
bagf efga|bagf efga|baga bagf|edef g2fg|
efec d2g2|efed c2Bc|ABcd gfge|dcBA G2G2|
AGAB cBcd|efec d2ge|dBGB dedB|c2A2A4|]

%%%

X:49435
T:RETURN FROM FINGAL (march), The 
S:not attributed
B:ONMI.1816
R:march
Q:1/4=60
Z:Brennan/Black
M:2/4
L:1/16
K:G
B2GF EFGA|B2GF E4|AGFA d2A2|B2A2 B^c^de|
B2GF EFGA|B2GF E4|AGFA d2A2|F2E2 E2 z2:|
f2e2 e2dc|B2A2 d2A2|B2A2 d2A2|B2A2 B^c^de|
f2e2 e2dc|B2A2 d4|AGFA d2A2|F2E2 E2 z2:|

%%%

X:49436 
T:ROCKS OF CASHEL (march), The 
S:F.O'Neill
B:ONMI.1819
R:march
Q:1/4=100
Z:Brennan/Black
M:4/4
L:1/8
K:G
GBd2 e/d/c/B/ d2|GBd2 e/d/c/B/ A2|GBd2 e/d/c/B/ d2|gedB cAAB:|
%
GB c/B/A/B/ GB c/B/A/B/|GB c/B/A/B/ cAAB|\
GB c/B/A/B/ dB c/B/A/B/|gedB cAAB:|
%
Bdg2 g/f/e/d/ g2|Bd g2 g/f/e/d/ gb|Bdg2 g/f/e/d/ g2|gedB cAAB|
GB c/B/A/B/ c/B/A/B/ c/B/A/B/|\
GB c/B/A/B/ cAAB|
GB c/B/A/B/ c/B/A/B/ c/B/A/B/|gedB cAAB|]

%%%

X:49437
T:RODNEY'S GLORY (long dance) 
S:F.O'Neill
B:ONMI.1784
R:hornpipe
N:Note 12 measures in second part.
Q:1/4=70
Z:Brennan/Black
M:2/4
L:1/16
K:A
ed|c2Bc ABcA|BGEF G2cd|efed cdef|gfge dfed|
c2Bc ABcA|BGEF G2ed|c2BA GABG|A4A2:|
d2|eaab aged|efed c3A|g2fg agec|dcAF G2G2|
AGAB cBcd|edee a2ab|aged cdef|gfge dfed|
c2B2 ABcA|BGEF G2ed|c2BA GABG|A4A2:|

%%%

X:49438 
T:RORY OF THE HILLS (march)
S:not attributed
B:ONMI.1810
N:A version of "Brian Boru's March"; note 14 measures in Part A
R:march
Q:1/4=140
Z:Brennan/Black
M:6/8
L:1/8
K:D
A2F A2E|A2F A2D|B2G A2E|G2F E2D|
A2F A2D|A2F A2D|B2d AdG|FdF E2D|
F2D G2E|A2A GFE|E=cG E2=C|G=cG E=CE|\
DED DED|DED DED||
B2G BdG|B2G BdG|A2d A2F|A2d A2F|
B2B AdA|G=cG E2=C|F2D G2E|A3 AGF|
E=cG E=CE|G=cG E=CE|DED DED|DED DED|]

%%%

X:49439
T:RUB THE BAG (long dance)
S:not attributed
B:ONMI.1795
N:14 measures in second part
R:jig
Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:D
d2d fed|cBA cec|BcB fdB|dcB fdB|
d2d fed|cBA cec|ABA ecA|[1 AcA ecA:|\
[2 A/B/cB d3||
ded def|efe dfg|fgf f2^g|aba a2g|
fgf fga|gfe efe|d3 fed|cBA ced|
BcB fdB|B/c/dB fdB|dcd fed|cBA cec|
ABA ecA|A/B/cA d3:|

%%%

X:49440
T:SHANE O'NEILL'S MARCH 
S:J.O'Neill
B:ONMI.1806
R:march
Q:1/4=140
Z:Brennan/Black
M:C
L:1/8
K:G
GA|B2BA B2cd|B2BA B2AG|Bdge dBAG|A2AB A2GA|
B2BA B2c2|B2BA B2AG|Bdge dBAB|G2GA G2:|
ef|g2fg e2ag|fefd B2Ac|d3e dBAG|g2ga g2fa| 
e2fg d2fg|dBAG A2Bd|efge dBAB|G2GA G2:|

%%%

X:49441 
T:SWEET KILLALOE (march)
S:F.O'Neill
B:ONMI.1809
R:march 
Q:1/4=80
Z:Brennan/Black
M:2/4
L:1/16
K:D
FG|A2D2 F2ED|ABAG E2FG|A2D2 F2ED|C2D2 E2FG|
A2D2 F2ED|ABAG E2EF|G2E2 =c2E2|D4D2:|
G2|A2Bc d2c2|A2B2 =c4|E2F2 G3F|E2F2 G4|
A2Bc d2c2|A2B2 =c2A2|G2E2 =c2E2|D4D2G2|
A2Bc d2c2|A2B2 =c4|E2F2 G3F|E2F2 G4|
A2Bc d2cd|e2d2 c2A2|G2E2 =c2E2|D4D4|]

%%%

X:49442
T:THREE CAPTAINS (long dance), The 
S:J.O'Neill
B:ONMI.1787
R:hornpipe
Q:1/4=100
Z:Brennan/Black
N:This version sounds a little weird, maybe because I'm more familiar
with this tune in 6/8 . . .?
M:4/4
L:1/8 % dotted rhythm
K:G
P:simplified version
D|GGB2 cAFA|GGB2 dBGG|c2AA B2GG|ABcB AGFD|
GGB2 cAFA|GGB2 dBGG|c2AA B2GG|EBAF G2G:|
d|ggdB Acdf|ggd2 eAAA|ggbe fgad|e2ec dddB|
cdeA BcBG|ABcB AGFD|GGB2 cAFA|
GGB2 dBGG|c2AA B2GG|EBAF G2G:|

source version:
D|GG (3BGB cAFA|GG (3BGB dBGG|(3cec AA (3BdB GG|ABcB (3AcG (3FED|
GG (3BGB cAFA|GG (3BGB dBGG|(3cec AA (3BdB GG|(3EcB (3AGF G2G:|
d|gg (3dcB (3ABc (3def|gg (3dBd (3ecA AA|gg (3bge fg (3afd|\
e/f/g/e/ (3edc dd (3dcB|
cd (3ecA Bc (3dBG|ABcB (3ABG (3FED|GG (3BGB cAFA|
GG (3BGB dBGG|(3cec AA (3BdB GG|(3EcB (3AGF G2G:|
%


%%%

X:49443 
T:ULSTER OUTCRY (pipe solo)
S:not attributed
B:ONMI.1846
R:none % sean-nos style
Z:Brennan/Black
M:4/4
L:1/8
K:G
%1-5
"anacr"DEFG A/B/|"1"cdcd cdcd|c8|c8|(3BAG E2 EFGA|B2Bd AdBd|
%6-9
"6"Ad B3c (3BAG|E2GE AG (3BAG|AG (3BAG A2 (3BAG|E3E/F/ G/A/B/d/ c2|
%10-14
"10"cdcd c2BA|B2Bd BdBd|BdB2 AGA2|BdAd BdAd|B3c (3BAG E2|
%15-18
"15"GEAG (3BAG AG|A2cB AGE2|GE A>G (3BAG AG|G3A (3BAG E2|
%19-22
"19"GEAG (3BAG AG|A2cB AGE2|GE A>G (3BAG AG|G3A (3BAG E2|
%23-25
"23"Bz (3BAG zA (3AGE|zB (3BAG zA (3AGE|G4zA (3BAG|
%26-28
"26"E2GE AG (3BAG|AG B/A/G/E/ (3DEG AG|G8|]

%%%

X:49444 
T:WHITE BLANKET (long dance), The 
T:An Suisín Bán
S:Cronin
B:ONMI.1794
R:hornpipe
Q:1/4=70
Z:Brennan/Black
M:2/4
L:1/16
K:G
B|c2E2 E2DE|G2AB c3A|BAGE DEFG|A2AB A2GB|
c2E2 E2DE|G2AB c3A|BAGE D2EF|G2G2 G2:|
Bd|e2ef e2d2|gedB c3A|BAGE DEFG|A2AB A2dc|
BAGE DEFA|GABc d2Bd|e2ef e2d2|gedB c3A|
BAGE DEFG|A2AB A2dc|BAGE DEFA|G2GG G2:|

%%%

X:49445
T:WHITE COCKADE (march), The 
S:not attributed
B:ONMI.1803
R:march
Q:1/4=130
Z:Brennan/Black
M:4/4
L:1/8
K:G
GA|B2Bd cBAG|BABc B2gf|edcB cBAG|E2AA A2GA|
B2Bd cBAG|Bdef gfga|bagf agfe|d2B2B2:|
Bc|d2B2 g2B2|dc de d2Bc|d2Bd g2fg|a2AA A2GA|
B2Bd cBAG|Bdef gfga|bagf agfe|d2B2B2:|

%%%

X:49446 
T:WITH BIDDY BY MY SIDE (march) 
S:Kennedy
B:ONMI.1842
R:march
Q:1/4=120
Z:Brennan/Black
M:4/4
L:1/8
K:G
EFGA BcAc|BAGB AGED|EFGA BcAc|1 Bee^d e2z2:|\
[2Bee^d e2ef||
gefd edB^c|d2ed Bdd2|gefd edBA|(3B^c^d ef e2ef|
gefd edB^c|d2ed Bddg/a/|bgaf gefd|Bee^d e2z2|]

%%%

X:49447
T:WOODS' LAMENTATION (long dance) 
S:F.O'Neill
B:ONMI.1786
R:hornpipe
Q:1/4=75
Z:Brennan/Black
M:2/4
L:1/16
K:G
GA|BcBA B2g2|dcBd B2AG|ded^c d2gf|e^deg A2gf|
edcB dcBA|cBAG A2GE|GFGA BGdB|A^GAB =G2:|
d2|e^def g2G2|gabg e3d|B2d2 efgf|ed^ce d2Bd|
efga gfef|gabg e3d|BABc dcde|fdef g2ef|
g2dg edeg|dBde dcBA|G2ge dgdB|A^GAB =G2:|

%%%


TUNES MOVED TO FOLDER 497:


AH SURE SUCH A PAIR 
AROUND THE WORLD FOR SPORT 
BIDDY I'M NOT JESTING 
BLACKBIRD AND THE HEN 
DEAR LITTLE ISLAND 
DEVIL IN DUBLIN 
FEARLESS BOYS 
GREEN FLAG FLYING 
HARRINGTON HALL 
HEART AND HAND 
HOW IS YOUR MOTHER? 
INDEED THEN YOU WON'T! 
MARRY THE PIPER GIRL! 
MARTYR'S LAMENT
MERRY MERCHANT 
MUNSTER LASS  
NEW SCHOOL 
PADDY CAREY 
SIR PATRICK BELLEW'S MARCH 
TOMMY JOHNSON 
YELLOW JOHN (1)
YELLOW JOHN (2)
YOU'LL NEVER BE ANY GOOD