X:62001 T:AGGIE WHYTE'S C:ABC/arr. BB Q:1/4=160 N:Aggie Whyte, Galway born, lived and played fiddle in the NY area for many years. R:jig M:6/8 K:D A,|DFA dcd|edc dAF|DFA dAF|A,CE GFE| DFA dcd|edc d2g|afd gec|dAF D2 :| f/g/|afd gec|dcd AFD|fdB gec|dcB A^GA| a^ga ba=g|fdf ecA|dcd AFD|A,CE D2 :| %%% X:62002 T:ANDY MCGANN'S JIG C:Andy McGann C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D A,|DEF EDB,|DFA dcd|edB AFD|FAF ECA,| D2F EDB,|DFA dcd|edB AFE|FDC D2 :| A|dcd ede|fdB AFA|BdB AFD|FEE E2A| dcd ede|fdB AFA|BdB AFE|F2D DFA| d2f ede|fdB AFA|dcB AFD|CEC A,CE| ABc d2f|edB AFD|FEF DEF|EDC D3|] %%% X:62003 T:APPLES IN WINTER C:ABC/arr. BB M:6/8 Q:1/4=160 R:jig K:Em d|BEE dEE|BAG FEF|DED FDF|AB^c ded| BEE BAB|def gfe|fdB AdF|FEE E2 :| d|efe edB|g2e fdB|ded dAF|DFA def| efe edB|def g2a|bgb afa|gee e2d| efe Bef|gag fgf|ded dAF|DFA def| edB def|gba gfe|fdB AdF|FEE E3|] %%% X:62004 T:ATLANTIC WAVE (reel), The T:Round the Square C:? Martin Mulhaire C:ABC/arr. BB M:4/4 Q:1/4=180 R:reel K:G DF|G2BG dGBG|cBcd efge|d2BG DGBG|FDAD BDAF| G2 BG dGBG|cBcd efge|dgfg ecAF|G2 GF G2 :| df|g2 fg ed^ce|dfab afdf|bagf gdBG|FDAD BDAF| G2 BG dGBG|cBcd efge|dgfg ecAF|G2 GF G2 :| %%% X:62005 T:AUSTIN HEALEY'S (reel?) T:"Ostenelli's" C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G Bc|dGeG dGgG|bGgG dGeG|dgfe dcBc|d2Bd ABcA| dGeG dGgG|bGgG dGeG|dgfe d2EF|GgdB G2 :| dc|BGDB GdBg|d2bg dbgb|abag bgdB|cBAG FEDC| BGDB GdBg|d2bg dbge| dgfe d2EF|GgdB G2 :| One source calls this tune "Ostenelli's", but doesn't explain why. "Austin Healey's" is probably closer to the actual name. There are a couple of "Ostinellis" on the interweb but neither seems to have much to do with dance music. In any event it's a nice tune! ¨ %%% X:62006 T:BALLYBOLEY HORNPIPE, The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G Bc|dgfe dcBA|GABG E2 Bc|dgfg dBGB|A^GAB A2 Bc| dgfe dcBA|GABG E2 GA|BgdB ADFA|GFGA G2 :| ga|bgba gfed|Bdef e2 Bc|dgfg dBGB|ADFG AcBA| dgfe dcBA|GABG E2 Bc|BgdB ADFA|GFGA G2 :| Named for the Donegal birthplace of fiddler Hugh Gillespie. %%% X:62007 T:BANKS (hornpipe), The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G F|G2B2 B2dG|F2A2 A2cF|C2e2 e2fg|^cded =cBAG| B,2 d2 d2 ef|C2 e2 e2 fg|FGAB cAFA|G2 B2 G3 :| % ^a|b2g2 g2b2|a2f2 f2a2|g2e2 e2ag|fed^c d2 Dz| Fdad Fdad|Gdgd Gdgd|^cdef gece|d^cde d=cBA| GBdB gBAG|FAdA fAGF|EGBG edcB|ABAG FEDC| B,GdG B,GdG|CGeG CGeG|FGAB cAFA|G2 B2 G3 :| From the Scots fiddle tradition. Original key is Eb (naturally!) %%% X:62008 T:BANNER JIG, The C:ABC/arr. BB M:6/8 Q:1/4=160 R:jig K:Em B,|E2F GFE|BAB dBA|BdB B2A|GBG AFD| EB,E GEG|BAB dBA|BAG FAF|GEE E2 :| B|e2f gfe|g2a bge|d^cd fed|fag fed| e2f gfe|bge dBA|BAG FAF|GEE E2 :| Clareman Chris Droney's version of "Gallagher's Frolics". %%% X:62009 T:BARMAID (reel), The C:ABC/arr. BB Q:1/4=180 M:C R:reel K:D A2AB AFEF|DFF2 ABde|fBBA Bcde|f2af e2dB| AF F2 AFEF|DF F2 ABde|fBBA BcdB|AFEG FD D2 :| fa^ga fd d2|fdad fddf|efga be e2|gebe geeg| fa a2 bfaf|defd e2de|fBBA BcdB|AFEG FD D2 :| Version of "Maid Behind the Bar". Also called "Little Judy" by (e.g.) Joe Derrane. %%% X:62010 T:BATTERING RAM, The C:ABC/arr. BB M:6/8 Q:1/4=160 R:jig K:G c|dBG BAG|dBG G2e|dBG AGE|GED D2B| ded BAG|dBG BAG|AGA BAB|GED D2 :| % c|deg aga|bge edB|deg aga|bge e2a| b2g age|ged ege|dBG AGE|GED D2 :| % d|B2G A2G|BDD D2c|BAG AGE|GED D2B| B2G A2G|BAG BdB|AGA BAB|1GED D2 :|2 GEF G3|| %%% X:62011 T:BEE'S WINGS (hornpipe), The C:ABC/arr. BB M:C| Q:1/4=150 R:hornpipe K:G % source key Bb F|GdBG FcAF|DBGD B,GDB,|CEGc B,DGB|A2GE D2EF| GdBg FdAB,|CGEc B,GDB,|CEAc BAGF|G2 B2 G3 :| c|BGdB gdBG|AFdA fdAF|ECGE cABG|A2GE D2 EF| GdBg FdAB,|CGEc B,GDB,|CEAc BAGF|G2 B2 G3 :| %%% X:62012 T:BIRD IN THE TREE (reel), The T:Bird in the Bush C:ABC/arr. BB M:C Q:1/4=180 R:reel K:G d2e^c dBB2|cBAB G2 AG|EAA2 BG G2|BGBd gage| dge^c dBB2|cBAB G2 GE|DEGA BABc|dBcA BGG2 :| Bdef g2fg|agef gdBA|Bdef gabg|a^gab =g2 ga| bgg2 agef|g2fg edBG|DEGA BABc|dBcA BGG2 :| %%% X:62013 T:BLACKTHORN STICK (reel), The T:Rising Sun C:ABC/arr. BB M:C Q:1/4=180 R:reel K:D fe|d2FB AFEF|D2dc BABc|dFF2 AFED|EGAD Dgfe| dF F2 AE E2|DF F2 BABc|d2 FB AFED|EGFE D2 :| Bc|d2 fd edfd|A2cA eAcA|defd e2 fg|afge fdec| defd edfd| A2cA eAcA|defg afbf|afef d2 :| %%% X:62014 T:BLACKWATER REEL, The C:? L.Redican C:ABC/arr. BB M:4/4 Q:1/4=180 R:reel K:G DGBG A2BA|GEE2 cEE2|DGBG AcBA|GEDB, DEGA| BcBG AcBA|GEcE dEcE|DEGB AGBA|GEED EG G2|| G2Bd efge|dB B2 dBAB|GABd edge|dBAG EG G2| GABd edge|dB B2 dega|bgag efge|dBAG EG HG2|] This tune may be a Larry Redican composition. It goes by other names (e.g. "The Tempest") but I'm not sure which is the "correct" name. %%% X:62015 T:BLOOM OF YOUTH (reel), The C:ABC/arr. BB Q:1/4=180 M:C L:1/8 R:reel K:G DE|G2DG EGDE|GABG AGEF|G2DG EGAB|cedc B2AF| G2 DG EGDE|G2 BG AGEF|G2 DG EGAB|cedc BG G2|| gd d2 edBG|BdBG AGEG|g2 dg egdg|cedc BG G2| gGfG eGdc|BdBG AGEG|cBcd egfa|gedc B2AF||"final" HG4z4|] %%% X:62016 T:BLOOMING MEADOWS, The C:ABC/arr. BB Q:1/4=160 M:6/8 R:jig K:G E|D2B BAG|BdB ABA|GED G2A|BdB AGE| D2B BAG|BdB ABA|GED G2A|BGG G2 :| d|efe edB|efe edB|ded dBA|ded dBA| G2A B2d|efe dBA|GED G2A|BGG G2d| efe edB|efe edB|ded def|gfe dBA| G2A B2d|efe dBA|GED G2A|BGG HG3|] This is Chris Droney's version of "Out in the Ocean". %%% X:62017 T:BOYS OF BLUE HILL (hornpipe), The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:D A2|BAFA D2FA|BABd e2 de|fbaf e2ge|dfed B2 Bd| BAFA DAFA|BABd e2de|faaf egfe|d2 dc d2 :| fg|afdf a2af|gfga b2ag|faaf egfe|dfed Bcdc| BAFA DAFA|BABd e2de|faaf egfe|d2dc d2 :| This and "Harvest Home" are the two 'Hornpipes Supreme' in ITM, usually among the first tunes anyone learns to play. O'Neill got the original version of this and several other tunes from a fiddler named West, who unfortunately did not remain long in the Chicago area (for reasons the Chief - ever the soul of discretion - only hints at). In any case Mr. West disappeared from the Windy City and evidently was never heard of again. But he left behind some great tunes. %%% X:62018 T:BROKEN PLEDGE, The C:ABC/arr. BB Q:1/4=180 M:4/4 R:reel K:Dm dcAG AD D2|cAGF EC C2|DEFG Ad d2|AcGc Adfe| dcAG A2 dc|A2GF EC C2|DEFG Addc|A2GE ED D2 :| dcAG A2 de|f2df ecA=B|cAGE GAcd|ec c2 eage| dcAG A2 de|fefd ecAG|FEFG Ad d2|A2GE ED D2 :| %%% X:62019 T:BUSH IN BLOOM (reel), The C:ABC/arr. BB Q:1/4=180 M:4/4 R:reel K:G ge|d2 BG AGEF|G2Bd efge|d2 BG AGEG|ea a2 efge| d2 BG AGEF|GABd efge| d2 BG AGEF|GBAF G2|| cd|g2 dg egde|gabg agef|g2 dg egdg|agef g2 ga| bg g2 agef|gagd Bd d2|eg g2 ea a2|dgba Hg4|] %%% X:62020 T:CASTLE HORNPIPE, The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G DC|B,DGD B,DGD|B,DGB dBGB|cBAB cdef|gdBG AGEG| B,DGD B,DGD|CEGE CEGE|DFAF DFAF|G2BA G2 :| % Bc|dcBc dgfg|e2cB A2GB|cBAB cBcd|e2dc B2Ac| dgfg egfg|daga faga|dBAB cdef|g3a g2 :| % Bc|dBGD B,DGB|ecAF D2GB|cAFD A,DFA|BGDB, G,2Ac| dcBc dgfg|ecBc eaga|fdcd cAFA|G2BA G2 :| %%% X:62021 T:CASTLE JIG, The C:Sean Ryan C:ABC/arr. BB Q:1/4=160 M:6/8 R:jig K:Am B|cBA BAG|AGE DB,G,|A,G,A, EDB,|DEG AGE| c2A BdB| AGE DB,G,|A,G,A, ECE|DB,G, A,2 :| B|cBA aga|bag edB|GBd gfg|G,B,D GBd| cBc dcd|ede gab|age dBG|EFG A2 :| More commonly referred to just by the composer's name. %%% X:62022 T:CAT IN THE CORNER, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Dmix A|FGF DFA|dAF AFD|EGE CEG|cGE CAG| EGF DFA|dAF AFD|GBG EFG|AFD D2 :| g|f2d d^cd|afd d2f|e2c cBc|gec efg| a2f gfe|fdB AFD|GBG EFG|AFD D2 :| Many different versions of this tune out there but all of them are D modal. % X:62023 T:CATHOLIC BOYS, The C:ABC/arr. BB Q:1/4=160 M:6/8 R:jig K:A F|E2A AGE|d2d dcd|efe dBA|B2A GED| E2A AGE|d2d dcd|efe dBA|1 BAG AG :|\ [2 BAG A2|| e|aga bag|eaa aga|AGA gfg|B^AB dcB| Ace a2g|e2f ged|Bec dBA|BAG A2 :| %%% X:62024 T:CLASSIC JIG, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Am C|EAB cBA|eAB cBA|B^GE BGE|BdB AGF| EAB cBA|eAB cBA|efe dcB|cAA A2 :| F|G^FG =FEF|EGc edc|BdB GAB|ced cBA| Gce FBd|EGc edc|BdB GAB|c3c2 :| Unusual tune about whose history I know nothing. %%% X:62025 T:COAGH JIG*, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Em A|BEE BAB|def edB|BAF FEF|DFA BAF| BEE BAB|def edB|BAF dAF|EFE E2 :| B|e2f geg|faf edB|BAF FEF|DFA BAF| e2f geg|faf edB|BAF dAF|EFE E2 :| This is my name for a "gan ainm". Coagh [KOH-ah] is a town in Co. Tyrone where my great-grandmother Annie was christened (she was born across the border in Derry, but her family’s church was in Tyrone!) %%% X:62026 T:COME WEST ALONG THE ROAD (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G d2BG dGBG|G2Bd efge|d2BG dGBG|ABcd edBc| d2BG dGBG|G2Bd efge|dGBG dGBG|ABcd edBd|| g2bg egdg|egdg edBd|g2bg egdB|ABcd edBd| g2bg egdg|g2dg edBd|gabg efge|dega bgg2|] %%% X:62027 T:COMET HORNPIPE, The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:D FG|ADFA BDGB|A2FA dcd2|eAce gAfe|d2cB A2FG| ADFA BDGB|A2FA dcd2|ecge cAGE|FABc d2 :| cd|eAce gcfe|dFAd f2ed|ea^gf edcB|Aeae A2FG| AGAF DFA2|BABd GBdg|fadf egce|d2f2 d2 :| %%% X:62028 T:CONCERT HORNPIPE, The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G FE|DGBG DGBD|CEA2 DGB2|ceBd AcGB|FAEG DFCE| DGBD DGBD|CE A2 DG B2|c2B2 A2G2|FEDF G2 :| D2|BDAD GDFD|EDEG BGEG|A2FA BAGF|E2 F2 G2 A2| BDAD GDFD|EDEG BGEG|FABd BAGF|EFGF E2 :| %%% X:62029 T:COOK IN THE KITCHEN, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:G D|GDG GAG|FDE =F2E|D2G GFG|A2d cBA| GFG GAG|FDE =F2d|cAG FGA|AGF G2 :| % A|B2B BAG|ABA A2F|DGG GFG|A2d cBA| BGB BdB|ABA A2d|cAG FGA|AGF G2 :| % B|d2e f2g|a2g fed|cAG FGA|dfe cBA| d2e f2g|a2g fed|cAG FGA|AGF G2 :| %%% X:62030 T:COOLEY'S (hornpipe) C:P.O'Brien (Tipp) C:ABC/arr. BB N:Upper notes are for treble instruments. Q:1/4=150 M:C| R:hornpipe K:G (3def|gG G2 EGD[CE]|[B,G][G,D][B,E][DF] GBdg|egce d2Bd|cABG A2df| gG G2 EGD[CE]|[B,G][G,D][B,E][DF] GBdg|egfe dcBA|1 BGGF G3 :|2 G2 B2 G2|| dc|BGBd edef|g2bg egde|g2bg egdc|BAAG Ad^cd| BG G2 EEcE|EEcE DGBd|gfge dBAc|1 BGGF G2 :|2 G2 B2 G4|] "Composed by Nenagh, County Tipperary, button accordion player Paddy O’Brien (1922-1991), in honor of renowned County Galway D/D# box player Joe Cooley, a contemporary who also helped to popularize the tune. There are several variants of the second part of the tune in modern usage, but regardless it remains a popular session tune." (< Fiddler's Companion) Second part heard most often today is the one played by Noel Hill and Tony Linnane on their 1970's recording. (Note: the G version is O'Brien's original one [without "Joe" in the title]. Since the tune is also played in A, I have kept both settings in this file.) P:version in A K:Amaj (3efg|aA A2 FAE[DF]|[CA][A,E][CF][EG] Acea|f2df (3e^de ce|dBcA B2 (3efg| aA A2 FAE[DF]|[CA][A,E][CF][EG] Acea|fagf edcB|1 cAAG A2 :|2 A2 c2 A2|| ed|cAce fefg|(3aga c'a faef|(3aga c'a faed|cBBA Be^de| cA A2 FFdF|FFdF EAce|agaf ecBd|1 cAAG A2 :|2 A2 c2 A4|] %%% X:62031 T:CORN BOY (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:C K:D D2FA d2cA|BEE^D EFGB|Adde dcAd|cAGF EDCA,| DEFA dBcA|BEE^D EFGB|A2de dcAd|cAGF ED D2 :| aged cded|=cBcd efge|aged cded|cAGF ED D2| edeg agec|dcAB =c2 dc|A2GE DFAd|cAGF EDCA,:| "final" HD4z4|] %%% X:62032 T:CROWLEY'S RECOLLECTION C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:G E|DGG GAG|FEF D2c|BAB GBd|cAG FDC| DGG GAG|FEF D2c|ded cAG|AGF G2 :| B|d2g fdc|ded cAG|dge dcA|GFG ABc| def gfg|agf g2e|ded cAG|1 "thru"AGF GA :| [2 "final"AGF HG3|] %%% X:62033 T:CUCKOO'S NEST (hornpipe), The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G dc|B2A2 GABd|gdBG c2 dc|B2A2 G2 dc|BGdB A2 dc| B2A2 GABd|gdBG c2 dc|B2AG FGAc|B2GF G2 :| % Bc|dBGB dBGB|d2cA G2 AB|cA=FA cAFA|c2_BG F2=Bc| G2Bd gabg|afdB c2 dc|B2AG FGAc|B2GF G2 :| % Bd|g2 gf gabg|afd^c d2 de|fede fgaf|gfdB c2 BA| G2 Bd gabg|afdB c2 dc|B2AG FGAc|B2GF G2 :| This isn't the "standard" setting of this tune (which has no B flats and keeps F natural in mm 19-20). %%% X:62034 T:DAWN (reel), The C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G G,2 B,D CGEC|D2B,D GdBG|ADBD cDBD|AcBA GEDB,| G,2 B,D C2 EC|DG,B,D GABd|edef gage|1 dcBA GEDB, :|2 dcBA G3|| f|gagd edBd|efgf edBd|fdad bdad|g2dg BGdB| gagd edBd|eage fdef|edef gage|dcBA G3 :| Known by other names, e.g. "Miller's," "Michael R(e)illy's". Since this tune is also played in A, I have included both settings here. P:version in A K:A A,2 CE DAFD|E2CE AecA|BEcE dEcE|BdcB AFEC| A,2 CE D2 FD|EA,CE ABce|fefg abaf|1 edcB AFEC :|2 edcB A2 (3efg|| abae fece|fgag fece|(3gfe be c'ebe|(3ac'a ea c'ae'c'| abae fece|fbaf gefg|fefg abaf|1 edcB A2 (3efg :|2 edcB A2 z2|| %%% X:62035 T:DINEEN'S FANCY C:ABC/arr. BB L:1/8 Q:1/4=160 R:jig M:6/8 K:D e|dAF AFD|FED FGA|Bef g2f|ged cde| dAF AFD|FED FGA|Bef ged|cde d2 :| % g|f2d dc=c|BGB AFA|dcd faf|efB c2 A| dcd fed|BGB AFA|dfb afd|cde d2 :| % A|dcd fed|afd fed|Bef g2f|ged cde| dcd fed|afd fed|Bef ged|cde d2 :| %%% X:62036 T:DROWSY MAGGIE (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:Edor E2BE dEBE|E2dB AGFD|E2BE dEBE|Bdec dBAF| E2BE B,EBE|E2BE A2FD|EBB2 EGdc|BABc dBAB|| defd egec|d2fd faa2|defd cdec|BABc dBAB| d2fd egec|defd faa2|bafb afec|B2dB A2FD||\ "final"HE4z4|] %%% X:62037 T:DUET (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D FG|A2BA FAdc|B2cB GBed|cdef gABd|edcB A2FG| A2BA FAdc|B2cB GBed|cAGB cAGE|D2FE D2 :| AG|FB B2 dcBd|cefe dcBd|gfeg fedf|edcB c^AFE| FBB2 dcBd|cefe dcBd|gfed cAGE|D2FE D2 :| %%% X:62038 T:DUKE OF LEINSTER (reel), The C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G G3e dBB2|dfe^c dBAB|GABG dGBG|dBAB GEDE| GB B2 dB B2|gB B2 dBAB|GABd edge|dBAB GEDE|| dega bg g2|a^gab a=geg|dgg2 efge|dBAB GEDE| dg g2 dgbg|a2gb a2 ga|bgag efge|dBAB GEDE||\ "final"HG4z4|] %%% X:62039 T:EARL'S CHAIR (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:C K:D FA|B2dB BAFA|B2dB BAFB|AFF2 DFF2|ADFA BAFA| B2 dB BAFA|B2 dB BAFB|A^GAB defd|edef d2 :| Bd|: edef d2 Bd|e2 Be dBAB|edef d2 Bd|fedB ADFA| edef eB B2|gB B2 defg|afbf afea|1 fedB ADFA :|\ [2 edef Hd4|] %%% X:62040 T:ECLIPSE (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G D2|: G2DG Bdgd|ecAE CEAc|fecA edBG|A2GE D2EF| G2DG Bdgd|ecAE CEAc|1 fecA GA^ce|d^cde d2=cA :| [2 fecA FDEF|GgdB G2|| % ^cd|edcA FDEF|GdBg dbgd|e2db caBg|A^cea d2cd| edcA FDEF|Gdd2 gdBd|e2af dbge|d2cA G2B2|| % Bgfg eBB2|e^def gBB2|gdBd f^dBd|e^def e=dcB| Afef dAA2|d^cde fAA2|fdAF ^cAGE|FAB^c d4|| % G2DG Bdgd|ecAE CEAc|fecA edBG|A2GE D2EF| G2DG Bdgd|ecAE CEAc|fecA FDEF|GgdB HG4|] % X:62041 T:EDDIE McLOUGHLIN'S (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:Ador EAA2 EGG2|EAA2 eABG|EAA2 EGG2|d2BG DGBG| EAA2 EG G2|EA A2 eABG|EAAG E^DEF|G2 DG BcdB|| eA A2 eAfA|eA A2 dGBd|eA A2 eAfe|d2 BG DGBG| eA A2 fA A2|eA A2 dBGd|e^def gfge|d2 BG dGBG|| "final"HA4z4|] A minor-key version of "Yellow Tinker". %%% X:62042 T:FAHY'S (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:D dcAG EFGE|A2 EA cAec|dcAB cdef|g2fe dfec| dcAG EFGE|A2 EA cAec|dcAB cded|cAGE D2Ac|| d2fa gfec|dcAG EFGE|Ad d2 Adfa|gfec Add2| Adfa g2ec|dcAB =cBcd|egag efgb|agec d4|] I'm guessing this is one of Paddy Fah(e)y's tunes - certainly sounds like one, but who knows? %%% X:62043 T:FARRELL O'GARA (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:D A,DD2 A,DFA|BFAF EFAc|dBcA BFAF|GEFD EB,DB,| A,D D2 A,DFA|BFAF EFAc|dBcA BdAF|EAGE FDD2 :| fd d2 fdgd|fdgf edBc|dBcA Bcde|fdgf edeg| [1 fdd2 fdgd|fdgf edBc|dBcA BdAF|EAGE FDD2 :| [2 fagf edBc|dfed BAFA|A,D D2 A,DFA|BAFA HD4|] You might run across alternate spellings for this. I'm fairly certain that this is the "correct" one! %%% X:62044 T:FERMOY LASSES (reel), The C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Em BA|: GEE2 BEE2|GEE2 BcBA|GEE2 BEE2|AFDF AcBA| GEE2 BEE2|GEE2 BcBA|G2GF GBdB|AFDF ABcA :| G2BG DGBG|G2Bd egdB|GABG dGBG|AFDF ABcA| G2BG DGBG|G2Bd efg2|fgaf gedB|AFDF ABcA :| "final"HG4z4|] Some sources refer to this as "Leitrim Thrush" but this tune bears no resemblance to the "Leitrim Thrush" in O'Neill's DMI (which in Ador starts |A3B cAGB|AcAG EFGc|). Confusion seems to have started with a mis-labelled Flanagan Bros. recording but details are too long to go into here. %%% X:62045 T:FLAGON REEL, The T:Flogging Reel C:ABC/arr. BB N:I kept the name "Flagon Reel" for this non-modal setting of the "Flogging Reel". I prefer the F naturals but maybe that's because I'm so accustomed to hearing them! Q:1/4=180 R:reel M:C K:G dc|BGG2 BGdc|BGG2 Bdgd|BGG2 BGdc|AFF2 ABcA| BGG2 dGG2|BGG2 Bdgd|Bdcd GBdB|AGFG ABcA|| % gfgd B2Gd|g2dg fgaf|gdd2 BcdB|Acc2 ABcA| gfgd BGBd|g2dg faa2|bgaf gedB|AGFG ABcA|| % B2gd B2gd|B2gd BAGA|A2fc A2fc|A2fc AGG2| B2gd gdgd|Bdef gfga|BdcA gedB|Acc2 AFf2||"final"G4z4|| %%% X:62046 T:FLAHERTY'S (hornpipe) C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D FG|A2FD A,DFA|dced BcdB|A2FD A,DFA|BAGF E2FG| A2FD A,DFA|dced BcdB|AdcB AGFE|D2CE D2 :| FG|B^ABc dcdf|bagf edcB|cEEF GABc|ecdB AFEF| A2FD A,DFA|dced BcdB|AdcB A2GE|DAdF D2 :| %%% X:62047 T:FLY BY NIGHT HORNPIPE (1), The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G BA| GDBG DBGd|Bgfe decA|F2DF Aced|cAFD ^cd=cA| GDBG DBGd|Bgfe decA|F2DF Aced|cAEF G2 :| % FG|BA^GA gA^GA|BA^GA fA^GA|BA^GA eA^GA|gedB A2GA| BA^GA gA^GA|BA^GA fA^GA|B2ge ^cAGE|DCDE D2EF| GDBG DBGd|Bgfe decA|F2DF Aced|cAFD ^cd=cA| GDBG DBGd|Bgfe decA|F2DF Aced|cAEF HG4|] From the Scots fiddle tradition, as its original E-flat key signature will attest. I have rearranged and transposed it for accessibility purposes. %%% X:62048 T:FLY BY NIGHT HORNPIPE (2), The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G f|gdd2 BGDC|B,DGd gd^cd|cdBd AdG2| FAEA D2df| gdd2 BGDC|B,DGB gd^cd|ecGE Cgfe|dBcA G3 :| d|e2BA GFE2| B,EGB egfe|d2BA FED2| ^CDFA d2ef| gdd2 BGDC|B,DGB gd^cd|ecGE Cgfe|dBcA G3 :| Also from the Scots fiddle tradition, and also originally in E flat. I'm not sure why there are two different tunes with the same name. %%% X:62049 T:FOLLOW ME DOWN TO CARLOW (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Ador ABAG EFGB|AGAB cded|cABG EFGf|efge aA A2| EAA2 EFGB|AGAB cded|cABG EFGf|efge aA A2|| c2gc acgc|BGG2 Bcdg|ecgc acea|gedB BA A2| agea gedB|cBcG EFGB|AGAB cdea|gedB BA HA2|] %%% X:62050 T:FORTH BRIG (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D AG|F2GA dcBA|G2AB edcB|cgfe dcBc|dedB A2GE| F2GA dcBA|G2AB edcB|cgfe dcBc|1 dBAF D2 :|\ [2 d2f2 d2|| ze|fdcB Acfg|fedc B2Bd|ecBA ^GBed|cBA^G A2Bc| dAFD C2ED|B,DGB d2BG|FDFG A2Bc|1 dBAF D2 :|\ [2 dBAF HD4|] %%% X:62051 T:GARRETT BARRY'S JIG C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Dmix DEF GFG|AGE c2e|dcA d2g|fdc AGE| FED GFG|AGE c2e|dcA GEA|1 DFA GFE :|\ [2 DED DFA|| dcA d2g|fef age|dcA c2g|fdc AGE| dcA d2g|fed age|dcA GEA|1 DED DFA :|\ [2 DED D3|] %%% X:62052 T:GLEN OF AHERLOW (reel), The C:Seán Ryan C:ABC/arr. BB M:C Q:1/4=180 R:reel K:Em B2AF dFBF|EDEF EDB,D|B2AF dFBF|DFAF FE E2| B2AF dFBF|EDEF EDB,D|B,E E2 B,EBe|DBAF FE E2 :| eB B2 efge|fd d2 Adfd|BABd egfe|dBAF FE E2| eB B2 efge|fd d2 Adaf|eBB2 egfe|dBAF FE E2 :| This is actually Paddy Canny and P.J.Hayes' version of a Seán Ryan composition (one of the most "alternately named" tunes in ITM!) For whatever reason this tune is most commonly known as "Lafferty's" (or "Laverty's), maybe after piano player Bridie Lafferty. . .? %%% X:62053 T:GOLDEN EAGLE (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G BA|GB,DG BDGB|dGBd gbag|fAce dFBA|GBAG FDBA| GB,DG BDGB|dGBd gbag|fAce dFBA|GEBD G2 :| b^a|bB^df bagf|e^def gfg^g|aA^ce a2ge|d^cda d2ab| a2fd ^cdef|gfga bgag|fAce dFBA|GEBD G2 :| %%% X:62054 T:GOLDEN KEYBOARD (reel), The C:M.Mulhaire C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Em BGEF GFGA|B2gB fBed|BGEF GBAG|FDAD BDAD| E^DEF GFGA|B2 gB fBeB|d2^ce dBAF|DFAF GE E2 :| Be e2 de^ce|Befd edB^c|dAA2 eA^ce|d^cde dBAF| E^DEF GFGA|B2 gB fBeB|d2^ce dBAF|DFAF GE E2 :| A well-loved composition of the late Martin Mulhaire. The D sharps are mainly for box players; D naturals are fine for the rest of us! %%% X:62055 T:HARVEST HOME (hornpipe), The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:D A2|DAFA DAFA|dfec dcBA|eAfA gAfd|e2dB A2GE| DAFA DAFA|dfec dcBA|egfa gecA|dfec d2 :| Bd|eA A2 fA A2|gA A2 fA A2|eAfA gAfA|e2dB A2B,C| DAFA DAFA|dfec dcBA|egfa gecA|dfec d2 :| One of the "chestnuts" of ITM. Also known as "Cork Hornpipe". (American musicians may be familiar with a version of this tune called "Cincinnati Hornpipe"). %%% X:62056 T:HEATHERY BREEZE (reel), The T:Heather Braes, Heather Breeze C:ABC/arr. BB Q:1/4=180 R:reel M:C K:G DGBG dGBG|DFAF cFAF|DGBG dBed|BdcA BGAF| DGG2 DGBd|cAA2 cAFA|DGBG dG G2|BdcA BG G2|| g2 gf gbag|fede fgaf|dggf gbag|fdcA BG G2| dggf gbag|fede fgaf|defg abag|fdcA BG G2|| %%% X:62057 T:HONEYSUCKLE (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D Bc|d2cA B2AF|DFAF GBAG|FAdA FAdf|e2dB A2Bc| dBcA BFAF|DFAF GBAG|FAdB A2GE|DAdF D2 :| Bc|dcde fdec|defg a2 af|gfeg fedf|e2dB A2 Bc| d2 cA BAFA|DFAF GBAG|FAdB A2GE|D2CE D2 :| %%% X:62058 T:HUMORS OF LISCARROLL, The T:Walls of Liscarroll C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Dmix d|dcA AGE|GED D2E|GEE cEE|GAB cde| dcA AGE|GED D2E|GEE cEE|DED D2 :| A|dcd ecA|dcd ecA|GEE cEE|GAB cde| [1 dcd ecA|d/e/fd ecA|GEE cEE|DED D2 :| [2 dcA cde|fed ecA|GEE cEE|DED D3|] %%% X:62059 T:JACKIE COLEMAN'S #2 (reel) C:ABC/arr. BB Q:1/4=180 N:Or is it "#1"? No one seems to be too sure but most people enjoy the tune anyway. M:C R:reel K:D dB|AFF2 EDB,D|F2AF BFAF|E2BE dEBE|ABde fedB| A2FD EDB,D|F2AF BFAF|E2BE dEBE|ABde fd :| dg|fd d2 fdad|fdde fbaf|eAcA eAfA|eAcA eage| fdd2 fdad|fdde fbaf|g2 gf gbag|1 "thru"eage fd :| [2 "final"eage fddc|Hd4z4|] %%% X:62060 T:JAMES RYAN'S FAVORITE (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Amix ceAB cAeA|BdGA BGdG|ceAB cAeA|BdGA BAAB| ce e2 cAeA|BG G2 BdcB|ABce a2ba|gedb cA A2|| agab agef|gfga gedg|e2 ab agef|gedB cA A2| agab agef|gfga gedB|ABce a2ba|gedb cA HA2|] %%% X:62061 T:JOE BURKE'S (hornpipe) T:Fort of Kincora, Tara Brooch C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G EF|GAGE DG,B,D|GFGA Bg g2|efge dBGB|BAGF E2DF| GAGE DG,B,D|GFGA Bg g2|efge dBGA|BGAF G2 :| d2|d^cde dBGE|DEGA Bg g2|efge dBGA|dBcB ADEF| GAGE DG,B,D|GFGA Bg g2|efge dBGA|BGAF G2 :| This popular hornpipe is most commonly referred to as "Joe Burke's" but it has other titles as well. I don't think Joe actually composed it but I'm not sure. %%% X:62062 T:JOE COOLEY'S (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Em B,D|EBBA B2EB|B2AB dBAG|FDAD BDAG|FDFA dBAF| EBB2 GBdB|B2AB defg|afge dBAF|DEFD E2 :| gf|eBB2 efgf|eBB2 gedB|A2FE DEFA|BAFA defd| eBB2 efgf|eBB2 defg|afge dBAF|DEFD E2 :| Authorship of this tune has been a source of controversy (or maybe just "animated discussion") over the years. Some say that it was composed by Cooley himself, but the current consensus seems to be that the actual composer was Cooley's fellow Galway box player Joe Mills, who called it "Luttrell's Pass". However the tune was evidently never recorded by that name, and because Cooley liked it and played it so much, his name became attached to it. %%% X:62063 T:JOHN DOHERTY'S (hornpipe) C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G dc|B2Gd g2dc|B2Gd gdcd|edce dfcB|A2GE D2cA| B2Gd g2dc|B2de gdcd|edce dfcB|ADEF G2 :| G2|Bgdg BdAB|cGEG cBAG|FAfe dcBA|GAGE D2G2| Bgde =fgdB|cGEG cBAG|FAfe dcBA|GdBA G2 :| Named for the legendary Donegal fiddler, but I'm not sure if it's his own composition or not. %%% X:62064 T:JOHN IN THE FOG (reel) T:Sean sa Ceo C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Gmix d2ce dGAc|d^cde =c2 AG|Add^c defd|Acfd cFAc| d2ce dGAc|d^cde =c2 AG|Ad d2 Adfd|cA A2 cAdc|| % BG G2 BGAc|BG G2 FGAc|BG G2 DEFG|Acfd cFAc| BG G2 BGAc|BG G2 FGAc|BG G2 DEFG|Acfd cdef|| % g2 bg agbg|g2 bg d^cde|f2 af gfaf|f2 af cde^f| g2 bg agbg|g2 bg d^cde|fefa g^fga|f2df cFAc||\ "final"G4z4|] Seán Maguire may have composed this. I have added a version in A since some musicians seem to prefer that key despite (because of?) the presence of the high c (This is one of the few tunes more commonly referred to today by its Gaelic name.) K:Amix e2df eABd|e^def =d2 BA|Bee^d efge|Bdge dGBd| e2df eABd|e^def =d2 BA|Be e2 Bege|dB B2 dBed|| cA A2 cABd|cA A2 GABd|cA A2 EFGA|Bdge dGBd| cA A2 cABd|cA A2 GABd|cA A2 EFGA|Bdge defg|| a2 c'a bac'a|a2 c'a e^def|g2 bg agbg|g2bg def^g| a2 c'a bac'a|a2 c'a e^def|gfgb a^gab|g2eg dGBd||\ "final"A4z4|] %%% X:62065 T:JOHN KIMMEL'S C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Em B,|EB,E GEG|BGB e2f|gfe dBG|EAG FED| EB,E GEG|BGB eBe| gfe dBG|GEE E2 :| f|gBB B2e|dBB B2f|gfe dBG|EAG FED| gBB B2e|dBB B2f|gfe dBG|GEE E2 :| John Kimmel (1866-1942) - Born Brooklyn NY of German parentage; one of the first recorded Irish accordion players (actually 10-key melodeon). Kimmel was a great influence on PJ Conlon and eventually on Joe Derrane. %%% X:62066 T:KISS THE BRIDE IN BED (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:D dB|AFF2 DFBF|AFDE FEE2|AFF2 DFAF|E2DE FDDB| AF F2 DF F2|dF F2 EDB,C|DF F2 BFAF|E2DE FD D2|| dcdf abag|f2eg fB B2|dcdf abag|f2eg fddc| dfaf g2 ag|f2eg fB B2|dfaf g2 ag|faeg fd Hd2|] Closer to "Dairy Maid" than to other "Kiss the Bride" tunes! %%% X:62067 T:KITTY'S GONE A-MILKING (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G dGG2 d2Bc|dGG2 FGAc|dGG2 d2eg|fdcA G2Bc| dGG2 dGeG|dGG2 FGAc|dG G2 d2 eg|fdcA G2 Bc|| dgg2 agg2|dgg2 d2 Bc|dg g2 ag g2|dcAB c2 Bc| dgg2 agg2|dgg2 d2 Bc|defg abag|fdcA HG4|] %%% X:62068 T:LARRY O'GAFF C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D A|dDD FED|ABA AFD|GBG FAF|EFG ABc| dcd faf|dcd AFD|GBG FAF|EGE D2 :| b|a^ga faf|Adf agf|gfg ege|Ace gfe| [1 a^ga faf|Adf agf|gfg bge dAF D2 :| [2 dcd ede|fef gfg|a^ga b=ge|dAF HD3|] %%% X:62069 T:LARRY O'NEIL'S (hornpipe) C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D A2|dfdA FdAF|DBAD A2BA|GBEG FADF|E^DEF E2 A2| dfdA FdAF|DAFD A2BA|GeBG FdAF|EAFE D2 :| d2|cAec Acec|dAfd Adfa|gefd ecdB|A^GAB A=GFE| DFAF dAfA|EAcA ecgf|e2dB A2GE|D2 F2 D2 :| %%% X:62070 T:LASSIES OF LIMERICK, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D A|dcA GFG|AGF G2e|dcA GFG|Ade fde| dcA GFG|AGF G2B|Ade fgf|edc dc :| A|def gfg|agf g2f|def gfe|fed ecA| [1 def gfg|agf g2f|Ade fgf|edc dc :| [2 def gfg|agf g2a|bag agf|ded AGE|HD3z3|] %%% X:62071 T:LIAM KING'S C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:G A|BAG GFG|EGc DGB|CEA B,DG|AFD d^c=c| B2G GF=F|EGB DGB|CEA B,DG|FED G2 :| A|BAG GFG|BGE GFE|F^DB, AFD|BcB AGF| B2G GFG|BGE GFE| F^DB, BAF|GE^D E2 :| %%% X:62072 T:LIMESTONE ROCK (reel), The C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G dc|BGG2 A2GE|DEGB A2cd|BGG2 A^GAB|c2BG A2 dc| BG G2 AG G2|DG G2 A2 dc|BdBG A^GAB|c2BG A2Bd|| e2Be gBfB|eBdB A2Bd|eB B2 gB B2|c2BG A2Bd| egg2 eaa2|gedB A2Bd|eggf gabg|agef g4|] %%% X:62073 T:LITTLE HOUSE AROUND THE CORNER, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D A|FDA, DFB|AFD EDB,|A,DF Adf|gfg e2g| fed AFD|EDB, DFA|dcd eag|edc d2 :| g|afa geg|fdf ecA|dcd fed|cAc efg| afa geg|fdf ecA|dcd eag|edc d2 :| %%% X:62074 T:LORD MacDONALD'S REEL C:ABC/arr. BB Q:1/4=180 R:reel M:C K:G P:Part A DGBG AGAB|cABG AGEG|DEGB AGBG|DEDC B,G, G,2| DG G2 dG G2|c2 Bc AGEG|BcBA GEDB,|DEGA BG G2|| P:Part B Bd d2 dBGB|defg aged|Bd d2 dBGB|ABcA BG G2| d^cde dBGB|defg aged|Bd d2 gage|dBAc BG G2|| P:Part C dgbg agbg|dgbg ageg|dgbg agbg|dedc BG G2| dgbg agbg|dgbg ageg|bgaf gedB|dega bgHg2|] Usually played A - B - C - B following the example of Michael Coleman's classic setting. Alternate spellings "McDonnell", "McDonald", etc. %%% X:62075 T:LOTUS CLUB (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G BA|GFGD B,DGB|d^cde dBGB|A^GAB cBA=G|Fcfe d2cA| GFGD B,DGB|d^cde dBGB|A^GAB cAEF|G2 B2 G2 :| K:D FG|A2 dc edcd|B2 e^d fede|dcBA ^GABc|d2cB A2FG| A2 dc edcd|B2 e^d fede|dcBA ^GABc|dcde d2 :| P:repeat part 1 K:G BA|GFGD B,DGB|d^cde dBGB|A^GAB cBA=G|Fcfe d2cA| GFGD B,DGB|d^cde dBGB|A^GAB cAEF|G2 B2 HG4 |] This is an A-B-A tune. On the return to the A part, skip the repeat. ("DS", "DC", "segno" etc. don't work in ABC.) %%% X:62076 T:LOW LEVEL HORNPIPE, The C:ABC/arr. BB Q:1/4=150 L:1/8 M:C| R:hornpipe K:G A,|G,DB,G DBGd|Bgfe ^decA|FADA FAed|^cd=cA FDCA,| G,DB,G DBGd|Bgfe ^decA|G2DG EcAF|G2 GF G2 :| K:D FA|BAA2 fAA2|BAA2 fAA2|gefd ed^cd|e2dB AGFA| BAA2 fAA2|BAA2 fAA2|gecA GECE|DC DE D2:| Another simplified version of a Scots tune whose "florid" original (as Chief O'Neill might have termed it) was recorded by Dr. Joe Derrane (PhD in floridity! - may he rest in peace). %%% X:62077 T:MAID OF MOUNT KISCO (reel), The C:P.Killoran C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Ador AG|EAA2 BAA2|EAA2 BGAG|EGG2 AGG2|EGG2 EGDG| EA A2 BA A2|EA A2 BABd|eg g2 efge|dBGB A2 :| % dB|A2Bd edBA|G2BG DGBG|A2Bd edBd|d2 gd BAdB| A2Bd edBA|GABG DGBG|A2Bd edBd|edgd BABd| eaa^g ab=ge|dBAB GABd|eaa^g a2 ba|gede g2eg| abae gage|dBAB GABd|eAA2 efge|dBGB A2 :| Generally considered a composition of Paddy Killoran. Mount Kisco is a town in Westchester County north of New York City; the "maid" is rumored to have been a waitress in one of Killoran's favorite watering holes! %%% X:62078 T:MAMA'S PET (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:G G2FG EGDE|G2BG dGBA|GEFD EFGA|Beed B2AF| GEFD EB, B,2|GB B2 GBdB|GEFD EFGA|Beed B2Ad|| eA A2 eA A2|GFGA Bcdg|eA A2 eA A2|Beed Bdgd| e2dg edBA|GFGA Bcdg|e^def g2 ef|g2fg edBA|| Many tunes by this (or similar) names. %%% X:62079 T:MANGAN'S (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Am EAA2 BAGA|BGdG eGdG|EAA2 BAGA|BGdB cAAG| EAA2 BAGA|BABd edBe|dBde gbag|e2dB cAA2 :| eaag e2 dB|A2GA Bd d2|eaa^g a2=ga|baga ba a2| abag e2 dB|A2GA Bd d2|e^def gbag|e2dB cAA2 :| %%% X:62080 T:MARGARET WALKER (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:G G2BG cAFA|G2Bd gdBG|ceAc BdGB|AGFA GDEF| G2BG cAFA|G2Bd gdBd|ecAe dBGd|Ad^cd ed=cA|| BGgG fGeG|B2Gd gdBG|FDcD BDAD|F2DA dDFc| BGgG fGeG|B2Gd gdBd|ecAe dBGd|cAFD HG4|] %%% X:62081 T:MARTIN WYNNE'S #1 (reel) C:M.Wynne C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:D dB|AFF2 GEE2|F2AF EFDB,|A,B,DE FEFB|ABdf e2dB| AF F2 GE E2|FDAF EB,DB,|A,B,DE FEFB|ABde fd :| de|fgaf gbeg|fedf edBc|dBAF DEFA|dfaf g2ag| fgaf gbeg|fagf edBc|dBAF DEFB|1 "thru"ABde fd :| [2 "final"ABde fdHd2|] %%% X:62082 T:MARTIN WYNNE'S #2 (reel) C:Martin Wynne C:ABC/arr. BB Q:1/4=180 M:C R:reel K:D A|FBAF E2FE|DB,B,2 DB,A,D|B,EE2 FEDE|FABc dcBA| FA A2 EAFE|DB, B,2 DB,A,D|B,E E2 FEDE|FBB^A B3 :| A|F2 BF A2 dA|Be e2 fede|fa a2 eafe|dBAd BAFE| F2 BF ABdA|Bdeg fdde|fgaf eafe|dBAd B3 :| This appears in one source as "Joan Coyne's". See note to next tune. %%% X:62083 T:MARY CAROLAN'S (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:D AG|FEFA GEE2|FEDF ABAG|FDFA GEE2|A2GE EDD2| FEFA G2 AG|FEDF ABAG|F2 DF GE E2|A2GE ED D2|| cdec dBcB|AE E2 A2GB|cdec dedc|A2GE ED D2| cdec dB B2|AGEG A^GAB|cABd efed|cAGE EDHD2|] A version of a tune Andy McGann called "Private Ass and Cart" (and recorded by that name by Kathleen Collins - see my Tune Vault folder). It's one of the "Doon Reel" family. Mary was one of John McGrath's fiddle students; the late Dan Collins (also a student of McGrath's and always a reliable source of information on musicians of the 50's and 60's) had no further details about her. (I believe she appears in a group picture on the cover of the Shanachie Paddy Killoran LP.) %%% X:62084 T:McFADDEN'S (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G GABG EGDB,|G,A,B,D EA,A,2|DGGF GABd|gedc BcBA| GEFD EB,DB,|G,A,B,D EA,CE|DG G2 DGBd|gedc BG G2|| gfga bgaf|gabg eaag|g2dg bgag|egdc BG G2| gfga bgaf|gabg eaa2|gbaf gfed|Bdgd egdB||"final"HG4z4|] %%% X:62085 T:McFADDEN'S HANDSOME DAUGHTER (reel) C:ABC/arr. BB Q:1/4=180 M:4/4 R:reel K:G D3E GABG|AGAB AEGE|DCDE GABG|AGEF G2GE| D2 B,D G,DB,D|cABG AEGE|D2 B,D GABG|AGEF G2|| Bc|dB B2 eB B2|AGAB AEGE|d2 Bd eBdB|AGEF G2 BA| G2 Bd edge|dBcG AEGE|gefd efge|dBcG A2 GE||"final"HG4z4|] O'Neill has this as a 3-part tune in the key of A ("Music of Ireland" #1289) %%% X:62086 T:MEMORIES OF MORRISON (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:D FGAB AFF2|AFdA BEE2|FGAB AFdB|AFFE FDD2| FGA=c BG G2|AF F2 GE E2|DFAB AFdB|AFFE FD D2|| fd d2 BdAd|fdd2 efge|fdcd B2AF|GBAG FD D2| fd d2 BdAd|f3d edeg|fdd2 BdAF|GBAG FD HD2|] "Morrison" is James Morrison, the 1930s fiddler. I'm not sure who's doing the remembering. %%% X:62087 T:MISS PATTERSON'S SLIPPERS (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Em B,E E2 B,EFE|EDB,D A,DFD|B,E E2 B,EFE|A,DFD E2 ED| B,E E2 B,E E2|D2 B,D A,DFD| B,EFE DFAG|F2 dF EB, B,2 :| ebga faeg|fdad bdfd|ebga fae^c|dBAF EB, B,2| ebga faeg|fd d2 fa a2|EFGA B2 dB|1 AFdF EB, B,2 :|\ [2 AFdF HE4|] Of the other names for this tune, “Master Crowley's" is probably the best known (per Coleman). "Blue Bells" is another. I have heard this played in D minor too (by Joe Burke if I remember correctly). %%% X:62088 T:MONEY IN ADVANCE (hornpipe) C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D FG|AFdF AFdF|AFGE D2EF|GFGA Bcde|fedB A2FG| AFdF cFBF|AFGE D2EF|GFGA Bcde|fdAF D2 :| % fe|d2B2 F2D2|B,DFB d2 cd|e^def gfe=d|cB^AG F2 fe| dcB^A Bd F2|gfed ce ^A2|Fceg fedc|B2 d2 B2 :| % FG|AFdF AFdF|AFGE D2EF|GFGA Bcde|fedB A2FG| AFdF cFBF|AFGE D2EF|GFGA Bcde|fdAF HD4|] A fun tune if you can play all the accidentals! This sounded to me like an A-B-A candidate even though it's not written that way in the manuscript. %%% X:62089 T:MORNING DEW (reel), The T:Hare in the Heather C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Edor B2EB FBEB|B2EB ADFA|B2EB FBEB|dcdB ADFA| BAGF EFGA|BEGB ADFA|BAGF EFGA|BcdB ADFA|| % E3B BAFA|EBEB ADFA|EDEB BAFA|BcdB ADFA| EDEB BAFA|EDEG FDAF|EDEB BAFA|BcdB ADFA|| % B2 eB fBeB|B2 dB ADFA|B2 eB fBeB| dcdB ADFA| B2 eB FBdB|FBdB ADFA|Bdeg fdec|BcdB ADFA|| "final" E4z4|] %%% X:62090 T:MOVING CLOUD (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:C K:G GE|DGBG ^DGBG|EGBG AGEG|Acc2 Bdgb|aged BAGE| DGBG ^DGBG|EGBG AGEG|ABcd eage|1 dBAB G2 :|2 dBAB GABc|| d2 bd adgd|d2 bd adgd|e2ae beae|e2ae beae| d2 bd adgd|Bdgb ageg|abag bage|1 dBAB GABc :|2 dBAB G4|] The D sharp might be hard to play on your particular instrument, but it makes for a really cool sound if you can manage it! %%% X:62091 T:MULHAIRE'S #9 (reel) C:Martin Mulhaire C:ABC/arr. BB Q:1/4=180 M:C R:reel K:D F2AF DFAF|G2BG DGBd|ceAe ceAe|dcde fdAG| F2 AF DFAF|GB B2 dB B2|Acea gaea|1 d2dc dBAG :|\ [2 d2dc defg|| a2fd a2fd|adfd edBd|edef gfga|b2ge befg| add2 bdd2|adfd edBA|FAA2 GBdB|1 AFEG FDD2 :|\ [2 AFEF HD4|] %%% X:62092 T:MUNSTER BUTTERMILK C:ABC/arr. BB Q:1/4=160 N:Not identical to the key-of-G "Munster Buttermilk", especially in the first part. But it doesn't sound like the key-of-D "Munster Buttermilk" (= "Behind the Haystack") either! R:jig M:6/8 K:D A|def edB|A2F FEF|AFE EFA|BAF DFA| d2f edB|BAF FEF|AFE DEF|EDC D2 :| B|AFA d2e|f2f fed|efe edB|dcd edB| A2B d2e|fgf fed|edB Adf|edc d2 :| %%% X:62093 T:MURPHY'S UNCLE* (hornpipe) C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:G FE|DGBG DGBG|EGcG DGBG|FGAB cAFG|AFGE D2FE| DGBG DGBG|EGcG DGBG|FGAB cAFA|GBdB G2 :| Bc|d2Bd gdBd|e2ce gece|d2Bd gabg|afge d2Bc| d2Bd gdBd|e2ce gece|d2BG cdAF|GBdB G2 :| I added "Uncle" to the title to distinguish this tune from the other "Murphy's Hornpipe" (cf. CRE.1, O'Neill's 1850). I don't know the Uncle personally but I'm sure he'd be delighted to have a tune named after him! %%% X:62094 T:MUSICAL PRIEST (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Bm FBB^A B2FB|cBAc ecBA|FBB2 FBdB|cBAc B2 cA| FB B2 FB B2|A2 cA eA cA|FBB^A BcdB|cBAc B2Ac|| % d2 dc dfed|cA eA fAec|dcBc def^g|afec cB B2| dcBc dfec|Acec Acec|dcBc defb|afec cB B2|| % bB B2 bB B2|A2 cA eA cA|bB B2 bafb|afec cB B2| fbb^a b=afb|afec ABce|d2 dc def^g|afec HB4|] /^A/ is fun if you can manage it; if not, /A/ will do fine. %%% X:62095 T:MY FIRST NIGHT IN AMERICA C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:G D|GFG AFD|GFG Bcd|ege dBG|A2G FED| GFG AFD|GFG Bcd|ege dBG|AGF G2 :| d|gfg bge|d^cd e=cA|Bcd efg|a2g fed| gfg bge|d^cd e=cA|Bdg dBG|AGF G2 :| %%% X:62096 T:NEW CASTLE HORNPIPE, The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:C B|c2C2 ecAG|F2a2 a2gf|egce dfBd|c2ba g2fd| c2C2 ecAG|F2f2 f2gf|egce dfBd|c2e2 c3 :| D|CEGc egab|a^gab afdc|BDGB dgba|g^fga g3D| CEGc egab|a^gab a2=gf|egce dfBd|c2e2 c3 :| %%% X:62097 T:NOLAN'S C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D G|FAF DFA|ded BGB|AFA dAF|A,CE GFE| FAF DFA|ded BGB|AFA dAF|GEC D2 :| g|fef dfa|gfg ecA|dcd fdB|cec A2G| FAF DFA|ded BGB|AFA dAF|GEC D2 :| %%% X:62098 T:NOVA SCOTIA, The C:? L.Redican C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:G A|GG,B, DGB|d^ce dBG|cBc ABc|dgd B2A| GG,B, DGB|d^ce dBG|cBc ABc|edF G2 :| d|gfg Bdg|bag fed|cBc ABc|dgd B2d| gfg Bdg|bag fed|cBc ABc|edF G2 :| %%% X:62099 T:PADDY FROM BALLINUE* (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:Dm ADDF EGcG|ADDF EC C2|ADDF EGcG|AcGc Add2| ADDF EGcG|ADDF ECCB|ADDF EGcG|AcGE D2GB|| c2 gc acgc|c2 gc ad^cd|c2 gc acgG|AcGE D2GB| c2 gc Gcgc|Gcgc Ad d2|EGA=B c2Gc|AcGE D4|] One source calls this "Paddy Corley's", "Corley" most likely a misspelling for "Kelly". Kelly, who was a Galway fiddler and co-founder of the legendary Aughrim Slopes Ceili Band of the 1930's, composed other tunes known only by his name, so I took the liberty of renaming this one after his home village near Aughrim. %%% X:62100 T:PADDY IN LONDON T:Clare Jig, Mug of Brown Ale C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Ador g|eAA fAA|gfg age|dBA G2A|BGA Bcd| e2d fgf|gfg age|dBA GAB|BAA A2 :| d|efg a2eg|a2b age|def g2f|gba ged| efg a2b|a2b age|dBA GAB|BAA A2 :| %%% X:62101 T:PADDY KELLY'S (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Ador G|A2GA eAcA|G2BG dGBG|EAA2 eAcA|DGBd gdBG| EAA2 EACA|DGB,D G,B,DG|AGEF GABd|gdBG A3 :| d|eaa^g a2ea|a3^g a=geg|d2Bd gfga|bgag edBd| eaa^g a2ea|a3^g a=gef|gfgb aege|dBGB A3 :| Paddy was a Galway fiddler, member of the Aughrim Slopes Ceili Band, who composed (but evidently never named) numerous fine tunes. See note to 62099 above. %%% X:62102 T:PADDY O'BRIEN'S (hornpipe) C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G F|G2DG B2GB|dgg2 bgdB|c2ec Bdgf|edcB ADFA| G2 DG B2 GB|dg g2 bgdB|c2 ec Bgfe|d2cA G2 :| Bd|g2 bg dgbg|g2 bg dBGB|c2 ec Bdgf|edcB ADFA| BdBG cBcA|g2 bg dBGB|c2 ec Bgfe|d2cA G2 :| Seán Ryan also composed a hornpipe for Paddy, but this is a different tune (although it has some similarities). It's hard to tell if the eponymous person is the one who composed it or one that somebody else composed it for (or neither, but just played it a lot - cf. "Joe Cooley's Reel")! %%% X:62103 T:PADDY O'CARROLL C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D B,|A,2F FED|FGF FEF|DFA dAF|A,CE A,CE| F2F FED|FGF FEF|DFA dAF|1 ECE DC :|2 ECE D2|| e|fed edc|ded AFA|fdf edc|dfb a2 g| faf edc|dcd AFE|DFA dAF|ECE D2 :| %%% X:62104 T:PADDY RYAN'S DREAM (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:Ador cB|AEE2 cBAG|E2DB, G,A,B,G,|A,EE2 A,EAB|cABG ABcB| AEE2 cEE2|DB,B,2 G,A,B,G,|A,E E2 CEAB|1 cABG AB :|\ [2 cABG A2|| cB|Aaag aecA|Gggf gdBG|Aeag aged|ecdB cABG| Aaag aecA|Gggf gdBG|AcBd cedf|edcB A2 :| %%% X:62105 T:PADDY'S RETURN T:Frost Is All Over, Kitty Lie Over C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D B|AFD DFA|BdB BAF|ABA F2D|FEE E2G| AFD DFA|BdB BAF|ABA F2E|FDD D2 :| g|f2d dBA|fdd d2g|fef def|gfg efg| fed B2d|A2d F2G|ABA F2E|FDD D2 :| %%% X:62106 T:PAT ROGERS' REEL* C:ABC/arr. BB M:4/4 Q:1/4=180 R:reel K:G dedB cBAB|G2BG DGBG|A^GAB cBA=G|EAAG ABcA| dedB cBAB|G2BG DGBG|A^GAB cdef|gdcA BGG2 :| dggf gdBd|eaa^g a=geg|fdad bdad|gage dcBc| dggf gdBd|eaa^g a=gef|gage dcBc|d2cA BGG2 :| A "gan ainm" that I named for Dublin's fairest flower and the partner of my joys for many years! (If somebody comes up with the right name for this, I'll find another one for Pat.) %%% X:62107 T:PATHWAY TO THE WELL, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D F|DFF AFF|BFF AFE|DFF dFF|EDE GFE| DFF AFF|BFF ABc|dcd ege|fdd d2 :| B|Add fdd|add fdd|A2g gfg|ede gfe| [1 Add fdd|add ege|fed cAG|Add d2 :| [2 def gfg|a2g ege|fed cAG|Add Hd3|] %%% X:62108 T:PETE KELLY'S T:Joe Burke's, Lad O'Beirne's C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D A|dAF AGF|dAF AGF|A,CE GFG|A,CE GFE| DFA DGB|Adc d2 g|fed cBA|GFE D2 :| g|fdf aba|fdc d2f|e=ce gag|e2d ^cde| fef gfg|aga bag|fed cBA|GFE D2 :| This tune is better known as "Joe Burke's", presumably after its best-known performer. However Galway/NY fiddler Pete Kelly said that in fact he had composed this tune (without a name unfortunately) for a student ceili band called "The Shannonaires" in the 1950s. (It is also attributed to Lad O'Beirne.) %%% X:62109 T:PIPE ON THE HOB, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Dmix e|ded cAG|F2D DED|ECE cAG|F2D DFA| dcB cBA|BAG A2G|ECE cAG|F2D D2 :| g|f2d dcd|faf d2f|e2c cBc|ece a2g| [1 f2d dcd|fdc d2f|ede age|edc d2 :| [2 fef gfg|aba gfg|fed eag|edc d3|] %%% X:62110 T:PLAINS OF BOYLE (hornpipe), The C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:D G|ADDE FDDF|A2GB AF D2|fedf edce|dcAB =cAGB| ADDE FDDF|A2GB AF D2|fedB ABAG|F2D2 D3 :| g|afdf g2fe|defd BAFG| A2FA BAGF| A2FA defg| afdf g2fe|defd BAFG|ABAF GBAG|F2D2 D3 :| %%% X:62111 T:REDICAN'S BOW (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:D D2FD A,DFD|E2GE B,EFE|D2dA BAFD|E^DEF EB,CA,| D2 FD A,DFD|E2 GE B,EFE|D2dA BAFD|CDEC D2 FA|| % B^ABc d2 F=A|B2 B^A BdcB|A2 cA EAce|aecA BAFA| B^ABc B=AFA|Bcdc B2 dc|BF F2 BEF^G|AcBA FECA,|| % D2FD A,DFD|E2GE B,EFE|D2dA BAFD|E^DEF EB,CA,| D2 FD A,DFD|E2 GE B,EFE|D2dA BAFD|CDEC HD4|] This has Larry Redican's name on it but I don't know if he composed it or not. It always reminded me of "The Spey in Spate". The D, A, and G sharps are mainly for box players but don't let that stop you from trying them if you play another instrument. (The A-B-A setting is my idea.) %%% X:62112 T:REEL OF RIO, The C:Sean Ryan C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:G FE|DEGA BABd|egg2 agea|gedg edBd|c2Bc AGEG| DEGA BABd|efge agea|gd d2 edBG|AcBA G2:| Bc|dg g2 ag g2|bg g2 edBe|dB B2 GABd|gedB AGEG| DEGA BABd|efgb ae e2|gedg edBG|AcBA G2 :| Composer Seán Ryan's nickname was "Rio", pronounced "rye-o" (not "ree-oh", as in "Rio Grande")! %%% X:62113 T:REGAN'S (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:G GEDE GFGA|Bdgd BG G2|AGEG A^GAB|^ceag fd d2| GEDE GFGA|Bdgd BG G2|Bd d2 Bdge|d2cA BG G2 :| gede gfga|Bgaf ge d2|ageg a^gab|a2bg ag e2| gede gfga|Bgaf ge d2|Bd d2 Bdge|d2cA BG G2 :| %%% X:62114 T:RICHARD DWYER'S (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Ador A2EA cdea|gedB AEGF|EAcA Bdgf|eaag a2eg| abag eA A2|cedc BcdB|AEcE dEcd|ecBG EAA2:| a2ea c'aea|g2dg bgdg|A2ed cded|cABG EAA2| a2ea c'aea|g2eg dBGB|A2Bd eaa2|gedg eAA2:| If the /c'/ in mm 9 and 13 is a problem, you can play those measures an octave lower /A2EA cAEA/ and almost nobody will notice! %%% X:62115 T:RIGHTS OF MAN (hornpipe), The C:ABC/arr. BB C:J.Hill Q:1/4=150 R:hornpipe M:C| K:Em GA|(3BcB (3ABA (3GAG (3FGF|EFGA B2 ef|gfed (3B^cd gd|E2(3dcB A2 GA| (3BcB AF (3GAG F^D|EFGA B2 ef|gfed (3B^cd gd|1 eEE^D E2 :|2 e2 E2 E2|| ga|bgbg efga|bgbg egfe|d2 d^c defg|afdf a2 gf| ebge BGEB,|EFGA B2 ef|gfed (3B^cd gd|1 eEE^D E2 :|2 e2 E2 E4|| Since this tune appears in other collections, I have left the "florid" version in here for those adventurous enough to try it! (I had to slow the playback down to 120 to accommodate the triplets.) %%% X:62116 T:RISING SUN (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:G F|G2dG eGdG|G2dB AGEF|G2dG eGBd|gedB AGEF| G2 dG eGdG|G2 dB AGEF|G2 GF GABd|gedB AGEG|| g2 bg agba|gabg agef|g2 bg a^gab|gedB AGEG| gfgb a^gab|gabg a2 ga|bgag ea a2|gedB AGEF||\ "final"G4z4|] A member of the 'Galway Rambler' family. There are other reels named 'Rising Sun' (usually in D) but they are not related to this one. %%% X:62117 T:ROAD TO ROSSPORT (reel), The T:John McGrath's Composition C:John McGrath C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:D Bc|dFF2 A2FE|DEFD EDB,C|D2FA BFAF|EDEF E2Bc| dF F2 AF F2|DEFD EB, B,2|A2 FA BFAF|EA,CE D2 :| z2|d2 fd edfd|BAB2 AFF2|D2 FA BFAF|EDEF E2 Bc| defd edfd|BAB2 AF F2|D2FA B2AF|EA,CE D2 :| This tune was composed by Mayo-born John McGrath, a well-respected instrumentalist and dance teacher in the NY area for many years. He died in 1955. This appears to be his only composition but although other tunes have been attributed to him, there's no clear evidence for any of them. (Rossport, Co. Mayo, was McGrath's birthplace.) This tune also bears the inspired name of "John McGrath's Composition"! %%% X:62118 T:ROLLING IN THE BARREL (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:Em E2DE BEE2|dBAF DEFD|E2DE BEE2|dBAd BEE2| E2DE BEE2|BdAF DEFD|B,DE2 BEE2|B2Ad BEE2|| e2ge bege|d^cdf a2fd|e2ge bege|dBAd BEE2| e2ge bege|defd adfd|efgb a2fe|dBAd BEE2|] %%% X:62119 T:ROLLING IN THE RYE GRASS (reel) T:Shannon Breeze Q:1/4=180 M:C R:reel K:D ABAF DFAF|G2 BG DGBG|ABAF DF F2|BFAF E2D2| ABAF DFAF|GB B2 dB B2|A3B AF F2|BFAF E2D2|| ABde fdef|g2 fg edBd|ABde fdeg|afdf e2d2| ABde fdef|g2 fg edBc|defg afbf|afdf e2d2|] This has been attributed to Galway fiddler Paddy Fahey. What, no accidentals? %%% X:62120 T:ROSE IN THE HEATHER, The C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:D A,|D2F EDB,|DFA BAF|ABd ege|fdB AFE| FAF EGE|DFA BAF|AdB AFE|FDD D2 :| g|fdB ABd|eaa afd|gfg fed|Bee e2g| fdB ABd|eaa afa|baf afe|1 "thru"fdd d2 :| [2 "final"fdB AFE|HD6|] %%% X:62121 T:SAINT JOHNSTON'S (hornpipe) C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D FG|AFdA GdBG|AFdA GdBG|ABcB AGFG|A2GF E2FG| AFdA GdBG|AFdA GdBG|ABcB AGFE|DFAF D2 :| % dc|Bcde fBB2|gfeg fBB2|c2F2 cAFE|FAcA fedc| Bcde fBB2|gfeg fBB2|cBAB ceag|fedc B2 :| % FG|AFdA GdBG|AFdA GdBG|ABcB AGFG|A2GF E2FG| AFdA GdBG|AFdA GdBG|ABcB AGFE|DFAF HD4|] This is a simplified arrangement of a Scots tune. The original is loaded with ornamentations impossible to play for anybody less nimble-fingered than the late Joe Derrane (or Luke O'Malley)! (The A-B-A setting is my idea.) %%% X:62122 T:SALLY GARDENS (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:G D2|GBDG BdGB|dBeB dBAB|d2Bd eBdB|AcBA GEDE| G2DG B2GB|dBeB dBAB|d2Bd eage|1 dBAB G2 :|2 dBAB G|| ABc|dggf g2 dg|g2 dg bgag|eaa^g a2 ea|a2 ea bgag| [1 dggf gede|gabg ageg|d2Bd eage|dBAB G :| [2 dg g2 dg g2|dgbg ageg|d2Bd eage|dBAB HG4|| %%% X:62123 T:SEAN MAGUIRE'S (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G GA|Bdd2 ed^cd|gdBG DGBG|Aee2 fede|ae^cA EAcA| Bd d2 ed^cd|gdBG DGBG|c2Ac B2GB|ADFA G2 :| d2|gb b2 gbdg|B2GB DGBd|eAA^G ABcd|e2 af gfed| gb b2 gbdg|B2GB DGBd|c2Ac B2GB|ADFA G2 :| Composed for, not by, Mr. Maguire. Unfortunately I have no idea who the real composer is. %%% X:62124 T:SEAN RYAN'S FANCY (hornpipe) C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G G|G2BG DGBd|g2fg egdB|c2ec B2dB|ADFA dcBA| G2BG DGBd|g2fg egdB|c2ec B2dB|ADFA G2 :| f|gBd=f eGcd|edBG ADFA|GBdB ceag|faea dafa| g2d=f eGce|d2BG ADFA|GBdB ceag|fdcA G2 :| First part of this is along the lines of Ryan's tune "P.J. Moloney's", but the second part is much different. source version: (3DEF|G2 (3BAG DGBd|g2 fg (3efg dB|c2 ec B2 dB|ADFA dcBA| G2 (3BAG DGBd|g2 fg (3efg dB|c2 ec B2 dB|ADFA G2 :| (3def|gBd=f eGcd|edBG ADFA|GBdB ceag|(3fga ea dafa| (3gag d=f eGce|(3ded BG ADFA|GBdB ceag|1 (3fed (3cBA G2 :|\ [2 fd[gb]a g2 z2|| %%% X:62125 T:SERGEANT FINLEY'S (hornpipe) C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G dc|BGAF GEDC|B,DEF GBdB|ceAe ceAg|fdef gedc| BGAF GEDC|B,DEF GBdB|ceAg fdec|B2GF G2 :| Bc|d2^ce dBGD|GFGB dgfg|efge dBGB|cABG ADFA| GFGE DGBA|GFGB dgfg|efge dBcA|B2GF G2 :| %%% X:62126 T:SHOWMAN'S FANCY (hornpipe), The Q:1/4=150 R:hornpipe M:C| K:D FG|A^GAB Adfd|Bdgf edcB|A^GAB AFDF|E^DEF E2FG| A^GAB Adfd|Bdgf edcB|Afad Begc|1 d2af d2 :|2 dfec d2|| cd|e^def gece|dcde fdAf|g2f2 e2d2|c2B2 AGFG| A^GAB Adfd|Bdgf edcB|Afad Begc|1 d2af d2 :|2 dfec d4|] The accidentals make this a fun tune, but don't worry too much if you can't get to them - none are in accented positions in the tune. %%% X:62127 T:SKYLARK (reel), The C:? Paddy Killoran C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:D agfg efdB|AFF2 DFAd|BGG2 EFGE|FAA2 FAdf| agfg efdB|AF F2 DFAd|BG G2 E2 ag|faeg fd d2 :| a2 fd Adfd|efed cA A2|a2 fa bged|Bee^d efge| fafa gbgb|faec dBAG|FA A2 GBed|ceag fd d2 :| Attributed to fiddler Paddy Killoran. Original key for this tune appears to have been C but I don't think anyone plays it in that key these days. %%% X:62128 T:SLIGO LASSIES, The T:Basket of Turf C:ABC/arr. BB Q:1/4=160 R:jig M:6/8 K:Edor D|EBB BAG|FAA AFD|EBB BdB|AFD E2D| EBB BAG|FAA ABc|dcd BdB|AFD E2 :| D|Eee efg|fef dBA|Bee efg|fef d2A| Bee efg|fef dBA|BAB GAB|AFD E2 :| %%% X:62129 T:SLIGO MAID (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Ador A2cA Bdef|gedB AGEF|G2BG A2GE|DEGA BGdB| A2cA Bdef|gedB AGEF|GABG A2GE|DEGA BAA2 :| eaag a2 ba|gabg aged|eggf gage|dega bgag| eaag a2 ba|gabg aged|eg g2 edBc|dBgB BAA2 :| %%% X:62134 T:SONNY BROGAN'S C:ABC/arr. BB L:1/8 Q:1/4=160 R:jig M:6/8 K:Ador A3 ede|fed e3|A2A ede|fed BAG| A3 ede|fed efg|aba g2e|fed BAG :| aba g2e|fed efg|aba g2e|fed BAG| aba g2e|fed efg|agf gfe|fed BAG :|"final"HA3z3|] Patrick (Sonny) Brogan (1907-1965) was a Dublin accordion player from the 1930s to the 1960s, and was one of Ireland's most popular traditional musicians. (< Wikipedia) This tune is played in both keys but Am seems currently the more popular. (The MP3 is the A minor version.) version in Edor: E3 BAB|cBA B3|E2E BAB|cBA FED| E3 BAB|cBA Bcd|efe d2B|cBA FED :| efe d2B|cBA Bcd|efe d2B|cBA FED| efe d2B|cBA Bcd|edc dcB|cBA FED :| %%% X:62131 T:SPELLAN'S FIDDLE (hornpipe) C:ABC/arr. BB Q:1/4=150 N:There's a version of this as "Spellan the Fiddler" (key G/D) in O'Neill's DMI (#911). The little flourish at the end of the second part is cute but /E2B2E2/ will work fine. (I put it in as a second ending.) R:hornpipe M:C| K:A cd|eagb afec|AGAB cAED|CEAG FAdc|B^dgf e=dcB| Aagb aecB| AGAB cAED|CEgf E2cB|A2 c2 A2 :| K:E GA|BcBA GBef|gage Begb|agfa gfeg|fbeb dbcb| BcBA GBef|gage Begb|afdB ^AB=AF|1 (3EGB (3egb [e2e'2] :| [2 "final" E2B2 HE4|] %%% X:62132 T:SPORTING PADDY (reel) T:Sporting Pat C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Amix AG|EAA2 GABG|EAAF G2ED|EAA2 GABd|efge dBAG| EA A2 EG G2|EAAF G2ED|EA A2 GABd| efge d2|| ef|ge e2 fddf|ge e2 a2 af|ge e2 fdde|fage d2 ef| gee2 fddf|gee2 a2ga|bgaf gfed|efge d4|] This tune ends on the 4th scale degree (D in key of A), which I would normally re-arrange so it ended on the tonic A. However this tune is well-known enough that I didn't bother. (You could try something like |edcB A4| on the last playthrough if you're interested.) %%% X:62133 T:STEAM PACKET (reel), The C:ABC/arr. BB Q:1/4=180 M:C R:reel K:Ador AGG2 AGFD|AGG2 FAdc|AGG2 AFDE|FEFG AdcA| AG G2 AGFG|AG G2 FAdc|A2Gc AFDE|FEFG ABcA|| dg g2 ag g2|d2 eg fdcA|dgg2 agg2|d^cde fd=cA| dg g2 ag g2|abag fefg|afge fdec|d^cde fd=cA||"final"HG4z4|] %%% X:62134 T:STRANGER (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:Dmix dc|B2BG A2Ac|dcAF G2 FG|AFDE FAGE|DEFG A2dc| B2BG A2Ac|dcAF G2 FG|AFDE FAGE|D2 D^C D2 :| FG|ABde f2 ef|dcAF G2 FG| ABde f2 ef|gfef d2 fg| afge dfe^c|dcAF G2 FG|AFDE FAGE|D2 D^C D2 :| %%% X:62135 T:SWEEP'S HORNPIPE, The T:Belfast Hornpipe C:ABC/arr. BB Q:1/4=150 M:C| R:hornpipe K:D ag|f2df AdFA|DFAd f2ef|gefd edcA|GABG E2ag| f2d2 A2F2|DFAd f2ef|gfed cABc|d2cA d2 :| % EF|GFGA Bcde|fgfe dcdB|A2f2 fef2|G2e2 ede2| GFGA Bcde|fgfe dcdB|Afed cABc|d2d2d2 :| % ag|faef dece|BdBA G2ba|ggff eedd|cedB A2ag| faef dece|BdAB GAFA|Eeed cABc|d2fe d2 :| There's another "Belfast Hornpipe" that isn't related to this one. I think most musicians today would call this "Sweep's". %%% X:62136 T:SWEET BIDDY DALY T:Irishman's Heart/Health (to the Ladies) F:file ID gstc/140sweet C:ABC/arr. BB Q:1/4=160 M:6/8 R:jig K:A f|ecA BAF|AFE EFA|Bec BAB|cBB B2f| ecA BAF|AFE EFA|Bec BAB|cAA A2 :| B|cee dff|cef ecA|cee def|ecA B2A| cee dff|cef ecA|Bec BAB|cAA A2 :| %%% X:62137 T:TAILOR'S THIMBLE (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Ador cAAG A2ed|cAA2 dBBG|cAAG A2Bd|efge dBGB| cA A2 EA A2|cA A2 dBGB|cAAG A2Bd|efge dega|| b2 gb abga|bgge dega|bg g2 ag g2|efge dega| b2 gb abga|bgge dega|bg g2 ag g2|efge dBGB|\ "final"HA4z4|] %%% X:62138 T:TAYLOR'S HORNPIPE C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:G EF|GABG ABcA|dggf dedc|BdBG AcAF|GBAF DEFD| GABG ABcA|defa gfdc|BdBd cAFA|GdgB G2 :| % ef|gfga gfdg|g2af gfde|=fefg fecd|=f2cf dcA^F| GABG ABcA|defd gfdc|BdBd cAFA|GBAF G2 :| % ag|f2de fgaf|gfga bgag|f2de fgaf|gfdB cAFA| GABG ABcA|defa gfdc|BdBd cAFA|GdgB G2 :| %%% X:62139 T:TAYLOR'S REEL C:ABC/arr. BB Q:1/4=180 R:reel M:C K:G G2EF GABG|A^GAB cAA2|GFED GBde|dBAc BG G2| G2 EF Gged|cBcA GFDE|G2EF G2 de|dBAc BG G2|| % GdBd g2 eg|dBGB AGEF|GdBd edce|dBAc BG G2| gGBG eGdG|cABG AGEF|G2 Bd eage|dBAc BG G2|| % Bd d2 Bdgd|eB B2 AGEG|Bdge dBGE|DEGA BG G2| d^cde dBGB|dBgd BA A2|G2 Bd eage|dBAc BGHG2|] %%% X:62140 T:TIM MALONEY (reel) C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G DGG2 Bdd2|dedB gedB|G2BG dGBG|c2Bc AGEG| DGG2 Bd d2|dedB d2 gf|eged Bdef|gedB AGEG :| dg g2 bg g2|eBBA Bdef|g2 bg a2ge|d2 BG AGEG| dg g2 bg g2|dedB d2 gf|eged Bdef|1 "thru"gedB AGEG :| [2 "final"gedB AGEF|HG4z4|] %%% X:62141 T:TIN WEDDING (hornpipe), The C:ABC/arr. BB Q:1/4=150 R:hornpipe M:C| K:D Bc|dAA2 FADA|G2EA G2EA|FAde fdgf|e2dB A2Bc| dA A2 FADA|GAEA G2EA|FAde fedc|d2 f2 d2 :| cd|ecAc ecag|fdAd fdba|^geBd efgb|a2g2 f2e2| dA A2 FADA|G2EA G2EA|FAde fedc|d2 f2 d2:| %%% X:62142 T:TWO MILES PAST ENNIS* (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:D dcdA FDFA|dcdB cdec|dedA FDFA|BedB cABc| dcdA FDFA|d2Bd cdec|dedA FDFA|Beed cABc|| d2ad fdad|fdaf gece|d2ad bdad|cA A2 cdec| d2ad bdag|fdaf gfec|defg abaf|gfge cdec|| "final"d4z4|] A "gan ainm" that I supplied the name for. %%% X:62143 T:WITHIN A MILE OF DUBLIN (reel) C:ABC/arr. BB Q:1/4=180 R:reel M:C K:Dmix A2^GB A2 dB|cBcG EFGB|A2^GB A2 dB|AcGE EDD2| ADFD A2 dB| cBcG EFGB|AFAc BGBd|cAGE ED D2|| % ed d2 ABcd|ed d2 eaag|e2 dg ecdc|AcGc Ad d2| e2 dg eddc|ABcd efge|a2 ge dgec|ABcd ed d2|| % efge d2Bd|eaag edcd|efge dged|cAGE ED D2| gage d2Bd|eaa^g agef|gedc dged|cAGE D4|] %%% X:62144 T:WOMAN OF THE HOUSE (reel), The C:ABC/arr. BB Q:1/4=180 M:C R:reel K:G DBBA B2BA|GABd eBdB|AGEG A2Bd|eB B2 gB B2| GBBA B2BA|GABd e2dB|GBB2 A2GA|BGAG EG G2 :| f2 fd edBd|edgd edBd|f2 fd edBd|ea a2 eaag| f2 fd edBd|gage d2 BA|GABG ~A2GA| BGAG EG G2 :| %%% X:62145 T:YELLOW TINKER (reel), The C:ABC/arr. BB Q:1/4=180 R:reel M:4/4 K:Gmix DGG2 DFF2|DGG2 dGBG|DGG2 DFF2|cAFA c2AF| DGG2 DFF2|DGG2 dGBG|DGG2 DFF2|cAFA c2|| % K:G Ac|dG G2 dGBc|d2 ge fdcA|dG G2 dGAB|cA=FA c2Ac| dG G2 dGBc|dg g2 fdcA|g2 de fgaf|g2 ag fd|| % K:Gmix cA|d2BG BdBG|BdBG c2 Bc|d2 BG Bcde|fdcA FABc| d2BG BdBG|BdBG c2Bc|d^cde fefd|cAFA HG4|] Gmix in parts 1 and 3; part 2 is pretty much straight G. %%%