X:50001 T:ALMA ROAD JIG*, The B:Petrie.106 % unnamed C:ABC/arr. BB N:No repeats in source. %Q:1/4=160 M:6/8 L:1/8 R:jig K:D % source key = Bb G|ABA AFA|d2e f2g|ecA AGF|G3 F2G| ABA AFA|d2e f2d|ecA ABc|d3-d2 :| e|fef def|g3 f2g|ecA AGF|G3 F2G| ABA AFA|d2e f2g|ecA ABc|d3-d2 :| %%% X:50002 T:BARLEY GRAIN, The B:Petrie.293 C:ABC/arr. BB Y:"allegro" H:"from James Quane, a farmer, from Coolfree Co.Limerick". %Q:1/4=160 M:6/8 R:jig K:G A|BAB G2D|GAG GAB|BAB GFG|A2B c2A| BAB G2D|GAG GBc|ded dcB|A2B c2 :| % A|B2d ded|ded ded|B2d ded|e2f g3| B2d ded|ded def|gfe dcB|A2B c2 :| P: repeat part 1 A|BAB G2D|GAG GAB|BAB GFG|A2B c2A| BAB G2D|GAG GBc|ded dcB|1 "thru"A2B c2 :| [2 "final"A2B AGF|G6|| A-B-A structure in source; I have supplied repeats. %%% X:50003 T:BEACH PLUM JELLY* B:Petrie.115 % unnamed C:ABC/arr. BB N:No repeats in source. %Q:1/4=160 M:6/8 L:1/8 R:jig K:D G|ABA FGA|d2e f2g|ecA AGF|G3 F2G| ABA FGA|d2e f2d|ecA ABc|d3 d2 :| e|fef def|g3 f2g|ecA AGF|G3 F2G| ABA AFA|d2e f2g|ecA ABc|d3 d2 : %%% X:50004 T:BEAUTIFUL MOLLY McKEON B:Petrie.325 C:ABC/arr. BB N:No repeats in source. %Q:1/4=160 M:6/8 L:1/8 R:jig K:Am B|Aee deB|A2B cBA|GED C2D|EAA A2A| Aee deB|AGA cBA|GED C2D|EAA A2 :| G|Acd ede|fed e2d|cBA dcB|AGF E2d| edc dcB|A2B cBA|GED C2D|EAA A2 :| source version H:"Set in the Co.of Derry" Aee deB|AAB cEA|GG/E/D C2D|EAA A2A| Aee deB|AA/^G/A/B/ cEA|GG/E/D C2D|EAA A3 || Acd eee|fed e2e/d/|ccA dcB|AGF E2c/d/| eec dcB|AAB cEA|GG/E/D C2D|EAA A3 || %%% X:50005 T:BIDDY I'M NOT JESTING (h'pipe) B:Petrie.307 C:ABC/arr. BB H:"Set from Paddy Conneely" N:Repeats added. %Q:1/4=150 M:C| L:1/8 R:hornpipe K:G % source key Ab FE|DEGA B2AG|AcBc dBAF|EDDB, DEGA|BdBG A2DE| DEGA B2AG|AcBc dBAF|EDDB, DEGA|G4-G2 :| EF|GABd e2ge|dBGE c2Bc|dBGE DEGA|BdBG A2DE| DEGA B2AG|A2Bc d2AF|EDDB, DEGA|G4-G2 : %%% X:50006 T:BOUNCING BABY*, The B:Petrie.103 % unnamed C:ABC/arr. BB N:No repeats in source. %Q:1/4=150 M:9/8 L:1/8 R:slip jig K:Gmix % source key = F d|Bcd d2g dBG|Bcd dBg f2A| B2c d2g dBG|Ade fcA c2 :| A|BAB cBc dBG|B2d c2e d2c| BGd cAe dBG|1 "thru"Ade fcA c2 :| [2 "final"Ade fcA HG3| %%% X:50007 T:BUACHAILLÍN BRUITHE, An B:Petrie.096 (as "Buachalin") C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G A|G2A BAG|AGF GFD|G2A Bdd|cAG F2D| G2A BAG|AGF G2e|fag f2d|cAG F2 :| % c|ded dcA|d2G GAc|ded dcA|cAG FGA| ded dcA|d2G G2e|fag f2d|cAG F2 :| % A|B2G A2G|d2G G2A|B2G A2G|cAG FGA| BAG AGF|GFD FGA|fag f2d|1 "thru"cAG F2 :| [2 "final"cAG FEF|HG6|] It's hard to tell from Petrie's notation whether or not this is a modal tune. I thought at first that it was, but after listening to it both ways, I've changed my mind! %%% X:50008 T:CANAL BANK POLKA*, The B:Petrie.157 % unnamed C:ABC/arr. BB %Q:1/4=120 M:2/4 L:1/8 R:polka K:Gmix D|G>A Bd/e/|fg ag|fd/e/ fc/A/|GA F2| d>e fg|ag ed/c/|dg g>f|g3 :| g|ag fd/e/|fg d>e|fa/g/ fc/A/|GA F>A| BG Bd/e/|fa gd/c/|AG G>F|G3 :| No repeats in source. As with other tunes in this collection, it's hard to tell whether or not a "modal" tune (= seventh scale degree flat) is intended. I'm going with modal on this one. %%% X:50009 T:CANOE CREEK REEL*, The B:Petrie.145 % (unnamed; only part 2 repeats) C:ABC/arr. BB %Q:1/4=180 M:4/4 L:1/8 R:reel K:Edor % source key Gm B,EED B,EEC|DEFG AFDF|B,EED B,EEc|dBAF FEE2 :| efge fdec|dcdB AFDF|efge fdec|dBAF FEEe| efge fdec|dcdB AFDF|B,EED B,EEc|dBAF FEE2 |] %%% X:50010 T:CHANCE OF RAIN*, A B:Petrie.168 % unnamed C:ABC/arr. BB %Q:1/4=80 M:6/8 L:1/8 K:G D|EDE DGB|ABc d2c|B2A G2F|EFG FED| EGG DGB|ABc d2c|B2A G2F|G3-G2 :| e|=fed ede|=fga fdc|B2A G2A|FGA FED| E2D DGB|ABc dec|B2G BAF|G3-G2:| I had to do a lot of work on this because I couldn't get the original to sound right. I hope it was worth the effort. source version: R:air 6/8 % 3/4 K:G % source key F DGA|E2D DGB|d3 dec|B2 AG GF|E3 FGA| E2D DGB|d3 dec|B2 AG GF|G3 || Bde|=fe/d/ ed/B/ de|g3 age/d/|B2A G2A| E3 FGA|E2D DGB|d3 dec|B2G BAG|G6 |] %%% X:50011 T:CHASING the HARE B:Petrie.413 (as "Chasing The Hare Down The Hill"; no repeats) C:ABC/arr. BB H:"Petrie calls this tune the same as the jig 'The Humors of Milltown'". %Q:1/4=160 M:12/8 L:1/8 R:slipjig K:G % source key Ab DED G2A B2G cAG|F2D DED F2D DED| DED G2A B2G ABc|ded cAF G3-G3 :| B2G c2A B2G cAG|F2D DED F2D DED| B2G c2A d2B ABc|ded cAF G3-G3 :| %%% X:50012 T:CHIEF BARON'S FANCY*, The B:Petrie.282 % unnamed C:ABC/arr. BB H:"From the Chief Baron 15th Jan.1852." N:No repeats in source. Cut time removed. %Q:1/4=160 M:6/8 L:1/8 R:jig K:Gmix D|DGG GFG|DBB cBc|ded cBA|BGE F3| DGG GFG|DBB cBc|ded cBA|BGG G2 :| e|gdB gfg|gdc BAG|Fff fef|AFA cBA| Ggg gfe|dce fdc|BdB cBA|BGG G2 :| I have no idea who the Chief Baron is (or was). %%% X:50013 T:CHILMARK LASSIES* (polka), The B:Petrie.146 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=120 M:2/4 L:1/8 R:polka K:Am % source key Gm E|A>c BA|GF EG|A>c BG|A2-AE| A>c BA|GF EG|A>c BG|A3 :| d|e>d cB|AG FE|A>G AB|c2-c^c| d>B cd|ef ed|c>A BG|A3 :|-A6| %%% X:50014 T:CLOSE QUARTERS JIG*, The B:Petrie.288 % unnamed; no repeats C:ABC/arr. BB H:"From J.S.Close" Y:"Allegro" %Q:1/4=160 M:6/8 L:1/8 R:jig K:Em F|E2e eB^c|d2B AFD|E2e e2B|efg fdB| E2e eB^c|d2B AFD|GFG AGA|BAB E2 :| f|g2e efg|fef def|g2e efg|fed e2f| g2e efg|fef def|g3 a3|bgf e2 :| %%% X:50015 T:DEEP IN DARK WOODS* (march) B:Petrie.162 % unnamed C:ABC/arr. BB Y:"andante" %Q:1/4=70 M:2/4 L:1/8 R:march K:Dm E/G/|Ac B/A/G/E/|ce dc|AG/E/ DD|D3A/G/| Ad d/c/d/e/|fa g/f/e/d/|ef d(3c/A/G/|A3-A/G/| Ad d/c/d/e/|fa g/f/e/d/|ef d/c/A/G/|A2-AF/G/| Ac B/A/G/E/|ce dc|AG/E/ DD|D4 |] %%% X:50016 T:DRUMCLIFF JIG*, The B:Petrie.209 % unnamed, without repeats C:ABC/arr. BB H:"Sligo air; variant of preceding [1.208]" %Q:1/4=150 M:9/8 L:1/8 R:slip jig K:G % source key Bb E|BGA E2D E2D|DEG G3 G2E| DEG c2c d2e| dBG A3 AG :| E|DEF cde ded|dBG A3 AGA| BGA E2D E2D|DEG G3-G2 :| %%% X:50017 T:DUNGARVAN BREEZES* (polka) B:Petrie.215 % unnamed C:ABC/arr. BB H:"County of Waterford air from Mr.Fitzgerald" %Q:1/4=100 M:2/4 L:1/8 K:D % source key Eb A/G/|F>G AB/c/|d2 AF|AG/F/ DE/F/|G3 A/G/| F>G AB/c/|d>c AG|FG/E/ DD|D3 :| F/G/|AB/c/ d>e|fd ef/e/|dA/G/ FA/B/|=c3 A/G/| FG AB/c/|d>c AG|FG/E/ DD|D3 :| %%% X:50018 T:EASTERLY WEATHER* B:Petrie.010 % unnamed C:ABC/arr. BB N:No repeats in source. %Q:1/4=160 M:6/8 L:1/8 R:jig K:Em % source key Gm z|B3 A3|G3 F3|EFE G2A|BGE EGA| B3 A3|G3 F2E|DED d2B|AFD D2 :| F|EDB, G2A|BGE EDB,|EFE G2A|BGE E2F| EDB, G2A|BGE EDB,|DED d2B|1 "thru"AFD D2 :| [2 "final"AFE DEF|HE6|] %%% X:50020 T:FAR DOWN IN LUIDACH (hornpipe) B:Petrie.335 (as "Far Far Down in the South of Luidach", without repeats) C:ABC/arr. BB Y:"Allegretto" H:"Set from M.O'Donohoe, Arranmore, 13 Sep.1857" %Q:1/4=75 M:2/4 L:1/16 R:march K:D % source key E DEFG A2A2|d2=cB A2AG|AFDE F2F2|A2GF E4| DEFG A2A2|d2=cB A2B2|AFDE F2EF|D2D2 D4 :| ABde f2e2|f2ed e2de|f2ef dAFA|B2A2 A3F| DEFG A2A2|d2=cB A2B2|AFDE F2EF|D2D2 D4 :| Whatever or wherever "Luidach" was in 1857, it isn't anymore! %%% X:50021 T:FARAWAY WEDDING, The B:Petrie.468 (without repeats) C:ABC/arr. BB H:"Mr. Joyce, from Connor Hanna, near Kildorrery, Co. of Cork". Y:"allegro" %Q:1/4=160 M:6/8 R:jig K:D G|AFD DFG|Add B2A|Bcd AGF|GFG EFG| AFD DFG|Add B2A|BdF G2E|FDD D2 :| e|fef d2e|fed B2A|Bcd A2F|GFG E2e| fef def|gfg ecB|AdF G2E|FDD D2 :| %%% X:50022 T:FAREWELL TO BRIGHT DAYS* (march) B:Petrie.163 % unnamed C:ABC/arr. BB %Q:1/4=80 M:2/4 L:1/8 R:march K:G d/c/|BG AE/F/|GE DD/E/|GG/B/ AG/A/|B3 (3G/A/B/| c-c/d/ cB/A/|BB/c/ BA/E/|GA B/G/A/F/|E3 B/c/| de BG|AG ED/E/|GG/B/ AG/A/|B3 B/c/| dd/e/ =fe|dB d(3e/d/c/|BG/B/ AG|G4 |] %%% X:50023 T:FATHER WALSH'S POLKA* B:Petrie.218 % unnamed C:ABC/arr. BB H:"A Kerry air without name from Fr.Walsh" %Q:1/4=120 M:2/4 L:1/8 R:polka K:G % source key F E/F/|G2 GA|B2 BA|GE GA/B/|cB Gz| d2 e=f|ed BA|1 GB AG/A/|1 B2 D :|2 B>d ef |g2 g|| e/f/|g2 fd|ed BA|GE G/A/B|AG Ez| g2 fd|ed BA|GB AG/A/|1 B2 d :|2 HG4|] I reset this as a polka - I hope the good Father wouldn't mind! %%% X:50024 T:FLYING HORSES*, The B:Petrie.012 % unnamed, without repeats C:ABC/arr. BB Y:"Allegretto" %Q:1/4=160 M:6/8 L:1/8 R:jig K:D % source key Bb G|ABc d2e|d2c dcB|ABc d2f|edc BAG| ABc def|edc BcA|d2B dec|d3-d2 :| g|a2f gfg|a3 f3|egg efd|B3 A2G| ABc d2d|e2c BcA|dcB dec|d3-d2 :| %%% X:50025 T:FOUR SEASONS (reel), The B:Petrie.416 (without repeats) C:ABC/arr. BB %Q:1/4=180 M:C L:1/8 R:reel K:G D|G2GF GBdB|c2BA Bdge|d2de dBGA|BdcB A2dB| G2GF GBdB|c2BA Bdge|d2de dBGB|AGAB G3 :| c|d2Bc dggf|edef g2fe|d2de dBGA|BdcB A2dB| G2FG GBdB|c2BA Bdge|d2de dBGB|AGAB G3 :| %%% X:50026 T:FRANK KEANE'S FANCY* (hornpipe) B:Petrie.177 % unnamed, no repeats C:ABC/arr. BB H:"Co.Clare, from F.Keane, 19 July 1858" %Q:1/4=150 M:4/4 L:1/8 R:hornpipe K:Am Bc|dedc A2G2|Acde f2ed|cdec d2cA|G4 G2z2| dedc A2G2|Acde f2ed|cdec d2cB|A4 A2 :| ed|cdef g2eg|a2ga f2ed|cdec d2cA|G4 G2Ac| dedc A2G2|Acde f2ed|cdec d2cB|A4 A2 :| Source key of A minor didn't sound right, but when I tried it a number of other ways, they didn't sound right either! %%% X:50027 T:FROSTY NIGHT* (march), The B:Petrie.161 % unnamed C:ABC/arr. BB Y:"andante" %Q:1/4=120 M:C| L:1/8 R:march K:Dmix % source key = Eb AG|F2FE D2D2|EFG2 A2AG|F2FE D2D2|EFGF E2AB| c2dB cBAF|E2F2 ABFE|F2FD E3D|D4 D2 || AB|c2d2 cBAG|F2G2 A2AB|c2dB cBAG|E2D2 E2AB| c2d2 cBAF|E2F2 A2DE|F2FD E3D|D4-D2 |] %%% X:50028 T:GALLANT SERGEANT MAJOR* (march), The B:Petrie.142 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=100 M:2/4 L:1/8 R:march K:G % source key = Ab P:P1 G2 GF|GA B2|E2 G/F/E/D/|GA BG/B/| d2 dd/c/|de ed/B/|dB A/d/B/A/|GG G2 || P:P2 c2 cB/A/|Bc d/c/B/A/|GG F/D/E/^C/|D3 F/G/| AA BA/G/|FF/E/ DE|F/G/A B/A/F/E/|DD DE/F/ || P:P1 repeat G2 GF|GA B2|E2 G/F/E/D/|GA BG/B/| d2 dd/c/|de ed/B/|dB A/d/B/A/|GG HG2 |] %%% X:50070 T:GIRL OF THE GOLDEN TRESSES (reel), The B:Petrie.371 % as "Oh Girl ..."; no repeats C:ABC/arr. BB H:"From P.Mullin, Arran-more 10th Sep.1857" %Q:1/4=180 M:C L:1/8 R:reel K:Ador % source key Gm D|EABG A2BG|ABde g2af|gfed BdAB|G4 E2ED| EABG A2BG|ABdf gaba|gfed B2AF|GdBG A3 :| d|edef g2ga|gedB d2ef|gfed BdBA|G4 E3D| EABG A2BG|ABde gbaf|gfed B2AF|GdBG A3 :| %%% X:50029 T:GOOD SHIP PLANET, The B:Petrie.379 C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = F F|GAF GEF|GAB dBd|efe dBA|G2A BEF| GAF GEF|GAB dBd|efe dBG|AGF G2 :| A|BcB gag|fed edA|B2A G2F|EGA BEF| GAF GEF|GAB dBd|efe dBG|AGF G2 :| Source version H:"From Pat Folan, Arranmore, 8th Sep.'57" K:F D/E/|FGE FDD/E/|FGA cAc|ded cAG|F-F/E/F/G/ A2D/E/| FGE FDD/E/|FGA cAc|ded cAF|GFF F2 || F/G/|ABA fgf|edc dcA/G/|A-A/G/A/G/ FED/E/|D-D/E/F/G/ A2D/E/| FGE FDD/E/|FGA cAc|ded cAF|GFF F2 || %%% X:50030 T:GREEN BEACON*, The B:Petrie.108 % unnamed C:ABC/arr. BB %Q:1/4=160 L:1/8 M:6/8 R:jig K:D P:P1 e|cAA eAA|BGG d2B|cAA eAA|cAA e2| [1 d|cAA eAA|BGG d2B|cec d2B|cAA A2 :| [2 c|dBB cAA|BGG d2B|cec d2B|cAA A2 || P:P2 |:g|fdd add|ecc g2e|fdd add|fdd a2f| g2e fdd|ecc g2e|faf g2e|fdc d2 :| P:P3 |:e|fed c2A|ecc c2g|fed c2A|fdd d2e| fed c2A|c2c g2e|faf g2e|fdc d2 :| This tune is a bit complicated - this is the best I can do with it. %%% X:50031 T:HERE WE GO UP UP UP B:Petrie.101 C:ABC/arr. BB H:"Called 'Mad Moll' in the 17th Edition of the 'Dancing Master, 1721'". %Q:1/4=150 M:9/8 L:1/8 R:slipjig K:Am A|cde cAA cAA|cde cAA B2G| cde cAA cAA|Bcd ded B2 :| G|cde gee gee|cde gee f2d| cde gee gee|1 Bcd ded B2 :| [2 "final"Bcd ded B2G|A6z3| %%% X:50032 T:HOGAN FROM LAHINCH* (hornpipe) B:Petrie.266 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=140 M:C| L:1/8 R:hornpipe K:D % source key Bb de|f2fg fede|fgaf e2de|f2fg fedf|afef d2de| f2fg fede|fgaf e2de|f2fg fedf|afef d2 || GA|B2Bc dcdB|AFAB A2A2|BABc defg|afef d2cd| B2Bc dcdB|AFAB A3A|BABc defg|afef Hd4 |] My name in honor of Boston's late Jimmy Hogan, one of the nicest musicians I ever met. RIP. %%% X:50033 T:HORACE the RAKE B:Petrie.348; no repeats C:ABC/arr. BB H:"Set from F.Keane". Y:"allegretto" %Q:1/4=160 M:6/8 R:jig K:Am % source key = Fm B|c2A B2G|AGE GAB|c2A B2^F|G2g e2d| c2A B2G|AGE GAB|cBA GED|E3 A2 :| B|cde geg|aba ged|cde geg|a3 A2B| cde geg|aba ged|cBG GED|E3 A2 :| %%% X:50034 T:HOT POTATO POLKA*, The B:Petrie.036 % unnamed; 8 mm, no breaks C:ABC/arr. BB %Q:1/4=120 M:2/4 L:1/8 R:polka K:Dmix % source key Eb A>B cB|dA/B/ cA|A>B cB|Ad/e/ d2:| EG/E/ DE/G/|c>B cA|de/c/ dA/G/|ED D2 :| Source version: K:Eb BB/c/ _dc/=d/|e/B/B/c/ _dB|BB/c/ _dc/B/|B/c/e/f/ e2| FA/F/ EF/A/|_d/e/d/c/ dB/=d/|e/g/f/d/ eB/A/|FE E2 |] %%% X:50035 T:HOUR BEFORE SUNRISE* (march), The B:Petrie.159 % unnamed Y:"andante" %Q:1/4=120 M:C| L:1/8 R:march K:G % source key = F GA|B3d c>BAG|E2FG A2Bd|e>fge dBAG|E>FGA G2 :| BA|G>ABc d2de|d>BAG d2ef|g>fga gfed|B>def gdef| g>fed B2de|f>dAG A2Bd|e>dBg dBA>G|E>FGA G4 |] %%% X:50036 T:HUMORS OF TISBURY* (hornpipe), The B:Petrie.151 % unnamed C:ABC/arr. BB %Q:1/4=150 M:C| L:1/8 R:hornpipe K:D F/G/|A3d cBAG|ABdc BAGF|GABc d2AF|G2FE D3 :| F/G/|A3d e2f2|efge fedc|d2AG FABd|efec A2ce| gfec dcBA|GBdc BAGF|G2FG ABAF|G2FE D4 |] %%% X:50037 T:HUNT THE SQUIRREL B:Petrie.487 C:ABC/arr. BB H:"An Irish March; as in the Dancing-master 17th Ed. 1721" %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = F D|G2d d2e|d3 B3|GAB A2G|GAB A2G| Gd2-d2e|d3 B3|GAB A2G|A2F G2 :| B|c2d edB|c2d edB|c2d e2f|g3 g2e| dB2 dB2|dB2 d3|GAB A2G|A2F G2 :| Source structure is 16 measure, no break. I have arranged this to make it sound more like a standard jig (with a little of Petrie's "squirrely" syncopation left in!) %%% X:50038 T:I LOST MY LOVE B:Petrie.460 C:ABC/arr. BB H:"From Frank Keane" %Q:1/4=160 M:6/8 L:1/8 R:jig K:Am ABA AGE|c3 c2d|efe edc|g3 e3| c2e g2e|dBG GAB|c2A BGE|c3 A3 :| aba age|gag g2e|aba age|g3 e3| c2e g2e|dBG GAB|c2A BGE|c3 A3 :| %%% X:50039 T:I SAW MY HOME FAR AWAY* (air) B:Stanford-Petrie 1.143 C:ABC/arr. BB Y:"andantino" %Q:1/4=80 M:4/4 L:1/8 R:air K:Em % source key = Fm GA|B2AG E2GF|E4-E2 GA|B2B2 BAGB|A3A G3z| d2BA B^c ^d2|e3d B2e2|d2BA G2A2|B6z2 || d2BA B^c ^d2|e3d B2e2|d2BA BAGE|G3F E2d^c| d2BA GAB^c|^d3f e2=dB|A3G E2E2|E4-E4 |] %%% X:50040 T:I WISH THE FRENCH WOULD TAKE THEM B:Petrie.497 C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = Bb D|G2F GAB|G3 EFG|A2G FDF|G3-G2D| G2F GAB|G3 EFG|A2G FDF|G3-G2 :| c|B2G ABc|d3 e2c|d2c BAB|c3 B2c| d2c BcA|G3 EFG|A2G FDF|G3-G2 :| %%% X:50041 T:IS THAT YOU MAC?* B:Petrie.102 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=150 M:9/8 L:1/8 R:slip jig K:G % source key = Bb ABA A2G FED|G2F G2A B3| ABA A2G FGA|d2c B2A G3 :| BdB d2B AFA|BdB BdB c3| BdB d2B ABc|d2c B2A G3 :| %%% X:50042 T:JUG OF STRONG PUNCH* (reel), The B:Petrie.352 % as "Jug of Punch"; no repeats C:ABC/arr. BB H:"A reel; from P.Carew's MSS" %Q:1/4=180 M:C L:1/8 R:reel K:Ador G|A2ed cdef|gfgd BGGB|A2ed cdef|gedB cAA :| e|a2eg a2ef|g2df g2eg|a2eg a2ef|gedB cAAe| abag aeef|gagf gefg|aged cdef|gedB cAA2|] This is not related to O'Neill's "Jug of Punch" (DMI 758/MOI 1542). I renamed this tune to reduce confusion with the other one. %%% X:50043 T:KENNEBEC AVENUE* B:Petrie.049 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=150 M:C| L:1/8 R:hornpipe K:Edor BA|GABc d2cd|edcd B2ba|g2fe B2fd|e6 BA| GABc d2cd|edcA GFE2|gfec Bdfd|e2 e2 e2 :| ga|b3a g2fg|agfe d2ef|gddB fadf|e2g2 e2EF| GABc d2cd|edcd B2ba|gabg fadB|e2 e2 e2 :| Source version: K:Am ED|CDEF G2FG|AGFG E2ed|c2BA E2^G2|A6 ED| CDEF G2FG|AGFG E2ed|c2BA E2^G2|A6 :| cd|e3d c2Bc|dcBA G2AB|c2Bc ABcd|e2E2 E2ED| CDEF G2FG|AGFG E2ed|c2BA E2^G2|A6 :| %%% X:50044 T:LADS IN THE SHACK*, The B:Petrie.118 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:D FAA dAA|BAA dAA|FAA dAA|BAG FED| FAA dAA|BAA dAA|FGA Bcd|BAG FED :| FAF G2E|FAF BGE|FAF G2E|dcd FED| FAF G2E|FGA BGE|FGA Bcd|1 "thru"fed AFD :| [2 "final"fed AFE|HD3z3|] %%% X:50045 T:LADS OF ARRANMORE*, The B:Petrie.013 % unnamed; no repeats C:ABC/arr. BB Y:"Allegretto" %Q:1/4=160 M:6/8 L:1/8 R:jig K:Amix d|eAB GFE|cBc dcd|ede cAF|G3-G2d| eAB GFE|cBc dcd|ede cAB|A3-A2 :| B|c2d e2f|gec dcd|ede cAF|G3-G2d| eAB GFE|cBc dcd|ede cAB|A3-A2 :| %%% X:50046 T:LAST DAYS OF SUMMER* (hornpipe), The B:Petrie.154 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=150 M:C| L:1/8 R:hornpipe K:G Bc|dGBG AFDc|dGBG c2Bc|dGBG AFDF|DBAF G2Bc| dGBG AFDc|dGBG c2BA|GBAc Bdeg|fdcA G2 :| AG|Adde fdcA|gfga g2ag|fgag fdcA|GBAF G2Bc| dGBG AFDc|dGBG c2BA|GBAc Bdeg|fdcA G2 :| %%% X:50047 T:LEAVE IT AS IS B:Petrie.387 (as "Let Us Leave That As It Is"; only part 1 repeats) C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:Am % source key = Gm E|A2B AGA|cde a2g|fed cAG|GAF GEG| A2B AGA|cde a2g|edd BGG|A3-A2 :| e|aba gag|fgf e2d|cdf ged|cAF GEG| A2B AGA|cde a2g|fed cAG|A3-A2 :| %%% X:50048 T:LITTLE RED LARK of the MOUNTAIN (1), The B:Petrie.383 (no repeats) C:ABC/arr. BB H:"An Erris tune from P.Coneely" %Q:1/4=160 M:6/8 L:1/8 R:jig K:Edor % source key = Cm D|EFE EFA|B2c dcd|BAF FED|E2D B,3| EFE EFA|B2c dcd|BAG FEF|E3-E2 :| d|edB def|g2f e2f|edB BAF|E2D B,2d| [1 edB def|g2f e2d|Beg fed|e3 e2:| [2 EFE EFA|B2c d2c|BAG FEF|E3-E3|] %%% X:50049 T:LITTLE RED LARK of the MOUNTAIN (2), The B:Petrie.384 (no repeats) C:ABC/arr. BB H:"From the County Armagh" %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = F D|G2A GEF|G2A Bge|dBG BAG|E3 D2E| G2A GEF|G2A Bge|dBG FAF|G3 G2 :| d|gfg edB|gfg ege|dBG BAG|E3 D2E| G2A GEF|G2A Bge|dBG FAF|G3 G2 :| %%% X:50019 T:MAGGIE'S DELIGHT* B:Petrie.100 % unnamed C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = D DGG GFG|A2G F2A|ABA ABA|ABA f2e| dBG GFG|A2G F2A|def cAF|G3 G3 :| % d2g gfg|a2g f2g|a2f d2g|f2d c2e| d2c A2d|c2A G2B|A2G F2A|G2F D3|| % DGG GFG|A2G F2A|ABA ABA|ABA f2e| dBG GFG|A2G F2A|def cAF|G3 HG3|] This is Petrie's version of "Planxty Maggie Brown". It's irregular in the source (two measures missing from the second part), so I have supplied them. Also note that Petrie's setting is upside-down (i.e., high part first). %%% X:50050 T:MENEMSHA LASS*, The B:Petrie.097 % unnamed, no repeats C:ABC/arr. BB Y:"allegretto" %Q:1/4=160 M:6/8 L:1/8 R:jig K:Dmix c|d2d ded|cBA ABc|d2d def|ecA ABc| d2d ded|cBA ABc|dBd cBA|GEC D2 :| G|FDF ABA|FDF ABA|ECE GAG|ECE GAG| FDF ABA|FDF ABc|dBd CBA|GEC D2 :| %%% X:50051 T:MERRY OLD WOMAN (1), The B:Petrie.354 % no repeats C:ABC/arr. BB %Q:1/4=160 M:9/8 L:1/8 R:jig K:D Add ded c2A|f2f fga gfe| aba gfe f2d|A2B =c2A GFE :| D2D F2F E2E|D2D F2F GFE| D2D F2F E2E|A2B =c2A GFE :|\ "final"HD6z3|] This and MOW #2 ot related to any tunes of this name in O'Neill's (MOI 799/800, DMI 72, all double jigs) %%% X:50052 T:MERRY OLD WOMAN (2), The B:Petrie.356 % no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:Ador % source key Bm D|EAA AGA|B2A GAB|c2B ABc|BAB gfg| e2d cde|dBA GAB|cBA GED|EAA A2 :| d|efg a2a|b2a g2b|a2f e2f|g2f d2f| e2d c2e|dBA GAB|cBA GED|EAA A2 :| %%% X:50053 T:MIDDLE GROUND JIG*, The B:Petrie.046 % unnamed C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G G2A GBG|G2B AFA|GBF GBF|GcB AFD :| G2B dAc|BGB AFA|G2c dAc|BcB AFA :| G2B gdc|BGB AFA|GBd gdc|BcB AFD :| efg gd=f|efg G2g|efg gd=f|efg G2g| geg =fdf|ece d2c|dcB =fdc|BGB AFA||\ "final"G6|] %%% X:50054 T:MILKING TIME IS OVER (hornpipe) B:Petrie.298 % no repeats C:ABC/arr. BB H:"From the collection of J.E.Pigott, Esq.,set by Forde". %Q:1/4=100 M:2/4 L:1/16 R:hornpipe K:G % source key = F fe|d2G2 B2AB|G2E2 DEGA|BcAB G2FG|AcBA d2Bc| d2G2 B2AB|GAEG DEGA|BdAB GEDE|G2 B2 G2 :| BA|GBde =f2ed|g2B2 c2BA|d2G2 BGBc|dAFA D2Bc| d2G2 B2AB|GAEG DEGA|BdAB GEDE|G2 B2 G2 :| %%% X:50055 T:MILL STREAM (reel), The B:Petrie.396 % 4 mm part 1, 8 part 2 C:ABC/arr. BB H:"A County of Cork reel; from P.Carew's MSS" %Q:1/4=180 M:C L:1/8 R:reel K:Gmix Bc|dGBG AGEG|dGBG c2ce|dGBG AGEG|dBcA G2 :| AG|Adde fefc|dggf g2ag|fddf ecce|dBcA G2AG| Adde fefc|dggf gbag|fddf ecce|dBcA G4 |] %%% X:50056 T:MISS STOKES' FANCY* B:Petrie.214 % unnamed C:ABC/arr. BB %Q:1/4=160 R:jig M:6/8 L:1/8 K:G A|B2A B2G|AGF E2d|ege dBA|GFE FGA| BAA BGG|ABG EBd|edB cAF|G3 G2:| f|gee fdd|e2d Bef|gee fdd|efd e2f| gee fdd|BAF GBd|edB cAF|G3 G2 :| source version: H:"Peasant air set at Screen, County of Sligo, by Miss M.E.Stokes" G/A/|B2B B2G|A2G E2c/d/|e2e d2B|G3 zGA| B2B B2G|A2G Ecd|e2e d2B|G3 || def|g2e f2d|e2d Bef|g2 e f2^d|e3 e2f| g2e f2d|B2A Gcd|e2e d2B|A3 B2A|G2z E2D|G3 z3 |] %%% X:50057 T:MONKS OF THE SCREW, The B:Petrie.490 % no repeats H:"From Wm.H.Curran Esq" %Q:1/4=150 M:9/8 L:1/8 R:slip jig K:Em % source key = Cm d|e2B B2A GEA|BAG AB^d e2d| eBB B2A GEA|BAG AB^d e2 :| f|gfg agf ^dBf|gfg agf ef/g/a/| bag agf gBA|BAG AB^d e2 :| %%% X:50058 T:MOONLESS NIGHT*, A B:Petrie.104 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = F D|DGG GFG|Bcd e2g|fdB cBc|dBG F2D| DGG GFG|Bcd e2g|fdB cBA|G3 G2 :| f|geg fdc|edc d2c|Bcd fdB|cBG F2D| DGG GFG|Bcd e2g|fdB cBA|G3 G2 :| I though that this might actually be a modal tune (= F natural), but the more I hear it, the less I agree with myself! %%% X:50059 T:MUNSTER BOG* (reel), The B:Petrie.457 (as "Moving Bog"; no repeats) C:ABC/arr. BB H:"A Munster reel" %Q:1/4=180 M:C L:1/8 R:reel K:D E|DFAc d2Ac|d2fa ecAc|dcBA BAGF|BdAF GFEF| DFAc d2Ac|dfaf ecAc|dcBA BAGF|GABc d3 :| A|defg afdf|g2fg ecAc|defg afdf|geag fddA| defg afdf|gbaf ecAc|dcBA BAGF|GABc d3 :| I renamed it this to avoid confusion with other (unrelated) tunes of the same name. %%% X:50060 T:MY HONEST DEAR NEIGHBOR B:Petrie.470 (as ". . .I Ne'er Killed Your Cat") C:ABC/arr. BB N:1:Source structure is A4:|B8 %Q:1/4=160 M:6/8 L:1/8 R:jig K:A E|EAA c2c|dcd Bcd|cBA GED|E3 A2E| EAA c2c|dcd Bcd|cBA GED|E3 A2 :| c|dBc d2e|dBc d2B|Bee dBA|Bc^d e2E| EAA c2c|dcd Bcd|cBA GED|E3 A2 :| Rates in the Top 5 Weird Tune Titles! (right up there with "Ducks Die at Easter") %%% X:50061 T:MY LOVE WHAT'S THE REASON (polka) B:Petrie.326 ("My Love What Is the Reason You Cannot Fancy Me?"; no repeats) C:ABC/arr. BB %Q:1/4=120 M:2/4 L:1/8 R:polka K:Ador c/d/|eA BA/G/|cd eg|eA BA/G/|Ac d2| eA BA/G/|cd eg|c>A BG|A2-A :| e/f/|ge ce/f/|ge dg|ae dc/d/|ed d2| eA BA/G/|cd eg|c>A BG|A2-A :| Source version: c/d/|eA BA/^G/|cd e/f/g|eA BA/^G/|AB/c/ dc/d/| eA BA/^G/|cd e/f/g|cA B/A/^G/B/|AA A :| e/f/|ge c/d/e/f/|ge d(3e/f/g/|ae dc/d/|ed dc/d/| eA BA/^G/|cd e/f/g|cA B/A/^G/B/|AA A :| % %%% X:50062 T:MY SHIP RETURNS NO MORE* B:Petrie.164 % unnamed C:ABC/arr. BB %Q:1/4=60 M:4/4 L:1/8 R:air K:Am de|f2f2 e2dc|AGEF G2Ac|defd ed(3cAG|A4-A2de| f2f2 e2dc|AGEF G2Ac|defd ed(3cAG|A4-A2 || AB|c2cA c2eg|a2a^f g2ag|f2ec de d/c/A/G/|.A2.A2.A2 de| f2f2 e2dc|AGEF G2Ac|defd ed(3cAG|A4-A4 |] %%% X:50063 T:NEW TENPENNY, The B:Petrie.347 % no repeats C:ABC/arr. BB H:"from P.Carew's M.S." %Q:1/4=160 M:6/8 R:jig K:G c|dGG F2G|Adc ABc|dGG F2G|Adf gfe| dGG F2G|Adc ABc|dfg dcB|AGG G2 :| B/c/|d2e =fef|dgg edc|d2e =fef|dgg gfg| agf gfe|fed cde|dfg dcB|AGG G2 :| %%% X:50064 T:NINTH DEGREE*, The B:Petrie.023 % unnamed; 16 mm, no breaks or repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:D % source key = Eb D|E2D EFA|EDD D2A|def edB|A3-A2A| E2D EFA|EDD D2A|def edc|d3-d2 :| A|def edB|A2B d2f|edc BAG|A3-AGF| E2D EFA|EDD D2A|B2A GFE|D3-D2 :| %%% X:50065 T:NORTHERN ROAD TO TRALEE, The B:Petrie.448 % no repeats C:ABC/arr. BB H:"An ancient Clare march"; "another version has no flat in these two places (mm. 8 and 16)" %Q:1/4=160 M:6/8 L:1/8 R:jig K:D % source key Eb ABc d2A|G2F E2D|D2d d2A|B3 d2A| ABc d2A|AGF E2D|=cBc E2F|G3 =c3 :| FEF A2D|FEF A2D|FEF A2D|G3 =c2G| FEF A2D|DED D2B|1 "thru"G3 =c3 :| [2 "final"GAB =cBA|HD4z4|] %%% X:50066 T:NOT EVER WOULD I SPEAK HER NAME* (air) B:Petrie.167 % unnamed C:ABC/arr. BB N:Version of "Ar Eirinn ni nEosfainn ce Hi". I have simplified this slightly from the source version. %Q:1/4=60 M:6/8 L:1/8 K:G % source key Ab B/A/|GDD EGA|B3-B2A|GDD EGG|A3-A2d/c/| BGE DGc|B3-B2A|GDD EGG|G3-G2 || B/c/|dBG GBd|e3-e2f/e/|ded G2B|A3-A2B/A/| GED EGc|B3-B2A|GDD EGG|G3-G3 | %%% X:50067 T:O'REILLY'S DELIGHT B:Petrie.350 % no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:Em % source key Fm EFE B2G|FdF A2F|EFE B2G|FdF AFD| EFE B2G|FdF A2e|f2e edB|d2B AFD :| BAG e2A|BAG d2B|BAG e2B|e2B AFD| EFE e2A|B2^c d2e|f2e edB|1 "thru"d2B AFD :| [2 "final"d2B AGF|HE6|] %%% X:50068 T:OAK BLUFFS POLKA*, The B:Petrie.009 % (unnamed; repeats and 2nd ending added) C:ABC/arr. BB %Q:1/4=120 M:2/4 L:1/8 R:polka K:G % source key = Bb Bd A>A|BG AD|Bd A>A|BG A2| Bd A>A|BG AF/E/|Dc Bc/B/|AF G2 :| AA DE|F>A GG|AB/A/ DE|FA G2| [1 AA DE|F>A GG|AB/A/ DE|FA G2 :| [2 Bd AA|BG AF/E/|Dc Bc/B/|AF HG2|] %%% X:50069 T:OAK LEAF HORNPIPE*, The B:Petrie.141 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=140 M:C| % source 2/4 L:1/4 R:hornpipe K:G A/G/|E>F GA/G/|EG/A/ B/^d/e/f/|g/f/e/d/ B/G/A/G/|EE EA/G/| E>F GA/G/|EG/A/ B/^d/e/f/|g/f/e/d/ B/d/B/A/|GG G :| G/A/|Be/f/ gf|e/d/B/^c/ de/f/|g/f/e/d/ B/G/A/G/|EE EG/A/| Bc B/A/G/F/|EG/A/ B/^d/e/f/|g/f/e/d/ B/d/B/A/|GG G :| X:50069 T:OAK LEAF HORNPIPE*, The B:Petrie.141 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=140 M:C| % source 2/4 L:1/8 R:hornpipe K:G AF|E3F G2AG|E2GA B^def|gfed BGAG|E2E2 E2AF| E3F G2AG|E2GA B^def|gfed BdBA|G2G2 G2 :| GA|B2ef g2f2|edB^c def2|gfed BGAG|E2E2 E2GA| B2c2 BAGF|E2GA B^def|gfed BdBA|G2G2 G2 :| %%% X:50071 T:OLD WOMAN'S MONEY, The B:Petrie.355 (as "Women's"; no repeats) C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G e|d2d dfd|cBc ABc|d2d def|g3 gfe| d2d dfd|cBc ABc|dBG cAF|G3 G2 :| E|DED D2F|EFE E2F|DED D2F|G3 GFE| DED D2F|EFE E2F|dBG cAF|G3 G2 :| This is Petrie's version of "Hag with the Money" %%% X:50072 T:ON BRAVE MEN* (march) B:Petrie.038 % unnamed C:ABC/arr. BB Y:"andante" %Q:1/4=100 M:4/4 L:1/8 R:march K:Em % source key = Fm F|GABe Ac BA/F/|EGFE D3E/F/|GABe B2AB|GFEE E3E/F/| GABe Ac BA/F/|EGFE D3E/F/|GABe B2AB|GFED E3 || F|GFGA BcBA|Beef e2EF|GFGA B2ed|BcBA G2GA| Beed BAAF|EGFE D3E/F/|GABe B2AB|GFED HE4 |] %%% X:50073 T:OVER THE RIDGE* (march) B:Petrie.037 % unnamed C:ABC/arr. BB M:4/4 L:1/8 %Q:1/4=120 R:march K:Em % source key = Fm EF|G2G2 F2EF|A2B2 d2ed|B2AF E2FE|D6 EF| G2G2 F2EF|AFAB d2ed|B2AF E2E2|E6 || B^c/^d/|e2ef e2dB|A2B2 dfed|B2AF E2FE|D6 EF| G2AG F2EF|A2B2 d2ed|B2AF E2E2|E4-E4 || %%% X:50074 T:OVER THE SHOAL* B:Petrie.116 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = Bb D|G2A G2F|GAG FGA|BAB cAF|GFG G2D| G2A G2F|GAG FGA|BAB cAF|G2F G2 :| G|Bde fdc|d^cd fgd|BAB cAF|G2F G2A| Bde fdc|Bcd fgd|BAB cAF|G2F G2 :| %%% X:50075 T:PADDY BROWN B:Petrie.446 % no repeats; ? Carolan C:ABC/arr. BB H:"From P.Carew's MS - see the tune 'Kitty Alone' (Petrie's note)". %Q:1/4=160 M:6/8 L:1/8 R:jig K:Ador G|A2B c2d|e2f g2g|a2A A2c|BdB G2E| A2B c2d|e2f g2f|efg a2g|a3-a2 :| a|b2a g2e|a2g e2f|g2e d2c|BdB G2E| A2B c2d|efg a2B|c2B A2G|A3-A2 :| %%% X:50076 T:PARRIS ISLAND QUICK STEP* (march), The B:Petrie.158 % unnamed C:ABC/arr. BB Y:"quick march time" %Q:1/4=100 M:C| L:1/8 R:polka K:G % source key = F E|D2G2 GAGF|D2G2 G2E2|F2G2 A2B2|cBAG F2A2| D2G2 GAGF|D2G2 G2de|f2d2 dcBA|G4-G3 :| d|g2a2 b2g2|a2f2 g2de|f2g2 f2ed|cBAG F2d2| g2a2 b2g2|a2f2 g2de|f2d2 c2A2|G4 G2d2| g2a2 b2g2|a2f2 g2de|f2g2 f2ed|cBAG F3E| D2G2 GAGF|D2G2 G2de|f2d2 dcBA|G4HG4|] %%% X:50077 T:PLAINS OF MAYO, The B:Petrie.304 C:ABC/arr. BB H:"Set from Anne Buckley, Claddagh, 1839" %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key F e|dBG AGE|GAB d2e|dBG BAG|ABd e2e| dBG AGE|GAB d2B|AGA BGE|GAF G2 :| B|B2A Beg|fed e2g|fdd eBB|ABc d2e| dBG AGE|GAB d2B|AGA BGE|GAF G2 :| %%% X:50078 T:PLOUGHMAN AND THE TAILOR (march), The B:Petrie.417 % (with spelling "Taylor") C:ABC/arr. BB %Q:1/4=120 M:C| L:1/8 R:march K:D dc|BAGF EDEF|G3F E2FG|A3G E3F|D2D2 D2FA| BAGF GABc|d3B AGFA|B3c A2A2|A6 GA| BAGF GABc|d3c edcB|A3F GABc|A6 dc| BAGF EDEF|G3F E2FG|A3G E2F2|HD4z4 | %%% X:50079 T:POST ROAD POLKA*, The B:Petrie.150 % unnamed; no breaks or repeats in source C:ABC/arr. BB %Q:1/4=80 M:2/4 L:1/16 R:polka K:Dmix B|cA AB/c/ |d2 de|cA AB/c/| d2 de| f>e dc|dA A>B|cB AG|F3 :| E|D2 D2 |EF GA/B/|c2c2 |E>F GE| D2D2 |EF GF/G/|AF E>F|D3 :| C might be either sharp or natural. After a lot of listening, I went with natural. (Delete "mix" from the K: field if you want to hear the tune with C sharp.) %%% X:50080 T:QUEEN of the WAVE*, The B:Petrie.098 % unnamed, no repeats C:ABC/arr. BB H:"from Mr.Joyce". Y:"allegro moderato" %Q:1/4=150 M:C| L:1/8 R:hornpipe K:G D|G2A2 B2AG|FGAB c2Bc|defe dcAF|G3F D2EF| G3A B2AG|FGAB c2Bc|defe dcAF|G4 G3 :| c|d3e f2e2|d2cB c2Bc|d2fe dcAF|G3F D2EF| G3A B2AG|FGAB c2Bc|defe dcAF|G4 G3 :| Petrie has F naturals in mm 3,7,11, and 15, but to me they didn't sound right. %%% X:50081 T:RATHCARRICK JIG*, The B:Petrie.203 % unnamed, no repeats C:ABC/arr. BB H:"Set at Rathcarrick, So. Sligo" %Q:1/4=160 M:6/8 L:1/8 R:jig K:D % source key = Bb e|d2d def|e2d c2A|B2B BAF|A3 ABc| d2d def|e2d c2A|B2A ABc|d3 d2 :| B|A2G FEF|A2A A2g|f2d edB|d3 d2B| A2G FEF|A2A A2g|fga edc|d3 d2 :| %%% X:50082 T:ROAD THROUGH the MOUNTAIN*, The B:Petrie.412 % as "Mountain Road" (no repeats) C:ABC/arr. BB %Q:1/4=160 M:12/8 L:1/8 R:jig K:Dmix % source key Eb c|dcA d2e f2d e2c|dcA f2d ecB A2d| dcA cde f2d e2d|c2A G2E DED D2 :| E|D2E DEG A2B c2A|dcA f2d ecA GEC| D2E DEG A2B cBA|dcA G2E DED D2 :| I renamed this to avoid confusion with Michael Gorman's well-known reel. %%% X:50083 T:ROSA BELLA* B:Petrie.099 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = Bb d|d2c B2G|AcA FDF|G3 GFE|FGA D2d| B2G BdB|cBA FDF|G2E AFD|G3 G2 :| c|Bcd dBG|dBG G2B|c2d ecA|ecA A2c| Bcd ded|g2e dBd|e2A FDF|G3 G2 :| %%% X:50084 T:ROSSAVEEL HORNPIPE, The B:Petrie.372 % no repeats C:ABC/arr. BB H:"The old form of 'The Flowers of Edinburgh'. Set from Mary O'Donoghoe, Arran-More, Sep.'57" %Q:1/4=150 M:C| L:1/8 R:hornpipe K:G A|GEDE G2GA|Bdde dcBA|BGED EFGA|BGED E3F| GEDE GFGA|Bdef gage|=fdec dBGB|ABGF G3 :| e|gfef dfag|fdef dBce|dfed BcdB|cBAG E3A| GEDE GFGA|Bdef gage|=fdec dBGB|ABGF G3 :| A neat little tune but it doesn't sound much like "Flowers" to me! Note that the /=f/ in mm 7 and 15 is per source (i.e., not a typo). %%% X:50085 T:ROVING MIKE* (polka) B:Petrie.144 % unnamed; no repeats or breaks C:ABC/arr. BB Y:"andantino" %Q:1/4=120 M:2/4 L:1/8 R:polka K:G A|B>G AB|dc BA|G>A Bc|d2 dc| B>G AB|dc BA|G>A Bc|d2-d :| f|g>f eg|=fe de/f/|g>g eg|=f2 -fe/f/| g>f eg|fe dB|c>B AG|A2 BA| G>A Bc|d2 gd|B2 A2|HG4 |] %%% X:50086 T:SEAL ROCK REEL*, The B:Petrie.258 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=90 M:2/4 L:1/16 R:reel K:A cd|eAcA BGEd|eAcA d2cd|eAcA BGEG|AcBG A2cd| eAcA BGEd|eAcA d2cB|AcBd cefa|gedB A2 :| BA|Beef gedB|agab a2ba|gaba gedB|AcBG A2BA| Beef gedB|agab a2ba|gaba gedB|AcBG A2 :| %%% X:50087 T:SHORT VOYAGE HOME*, The B:Petrie.109 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G % source key = Bb D|G2A B2c|d2e def|g2e c2e|d3 d2B| G2A B2c|d2e def|g2e c2e|d3 de :| % f|g2g d2g|f2d B2d|A2e d2c|B2G A2F| D2D E2F|G2B A2F|E2F D2D|D3-D2 :| # f|g2g e2g|f2e d2B|A2g f2e|d3 c2A| G2G A2B|c2e d2B|A2B G2G|G3-G2 :|-G6|| %%% X:50088 T:SILKEN THREAD, The B:Petrie.271 % unnamed; only part 1 repeats C:ABC/arr. BB H:"This tune, which appears without title in the MS, is published in Petrie's Ancient Music of Ireland vol.1 as 'The Silken Thread'". %Q:1/4=150 M:9/8 L:1/8 R:slip jig K:G % source key Bb d2d ded dBG|d2d d2c ABc| d2d ded dBG|c2c cAF ABc :| B2G A2G B2G|d2d d2c ABc| B2G A2G B2G|1 "thru"c2c cAF ABc :| [2 "final"cde dAF HG3| %%% X:50089 T:SILVER STAR* (march), The B:Petrie.022 % unnamed C:ABC/arr. BB L:1/8 M:C %Q:1/4=120 R:march K:G % source key = F GA|B3d cBAG|E2DE/G/ A2Bd|edBg dBAG|EF GA G2 :| BA|GA Bc d2de|dBAG d2ef|gfea gfed|Bdef e2 (3def| gfed B2ef/g/|dBAG A2Bd|edBg dBAG|EF GA|G4 |] %%% X:50090 T:SIXPENCE A GLASS* B:Petrie.110 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:Ador eAA eAA|BGG BGG|eAA eAA|def gdB| eAA eAA|BGG BGG|def gdB|BAA A3 :| eaa eaa|egg egg|eaa eaa|def gdB| eaa eaa|egg egg|def gdB|BAA A3 :| %%% X:50091 T:SPRIGHTLY KITTY (reel) B:Petrie.367 % no repeats C:ABC/arr. BB %Q:1/4=180 M:C L:1/8 R:reel K:Dmix G|Adde fded|Add2 A2GE|Adde f3d|cAGE EDDG | Adde fded|Add2 A2GE|ABcd efed|cAGE EDD :| B|ADD2 cBAG|ADDB A2GE|ADD2 cBcA|GAGE EDDG| ADD2 cBAG|ADDB A2GE|DcBA FGAF|GAGE EDD :| This is a fine little tune that I thought deserved a couple of repeats! %%% X:50092 T:STRAIGHT AND NARROW* B:Petrie.114 % unnamed, no repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:D e|cAA A2c|ede e2d|cAA Ace|f3 a3| aff gee|fdd ecc|dAF FEF|d3 f2 :| % e|dAF FEF|AFE E2c|dAF FEF|dAd def| dAF FEF|AFE Edc|BAB cAF|A3 A2 :| % e|cAA A2c|ede e2d|cAA Ace|f3 a3| aff gee|fdd ecc|dAF F2E|HD3z3|] %%% X:50093 T:SUMMER SUNSET*, A B:Petrie.111 % unnamed; 8mm, no breaks/repeats C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:A c|dcB BcA|FEE E2A|BAB c2d|edc B2A| BAB c2d|edc B2d|edB BcA|FEE E2 :| e|a2e fed|cAA A2A|BAB cBc|def e2e| a2e fed|cAA ABc|edB BcA|1 "thru"FEE E2 :| [2 "final"BAB HA3|] %% X:50094 T:SWEET KILRUSH* (hornpipe) B:Petrie.178 % unnamed C:ABC/arr. BB %Q:1/4=150 M:C| L:1/8 R:hornpipe K:G DE|G3E D2EG|A2A2 Bddc|BGBd edBA|B2A2 A2BA| G3E D2EG|A2A2 Bddc|BGBd edBG|E2D2 D2 :| Bc|d3c BAGA|BcBA GEGA|BGBd edBA|BcdB AcAF| G3E D2EG|A2A2 Bddc|BDDF GEGA|E2F2 G2 : source version ("andante") H:"Co.Clare, from F.Keane's book, Kilrush" DE|G3E D2EG|A2A2 Bddc|B3A GEGA|B2A2 A2BA| G3E D2EG|A2A2 Bddc|B3A GEGA|E2D2 D2 :| Bc|d3c BAGA|B3A GEGA|B3A GEGA|B3A A2 d/c/B/A/| G3E D2EG|A2A2 Bddc|B3A GEGA|E2D2 D2 :| %%% X:50095 T:TAKE HER OUT FOR SUNSHINE B:Petrie.397 (as "Take Her Out and Air Her"; no repeats) C:ABC/arr. BB H:"A Cork reel; from P.Carew's MSS" %Q:1/4=180 M:C L:1/8 R:reel K:Ador AB|cABG AGEF|GABc dBGB|cABG AGED|EAAG A2AB| cABG AGEF|GABc dBGB|cABG AGED|EAAG A2 :| AB|cdef g2eg|a2ed cAAB|cdef gfgd|eaa^g a2AB| cdef g2eg|aged cAAB|cABG AGED|EAAG A2 :| This is not related to other tunes of the same name (e.g. Roche 1, CRE 4), so I performed my re-naming function (again). %%% X:50096 T:TENTH DIVISION* (march), The B:Petrie.039 % unnamed; no breaks/repeats C:ABC/arr. BB N:No breaks or repeats. %Q:1/4=100 M:4/4 L:1/8 R:march K:G % source key = F G/B/|d2de dB/A/ G/A/B/c/|d2de dB/A/ G/A/B/d/| e2e2 egf/e/d/B/|defa g3d/f/| gbag fagf|egfe d/c/B/A/ G/A/B/d/| e2ed eg f/e/d/c/|defa g3f/e/| dcBA AcBA|G2G2 HG4|] %%% X:50097 T:THISTLE DOWN* (hornpipe) B:Petrie.160 % unnamed C:ABC/arr. BB Y:"andante" %Q:1/4=140 M:C| L:1/8 R:hornpipe K:Em % source key Fm F|GABG AcBF|EGFE D2EF|GABG B2AB|GFED E3F| GABe ABAF|EGFE D2EF|GABe B2AB|GFED E3 :| F|GFGA BcBA|Bee^d e2ef|gfga g2ed|BcBA GFE2| Beed BAGF|GABc d2BA|GABe B2AB|GFED E3 :| %%% X:50098 T:TOM MacMAHON'S* (reel) B:Petrie.202 % unnamed C:ABC/arr. BB H:"From T. MacMahon" %Q:1/4=180 M:4/4 L:1/8 R:reel K:Em B|AFEF E2FD|EFAB d3e|fedB A2FE|D3E F3B| AFEF E2FD|EFAB d3e|fedB A2FD|E4 E3 || B|AFAB d2fe|dBAB d3e|fedB A2FE|D3E F3B| AFEF E2FD|EFAB d3e|fedB A2FD|E4 HE4 | %%% X:50099 T:TREE in the FIELD*, The B:Petrie.219 % unnamed C:ABC/arr. BB H:"from Mr.Joyce" %Q:1/4=160 M:6/8 % A-B-A L:1/8 R:jig K:G % source key F P:"A" c|B2B GAB|c2B c2A|GBd cBA|GEF G2A| B2B GAB|c2B c2A|GBd cBA|G3-G2 :| P:"B" d|gfe deB|cBc d2f|gfe dcB|cBc A2f| gfe deB|cBc d2e|dcB cBA|G3-G2 :| P:"A repeat" c|B2B GAB|c2B c2A|GBd cBA|GEF G2A| B2B GAB|c2B c2A|GBd cBA|HG3z3|] %%% X:50100 T:TUCKERNUCK JIG*, The B:Petrie.085 % unnamed; 10mm in part 2 C:ABC/arr. BB %Q:1/4=160 M:6/8 L:1/8 R:jig K:G A|BGE EDG|A2A AGA|BGE EDE|G2G G2A| BGE EDG|A2A AGA|BGE DEF|G2F G2 :| A|GBd d2d|edB AGA|GBd d2d|edB ABA| GBd d2d|edB AGA|BGE DEF|G2F G2 :| %%% X:50101 T:TUMBLING DOWN TEADY'S ACRE B:Petrie.292 (no repeats) C:ABC/arr. BB H:"King's Co. from Mr. McDermott" Y:"Allegro" %Q:1/4=160 M:6/8 L:1/8 R:jig K:D D|BAB ABc|dAF GFD|FGA GFE|D3 D2D| BAB ABc|dAF GFD|FGA GFE|D3 D2 :| G|Ade feg|fed dcB|Adf edc|d3 d2c| BAB A2c|dAF GFD|FGA GFE|D3 D2 :| %%% X:50102 T:UP ONE AND DOWN ANOTHER* B:Petrie.020 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=120 M:2/4 L:1/8 R:polka K:D % source key A f/g/|ab ga|fg ef|dd ec|A3G| AA AG|FG AB|cd ec|d3 :| % A|de fg|a3b|ab ag|fe d2| dd fg|ag fa|gf ef|d3 f/g/| ab ga|fg ef|dd ec|A3G| AA AG|FG AB|cd ec|d4 |] %%% X:50103 T:VILLAGE GREEN POLKA*, The B:Petrie.156 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=110 M:2/4 L:1/16 R:polka K:G EF|G2AG F2G2|A2f2 d2cA|GFGB A2G2|F2D2 D3F| G2AG F2G2|A2f2 d2Bc|d2cA G2G2|G4-G2 :| Bc|d2de f2g2|f2dc B2AF|G3B A2FE|D4- D2EF| G2AG F2G2|A2f2 dABc|d2cA G2G2|G4-G2:| %%% X:50104 T:WASH on the LINE* B:Petrie.105 % unnamed C:ABC/arr. BB N:A close relative of "Irish Washerwoman" %Q:1/4=150 M:6/8 L:1/8 R:jig K:D % source key Eb P:"A" G|F2D D2D|F2A AGF|G2E E2E|G2B BAG| F2D D2D|F2A AFA|Bcd edc|d2B A2 :| P:"B" g|f2d d2d|f2a agf|ecA AcA|AcA AcA| [1 f2d d2d|f2a agf|ecA ABc|d3 d2g| [2 fgf fgf|gag gag|fgf edc|d2B A2|| P:"Part A repeat" G|F2D D2D|F2A AGF|G2E E2E|G2B BAG| F2D D2D|F2A AFA|Bcd edc|d3 Hd3|] %%% X:50105 T:WE'LL DRINK TO KEENAN B:Petrie.327 ((as "We'll Drink to the Health of Keenan") C:ABC/arr. BB Y:"Allegretto" H:"Set from Mary O'Donohoe, Arran-More, 19 Sep.1857" %Q:1/4=140 M:6/8 L:1/8 R:jig K:D B|dcd e2c|d2B A2F|DCD E2C|D2E F2G| [1 A2d c2d|B2G E2D|C2D E2F|E3 A2:| [2 A2d c2d|B2G E2D|EFG AFE|D3 D2 || A/^G/|A2B c2d|e2d e2g|f2d e2c|d2c d2e| f2d e2c|d2B A2F|F2E E2E|E3-EBc| dcd e2c|d2B A2F|DGG ECC|DFF A2G| A2d c2d|B2G E2D|EFG AFE|D3-D3 |] %%% X:50106 T:WHISTLING WILLIE* (polka) B:Petrie.147 % unnamed; no repeats C:ABC/arr. BB %Q:1/4=120 M:2/4 % 4/4 in source L:1/8 R:polka K:D A|d>e fd|gf ed|c>d ed|cB Ac| d>e fa|gf ed|cB/A/ Bc|d3:| d/B/|A>B AG|AD DA|B2 ed|cA AA| BG GF/G/|AD Df/g/|ag fe|d3 :| %%% X:50107 T:WHITE CHURCH POLKA*, The B:Petrie.148 % unnamed; only part 2 repeated C:ABC/arr. BB %Q:1/4=120 M:2/4 % 4/4 in source L:1/8 R:polka K:D e|fe/f/ ga|fe d2|fe/f/ ga|fe dA| f>g ag|fe fa|ge/d/ cA|df d :| c|dB AB/c/|dA G2|A>B cA|dB A2| f>g ag|fe fg|fe/d/ cA|1 df d :|\ [2 df Hd2|] %%%