BB'S IRISH TRADITIONAL TUNE LIBRARY
O'NEILL'S "MUSIC OF IRELAND" ("The 1850")
Hornpipes #1556 - 1780
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folder contents

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BB's webABC Library
"O'Neill's Music Of Ireland" ("The 1850")  
hornpipes 1556-1780

==============================================================
Original ABC transcriptions: Vince Brennan (2003). These files represent
a massive amount of work by Mr.Brennan and my sincerest thanks are due 
to him for sharing the results of his labors.

Details on particulars of the transcriptions are at the end of the file.

========================================================================
TUNE STRUCTURE

Some of the tunes in the older collections (including O'Neill's) are structured as ABA or AA-B-A, which simply means that the tune returns to the first part before ending. The "segno" sign (looks like a fancy dollar sign) is used to indicate the starting point for the return, and "DS", "dal segno", "DC", or "da capo" are used at the end to direct the player back to the "segno". The A part is then played once through - no repeats - to a "fine" (end) measure.

This elegant system is a legacy of classical music which is almost totally irrelevant in traditional music today, where AA-BB is the prevalent structure. 
 
For the tune printouts (PDFs) I kept the segni/DS/fine protocol. However, ABC does not read these symbols for playback purposes; to create an accurate playback I had to place the parts manually (so to speak) as they were intended to be played. (The symbols might still be in the ABC but they don't do anything.)

I have left those "longhand" versions in these files in case anyone using the file wishes to change any of the playback parameters (playback speed, for instance).

========================================================================
"AMBIGUOUS" TUNES

Many of the tunes in thie O'Neill's volumes that carry major key signatures of A, D, or G are no longer played as major key tunes. In some cases (particularly in A) they are now played as A minor (more correctly A dorian, because the F remains sharp while the C and G are lowered half a step). 

A tune might also be played "modally" (i.e., in mixolydian mode) where all 7ths are lowered half a step. Tunes adapted from the Scots piping repertoire are almost 100% "modal". A well-known Irish tune like "Blarney Pilgrim" is modal because all its C's are natural. G modal tunes also exist (part 3 of "The Luck Penny" is an example).

There is a table at the end of this section that might help clarify how each scale degree is treated in the different modes.

The problem for a transcriber in encountering an unfamilar tune is to determine how credible O'Neill's key signature is. In 90% of tunes there's no difficulty - the Chief's key signature tells you all you need to know. However figuring out the remaining 10% requires some experience and guesswork, and even after these are judiciously applied, the transcriber still can't be 100% sure that his result will be what the Chief had in mind!

In the case of tunes that suffer from ambiguity syndrome, I have included in the individual tune file an alternate version of the tune that contains my ideas on how it should sound. While I can guarantee that my version will sound authentic, I can't guarantee that it's the way the Chief or any other musician would play it.

One of the great things about ABC is the flexibility it offers to users familiar with it. That means that anyone having a copy of this or any ABC file can make changes to its contents in order to find a suitable sound. For example, if I show a tune as being in A minor, a few simple key-strokes on the appropriate notes will change the tune to A major. If the results aren't suitable, the tune can be restored to A minor without permanent damage (strongly recommended is to use only COPIES of tunes for experimentation purposes!)

In fairness to the Chief, I should note that he is certainly not the only collector to suffer from the ambiguity syndrome. I would venture a guess that the advent of recording towards the beginning of the 20th Century reduced (if it did not completely eliminate) the problem by providing a "standard" from which other musicians might learn. This process continues today, and works well once a tune has been recorded. It's in regards to the older tunes, unfamiliar outside of the pages of the various collections, that the ambiguity syndrome might persist, at least until a "definitive" version is recorded.

Here are the various permutations of A, D, and G:

A major			C, F, G sharp
A minor			C and G natural, F sharp (= "Dorian" mode, which applies to 95% or Irish 					minor-key dance tunes)
A modal			C and F sharp, all accented G natural

D major			C and F sharp
D minor			C and F natural, B natural (Dorian)
D modal			F sharp, accented C natural

G major			F sharp
G minor			F natural, B flat, E natural (Dorian)
G modal			accented F natural
=================================================================================
DOTTED RHYTHM

The use of dotted rhythm (a/k/a/ "cut time" or "Scots snap") (e.g. 
a>bc>d, e<fg<a) in 2/4 or 4/4 tunes is very common among 19th Century 
collectors, including O'Neill. It may reflect the influence of Scots 
forms on what later came to be identified as Irish tunes. Many of the
tunes credited to the Chief's colleague James O'Neill - from the
North of Ireland - share this characteristic.

In ABC, the requirement to use  or < every second note makes for a 
tedious job of transcribing. That fact, combined with the knowledge 
that very few of today's Irish players pay any attention to cut time 
in he normal course of playing reels or hornpipes, has led me to the 
idea of removing it from the tunes in this file. (The fact that cut 
time reproduces very poorly in ABC MIDI helped the decision.)

=================================================================================
MORE ON BALFE:

O'Neill admired Dublin-born Michael Balfe (1808-1870), best known for his opera 'The Bohemian Girl', 
although he took some criticism for including Balfe's compositions in a collection of traditional tunes. 
Balfe seems to have had some exposure to traditional music in his younger days as a 'violinist', and 
most of his other compositions can - with some critical suspension -  pass as authentic. Details of his life do not leave the impression of Balfe as an Irish nationalist (e.g. he's buried in the UK, not Ireland) but maybe The Chief knew something about him that the rest of his contemporaries (and subsequent generations of musicians) didn't.

Here's the Wiki link: https://en.wikipedia.org/wiki/Michael_William_Balfe
=================================================================================

X:492001 
T:ALEXANDER'S HORNPIPE 
S:J.O'Neill
B:ONMI.1683
Z:Brennan/Black
N:Cut time in original
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:D
Bc|dAFA DFAd|fdcd A2ef|gfed edcd|e2dB A2Bc |
dAFA DFAd|fdcd A2ef|gfed cABc|d2f2d2:|
A2|FAdA FAdA|GBdB GBdB|Acec Acec|dfaf dfaf|
FAdA FAdA|GBdB GBdB|Aceg fdec|d2f2d2:|

%%%

X:492002 
T:ALWAYS WELCOME 
S:Cronin
B:ONMI.1755
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:A
AF|E2EF A2AB|cBAB ceeg|fefg agaf|ecBc AFFA|
E2EF A2AB|cBAB ceeg|fefg agaf|ecBc A2:|
%
c2|A2Ac eccf|ecac eccd|B2Bd fefg|agaf edcB|
A2Ac eccf|ecac ecce|fefg agaf|ecBc A2:|
%
e2|a2ga faea|faea fccB|E2EF AGAB|cBAc BFFe|
a2ga faea|faea fcce|fefg agaf|ecBc A2:|

%%%

X:492003 
T:AUTUMN WOODS 
S:Cronin
B:ONMI.1709
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
Bc|dedc BcBA|GFGD EDB,D|cBce dBgB|AGAB A2Bc|
dedc BcBA|GFGD EDB,D|Ggfe dcBA|G2G2 G2:|
cB|ABAG FGAB|cBce defg|afge fdec|dcde dcBc|
dcBd cBAc|BAGF GABc|dgfe dcBA|G2G2 G2:|

%%%

X:492004 
T:BACK OF THE HAGGARD, The 
S:F.O'Neill
B:ONMI.1742
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
Bc|dfdf ecAc|dcdB AFDF|GFGB Afed|c2A2 A2Bc|
dAA2 eAA2|fefg afdc|BdcB AGFE|D2D2 D2:|
Bc|dcdA FADF|BGFG BGFG|gefd ecdB|cdec dcBc|
Add2 cee2|dff2 egg2|fafd egec|d2d2 d2:|

%%%

X:492005 
T:BALDHEADED BACHELOR, The 
S:not attributed
B:ONMI.1776
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
EF|GFGe fdAG|FGAB cBcA|GBcf gfgb|agfe dcBA|
GFGe fdAG|FGAB cBcA|f2dF ecAF|G2G2G2:|
ga|b2b2 bagf|e2ed e2fg|a2ag abag|f2dd d2ef|
gfga bgdB|cBAB cdef|afdf ecAF|G2G2G2:|

%%%

X:492006 
T:BALFE'S   
S:Early
B:ONMI.1736
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G % source key = D
EF|GAFG ECDB,|C2Be Bedc|BcBG ABAF|Gdge d2cA|
GAFG ECDB,|C2Be Bedc|BccA ABAF|G2B2G2:|
EF|GBdf gfgf|edef ecAG|FGAB cBce|d^cde d2EF|
GBdf gfgf|edef e2dc|BcBG ABAF|G2B2G2:|

Source version:
K:D
Bc|decd BG AF|G2fb fbag|\
(3fag FD (3egf (3edc|(3dfa (3d'c'b a2 (3gfe|
decd BG AF|G2fb fbag|(3fag (3gfe (3egf (3edc|d2f2d2:|
Bc|df Bc' d'c'd'c'|babc' bged|cdef gfgb|a^gab a2 Bc|
df Bc' d'c'd'c'|babc' b2ag|(3fag FD (3egf (3edc|d2f2d2:|

Information on Balfe at the top of this file.

%%%

X:492007 
T:BALLINCOLLIG IN THE MORNING 
S:F.O'Neill
B:ONMI.1691
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
Bc|dBAB G2AB|cBAG F2Bc|dBge dBGA|B2A2 A2Bc|
dBAB G2AB|cBAG F2Bc|dBge dBAB|G2GG G2:|
Bc|dBge dBGB|dBge d2Bc|dBge dBGA|B2A2 A2ge|
dcBA G2AB|cBAG F2Bc|dBge dBAB|G2GG G2:|

%%%

X:492008 
T:BANKS OF THE ILEN, The 
S:F.O'Neill
B:ONMI.1592
N:This tune is occasionally played as a reel.
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
AG|FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF GBAG|
FDFA d2fe|d2fd ecAG|FDFA d2fd|ecAF G2:|
de|f2fd g2ge|abag fdde|f2fd g2ge|abaf g2fg|
abaf gage|fgfd ecAG|FDFA defd|ecAF G2:|

%%%

X:492009 
T:BANKS OF THE NILE, The 
S:F.O'Neill
B:ONMI.1625
N:Cut time in first 5 measures of original.
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
FE|DFAF ABdA|Beef e2dB|dfaf gfed|fgab a2gf|
gabg fgaf|gfed e2Bc|dfaf gfeg|f2d2 d2:|
de|fdec dABF|Eeef e2fa|bafb agfe|fgab a2gf|
gabg fgaf|gfed e2Bc|dfaf gfeg|f2d2 d2:|

%%%

X:492010 
T:BANTRY BAY HORNPIPE
S:F.O'Neill
B:ONMI.1573
Z:Brennan/Black
Q:1/4=150
R:hornpipe
L:1/8
M:C|
L:1/8
K:G
dc|BGAG EGDE|G2GG G3B|AGAB cBAG|Bdde d3d|
edef gage|dedB A2GA|BGAG EGDE|G2GG G2:|
Bc|dBGB dBGB|e2ed e2de|f2fe defd|g2gf g2z2|
d2ef gage|dedB A2GA|BGAG EGDE|G2GG G2:|

%%%

X:49211 
T:BANTRY HORNPIPE, The  
S:Cronin
B:ONMI.1779
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
dc|BAGB cBcA|dbge dedB|cecA BdBG|FGAG FDEF|
BABG cBcA|dbge dedB|cedc BGAF|G2B2G2:|
%
cB|AGAB cBce|dfge dcdB|cecA BdBG|FGAG FDEF|
GFGA BGFD|GABG ABcA|dgfe d2cA|G2B2G2:|
%
Bc|dgBg dgBf|g2bg fdef|gage dedc|BGAF GDB,D|
Ggge dBGB|cBcd efge|dgfe d2cA|G2B2G2:|
%
dc|BGGF GDB,D|G2BG ABcA|dcde fdcA|d2cA d2cA|
BGGF GDB,D|G2BG ABcA|dgfe d2cA|G2B2G2:|

%%%

X:492012 
T:BATH ROAD, The
S:J.O'Neill
B:ONMI.1682
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source=2/4
L:1/8 %original = 1/16
K:G
GABc d2ef|g2dc B2G2|FGAB cedc|B2AG F2D2|
GABc d2ef|g2dc B2G2|FGAB cedc|BGAF G4:|
d2dd d2d2|defg agdB|c2cc c2c2|cBAG FAFD|
GABc d2ef|g2dc B2G2|FGAB cedc|BGAF G4:|

%%%

X:492013 
T:BELFAST HORNPIPE, The  
S:J.O'Neill
B:ONMI.1647 
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
P:Part A
ga|bgdB GBdg|fecA E2e2|dcAF DcBA|GABc d2ga|
bgdB GBdg|fecA E2e2|dcAF DcBA|G2B2G2 :|
P:Part B
K:D
a2|gecA GABc|defg a2b2|agec Agfe|fdAF D2a2|
gecA GABc|defg a2b2|agec Agfe|1 d2f2d2:|\
[2 d2c2=c2||
P:Part A repeated
K:G
ga|bgdB GBdg|fecA E2e2|dcAF DcBA|GABc d2ga|
bgdB GBdg|fecA E2e2|dcAF DcBA|1 G2B2G2 :|\
[2 G2B2 G4|]

This tune is slightly different in that the reprise of the 
A part is repeated, making structure AA-BB-AA instead of the 
usual AA-BB-A.

%%%

X:492014 
T:BELLES OF CLONALLAN, The 
B:ONMI.1714
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
DDD2 DFAF|dFAF dFAF|EE E2EGBG|eGBG eGBG|
DDD2 DFAF|dFAF dFAF|Egfg edce|d2d2 d2z2:|
fdd2 fdad|fddf a2ed|cAA2 cAeA|cAAc egfe|
fdd2 fdad|fddf a2A2|Bbag fedc|d2d2 d2z2:|

%%%

X:492015 
T:BIG DAN O'MAHONY 
S:F.O'Neill
B:ONMI.1585
Z:Brennan/Black
N:1:See note on Ambiguous Tunes at top of the ABC file.
R:hornpipe
Q:1/4=150
L:1/8
M:C|
L:1/8
K:Ador
GB|AGAB A2Bd|edBA G2Bd|edef gfea|edBA G3B|
AGAB A2Bd|edBA G2ed|B2AG gdBd|c2A2A2:|
Bd|edef g2fe|a2a2 g2ea|edef gfea|edBA G2Bd|
edef gfge|abag e2ea|gedg edBd|c2AA A2Bd||
edef gfge|a2 ag e2ea|edef gfea|edBA G2AB|
c2Bc d2cd|efge a2a2|gfea edBd|c2A2 A4|]

%%%

X:492016 
T:BILL BLACK'S HORNPIPE  
S:J.O'Neill
B:ONMI.1678
Z:Brennan/Black
N:See note on Dotted Rhythm at top of the ABC file
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
dc|BGBd gdcB|Acbg fedc|BGBd gdBG|AGFE D2dc|
BGBd gdcB|Acbg fedc|B2 GB A2 FA|G2G2G2:|
Bc|dcBA GBdg|e2c2 c2cd|edcB Acag|f2dd d2ef|
g2 ge f2 fd|efge dcBA|B2 GB A2 FA|G2G2G2:|

For obvious reasons I wish I knew more about this Bill Black but 
O'Neill doesn't mention him in any of his reference works!

%%%

X:492017 
T:BILL ELLIS' HORNPIPE   
S:J.O'Neill
B:ONMI.1722
N:See note on Dotted Rhythm at top of the ABC file
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:D % source key = A
FG|A^GAF dcdA|fefA dcdA|BcBA GFED|B,EAe a2FG|
A^GAF dcdA|fefA dcdA|BcBG FEDC|E2D2D2:|
EF|GFGE ecBG|FEFD dBAF|EDEG cAGE|DFAB A2FG|
A^GAF dcdA|fefA dcdA|BcBG FEDC|E2D2D2:|

Source version:
K:A
cd|e^dec agae|c'bc'e agae|fgfe dcBA|(3FGB (3egb e'2cd|
e^dec agae|c'bc'e agae|(3fag FD cBAG|B2A2A2:|
Bc|dcdB BG FD|cBcA AF (3edc|BABd (3gfe (3dcB|Acef e2cd|
e^dec agae|c'bc'e agae|(3fag FD cBAG|B2A2A2:|

%%%

X:492018 
T:BILLY TAYLOR'S FANCY 
S:Gillan
B:ONMI.1726
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
DF|GABc dBec|dgfg bgdB|cAec BGdB|AGFE DcBA|
GABc dcec|dgfg bgdB|cAec BGAF|GBAF G2:|
fg|agfe defg|afge defg|afbg afge|dggc BGAF|
GABc dcec|dgfg bgdB|cAec BGAF|GBAF G2:|

Source version:
DF|GABc dBec|dgfg bgdB|(3cBA ec BG dB|(3ABG (3FGE DcBA|
GABc dcec|dgfg bgdB| (3cBA ec BG AF|GBAF G2:|
fg|ag (3fge defg|AF (3gfe defg|
AF BG AF (3gfe|dggc BG AF|
GABc dcec|dgfg bgdB| (3cBA ec BG AF|GBAF G2:|
%

%%%

X:492019 
T:BONAPARTE'S DEFEAT 
S:Carey
B:ONMI.1710
N:See note on Dotted Rhythm at top of the ABC file
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:Amix
AG|EAA^G AcBA|^GABc d2ef|=gfge dcBd|cAB^G EFGB|
EAA^G AcBA|^GABc d2ef|=gfgd edBG|A2AG A2:|
ef|=gfge agae|=gfge dBcd|c2cB A2^GA|BcBA ^GEFD|
EAA^G AcBA|^GABc d2ef|=gfgd edBG|A2AG A2:|

There are no accidentals in the Chief's version of this, so I'm taking 
the liberty of making it an A-modal tune! (Or 'A quasi-modal' since 
not all the G's are natural.) You can revert to the original by changing 
"K:D" to "K:A" in the header of the file above.

%%%

X:492020 
T:BONNIE ANNE 
S:J.O'Neill
B:ONMI.1771
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
GABc dBAG|gfge d2BA|BdBG cecA|BdBG GFED|
GABc dBAG|gfge d2BA|BdBG ceAF|G2G2 G2z2:|
defg fafd|gbge fafd|defg afed|BdBG FAFD|
BdBG cecA|fafd gbge|dgfe dcBA|G2G2 G2z2:|

%%%

X:492021 
T:BOYS FROM SCART, The 
S:F.O'Neill
B:ONMI.1574
Z:Brennan/Black
Q:1/4=150
R:hornpipe
L:1/8
M:C|
L:1/8
K:G
dc|BGBd BGBd|gfge dBGB|ecdB cABG|EAAB A2dc|
BGBd BGBd|gfge dBGB|ecdB cABG|D2G2G2:|
Bc|dgg2 dgg2|dgba gfed|eaad eaa2|eaaf gfef|
dgg2 dgg2|dgba gfef|dfaf gfef|g2gf g2:|

%%%

X:492022 
T:BOYS FROM THE EAST, The 
B:ONMI.1664
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:A
EG|AGAE CEAc|e^dec Acea|faea daca|BABc dBGE|
AGAE CEAc|e^dec Acea|faed cBAG|A2A2 A2:|
EG|BABG EGBc|dcdB GBed|cBcA EAcd|ecef e2fg|
agae fdBG|ABcd eaec|dfed cBAG|A2A2 A2:|

%%%

X:492023 
T:BOYS OF BALLYSIMON, The 
B:ONMI.1594
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
dc|BAGB ABcA|dcAF G2FG|AFDE FAGF|D2DE D2dc|
BcBG ABcA|dcAF G2FG|AFDE FAGE|D2DE D2:|
%
FG|Addg fgfd|efed cBcA|Addg fgfd|efec d2dc|
BAGB ABcA|dcAF G2FG|AFDE FAGE|D2DE D2:|
%
dc|BcBG AGFG|ABcA g2ed|ecAF GBAF|D2DE D2dc|
BGGB cBAG|AGFG g2fg|ecAF GBAF|D2DE D2:|
%
FG|Adeg fgfd|efed cAGF|Adde fgfd|efec defg|
agfa gfef|defd cBAG|AFDE FAGE|D2DE D2:|

%%%

X:492024 
T:BOYS OF BLUEHILL, The
S:West
B:ONMI.1700
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D
FA|BAFA D2FA|BABd e2de|faaf egfe|dfed B2dB|
BAFA D2FA|BABd e2de|faaf egfe|d2dd d2:|
fg|afdf a2gf|gfga b2ag|faaf egfe|dfed B2dB|
BAFA D2FA|BABd e2de|faaf egfe|d2dd d2:|

One of the Supreme Chestnuts of the traditional repertoire - played 
everywhere in the Solar System and Beyond. But I'm still not sure where 
'Bluehill' is!

%%%

X:492025 
T:BRIDGE OF ATHLONE, The   
S:J.O'Neill
B:ONMI.1721
N:"See also Allan's #121 for the long march" (Brennan)
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:4/4
L:1/8
K:G % source key = Bb
EF|G2G2 DGBG|AGAB cBAG|FGAB AGFE|DAde dcBA|
GBDG B,GBG|ceAc DAcA|GAGE D2EF|G2B2G2:|
FG|Adfe dedc|Bdgf e2ed|^cABG AFGE|DAde dcBA|
GBDG B,GdG|ceAc DAcA|GAGE D2EF|G2B2G2:|

Source version
K:Bb 
(3FGA|B2B2 FBdB|cBcd edcB|ABcd cBAG|(3FAc fg fedc|
cdFB (3DFB dB|egce (3FAc ec|(3BAc BG F2GA|B2d2B2:|
AB|cfag (3feg fe|dfba g2gf| (3edc (3dcB (3afe (3dcB|\
(3FAc fg fedc|
BdFB (3DFB fB|egce (3FAc ec|(3BAc BG F2GA|B2d2B2:|

%%%

X:492026 
T:BYRNE'S  
S:Early
B:ONMI.1638
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
AG|FEFG AFDc|dBcd ecAg|fdge fdec|dBcd ecAG|
FEFG AFDc|dBcd ecAg|f2df e2ce|dfec d2:|
cd|ecAc efge|afdf bgeg|afdf geaf|gefd ecAG|
FEFG AFDc|dBcd ecAg|f2df e2ce|dfec d2:|

%%%

X:492027 
T:CAPTAIN O'CLERY'S FANCY   
S:J.O'Neill
B:ONMI.1719
N:See note on Dotted Rhythm at top of the onmi.hps_ABC file
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:A
E2|ABcd ecaf|edcB A2BA|GABc dcfe|dcBA GBEG|
ABcd ecaf|edcB Aceg|agfe gfe^d|eBgf e2:|
fg|agaf ecaf|edcB A2BA|GABc dcfe|dcBA GBEg|
agaf ecaf|edcB Aceg|agfe gfe^d|eBgf e2:|

Source version:
E2|ABcd ecaf|(3efd (3cdB A2 BA|GABc dcfe|dcBA GBEG|
ABcd ecaf|(3efd (3cdB Aceg|agfe gfe^d|eBgf e2:|
fg|agaf ecaf|(3efd (3cdB A2 BA|GABc dcfe|dcBA GBEg|
agaf ecaf|(3efd (3cdB Aceg|agfe gfe^d|eBgf e2:|
%

%%%

X:492028 
T:CAROLINE O'NEILL'S HORNPIPE 
S:Cronin
B:ONMI.1780
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
Bc|d2gd BGAB|c2ec AGFA|DGBG FGAF|GBdf gdBc|
dedc BGAB|cBAG FGAF|GBdg fdcA|BGGF G2:|
%
Bd|gfef gdBd|e2ce dBGc|edce dcBd|gage d2ef|
gedB cBAG|FGAB cdef|gbge dcBA|BGGF G2:|
%
Bc|dBGB AFDC|B,CDE FGAB|cBdB cBAG|F2AB cedc|
BGAF GDEC|B,DEF GABc|dfeg fdcA|BGGF G2:|
%
Bd|g2dg e2ce|dedc BGAB|cBcA dcBd|gage d2ef|
gbaf gedB|cedB cBAB|dfeg fdcA|BGGF G2:|

%%%

X:492029 
T:CHIEF O'NEILL'S FAVORITE 
T:Flowers of Adrigole
S:Cronin
B:ONMI.1556
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
P:source version
de|fefg afge|fded dcAG|FEFD FGAB|cAdc A2de|
fefg afge|fded dcAG|FEFD GBAG|F2D2D2:|
DE|FEFD FGAB|cAdB cAGB|Adde fded|cAdc A2de|
fefg afge|fded dcAG|FEFD GBAG|F2D2D2:|
%
P:current version
de|fefg afge|fdec dcAG|FEFD FGAB|=cAdc A2de|
fefg afge|fdec dcAG|FEFD GBAG|F2D2D2:|
DE|=FEFD FGAB|=cAdB cAGB|Adde fded|cAdc A2de|
fefg afge|fdec dcAG|FEFD GBAG|F2D2D2:|

Over the years musicians playing this tune added some accidentals that 
were not included in the original. It would be interesting to find 
out when they first appeared!

%%%

X:492030
T:CHIEF O'NEILL'S VISIT 
S:Cronin
B:ONMI.1705
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G % source key = A
EF|G3A GB EF|g2gf gdBd|ecAG FGAB|cABG FDEF|
GAGF GB EF|gfga gdBd|ecAG FGAB|cdef g2:|
Bc|dggf edBd|caaf defd|fadf adfa|gfga gfef|
gfed edBd|ecAe dBGB|A2fe dcBA|Ggfa g2:|

%%%

X:492031 
T:CLARK'S  
B:ONMI.1663
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D
Bc|d2AG FDFA|BGBd cAce|fdge afed|c2e2 egfe|
d2AG FDFA|BGBd cAce|dbag fgec|d2f2 d2:|
EG|a2fd Adfa|g2ec Acdg|fafd Bged|cedB Agfe|
d2AG FDFA|BGBd cAce|dbag fgec|d2f2 d2:|

%%%

X:492032 
T:CLOONE HORNPIPE, The  
S:Early
B:ONMI.1558
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source 2/4 
L:1/8 % source 1/16, dotted
K:G
Bc|dded B2cA|GGAF G2Bc|dgfg edcd|ecAF GFED|
dded B2cA|GGAF G2dc|B2GB A2FA|G2GF G2:|
Bc|dgfg edcd|edef g2bg|edcB AGFG|A2D2 D2 EF|
GBAc B2GB|c2Ac g2dc|B2GB A2FA|G2GF G2:|

%%%

X:492033 
T:COEY'S HORNPIPE  
S:J.O'Neill
B:ONMI.1604
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
EF|GdBG FcAF|GABG D2GF|EGAB cBAG|FAd^c fdcA|
GdBG FcAF|GABG D2GF|Eedc BAGF|A2G2G2:|
AG|FAd^c dBAG|FAd^c dfed|^cdef gecg|d^cde d2d=c|
BcBA GBec|ABAG FAdf|egfe dcBA|G2B2G2:|

%%%

X:492034 
T:COMING FROM THE WEDDING 
S:Cronin
B:ONMI.1621
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
EG|A2ce agfe|dcBA GBEc|B2GB EBGB|AABc dcdB|
A2ce agfe|dcBA GBEB|Aceg agaf|edcB A2:|
cd|e2ce Aece|f2df Bfdf|e2ce Aece|dcBA GABc|
e2ce Aece|dcde fgaf|eagf edcB|AdcB A2:|

%%%

X:492035 
T:COONEY'S HORNPIPE  
S:J.O'Neill
B:ONMI.1739
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|G2GF GBdB|A^GAB cdef|gfgf ecAG|FGAF DEFD|
GFEF GBdB|A^GAB cdef|gfgf ecAF|G2G2 G2:|
Bc|dedc Bcdf|efed ^cdef|gfgf ecAG|FGAF DEFD|
GFEF GBdB|A^GAB cdef|gfgf ecAF|G2G2 G2:|

%%%

X:492036 
T:CORNEY DREW'S  
S:Hartnett
B:ONMI.1713
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:G
EF|G2GF GABd|e2de gedB|edef gedB|AGAB AcBA|
G2GF GABd|e2de gedB|egde BdAB|G2GG G2:|
EF|g2fg a2ga|bgaf gfed|cBcd agfe|d^cde d2 EF|
g2fg a2ga|bgaf gfed|EG de BdAB|G2GG G2:|

%%%

X:492037 
T:CRONIN'S RAMBLES 
S:Cronin
B:ONMI.1622
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
E2|AGAB cABc|dcdf ed EG|aecA dfed|cABG EFGE|
AGAB cABc|dcdf ed EG|aecA dBGB|A2A2A2:|
A2|Aceg aece|gefd efge|aecA dfed|cABG EFGE|
Aceg aecA|gfdf e2 EG|aecA dBGB|A2A2A2:|

%%%

X:492038 
T:CROSSROADS DANCE, The 
B:ONMI.1568 
Z:Brennan/Black
Y:See note on Tune Structure above.
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
P:Part A
D2|G2BA G2BA|GABc d2ef|gfed edcB|cBAF GFED|
G2BA G2BA|GABc d2ef|gfed egfa|gbaf g2:|
P:Part B
B2|e2ef g2ga|b2g2 f2e2|d2de f2fg|a2f2 e2d2|
e2ef g2ga|b2g2 f2e2|b^abc' b=agf|e2g2 e2:|
P:Part A repeated
D2|G2BA G2BA|GABc d2ef|gfed edcB|cBAF GFED|
G2BA G2BA|GABc d2ef|gfed egfa|gbaf Hg4|]

This is an A-B-A tune with correct segno and DS markings in ONMI. 
However since ABC doesn't recognize these indicators for playback 
purposes, I have inserted the repeated A part 'longhand'. 

%%%

X:492039 
T:CUCKOO'S NEST (1st setting), The 
S:F.O'Neill
B:ONMI.1733
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:Em
GA|BGEG BGEG|BAGF E2FG|AFDF AFDF|AGFE D2EF|
GFGE g2fe|dBGB d2cB|AGFE DEFA|G2E2 E2:|
GA|B2e2 efge|d2B2 B2dB|ABde faef|d2A2 A2z2|
B2e2 efge|dBGB d2cB|AGFE DEFA|G2E2 E2:|

%%%

X:492040 
T:CUCKOO'S NEST (2nd setting), The 
B:ONMI.1734
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:G
dc|BABG GBdg|fdcB cedc|BABG FGAB|c2A2 A2dc|
BABG GBdg|fdcB cedc|BABG FGAc|B2G2 G2:|
%
Bc|dBGB dBGB|dcBA G2AB|cAFA cAFA|cBAG F2BA|
GABc d2g2|fdcB cedc|BABG FGAc|B2G2 G2:|
%
Bc|dggf gabg|afd^c d2de|=fede ^fgaf|gfdB cedc|
BABG GBdg|fdcB cedc|BABG FGAc|B2G2 G2:|

%%%

X:492041 
T:DANCING ON THE GREEN 
C:Michael Balfe 
B:ONMI.1735
N:More information about the composer at the top of this file.
R:hornpipe
Q:1/4=150
Z:Brennan/Black
L:1/8 % dotted rhythm
M:C|
K:A
efec fdBG|ABcA BGEC|DEFG ABcA|B2 AF E2E2|
efec fdBG|ABcA BGEC|DFAc dc BG|B2A2 A2z2:|
AGAB c^Bcd|e2 EG aece|agfe dcBA|B2 AF E2ED|
CAEA BAEA|FADA dBGB|Afed cBAG|B2A2 A2z2:|

%%%

X:492042 
T:DEVIL'S DREAM, The 
B:ONMI.1564
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
e2|eaga eaga|eaga fedc|dfBf dfBf|dfBf gfed|
eaga eaga|eaga fedc|dfed cABG|E2A2A2:|
%
e2|ceAe ceAe|ceAe fedc|dfBf dfBf|dfBf afed|
ceAe ceAe|ceAe fedc|dfed cABG|E2A2A2:|
%
e2|cAEA cAeA|cAeA fedc|dBGB dBfe|defg agfe|
cAEA cAeA|cAce fedc|dfed cABG|E2A2A2:|

%%%

X:492043 
T:DICK SANDS' HORNPIPE
S:not attributed
B:ONMI.1777
file.
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:A
EG|a2ec Acfe|dcBA GBEG|ABcd ecAc|Be^df e2fg|
a2ec Acfe|dcBA GBEG|Aaec fdBG|A2A^G A2:|
dc|BcBA GEFG|ABcd ecAc|dcde fedc|Be^df e2fg|
a2ec f2dB|edcA d2BG|Aaec fdBG|A2A^G A2:|

%%%

X:492044 
T:DOWNFALL OF PARIS, The 
S:Cronin
B:ONMI.1562
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|
B2BA B2BA|Bdgf edcB|A2AB A2AB|ABcA GFED||
G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|
BABc dedc|BABc dedc|BdBG AcAF|G2GG G2:|
%
Bc|d2dB d2dB| e2d2 c2B2|c2cA c2cA|d2c2 B2A2|
B2BA B2BA|Bdgf edcB|A2AB A2AB|ABcA GFED||
G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|
BABc dedc|BABc dedc|BdBG AcAF|G2GG G2:|
%
cd|d2ef gfed|Bdge dcBA|G2G2 A2A2|B2B2 A2Bc|
d2ef gfed|Bdge dcBA|G2Ac BGAF|G2GG G2:|
BG|F2FG A2AB|c2B2 A2G2|F2FG A2AB|c2B2 A2Bc|
d2ef gfed|Bdge dcBA|G2Ac BGAF|G2GG G2:|

%%%

X:492045 
T:DUBLIN HORNPIPE, The   
S:F.O'Neill
B:ONMI.1725 % A-B-A
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
dc|BGDG cAFD|d^cde dBGD|EdcB AGFG|AGFE Dcdc|
BGDG cAFD|d^cde dBGD|EdcB AGFA|GBdf g2:|
%
ga|bgg2 dgBg|bgg2 dgBg|[ec']aa2 eaca|[ec']aa2 eaca|
bgg2 dgBg|bgg2 dfb2|1 a2g2 f2e2|d2c2B2:|
[2 agfa gfec|d2ef gedc|]
%
P:Part 1 repeat
BGDG cAFD|d^cde dBGD|EdcB AGFG|AGFE Dcdc|
BGDG cAFD|d^cde dBGD|EdcB AGFA|GBdf g4 |]

Source version:
dc|BGDG cAFD|d^cde dBGD|EdcB AGFG|(3ABG (3FGE Dcdc|
BGDG cAFD|d^cde dBGD|EdcB AGFA|GB EF g2:|
ga|bg g2 dgBg|bg g2 dgBg|c'a (3a^ga eaca|
c'a (3a^ga eaca|bg g2 dgBg|bg g2 dfb2|
[1 a2  (3gag  (3fgf  (3efe|(3ded  (3cdc  B2:|\
[2 agfa gfec|(3d^cd ef gedc|]

%%%

X:492046 
T:DUNPHY'S HORNPIPE  
S:Fielding
B:ONMI.1560
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
EF|GDBD G3g|feed ecAG|FDAD FGAc|BGAF GFED|
GDBD G3g|feed ecAG|FAdB cAFG|AGGF G2:|
Bc|dcBd gdBd|g2bg edBd|g2fg ed^cd|e2d^c d3f|
g2dc B2Gc|ecAG AFED|GBdB cAFG|AGGF G2:|

%%%

X:492047 
T:DURANG'S HORNPIPE  
S:not attributed
B:ONMI.1772
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
A2|DAFA DAFA|BcdB BAFA|DAFA DAFA|A,ECE A,ECE|
DAFA DAFA|BcdB BAFA|fgaf bgec|d2d2d2:|
A2|defe dcBA|Bcdc BAGF|E2gf edcB|Acec dBA^G|
A^GAB cBcd|e^def gfge|fgaf bgec|d2d2d2:|

%%%

X:492048 
T:EARLY IN THE MORNING 
S:F.O'Neill
B:ONMI.1676
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
E2|EAAG AcBA|GABc d2cd|efge dBAG|EDEF GBAG|
EAAG AcBA|GABc d2cd|efge dBGA|B2AG A2:|
cded cAce|dcBc d2cd|EG fd edce|dcBA GBAG|
EAGA AcBA|GABc d2cd|efge dBGA|B2AG A2:|

%%%

X:492049 
T:ECHO HORNPIPE, The 
S:Tobin
B:ONMI.1605
Z:Brennan/Black (w/edits)
N:See note on Dotted Rhythm at top of onmi.hps_ABC file
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:D
fe|dAFA D2FA|dfec dcBc|A2ce A2ce|faef dcBA|
dAFA D2FA|dfec dcdf|gfgb afdf|eABc d2:|
z2|dgg2 bggf|g2bg agfg|A2ce A2ce|faef dcBA|
dgg2 bggf|g2bg agfa|gfgb afdf|eABc d2:|

%%%

X:492050 
T:ECHO FROM LEINSTER, The
S:Fielding
B:ONMI.1672
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D % incorrectly G in source
ag|f2fe fgec|dedc d2A2|cABc ecdf|edcB A2ag|
fgfe fgaf|dfec d2Ac|Bdgf edce|dcde d2:|
A2|FAde fdAG|FAdf gecA|fdc2 B2gf|e2dB AGFE|
FAde fdAF|GBef gecA|f2df gece|dcde d2:|

%%%

X:492051 
T:EVERYBODY'S FANCY 
S:not attributed
B:ONMI.1769
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
D2|G2D2 E2DC|B,DGB d2^cd|edcB cBAG|FGAB cDEF|
G2D2 E2DC|B,DGB d2^cd|edcB cBAG|FGAB G2:|
d2|Bdze dBAG|Bdzd b2g2|Bdze dBAG|FGAB c2BA|
Bdze dBAG|Bdzd b2g2|Bdze dBAG|FGAB G2:|

%%%

X:492052 
T:FAIR MAIDENS, The 
S:F.O'Neill
B:ONMI.1626
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
D2|GDGA BGBd|gfed cBAG|ABcd ecAG|FGAF D2DF|
GDGA BGBd|gfed cBAG|ABcd edAF|G2GF G2:|
FG|ADFD ADFD|cABG A2GA|BDGD BDGD|dBcA B2A2|
GDGA BGBd|gfed cBAG|ABcd edAF|G2GF G2:|

%%%

X:492053 
T:FAIRIES' HORNPIPE, The  
S:F.O'Neill
B:ONMI.1718
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|GFGA BdcB|AGAB G2Bc|dgfg edcB|cedB A2Bc|
dgfa g2fe|dedc B2AG|ABcA dcAF|G2GG G2:|
Bc|eggf g2fe|dedc B2AG|ABcA edcB|A2dd d2Bc|
dggf g2fe|dedc B2AG|ABcA dcAF|G2GG G2:|

%%%

X:492054 
T:FAITHFUL FRIEND, The 
S:Cronin
B:ONMI.1763
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
AG|FDD2 DEFG|A^GAB cBAc|dcde fged|cABc dcAG|
FDDE FEFG|A^GAB cBAc|dcde fged|cABc d2:|
%
de|fdd2 dfaf|gfed cdeg|fedc dfaf|gece dcde|
fdd2 dfaf|gfed cdeg|fgaf gbag|fgec d2:|
%
de|fged efec|dcAB cAGA|FD (3dcd DEFG|ABcA dcde|
fdef dcAB|cBcA GFEF|dcdc defa|gece d2:|

%%%

X:492055 
T:FANCY FAIR, The 
S:Ennis
B:ONMI.1749
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
dc|BdcA BGAF|GBAF G2df|gbaf gedB|cBAB cedc|
BdcA BGAF|G2fb fb ag|fgfd efec|dfec d2:|
dc|Bdga bgdc|B2fa fadc|Bdga bgdB|G2eg egdf|
g2fd g2fd|g2fd dcBA|Bdge dcBA|BcAF G2:|

%%%

X:492056 
T:FARM HORNPIPE, The 
S:J.O'Neill
B:ONMI.1643
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:D
ag|f2df afdf|g2eg bgeg|f2df afdf|e2dB A2ag|
f2df afdf|g2eg bgeg|a2bg fedc|dage d2:|
zg|fedB A2GE|[G,G]DGd g3f|g2eg f2df|e2dB A3g|
fedB A2GE|[G,G]DGd g3f|g2eg f2df|egAc d2:|

Source version:
ag|(3faf df afdf|(3gbg eg bgeg|(3faf df afdf|(3efe (3dcB A2ag|
(3faf df afdf|(3gbg eg bgea|(3ad'c' BG fedc|(3dba (3gfe d2:|
zg|fedB a2 (3GFE|(3G,B,D (3GBd g3z|(3gbg eg (3faf df|(3efe (3dcB A3g|
fedB a2 (3GFE|(3G,B,D (3GBd g3z|(3gbg eg (3faf df|EG Bc d2:|
%

%%%

X:492057 
T:FATHER DOLLARD'S HORNPIPE  
S:Dollard
B:ONMI.1669
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
E2|D2FE DFAc|defe dcBA|FAA2 BAA2|GFED CEA,C|
D2FE DFAc|defe dcBA|FAA2 BAGE|D2FE D2:|
de|fdd2 Add2|fdd2 bgaf|gfec Acef|g2bg agfe|
Adcd BdAF|Adcd BdA2|Adfa gece|d2dc d2:|

%%%

X:492058 
T:FIDDLER'S FROLIC, The 
S:J.O'Neill
B:ONMI.1644
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
DB,|G,B,A,C B,DCE|DGFA GBAc|BAGE DB,G,B,|A,G,A,B, A,2DB,|
G,B,A,C B,DCE|DGFA GBAc|BAGE DB,G,B,|A,G,A,B, G,2:|
d'c'|(3bc'b a2 gage|dBge dBGB|cbcb BaBa|AGAB A2d'c'|
(3bc'b a2 gage|dBge dBGB|(3cag FD cAFA|G2G,2G,2:|

Because of the huge range of this tune (maybe a Michael 
Balfe composition?), there's not much I can do about 
providing my usual "simplified arrangement"!

%%%

X:492059 
T:FIDDLERS' CONTEST, The 
S:Cronin
B:ONMI.1711
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:A
cd|e^def ecAc|defg agaf|eagf ecAc|BABc B2cd|
e^def ecAc|defg agaf|eagf edcB|A2a2A2:|
AF|EAAB cAec|FBBc dBfB|defg agaf|edcB AEFG|
EAAB cAeA|BABc defg|agaf edcB|A2a2A2:|

%%%

X:492060 
T:FIELD MARSHAL, The 
S:Cronin
B:ONMI.1671
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
A2|d2fd edfd|defd BAFA|BAGB AFDF|Eeed egfe|
d2fd edfd|defd BAFA|BAGB AFDF|Agfe d2:|
AG|F2FD EFED|FGFE FAAB|defd edfd|gefd edBA|
FGFD EFED|FGFE FAAB|defd BAFA|agef d2:|

%%%

X:492061 
T:FIRST OF JUNE, The 
S:F.O'Neill
B:ONMI.1600
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
Bc|d2cA d2cA|G2AF G2AG|FAfe dcEF|Ggfe d2cA|
d2cA d2cA|Ggfa g2g2|dBGE D2EF|G2g2g2:|
ef|g2fg eBef|gbfg e2fg|abag fedf|egfe d2ef|
gafg efde|gdBG AGEF|GBGE D2EF|G2g2g2:|

%%%

X:492062 
T:FIRST OF MAY, The 
S:F.O'Neill
B:ONMI.1708
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:A
AG|EAAB cBcA|dcde f2ef|gedc dfed|cAGF G2G2|
EAAB cBcA|dcde f2ef|gedc dfec|A2AA A2:|
fg|a2af g2ge|fgfd e2ed|cdef gfed|cAGF G2G2|
EAAB cBcA|dcde f2ef|gedc dfec|A2AA A2:|

%%%

X:492063 
T:FISHER'S HORNPIPE (1st setting) 
S:McNamara
B:ONMI.1575
Z:Brennan/Black
Q:1/4=150
R:hornpipe
L:1/8
M:C|
L:1/8
K:D
Bc|dGFA GBAG|FADF GBAG|FAdf gfed|ceA2 A2Bc|
dGFA GBAG|FADF GBAG|FAdA BGEC|D2DD D2:|
cd|edcd efge|fdde fgaf|edcB Agfe|dcBc A2dc|
BG g2 BcdB|AF f2 ABcA|BcdA BGEC|D2DD D2:|

%%%

X:492064 
T:FISHER'S HORNPIPE (2nd setting)  
B:ONMI.1576
Z:Brennan/Black
Q:1/4=150
R:hornpipe
L:1/8
M:C|
L:1/8
K:D
Bc|dAFA GBAG|FDFD GBAG|FDFD GFGB|AFDF E2 Bc|
dAFA GBAG|FDFD GBAG|FAdf gece|d2d2d2:|
cd|ecAc efge|fdAd fgaf|ecAc efgf|edcB A2A2|
BGDG BcdB|AFDF ABcA|BcdB AGFE|D2D2D2:|

%%%

X:492065 
T:FLOWERS OF ANTRIM, The 
S:J.O'Neill
B:ONMI.1655
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
ba|gfgd B2ed|cBcA F2DE|FGAB cedc|Bcde d2ba|
gfgd B2ed|cBcA F2DE|FGAB cdef|g2g2 g2:|
Bc|dBgB dBgB|dBgB d2cB|cafd cafd|cafd c2Bc|
dBgB dBgB|dBgB d2cB|cafd ^cdef|g2g2 g2:|
%
P:alternate version in D
K:D 
fe|dcdA F2BA|GFGE C2A,B,|CDEF GBAG|FGAB A2fe|
dcdA F2BA|GFGE C2A,B,|CDEF GABc|d2d2 d2:|
FG|AFdF AFdF|AFdF A2GF|GecA GecA|GecA G2FG|
AFdF AFdF|AFdF A2GF|GecA ^GABc|d2d2 d2:|

I have included a version in D, which seems to be the 
most common key for this tune today.

%%%

X:492066 
T:FLOWERS of EDINBURGH, The 
S:no attribution
B:ONMI.1746
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:G
GE|D2DE G2G2|BGBd cBAG|FGEF DEFG|AFcF E2GE|
D2DE G2G2|BGBd efge|dcBA GFGA|B2G2 G2:|
EF|g2gf gbag|f2fe fagf|edef gfed|B2e2 e2ge|
dBGB d2Bd|EG fa g2ge|dcBA GFGA|B2G2 G2:|

%%%

X:492067 
T:FLOWERS of SPRING, The
S:McFadden
B:ONMI.1692
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
dB|A2FA DFA,E|D2FA dfab|afdf gfec|dcBA GFEd|
AdFA DFA,E|D2FA dfab|afdA CEAG|F2D2D2:|
FG|Add2 fdd2|baga fdd2|AdFA dAFA|GFED CE A,2|
Add2 fdd2|baga fdd2|AdFD CEAG|F2D2D2:|

%%%

X:492068 
T:FRIENDLY VISIT, The 
S:Dollard
B:ONMI.1696
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
BA|G2DG BGBd|c2AB cdef|g2df ecAG|FGAB cAFD|
G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2G2:|
Bd|g2dB GBdg|e2AF DFAg|f2ed cdeg|f2e2 dcBA|
G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2G2:|

%%%

X:492069 
T:FROST AND SNOW 
S:F.O'Neill
B:ONMI.1695
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:Ador
EF|GFGA GEDE|GFGA G2ED|EAAB cBA^G|ABcd e2E2|
ABcd e2ge|dBGB d2cd|edcB AGED|EAA^G A2:|
E2|A^GAB cBcd|efge a2ef|gfge dcBd|cBAc BGED|
ABcd efge|dBGB d2cd|edcA AGED|EAA^G A2:|

%%%

X:492070 
T:FULL OF THE BAG, The 
S:Cronin
B:ONMI.1651
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
DF|GDB,D G,B,DG|BGAB cdef|afge dBAB|cABG AGEF|
GDB,D G,B,DG|BGAB cdef|afge dgec|BGAF G2:|
%
GA|BcBA GABc|ded^c defg|BcBA GABd|cBAG FGAc|
BcBA GABc|ded^c defg|afge dgec|BGAF G2:|
%
A2|Beef e^def|gebe geag|fdd^c defg|afge dcBA|
Beef e^def|gebe g2ag|fe^df e=dB^c|dBAF E2:|

%%%

X:492071 
T:GALWAY BAY HORNPIPE, The 
S:F.O'Neill
B:ONMI.1619
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:Em % source key = Gm
EF|GFGA BAB^d|e^def =dfge|dBge dBAB|GFE^D EDB,D|
E2EF GFGE|D2DE FEDB,|EFGA BAGF|G2E2E2:|
e2|edB^d efge|edBd EDB,D|GFGA BAB^c|dABG FEDB,|
E^DEF GFGA|GDBG FDcA|B^def gfe=d|B2e2e2:|

Normally I'd replace any D sharps with D naturals in the 
lowered E minor version, but I like the D sharps in this tune. 
Unfortunately that doesn't make them any easier to play, so feel 
free to use D natural!

Source version:
K:Gm
GA|BABc dcd^f|g^fga =fabg|fdbg fdcd|BAG^F GFDF|
G2GA BABG|F2FG AGFD|GABc dcBA|B2G2G2:|
g2|gfd^f gabg|gfdf GFDF|BABc dcd=e|fcdB AGFD|
G^FGA BABc|BFdB AFec|d^fga bag=f|d2g2g2:|

%%%

X:492072 
T:GILLESPIE'S 
S:J.O'Neill
B:ONMI.1741
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:A
ed|cBAc BAGB|Aaga fecA|GBEB Bcdf|edcd B2ed|
cBAc BAGB|Aaga fecA|GABc defg|a2A2 A2:|
cd|eaga eaga|eaga fecA|GABc dcde|fedc B2cd|
eaga eaga|eaga fecA|GABc defg|a2A2 A2:|

%%%

X:492073 
T:GILMORE'S  
B:ONMI.1662
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D % source key = G
FE|D2DE FADF|GABG AdDF|GeFd EdDB|CAcB AGFE|
D2DE FADF|GABG AdDF|GABc dABG|F2D2 D2:|
FG|AdFA DFAd|cedB Aceg|fdec dBAF|GBE2 E2FG|
AdFA DFAd|cedB Aceg|fdec dBAG|F2D2 D2:|

Source version:
K:G
BA|G2GA BdGB|cdec dgGB|caBg AgGe|Fdfe dcBA|
G2GA BdGB|cdec dgGB|cdef gdec|B2G2 G2:|
Bc|dgBd GBdg|fage dfac'|bgaf gedB|ceA2 A2Bc|
dgBd GBdg|fage dfac'|bgaf gedc|B2G2 G2:|

%%%

X:492074 
T:GLASGOW HORNPIPE, The
S:J.O'Neill
B:ONMI.1648
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
BA|GDB,D G2GB|AGAB c2BA|Ggfg edcB|c2A2 A2BA|
GDB,D G2GB|AGAB c2BA|Ggfe dcBA|B2G2 G2:|
Bc|dgfg edcB|cBce dcBA|Ggfg edcB|c2A2 A2Bc|
dBBd ecce|fdef g2fe|dgfe dcBA|B2G2 G2:|

%%%

X:492075 
T:GLEN HORNPIPE, The  
S:Fielding
B:ONMI.1673
Z:Brennan/Black
R:hornpipe
N:This looks like an A-B-A tune but it isn't
indicated that way in ONMI.
Q:1/4=150
M:C|
L:1/8
K:D
Bc|dcdf ABAG|FAdf a2gf|g2eg f2df|e2ce dcBc|
dcdf ABAG|FAdf a2gf|g2eg f2df|e2Ac d2:|
Bc|dgfg bgfg|Bdcd gdcd|edcd adcd|edcd bgfg|
dgfg bgfg|bdcd gdcd|edcd adcd|edcd g2:|

%%%

X:492076 
T:Glengariff Bay 
S:F.O'Neill
B:ONMI.1611
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
EF|G2D2 G2D2|GABG AGFD|BGBd cBAG|E2A2 AcBA|
G2D2 G2D2|GABG AFDc|BABc dBAB|G2GG G2:|
dc|BGBd gfga|bagf gfed|efgf edcB|cBAG FAdF|
G2D2 G2D2|GABG AFDc|BABc dBAB|G2GG G2:|

%%%

X:492077 
T:GLORIES OF SPRING, The 
S:F.O'Neill
B:ONMI.1759
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:Em % source key = Gm
EF|G4F4|EFGA Beef|gef^d e=dBc|dcdB AFFA|
G2FG F2EF|EFGA Beef|gef^d e=dBc|dBAF E2:|
Bc|dedB GBdf|g2a2 b2ga|b^ab[gc'] bgef|gef^d e=dBc|
dedB GBdf|g2a2 b2ga|b^ab[gc'] bgef|gef^d e2:|

Source version:
K:Gm
G,A,|B,4A,4|G,A,B,C DGGA|BGA^F G=FDE|FEFD CA,A,C|
(3B,CB, B,B, (3A,B,A, A,A,|G,A,B,C DGGA|BGA^F G=FDE|FDCA, G,2:|
DE|FGFD B,DFA|B2c2 d2Bc|d^cde dBGA|BGA^F G=FDE|
FGFD B,DFA|B2c2 d2Bc|d^cde dBGA|BGA^F G2:|

%%%

X:492078 
T:GOLDEN VALE, The 
S:Carey
B:ONMI.1652
Z:Brennan/Black
N:See note on Dotted Rhythm at top of this file
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:D
Bc|d3A BGG2|FGAc BGG2|g2gf edcd|e2dB ABcA|
d3A BGG2|FGAc BG G2|Agef gecd|eddc d2:|
fg|afdf gfed|e2dB AGFG|Ffef gfed|Bdef e2fg|
afdf gfed|e2dB AGFG|Afef gecd|eddc d2:|

%%%

X:492079 
T:GOODNATURED MAN, The 
B:ONMI.1620
R:hornpipe
Q:1/4=150
M:C| %source 2/4
L:1/8 % source 1/16
K:G
d2|g2bg d2gd|BcdB G2AB|cded cBAG|FGEF D2d2|
g2bg d2gd|BcdB G2AB|cedc BAGF|A2G2 G2:|
Bc|dBdB gdgd|ecec aeae|fdfd gdgd|fgaf defd|
g2bg d2gd|BcdB G2AB|cedc BAGF|A2G2 G2:|

%%%

X:492080 
T:GREEN FLAG, The 
S:F.O'Neill
B:ONMI.1650
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
G2|DGBG dGBG|efge dBAB|GFGA BABG|ABAF GFED|
DGBG dGBG|efge dBAB|GBdg ecAF|G2G2G2:|
d2|gbeg dgBd|dBge dBAB|GBdB edcB|A^G AB A2DC|
B,DGB d2cB|ABcd e2ge|dBGB AGFA|G2G2G2:|

%%%

X:492081 
T:GREEN ISLAND, The 
S:not attributed
B:ONMI.1774
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
A2|dcdA Bcde|gfed cBAG|FAdf gfed|cedB A2Bc|
dAeA fAgA|agfe dcBA|dfeg faeg|f2d2d2:|
fg|agfe defg|bagf e2ed|cAeA gfed|cedB A2Bc|
dAeA fAgA|agfe dcBA|Bdce dgeg|f2d2d2:|

%%%

X:492082 
T:GREENCASTLE HORNPIPE, The  
S:F.O'Neill
B:ONMI.1557
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:G
dc|BGDG BGDG|g2fg e2dc|BGDG BGDG|dcBc A2dc|
BGDG BGDG|g2fg e2dc|Bdfe dcAF|G2GG G2:|
ga|bagf efga|bagf e2fg|agfe defg|agfe d2 EF|
gfgd e2d2|cBAB cdef|gfgd ecAF|G2GG G2:|

%%%

X:492083 
T:GROVES HORNPIPE, The 
S:Early
B:ONMI.1598
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| %source 2/4
L:1/8 % source 1/16
K:G
D2|G2GF GABc|dBGB AGFD|=F2FE FGAB|cd=fe dcA^F|
G2GF GABc|dBGB AGFD|dfeg fdcA|AGGF G2:|
A2|B2BA Bcde|fdcB AFF2|CFF2 AFF2|ABcA BGG2|
B2BA Bcde|fdcA dBcA|dfeg fdcA|AGGF G2:|
c2|d2g2 g2fg|abag f2af|d^cde fefg|abag f2fe|
d2g2 g2fg|abag f2fe|d^cde fd=cA|AGGF G2:|
D2|Gd Bd Gd Bd|=Fc Bc F2A^F|Gd Bd G2Bc|\
d^cde fd=cA|
Gd Bd Gd Bd|=Fc Bc F2Bc|d^cde fd=cA|AGGF G2:|

I have a feeling that not all the accidentals usually played in this 
tune are present here (e.g.the accented F's in measures 9-16 sound like 
they should be F naturals to me), but this version is transcribed 
exactly as ONMI has it.

%%%

X:492084 
T:HALFWAY HOUSE, The 
B:ONMI.1569
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
EG|ABcA BGAF|Ecce fefg|agae faec|dBcA BFEF|
ABcA BGAF|Ecce fefg|agae faed|cABc A2:|
AF|E2GB BEGB|A2cA eAce|B2df fBdf|e2ge befg|
agae (3fga ec|defg a2ga|bgeg agaf|ecBc A2:|

%%%

X:492085 
T:HANDSOME PLOWBOY, The 
S:J.O'Neill
B:ONMI.1723
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:A
E2|A2A2 AcBA|G2B2 BdcB|A2A2 Acea|gfed cBAG|
A2A2 AcBA|G2B2 BdcB|Acea gfed|c2A2 A2:|
EG|aece aece|afdf afdf|bgeg bgeg|agfe dcBA|
ceAe ceAe|dfBf dfBf|cegf edBG|A2A2 A2:|

%%%

X:492086 
T:HANDY MAN, The 
B:ONMI.1659
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|G2GA B2AG|GBde d2Bd|gdBd edBG|AGAB AcBA|
G2GA B2AG|GBde d2Bd|egdB AGAB|G2B2 G2:|
GF|E2E^D E2ED|EDEF G2GA|B2B^A B2BA|BAGB d2GB|
dedB d2Bd|efe^d e2ge|dBGB AcBA|G2B2 G2:|

%%%

X:492087 
T:HARVEST HOME, The 
T:Cork HP, Cincinnati HP
B:ONMI.1603
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
AF|DAFA DAFA|defe dcBA|eAfA gAfA|edcB AGFE|
DAFA DAFA|defe dcBA|dAFA fgec|d2d2d2:|
cd|eAA2 fAA2|eAA2 fAA2|eAfA gAfA|e2dB A2GE|
DAFA DAFA|defe dcBA|dAFA fgec|d2d2d2:|

%%%

X:492088 
T:HAWK'S HORNPIPE  
S:McFadden
B:ONMI.1754
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:Am
ed|:c2EF G2EF|GFGA GAcd|egec AdcA|G^FEF G2FG|
AGAB cBcA|dcde g2^fg|a=fge fdec|1 A2AG AGAB:|\
[2 A2AG Ac||
K:D
"A modal"
|:ef|gfga gfed|cdef gfed|eaab [ac']bag|e2a2 a2ef|
geaf gedB|cdef g2^fg|afge fdec|1 A2AG Ac:|2 A2 AG A4|]

The only way I could get this tune to make sense was to read it as
A-minor in the first part and A-modal in the second. I'm not sure 
everyone would agree with that but I'm willing to consider 
alternatives!

%%%

X:492089 
T:HICKS' HORNPIPE
S:F.O'Neill
B:ONMI.1572
Z:Brennan/Black
Q:1/4=150
R:hornpipe
L:1/8 % dotted rhythm in source
M:C|
L:1/8
K:G
Bc|dBGB dBGB|cBAG FADc|dBGB cBAG|FADD D2Bc|
dBGB dBed|cBAG FADc|BcBG DFAF|G2GG G2:|
dc|BGBd eceg|fdfa gfed|gfgB gbag|f2d2d2dc|
BGBd eceg|fdfa gfed|bc'bg dfaf|g2gf g2:|

%%%

X:492091 
T:HIGGINS' BEST 
S:McElligott
B:ONMI.1750
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D % source key = A
D2DF ADFA|dFAd f2ed|BdAd FAdB|AFED B,DA,F|
D2DF ADFA|dFAd f2ed|BdAd FABA|FAEA D2z2:|
D2DF EDB,D|dcdB AFED|GBFA EGDF|GEFD EDB,D|
A,DFA dFAd|gefd edBd|AdFB Agec|d2d2d2:|

Source version:
K:A
A2Ac eAce|acea c'2ba|faea ceaf|ecBA FAEC|
A,2Ac eAce|acea c'2ba|faea cefe|ceBe A2z2:|
A2Ac BAFA|agaf ecBA|dfce BdAc|dBcA BAFA|
EAce acea|d'bc'a bafa|eacf ed'bg|a2a2a4:|

%%%

X:492090 
T:HIGGINS' HORNPIPE
S:J.O'Neill
B:ONMI.1738
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
%simplified version
FE|DFAF DGBG|FAde fdAF|FAdf gfed|edcB AGFE|
DFAF DGBG|FAde fdAF|FAdg fedc|d2f2d2:|
cd|eAA2 fAA2|gAA2 fAA2|eAfA gAfA|edcB AGFE|
DFAF DGBG|FAde fdAG|FAdg fedc|d2f2d2:|

Source version:
FE|DFAF DGBG|FAde fdAF|FA EF gfed|(3efd (3cdB (3ABG (3FGE|
DFAF DGBG|FAde fdAF|FAdg fedc|d2f2d2:|
cd|eA (3A^GA fA (3A^GA|gA (3A^GA fA (3A^GA|\
eAfA gAfA|(3efd (3cdB (3ABG (3FGE|
DFAF DGBG|FAde fdAG|FAdg fedc|d2f2d2:|
%

%%%

X:492092 
T:HONEYSUCKLE HORNPIPE, The 
S:Carey
B:ONMI.1653
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:D
Bc|d2cA BdAF|DFAF GBAG|FAdA FAdf|edcB ABce|
d2cA BdAF|DFAF GBAG|FAdB AGFE|D2DD D2:|
Bc|d2de fdec|defg a2af|geeg fddf|edcB ABce|
d2cA BdAF|DFAF GBAG|FAdB AGFE|D2DD D2:|

%%%

X:492093 
T:HUGH MCARDLE'S FANCY 
S:J.O'Neill
B:ONMI.1680
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C|
L:1/8 
K:G
Bc|dedB gfgd|b2ba gfge|d^cdg BGBd|A^GAB A2Bc|
dedB gfgd|b2ba gfge|dgfe dcBA|G2G2G2:|
AB|cBcA FADF|GABc dfdB|cBcA BABG|AGFE D2AB|
cBcA FADF|GABc dfdB|cdef agec|d2d2d2:|

%%%

X:492094 
T:HULL'S VICTORY 
B:ONMI.1702
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
A2|dAdf dAdf|fedc d2FG|A2AB A2G2|FGEF D2A2|
dAdf dAdf|e2e2e3d|dcBA GAB^G|A2A2A2:|
A2|dcde fedc|B2G2G2cd|e^def gfed|c2A2A2Bc|
dAdf dAdf|eAeg eAeg|fedf edce|d2d2d2:|

%%%

X:492095 
T:HUMORS OF BALLYCONNELL, The 
S:J.O'Neill
B:ONMI.1675
Z:Brennan/Black
N:Not related to the reel of the same name.
R:hornpipe
Q:1/4=150
M:C|
L:1/8
K:A
ed|cBcd cBAG|AGEF GABd|cdcB AGEG|ABcd e2ed|
cBcd cBAG|AGAB cdcB|ABAG EDEG|A2AA A2:|
E2|ABcd e2dc|dcde g2e^d|efga bagb|a2aa a2af|
gedB cBAG|AGAB cdcB|ABAG EDEG|A2AA A2:|

%%%

X:492096 
T:HUMORS OF CASTLE BERNARD, The 
S:not attributed
B:ONMI.1770
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
fe|dfAd DAdf|afbf agfe|dfAf DAdf|e2dB Agfe|
dfAd DAdf|afbf agfe|d^def gcAc|d2f2d2:|
A2|cdef gecA|dcde fdef|gfga bagf|edcB A2AB|
cdef gecA|dcde fdef|gbag fdec|d2f2d2:|

%%%

X:492097 
T:HUMORS of ENNISKEAN, The 
S:F.O'Neill
B:ONMI.1689
Z:Brennan/Black
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|GFGB edBG|AGAB AGED|GFGB ed^cd|egfe d2ga|
bgaf gfed|egdB AFED|GABc dBge|dBAB G2:|
ga|babg agef|gfge dBGB|cBAB cdef|agfe d2ga|
babg agef|gfge dBGB|GABc dBeg|agfa g2:|

%%%

X:492098 
T:HUMPHREY'S HORNPIPE 
B:ONMI.1727
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G % source key = A
G2BG dGeG|dGeG dBAB|G2BG dGeG|dBAB GEED|
G2BG dGeG|dGeG dBAB|GAGE DBce|dBcA BGG2:|
G2Bd g2ge|dedc BcAB|G2Gd g2gf|faag agab|
G2Bd g2ge|dedc BcAB|GAGE DBce|dBcA BGG2:|

%%%

X:492099 
T:HUNTER'S HORNPIPE  
S:F.O'Neill
B:ONMI.1717
R:hornpipe
Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:G
dc|B2AB d2de|=fece d2e^f|g2dc BAGB|A2AG A2Bc|
defd gddB|cBAc B3A|GBdg ecAF|G2EF G2:|
dB|G2EF G2AB|cBAG F2dB|G2EF GBdg|fdef d2dB|
G2EF gfed|cBAG F2AF|GBdg ecAF|G2EF G2:|

%%%

X:492100 
T:I'M WAITING FOR YOU 
B:ONMI.1567
Z:Brennan/Black
N:Not related to reel of same name.
R:hornpipe
Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|G3B AGED|GBdg e3f|gfge dBAc|BGAF GFED|
G3B AGED|GBdg e3f|gfge dBge|dBAB G2:|
z2|g2dg edgd|eaab agef|g2dg edgd|egfa g2ga|
b3g a3f|g3e d2ef|gfge dBge|dBAB G2:|

%%%

X:492101 
T:JACK'S THE LAD  
B:ONMI.1737
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
Bc|d2D2 D2AG|FAdc defd|e2E2 E2ed|cea^g a2f2|
gfga bagf|gfec dcBA|Bdce dfeg|f2d2d2:|
AG|FAdA FAdA|B2G2 G2GF|GBeB GBed|c2A2 A2ef|
gfga bagf|gfec dcBA|Bdce dfeg|f2d2d2:|

Also called 'Sailor's Hornpipe' or 'The Popeye Theme Song'!

%%%

X:492102 
T:JERRY DALY'S HORNPIPE (1st setting) 
S:F.O'Neill
B:ONMI.1590
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:Ador
ed|cABG A2BA|GEDE G2cd|EG fa gedc|B2GG G2ed|
cABG A2BA|GEDE G2cd|EG fa gedB|A2AA A2:|
EG|agab agef|gedB G2ef|gfga gfef|gedB GABG|
EAAG AcBA|GFEF GABd|EG fa gedB|A2AA A2:|

%%%

X:492103 
T:JERRY DALY'S HORNPIPE (2nd setting) 
S:F.O'Neill
B:ONMI.1591
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:Ador
ed|c2Bc ABcA|GFEF GABd|egfa gedc|B2G2 G2ed|
c2Bc ABcA|GFEF GABd|egfa gedB|A2A2A2:|
e2|agab aged|B2G2 G2ef|gfga gfed|e2a2 a2ed|
c2Bc ABcA|GFEF GABd|egfa gedB|A2A2A2:|

The two "Jerry Daly's" are among the "ambiguous" ones in "the 1850"
(see discussion of this topic at the beginning of the file).

The source key of these tunes A major, which as a playback (with K:A
instead of K:Ador) will demonstrate is almost certainly incorrect. 

The other choices are:
- A "modal" (mixolydian) [K:D] in which all G's are natural
while F's and C's remain sharp
- A dorian [K:G], a variety of A minor in which all C's and G's 
are natural and all F's are sharp

My guess is that both these tunes are A dorian. 

%%%

X:492104 
T:JIM BOULTON'S FANCY 
S:J.O'Neill
B:ONMI.1756
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:A
E2|ABcA BcdB|cdec A2Bc|defe dcBA|GABG EFGE|
ABcA BcdB|cdec defg|agae fdBG|A2A2 A2:|
cd|ecec a2cd|ecec A2Bc|defe dcBA|GABG EFGE|
ABcA BcdB|cdec defg|agae fdBG|A2A2 A2:|

%%%

X:492105 
T:JOHN CAREY'S DAUGHTER 
S:J.O'Neill
B:ONMI.1757
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
L:1/8
M:C|
K:D
AG|Fdd2 fdd2|fdcd B2AG|Fdd2 fdd2|BGFG E2AG|
Fdd2 fdd2|fdcd B2AG|FdcB AFGE|D2d2D2:|
d2|fdd2 Bcde|fdcd B2F2|BABc dcde|fdcd B2Bc|
dfed cecA|BdBG FAFD|EDCD EFGA|F2D2D2:|

%%%

X:492106 
T:JOLLY LITTLE BOY, The 
S:Cronin
B:ONMI.1716
Z:Brennan/Black
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
R:hornpipe
K:D
Bc|dcdA GFED|GEFD EDB,A,|DFEG FAGB|Adce dfeg|
fdAF GFED|DEFD EDB,A,|DFEG FAGB|Adce d2:|
Bc|dcdf edBA|dfaf gfge|dcdf ecAc|BAGA A2 Bc|
dcdg edBA|dfaf gfge|afge fdec|Agfe d2:|

%%%

X:492107 
T:JULIA'S WEDDING 
S:F.O'Neill
B:ONMI.1677
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:G
dc|BGcG BGAF|GFGA Bdef|gfge dBAc|BGAF GDEF|
G2BG AGEF|GFGA Bdef|gfge dBGB|ADEF G2:|
Bc|dBGB ecAc|gfga gdBd|bagb agfa|gfge dcBc|
dBGB ecAc|gfga gdBd|bagb agfa|fdef g2:|

%%%

X:492108 
T:KILDARE FANCY, The 
S:Ennis
B:ONMI.1559
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D
dB|AFDF AFdB|A2FA fedc|BABf gefd|edcB A2dB|
AFDF AFdB|A2FA fedc|BABf gefd|ecAc d2:|
de|fdcd BdAF|Ddcd fdcd|eAA2 fAA2|e2dB A2de|
fdcd BdAF|Ddcd fdcd|eAfA gAfA|ecAc d2:|

%%%

X:492109 
T:KILFINANE HORNPIPE, The
S:Cronin
B:ONMI.1762
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
FE|DGBd cAFA|Ggfg edBc|DGAB cBcB|A2GE D2DE|
DGBd cAFA|dgfg edcB|edcB dcBA|G2B2G2:|
%
Bc|dcde dcBc|dgfg edBc|dcde dBGB|A2GE D2Bc|
dcde dcBc|dgfg edBg|bagf afdf|g2b2g2:|
%
Bc|dBGB dBfg|ecAc efge|afdf bgfg|a2ge d2Bc|
dBGB dBfg|ecAc efga|bagf agfd|g2b2g2:|

%%%

X:492110 
T:KIT O'MAHONY'S 
S:F.O'Neill
B:ONMI.1593
N:Named for the Chief's grandmother, Catherine ("Big Dan's" wife).
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
GA|B2BG A2AG|FGAB cAFD|BGBd cAGF|D2G2 G2GA|
B2BG A2AG|FGAB cAFD|fefd cAGF|D2G2G2:|
D2|GABc d2g2|defd cAGF|GABc d2ef|gfge d2ef|
gfge fefd|efed cdeg|fefd cAGF|D2G2G2:|

%%%

X:492111 
T:KITTY'S WEDDING 
S:Kennedy
B:ONMI.1602
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
fe|d2Bd A2FA| BAFA D2 ED|B,DA,D DFBF|AADF E2fe|
d2Bd A2FA|BAFA D2 ED|B,DA,D DFBA|FAEA D2:|
fg|afed bafd|Adfd edBd|DFAd FAde|fadf e2fg|
afed bafd|Adfd edBd|DFAd FAdf|eABc d2:|

%%%

X:492112 
T:LADY DAY 
S:F.O'Neill
B:ONMI.1584 % A-B-A
Z:Brennan/Black
R:hornpipe
N:No repeats in source.
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
Bd|edBA GABG|AGFG E2FE|DEFG ABcA|Bd^ce d2Bd|
edBA GABG|AGFG E2FE|DEFG ABcA|G2Bd g2||
FG|B2BA B2BA|GAB^c d2cd|edcB ABAG|F2E2 DEFD|
ABAF BcBG|ABAF G2AB|cBAG FGEF|D2d2d2|]
P:repeat of A part
Bd|edBA GABG|AGFG E2FE|DEFG ABcA|Bd^ce d2Bd|
edBA GABG|AGFG E2FE|DEFG ABcA|G2Bd g4|]

%%%

X:492113 
T:LAKESIDE ROAD, The 
S:J.O'Neill
B:ONMI.1699
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
DF|G2GF GBdB|cdef gfge|dBGB dBGB|ABcA GFED|
G2GF GBdB|cdef gfge|dgdc BcAF|G2GG G2:|
Bc|d2Bd GdBd|e2ce Aece|d2Bd GdBd|AFDF AFDF|
d2Bd GdBd|cdef gfge|dgdc BcAF|G2GG G2:|

%%%

X:492114 
T:LARRY LYNCH'S HORNPIPE 
S:J.O'Neill
B:ONMI.1699
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:A
E2|A2cA EAcA|GABG A2c2|dfec dcBA|GABG EfdB|
A2cA EAcA|GABG A2c2|dged cABG|A2c2A2:|
cd|eAce agfe|GABc dEFG|AEAc dcBA|GABG E2cd|
eAce agfe|fBdf bagf|eacf edBG|A2c2A2:|

%%%

X:492115 
T:LAST of the TWINS, The 
S:F.O'Neill
B:ONMI.1601
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:A
EG|aece fecB|Acea fecA|GABc defe|dcBA B2 EG|
aece fecB|Acea fecA|GABc defg|a2A2A2:|
EG|agab agfe|fefg fecA|GABc defe|dcBA G2 EG|
agab agfe|fefg fecA|GABc defg|a2ag a2:|

%%%

X:492116 
T:LIGHT in the WINDOW, The 
S:J.O'Neill
B:ONMI.1658
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:G
Bc|dcBd cAFA|GFGA G2AB|cBAB cBAG|FGEF D2Bc|
dcBd cA FA|Ggfa g2de|fdBd cAFA|GFGA G2:|
Bc|dBbg dBGB|dcAB G2AB|cAag fedc|Bdce d2Bc|
dBbg dBGB|dgfa d2de|fdBd cAFA|GFGA G2:|

%%%

X:492117 
T:LIMERICK JUNCTION 
S:J.O'Neill
B:ONMI.1720
N:A-B-A with no repeats
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:D
% simplified version
AG|F2FE FAdA|BGFD CDE2|FAdf afdf|edcB AGFE|
F2FE FAdA|BGFD CDEc|dcdA BGEG|F2D2D2||
P:2
ed|cdef gece|defa bafa|ageg gfdf|e2a2 a2ed|
cdef gece|defg afdf|gfeg gedf|edcB AGFE||
P:1 repeat
F2FE FAdA|BGFD CDE2|FAdf afdf|edcB AGFE|
F2FE FAdA|BGFD CDEc|dcdA BGEG|F2D2D4|]

Source version:
AG|F2FE FAdA|BG FD CDE2|FAdf afdf|(3efd (3cdB (3ABG (3FGE|
F2FE FAdA|BG FD CDEc|dcdA BG EG|F2D2D2||
ed|cdef gece|de (3fga bafa|ageg gfdf|e2a2 a2ed|
cdef gece|defg afdf|gfeg gedf|(3efd (3cdB (3ABG (3FGE|]
%

%%%

X:492118 
T:LITTLE STACK OF BARLEY, The 
B:ONMI.1627
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bd|efed BedB|AGEG AcBA|GFGA BA Bd|e2A2 A2Bd|
efgf efdB|AGEG AcBA|GFGA BdAB|G2GG G2:|
GA|Bdef g2fg|agfg eg d2|gfed BA Bd|e2AA A2Bd|
EG af g2fe|dBAG AcBA|GFGA BdAB|G2GG G2:|

%%%

X:492119 
T:LIVERPOOL HORNPIPE, The 
B:ONMI.1565
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
AG|FDFA dfaf|gfec dcBA|G2BG F2AF|EDEF GFED|
FDFA dfaf|gfec dcBA|dfaf bgec|d2d2d2:|
%
A2|d2fd c2ec|BABc dcBA|G2BG F2AF|EDEF GFED|
FDFA dfaf|gfec dcBA|dfaf bgec|d2d2d2:|
%
A2|dfdf cece|Bcde dcBA|GBGB FAFA|EFGA GFED|
FDFA dfaf|gefd dcBA|afdf gece|d2d2d2:|

%%%

X:492120 
T:LONDONDERRY HORNPIPE, The
S:Delaney
B:ONMI.1753
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:D
AG|F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E2GB ecAG|
F2Ad fdAF|G2Bd g2ag|fafd Bgec|d2f2d2:|
%
fg|a2fd Adfa|g2ec Aceg|a2fd Adgf|edcB A2fg|
a2fd Adfa|gece g2ag|fafd Bgec|d2f2d2:|
%
AG|FD AD BDAD|dcdf ecAG|FDAD BDAD|EGFA GBAG|
FD AD BDAC|dcdf eceg|f2df gece|dfec d2:|
%
EG|a^gab afdf|gfga gece|a^gab afdf|edcB A2 EG|
a^gab afdf|gfef gbag|f2df gece|dfec d2:|
%
fg|a2fd Adfd|g2ec Acec|fdge afbg|ecdB A2fg|
a2fd Adfd|g2ec A2ag|fdAF Egec|d2f2d2:|
%
FG|AFAd fedc|BGBe gfed|cAce agfe|fcdB A2FG|
AFAd fedc|BGBd g2ag|fafd Bgec|d2f2d2:|

%%%

X:492121 
T:MAID OF LISTOWEL, The 
S:J.O'Neill
B:ONMI.1595
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:Em
B2|AFEF E2FD|EFAB d^cde|fedB AFEF|DFAF D2BG|
AFEF E2FD|EFAB d^cde|fedB AFDF|E2ED E2:|
BF|AFAB defe|dBAB d2de|fedB AFEF|DEFG A2BF|
AFEF E2FD|EFA^c dcde|fedB AFDF|E2ED E2:|

%%%

X:492122 
T:MAN FROM NEWRY, The 
S:J.O'Neill
B:ONMI.1730
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|G2g2 gdBG|c2e2 efge|dBdg edcB|ABcA GFED|
G2g2 gdBG|c2e2 efge|dBdg ecAF|G2B2 G2:|
dc|BGBG BcdB|ecec efge|dBdg edcB|ABcA GFED|
BGBG BcdB|ecec efge|dBdg ecAF|G2B2 G2:|

%%%

X:492123 
T:MCDERMOTT'S HORNPIPE 
S:Cronin
B:ONMI.1610
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source1/16
K:D
D2|dfec d2B2|A2GA FGEF|Edcd cede|dfed cABc|
dfec d2B2|A2GA FGEF|DFAF GABd|ceAc d2:|
de|:f2fd fgaf|g2gf gbag|f2fd fgab|agfe dcBA|
f2fd fgaf|g2gf gbag|f2df e2ce|dfed cABc:|

%%%

X:492124 
T:MCELLIGOTT'S FANCY 
S:McElligott
B:ONMI.1778
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
FG|AFAd BGBd|AFAd f2ed|cegf edcd|(3efe (3dcB A2FG|
AGAd BGBd|AFAd f2ed|cegf edce|d2f2d2:|
ef|gfge cABc|dcde f2ef|gfge cABc|dedB A2FG|
AFAd BGBd|AFAd f2ed|cegf edce|d2f2d2:|

%%%

X:492125 
T:MEN FROM MALLOW, The 
S:F.O'Neill
B:ONMI.1582
Z:Brennan/Black
%Q:1/4=150
R:hornpipe
L:1/8
M:C|
L:1/8
K:D
AG|F2EF D2 Bc|d2cB ABcG|E2DE C2CA|EDEF G2AG|
F2EF D2 Bc|d2cB ABcG|FDFA GECE|D2DD D2:|
Bc|d2cd AFDA|d2cd A2AB|cBcA GECE|cBcA G2 Bc|
[1 d2cd AFDA|d2cd ABcA|FDFA GECE|D2DD D2 :|
[2 dcBd cBAc|BAGB A2D2|FDFA GECF|D2DD D4|]

%%%

X:492126 
T:MEN FROM ULSTER, The 
B:ONMI.1701
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
% simplified version
EF|GBdG BGDB|c2AB cBAc|Bdgd ecAG|FAGE D2EF|
GBDG BGDB|c2AB cdef|gfge d2cA|GBdB G2:|
Bc|dgff egfg|bgaf gedB|ceAc BdGB|AFGE D2Bc|
dgfg egfg|bgaf gedB|cdef gfge|dBcA G2:|

Source version:
DB,|G,B,DG BGDB,|CEAB cBAc|Bdgd ecAG|(3FGA (3GFE (3DED (3CB,A,|
G,B,DG BGDB,|CEAB cdef|gfge (3ded (3cBA|GBdB g2:|
Bc|dgff egfg|bgaf gedB|(3cde Bc Bd GB|AF (3GFE D2Bc|
dgfg egfg|bgaf gedB|cdef gfge|dBcA G2:|
%

%%%

X:492127 
T:MERRY GARDENER, The 
S:J.O'Neill
B:ONMI.1761
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:D % source key = F
FG|AFEF D2B,C|DEFA d2de|fedB AFDF|BAFD EGFE|
DCB,C DEFA|Bdce d2cB|AFED EGFE|D2D2D2:|
AG|FDFA dfed|cedB A2Bc|dBAF GFGA|FDGF E2AG|
FAdf gecA|fdAF G2AG|FAdA BGEC|D2D2D2:|

%%%

X:492128 
T:MERRY SOLDIER, The 
S:F.O'Neill
B:ONMI.1630
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bc|d^cdB dgfe|dcBc dgfe|dBdB edcB|c2A2 A2Bc|
d^cdB dgfe|dcBc dgfe|decd BGAF|D2G2G2:|
Bc|dcBc d2ed|cBAB c2dc|BGBG cBAG|FGAF D2Bc|
dcBc d2ed|cBAB c2dc|BgGB AcFA|D2G2G2:|

%%%

X:492129 
T:MERRYMAKERS' CLUB, The 
S:J.O'Neill
B:ONMI.1775
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
% simplified version
EF|gage dgbd|cfac Bdgd|BGdB cAag|f2e2 defd|
gage dgbd|cfac Bdgd|Bgfg ecAF|G2G2G2:|
dc|BGFG EGDG|B,DGB cBAG|A^GAB cBAG|AGFE DCB,A,|
G,B,DG BdcB|cdef gfge|dbca ecAF|G2G2G2:|

Source version:
EF|gage dgbd|cfac Bdgd|BGdB cAag|(3fgf (3efe defd|
gage dgbd|cfac Bdgd|Bgfg ecAF|G2G2G2:|
dc|BGFG EGDG|B,DGB cBAG|A^GAB cBAG|(3ABG (3FGE (3DEC (3B,CA,|
G,B,DG BdcB|cdef gfge|dbca ecAF|G2G2G2:|

%%%

X:492130 
T:MIDNIGHT DANCE, The 
S:J.O'Neill
B:ONMI.1608 
Z:Brennan/Black
R:hornpipe % A-B-A
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
D2|GFGA GBdB|AGAB ABcB|ABcd efge|dgfe dcBA|
GFGA GBdB|AGAB ABcB|ABcd efge|dcBA G2:|
B2|Adcd Agfe|defg a2f2|efge cABc|dfec A2F2|
Adcd Agfe|defg a2f2|efge cABc|d2f2d2:|
P:Repeat of Part A
GFGA GBdB|AGAB ABcB|ABcd efge|dgfe dcBA|
GFGA GBdB|AGAB ABcB|ABcd efge|dcBA G4|]

%%%

X:492131 
T:MISS BROWN'S FANCY 
B:ONMI.1580
Z:Brennan/Black
%Q:1/4=150
R:hornpipe
L:1/8
M:C|
L:1/8
K:D
GE|D2D2 DFAF|dFAF dFAF|E2EF GBEB|edcB AGFE|
D2D2 DFAF|dFAF GFED|DFAg faec|d2d2d2:|
ag|fddd fdad|fd EG a2ed|cAAA ceAe|cdef g2eg|
fddd fdad|fd EG a2gf|gbag fedc|d2d2d2:|

%%%

X:492132 
T:MITCHELL'S HORNPIPE 
S:J.O'Neill
B:ONMI.1729
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:D
A2|dcdc BdA2|dcdc BdA2|dcde fdfg|agec dABc|
dcdc BdA2|dcde BdA2|dcde fdfg|agec d2:|
de|f2f2 e2e2|d2d2 c3z|BABd cAF2|BABd cAF2|
f2f2 e2e2|d2d2 c3z|dcde fdfg|agec d2:|

%%%

X:492133 
T:MOLLY IN THE GARDEN 
S:J.O'Neill
B:ONMI.1668 % A-B-A
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
dc|BcAB GAFA|EDGE D2GA|B2GB c2Bc|dcBc A2dc|
BcAB GAFA|EDGE D2GA|cedc BAGB|A2G2 G2:|
AF|E2e2 e2GE|D2d2 d2FD|C2c2 c2AB|cBAB cB AF|
E2e2 e2GE|D2d2 d2ef|gfef gfec|dcde dc :|
P:part 1 repeat
BcAB GAFA|EDGE D2GA|B2GB c2Bc|dcBc A2dc|
BcAB GAFA|EDGE D2GA|cedc BAGB|A2G2 G4 |]

%%%

X:492134 
T:MOUNTAIN TOP, The 
B:ONMI.1583
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:D % source key = Bb
AG|FAde f2ef|gfed B2AG|FAde fdcd|bafd e2AG|
FAde f2ef|gfed B2AG|FAdf edce|d2f2 d2:|
de|fdcd BdAd|FAde fdcd|bdad gfed|Beed cdeg|
fdcd BdAd|FAde fdcd|bdad gfed|cABc d2:|

%%%

X:492135 
T:MOUNTAINS OF KERRY, The 
S:no attribution
B:ONMI.1745
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
G2gd edBA|G2gd edBG|DGBG AGBG|DGBd cBAB|
G2gd edBA|G2gd edBd|gfgd ecAF|G2G2 G2z2:|
B3c d2d2|cBcd e2e2|A3B cBcA|Ggfa g2g2|
dBdg eceg|fdfa gfge|dBdg ecAF|G2G2 G2z2:|

%%%

X:492136 
T:MULLINGAR RACES (1st setting), The 
S:F.O'Neill
N:Not related to the reel of the same name.
B:ONMI.1588
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
D2|GABG ABcA|defd dcBA|BcBG ABAG|FGAB cAFD|
GABG ABcA|defd dcBA|B2d2 cAGF|DGGF G2:|
EF|g2eg f2ed|gage f2ed|defg abag|f2^cd ded=c|
B2BG AFD2|BdBG ABcA|defd cAGF|DGGF G2:|

%%%

X:492137 
T:MULLINGAR RACES (2nd setting), The
S:J.O'Neill
B:ONMI.1589
Z:Brennan/Black
N:Not related to the reel of the same name.
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
D2|GABG ABcA|BcdB cedc|B2GB A2FA|GAGE D2D2|
GABG ABcA|BcdB cedc|B2GB A2FA|G2G2 G2:|
d2|gfga gdBd|gfga gdBd|efge abag|fdec d2dc|
BdBG AFDc|BdBG AFDc|BdcB AcBA|G2G2 G2:|

%%%

X:492138 
T:MURPHY'S HORNPIPE
S:Tobin
B:ONMI.1624
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
EF|GABG EFGE|ABcA FGAF|GBdg ecAG|FGAF DEFD|
GABG EFGE|ABcA FGAF|GBdg ecAF|G2GF G2:|
Bc|dedc BcdB|eged cdef|gfgd ecAG|FGAF DEFD|
GABG EFGE|ABcA FGAF|GBdg ecAF|G2GF G2:|

%%%

X:492139 
T:MURRAY'S HORNPIPE 
S:J.O'Neill
B:ONMI.1607 
Z:Brennan/Black
N:Unusual AA-BB-A structure
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
FE|D2d2 d2cd|ecAc d2de|f2fd g2ge|afdf ecAF|
D2d2 d2cd|ecAc d2de|fgaf edcB|A2AB AG :|
%
fg|agfe dcBA|B2G2 G2ga|bagf gfed|c2A2 A2fg|
afaf gbgb|afaf gbgb|afdf gece|1 d2d2 d2:|\
[2 d2d2 dB |]
P:part 1 repeat
AF|D2d2 d2cd|ecAc d2de|f2fd g2ge|afdf ecAF|
D2d2 d2cd|ecAc d2de|fgaf edcB|A2D2 D4|]

%%%

X:492140 
T:MY DARLING FAIR MAID 
S:F.O'Neill
B:ONMI.1690
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:G
BG|GEDE G2GB|dBGB d2de|dBBG A2AB|cABG E2BA|
GEDE G2GA|dBGB d2ge|dBGD GABG|ABGG G2:|
GA|Bdde d2ge|dBBG A2AB|cBcd efge|dBAG A2AB|
cBcd efge|dBAG AcBA|GEDE GABG|ABGG G2:|

%%%

X:492141 
T:NED NAUGHTON'S HORNPIPE 
S:J.O'Neill
B:ONMI.1744
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:D
Bc|dcde dAFA|Bcde dcBA|BGGB AFdF|EFGA GFED|
dcde fdAF|EFGA Bcde|fdcd BGEC|D2D2 D2:|
z2|A^GAB Acef|gefd dcBA|BGGB AFdF|EFGA GFED|
dAFA GBEG|FAdf ecAF|GBAG FDEC|D2D2 D2:|

%%%

X:492142 
T:NELSON'S VICTORY 
B:ONMI.1712
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
D2GF GABc|d2fd gdBG|E2cB AGFA|GFGE DCB,A,|
G,2GF GABc|dgfa gdBG|Ecec BAGF|G2G2 G2z2:|
Bdgd cBcd|ecBc A^GAB|cfaf dcBc|dFGE DCB,A,|
Bdgd cBcd|egfa gdBG|Ecec BAGF|G2G2 G2z2:|

%%%

X:492143 
T:NEW MOON, The  
S:F.O'Neill
B:ONMI.1609
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C| % source 2/4
L:1/8 % source 1/16
K:G
EF|GFGA BGdB|AGAB cAFA|GFGA BGdB|AGAB A2 EF|
GFGA BGdB|AGAB Agfa|gdec dBcA|B2G2 G2:|
EF|gfga gfed|cBAB cdef|gfga gfed|e2a2 a2 EF|
gfga gfed|cBAB cdef|gdec dBcA|B2G2 G2:|

%%%

X:492144 
T:NIGHT WE MADE THE MATCH, The 
S:Cronin
B:ONMI.1636
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:A
fg|a2AB cBAB|cdec A2ef|g2GA BAGA|BcdB GBdg|
a2AB cBcd|edef gedB|cdeg aefd|cABG A2:|
AB|ceef edcA|ceef e2dc|Bdde dBGA|Bcde dcBd|
ceec BeeB|cABG ABcB|Aceg aefd|cABG A2:|

%%%

X:492145 
T:NORTHERN TROUPE, The 
S:F.O'Neill
B:ONMI.1685
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bc|dBGB dBeB|dcBc E4|cAFA cAdA|cBAB D2 Bc|
dBGB dBgd|fe^de A2AG|FGge dcEF|G2g2 G2:|
Bd|g2dc BGG2|GABG A2BA|GABc dBdg|fgaf gdef|
g2dc BGG2|GABG A2BA|GABc d2g2|fgaf g2:|

%%%

X:492146 
T:O'CONNOR'S FANCY 
S:J.O'Neill
B:ONMI.1656
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
AG|FADD DFDD|CDEF G2FE|FABc dABG|F2E2 E2AG|
FADD DFED|CDEF G2FE|FABc dABG|F2D2D2:|
c2|dAFA dfed|edcd efge|fdec dfed|c2A2 A2dc|
BAGA dfed|edcA BAGF|GABc dABG|F2D2D2:|

%%%

X:492147 
T:O'CONNOR'S FAVORITE 
B:ONMI.1715
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
L:1/8
M:C|
K:D
Bc|dAFA dfaf|gfef d2A2|BdAd GdFd|FEED E2 Bc|
dAFA dfaf|gfef fcBA|BcdB BGEC|D2D2D2:|
FG|AFdA gdAF|GABG E3f|gfed cdef|edcB A3A|
d2Ad f2df|a2fd A2f2|gfed cABc|d2d2d2:|

%%%

X:492148 
T:O'DONNELL'S HORNPIPE  
S:Delaney
B:ONMI.1687
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:G
Bc|dgfe dBed|BGDB A2AG|FGAB cdef|gage d2Bc|
dgfe dBed|BGDB A2AG|FGAB cdef|gfga g2:|
ef|gbag fagf|efge fdBd|gbag fagf|efge e2B2|
c2Ac B2GB|A2FA EFD2|DEFG ABcA|GdgB G2:|

%%%

X:492149 
T:O'DWYER'S HORNPIPE 
B:ONMI.1597
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:G
dc|BdGG G2AG|FADD D2dc|BdGG G2Bd|egfa gedc|
BdGG G2AG|FADD D2dc|BdBG Bc AF|G2GG G2:|
%
ga|b2bg afdf|gabg agfd|egfa gbag|f2dd d2ga|
babg afdf|gabg agfd|EG fa gedc|B2GG G2:|
%
dc|BcAB G2AG|FGEF D2dc|BcAB G2Bd|egfa gedc|
BcAB G2AG|FGEF D2dc|BdBG Bc AF|G2GG G2:|
%
Bc|dBB2 GBB2|dBB2 GBB2|cAA2 FAA2|cAA2 FAdc|
BGBd eceg|fdfa gfga|bgfa gedc|B2GG G2:|

Mr.O'Farrell (who probably composed it) calls this "The Waterford 
Hornpipe" (OFNIM.24, #3947)

%%%

X:492150 
T:O'FENLON'S HORNPIPE  
B:ONMI.1618
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G % source key = Bb
dc|B2G2 GABG|AGFE D2DC|B,DGD BcBG|AGFE D2dc|
B2G2 G2ed|c2A2 A2AG|FAdf ege^c|d2d2d2:|
dc|BGFG BGFG|ECB,C ECB,C|ABcA GABG|FGAF D2de|
dGFG eGFG|fGFG gGFG|DEFG ABAF|G2G2G2:|

%%%

X:492151 
T:O'GALLAGHER'S HORNPIPE 
S:O'Gallagher %(surprise!)
B:ONMI.1617
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bc|d^ced =cBAG|BAGF GABc|dgfg edcB|AGFE D2Bc|
d^ced =cBAG|BAGF GABc|dgfg ecAF|G2G2G2:|
Bc|dgfg edBd|e^def g2fg|edcB cBAG|AGFE D2EF|
GFGB A^GAc|B^ABd efge|BdBG AcAF|G2G2G2:|

%%%

X:492152 
T:O'NEILL'S HORNPIPE 
C:F.O'Neill
B:ONMI.1766
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:A
ed|ceAc EACE|A,EAe a2ba|gbeg BeGB|EBgf e2ed|
ceAc EACE|A,EAe a2ba|gbeg fa^df|eBgB e2:|
de|fA,DF Adfa|eA,CE Adfa|gB,EG Bdga|bagf ecde|
fA,DF Adfa|eA,CE Acea|gebg edBe|A2[c2a2][c2a2]:|

%%%

X:492153 
T:OFF TO CALIFORNIA (1ST SETTING)
S:F.O'Neill
B:ONMI.1629
Z:Brennan/Black
N:See note on Dotted Rhythm at beginning of this file
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
EF|GFGB AGED|GBdg e2 EF|gfgd edBG|ABAG E2 EF|
GFGB AGED|GBdg e2 EF|gfgd edBG|ABAF G2:|
EF|gfeg fedf|edef edBd|gfgd edBG|ABAG E2D2|
(3GAG BG AGED|GBdg e2 EF|gfgd edBG|ABAF G2:|

%%%

X:492154 
T:OFF TO CALIFORNIA (2ND SETTING) 
S:J.O'Neill
B:ONMI.1629
Z:Brennan/Black
N:See note on Dotted Rhythm at beginning of the hps_ABC file
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
D2|GFGB AGEF|GFGB e2dd|edBd cAEF|GBAG E2D2|
GFGB AGEF|GFGB e2dd|edBd cAEF|G2B2 G2:|
d2|e^def gfgB|GBAG E2D2|GFGB edBG|A^GAB A2d2|
e^def gfgB|GBAG E2D2|GFGB edBG|A2F2 G2:|

%%%

X:492155 
T:OLD MAN QUINN 
S:Early
B:ONMI.1649
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:D
AG|FDFA dfed|cdec ABAG|FDFA dfed|c2A2 A2AG|
FDFA dfed|cdec ABAA|BdAB GFEG|F2D2D2:|
%
g2|fdfg afdf|edef gece|dcBA dfed|c2A2 A2dc|
B2A2 GAGA|BdcA FGFG|BdAB GFEG|F2D2D2:|
%
AG|F2 E2 DFAd|cABc Aceg|f2df gfed|c2A2 A2dc|
B2A2 GAGA|BdcA FGFG|BdAB GFEG|F2D2D2:|

%%%

X:492156 
T:OLD STORY TELLER, The 
S:J.O'Neill
B:ONMI.1752
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
EF|G2GA BcdB|cBcd e2df|gfge dBGB|cBAG FADF|
G2GA BcdB|cBcd e^deg|bgdB cAFD|G2G2 G2:|
EF|gfga bgdB|cBcd ecAc|gfga bgdB|cdef g2ga|
bgfa gedf|ecge dBGB|dgfg fdcA|G2G2 G2:|

%%%

X:492157 
T:OLD VEST AND CRAVAT 
S:F.O'Neill
B:ONMI.1698
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
FG|ABGA FGAB|cBcA d2de|fedc AGFG|Adce d2FG|
ABGA FGAB|cBcA d2de|fedc AGED|D2DD D2:|
FG|Adde f2ed|dcAG A2AG|Adde f2ed|dced d2de|
fdef defg|fdcA cdef|dfed cAGE|D2DD D2:|

%%%

X:492158 
T:ONE OF THE BOYS 
S:no attribution
B:ONMI.1747
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:A % source key = Bb
E2|A2AB AECE|ABcA dcBA|Acef ecAc|dcBA GBGE|
A2AB AECE|ABcA dcBA|Acef edBc|A2A2A2:|
Ac|e2ef ecea|f2fg fefg|agfe dcBA|GABG E2cd|
e2ef ecea|f2fg fefg|a2ec dBAB|A2A2A2:|

Source version:
K:Bb 
F2|B2Bc BFDF|BcdB edcB|Bdfg fdBd|edcB AcAF|
B2Bc BFDF|BcdB edcB|Bdfg fecd|B2B2B2:|
Bd|f2fg fdfb|g2ga gfga|bagf edcB|ABcA F2de|
f2fg fdfb|g2ga gfga|b2fd ecBc|B2B2B2:|

%%%

X:492159 
T:PANSY BLOSSOM, The 
S:J.O'Neill
B:ONMI.1667
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:A
% simplified version
cd|e2c2 A2EF|E2Ac ecAc|d2c2 B2A2|GBAF E2cd|
e2c2 A2EF|E2Ac defg|afec fdcA|GBEG A2:|
Bc|dBGB EGBc|dBGB d2cd|ecA2 EAcd|ecAe a2ga|
f2e2 d2c2|Bcde fefg|agec fdcA|GBEG A2:|

Source version:
cd|(3eae (3cec A2 E2|CDAc ecAc|(3dfd (3cec B2 A2|(3GAB AF E2cd|
(3eae (3cec A2 E2|CEAc defg|AF (3edc FD (3cBA|(3GAB EG A2:|
Bc|dBGB EGBc|dBGB d2cd|ec A2 EAcd|ec (3Ace a2ga|
(3fgf (3efe (3ded (3cdc|Bcde fefg|AF (3edc FD (3cBA|\
(3GAB EG A2:|
%

%%%

X:492160 
T:PEACEMAKER, The 
S:J.O'Neill
B:ONMI.1666
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
A2|GBdB cBAG|cBcd c2BA|GBdB cBAG|d2DD D2D2|
GBeB cBAG|cBcd efge|dedc BGAF|G2G2G2:|
d2|gfga gfed|cBcd c2c2|agab agfe|f2dd d2ef|
gfga gfed|cBcd efge|dedc BGAF|G2G2G2:|

%%%

X:492161 
T:PET OF THE HOUSE, The 
B:ONMI.1724
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
D2|G2G2 GBAc|B2B2 Bdce|dgfe dcBA|GBd^c ed=cA|
G2G2GBAc|B2B2Bdce|dgfe d2cA|G2B2G2:|
dc|BdGd BdGd|ceAe ceAe|BdGd BdGB|AGFE Dedc|
BdGd BdGd|ceAe ceAe|Ggfe d2cA|G2B2G2:|

%%%

X:492162 
T:PIPER'S DESPAIR, The 
S:Hartnett
B:ONMI.1657
Z:Brennan/Black
N:Also played as a reel.
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
EFGA BAFA|BdAd BdAF|D2FD ADFD|BdAd BdAF|
EFGA BAFA|BdAd BdAF|D2FD A2FA|Beed Bee2:|
e2ge bege|bege bege|defg adfd|adfd adfd|
e2ge bege|bege bege|defg afdf|egfd ecBG:|

%%%

X:492163 
T:PLANXTY DAVIS 
S:Cronin
B:ONMI.1561
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
DF|A2AB A2FG|AFAB A3B|AGFE DEFG|A2AB A2dc|
B2Bc B2Ac|BABc B2dB|AGFE DEFG|B2Bc A2b2|
bagb ageg|fedf e2de|fedB BAdF|FAAB A2dc|
B2AB d2cd|e2de f2ed|BABc d2F2|E4D2||
%
fg|a2ab a2fg|agab a2fg|agfe defg|a2ab a2fa|
b2b[ac'] b2ga|bab[ac'] b2[ac']b|agfe defa|b2b[ac'] b2fa|
bafb afeg|fedf e2de|fedB BAdF|FAAB A2dc|
B2AB d2cd|e2de f2ed|BABc d2F2|E4D4 |]

%%%

X:492164 
T:PLEASURES OF HOPE, The 
S:McFadden
B:ONMI.1637
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
Bc|dAFA BGEG|FDFA dcBA|Eeef gefd|ecAB AGFE|
FAdc dAFD|Eeef gecA|dfaf bgec|d2dc d2:|
Bc|dfaf bgec|dfaf gecA|dfaf gefd|B3A BdAG|
FAdc dAFD|Eeef gecA|dfaf bgec|d2dc d2:|

%%%

X:492165 
T:POST OFFICE, The 
S:F.O'Neill
B:ONMI.1606
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
GA|Bdde dBAG|Bcde d2BA|Beef edBA|Beef e2e2|
gabg fgaf|gfed e2ge|dBAB dBAB|G2GF G2:|
ga|babg agaf|gabg agef|gfge dBGB|BAAG A2ef|
gabg fgaf|gfed e2ge|dBAB dBAB|G2GF G2:|

%%%

X:492166 
T:PRETTY MAGGIE MORRISSEY 
S:McFadden
B:ONMI.1707
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
Bc|d2Bd cAFA|GFGA GABc|dgg2 efge|d2BG A2Bc|
d2Bd cAFA|GFGA Bc d2|dfge d2cA|GgdB G2:|
Bc|dgg2 egg2|dgg2 ef g2|dfge dBgB|AGAB A2Bc|
dgg2 egg2|dgg2 ef g2|dfge d2cA|GgdB G2:|

%%%

X:492167 
T:PRIDE of the PARISH, The 
S:F.O'Neill
B:ONMI.1686
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
GA|BAGE DEGA| BAGB A2GA|BAGE DEGA|BGAF G2GA|
BAGE DEGA|BAGB A2GA|Bdde dBGB|AGEF G2:|
GA|Bcde dBAG|Acde d2BA|Bcde dBGB|AGEF G2GA|
Bcde dBAG|Acde d2 EF|gage dBGB|AGEF G2:|

%%%

X:492168 
T:PRIZE for the LADIES, A 
S:Casey
B:ONMI.1764
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
EF|GABG AGEG|c2ce dcAB|GABG AGEG|AGAB A2 EF|
GABG AGEG|c2ce dcAB|Ggfe dcAc|B2G2G2:|
EF|GFGB d2de|fefg fe d2|edef ed c2|Bgfe dcBA|
GFGB d2de|fefg fedc|dgfe dcAc|B2G2G2:|

%%%

X:492169 
T:QUARRELSOME PIPER, The 
S:Ennis
B:ONMI.1563
%Q:1/4=150
Z:Brennan/Black
R:hornpipe
M:C| % source 2/4
L:1/8 % source 1/16
K:G
% simplified version
EF|G2F2 E2D2|BDGB AGEF|GBdf edcA|Ggfe d2 (3cBA|
G2F2 E2D2|BDGB AGEF|GBdf ed (3cAF|GBAF G2:|
B2|eBB2 gBB2|eBgB eBB2|dAA2 fAA2|dgfe d2 (3cBA|
G2F2 E2D2|BDGB AGEF|GBdf ed (3cAF|GBAF G2:|

Source version:
EF|(3GAG (3FGF (3EFE (3DED|BDGB AGEF|GBdf edcA|Ggfe (3ded (3cBA|
(3GAG (3FGF (3EFE (3DED|BDGB AGEF|GBdf ed (3cAF|GBAF G2:|
B2|eB B2 gB B2|eBgB eB B2|dA a2 fA a2|dgfe (3ded (3cBA|
(3GAG (3FGF (3EFE (3DED|BDGB AGEF|GBdf ed (3cAF|GBAF G2:|
%

%%%

X:492170 
T:QUEEN of MAY, The 
S:F.O'Neill
B:ONMI.1728
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
Bc|dBcA Ggfe|edce d2cB|Aced cBAG|FAGE D2Bc|
dBcA Ggfe|edce dgfe|dBcA BGAF|G2GG G2:|
cB|ADFA GBdg|edce dgdB|ADFA GBdg|edce dgba|
gbfa egdf|ceBd AcGB|A2cB ADFA|G2GG G2:|

%%%

X:492171 
T:REAL THING, The 
S:Ennis
B:ONMI.1570
Z:Brennan/Black
%Q:1/4=150
R:hornpipe
L:1/8 
M:4/4
L:1/8
K:D
dB|A2FA fdAd|B2GB gdBd|c2Ac gece|dcdf afdB|
A2FA fdAd|B2GB gdBd|c2Ac gece|d2f2 d2:|
Bc|d2fd dfed|f2af fdgB|AdcB AGFE|dfaf gecA|
d2fd dfed|f2af fdgB|AdcB AGFE|D2D2 D2:|

%%%

X:492172 
T:RECONCILIATION, The  
B:ONMI.1670
Z:Brennan/Black
N:Also played as a reel.
N:See note on Dotted Rhythm at beginning of this file
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:A
A2cA eAfA|eAfA ecBc|A2cA eAfA|ecBc AFEF|
A2cA eAfA|eAfA ecBc|ABAF Ecdf|ecBc A4:|
A2ce a2af|efed cdBc|A2ce a2ag|fbba gbeg|
agae faec|dBcA BAFG|ABAF Ecdf|ecBc A4:|

%%%

X:492173 
T:REDHAIRED BOY, The 
T:(Fair Haired Boy)
S:F.O'Neill
B:ONMI.1748
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C| % source 2/4
L:1/8 % source 1/16
K:Amix
AG|EAAG ABcd|efec d2cd|edcB ABcA|BGEF G2ED|
EAAG ABcd|efec d2cd|eaab aged|c2A2 A2:|
ef|gfga g2ef|gfec d2cd|edcB ABcA|BGEF G2ED|
EAAG ABcd|efec d2cd|eaab aged|c2A2 A2:|

O'Neill presents this as a straight A-major tune (same notes, different 
key signature). My version is the A-modal setting most commonly heard 
today. (If you're interested in hearing this as A-major, replace the 
'D' in the K: field with 'A'.) 

%%%

X:492174 
T:ROGER WAS A PLOWBOY 
S:F.O'Neill
B:ONMI.1760
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
GF|DGGF GABG|AFDE F2 Bc|defd cAGF|DEFE FGAF|
DGGF GABG|AFDE F2 Bc|dfeg fdcA|GBAF G2:|
Bc|dedB c2Bc|dgfa g2ga|bgag fdde|fdcA GBAF|
DGGF GABG|AFDE F2 Bc|dfeg fdcA|GBAF G2:|

I suspect that this tune may be G-modal (accented F's natural), but 
I have left it as O'Neill presents it. To hear it as G modal, replace
G with C in the "K:" field.

%%%

X:492175 
T:ROGERS O'NEILL 
S:Cronin
B:ONMI.1634
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:A % source key = G
cB|AGAB AEFG|Aceg a2eg|aecA dfgf|e2dB eaec|
AGAB AEFG|Aceg a2eg|aecA dBGB|A2A2A2:|
%
EG|aecd fdBG|AcEc AcEc|BdEd BdEd|ceAe ceAe|
aece fdBG|AcEc BABc|dfed cBAG|A2A2A2:|
%
cB|AGAB AEFG|cABc eAce|fdge afdf|e2dB AGFG|
AGAB cEAc|BABc defg|agaf edcB|A2A2A2:|
%
cd|efec ABcA|BEGB AGAB|cAce dcBA|GABG Edcd|
efec ABcA|BABc defg|agaf edcB|A2A2A2:|

Composed by Cronin for the christening of Chief O'Neill's son, Rogers, 
who died at 18 from meningitis. (< Brennan) (All Chief O'Neill's sons 
died before age twenty - unimaginable.) 

"Florid" source version in G
K:G
BA|GFGA GDEF|GB EF g2 EF|gdBG cefe|(3ded (3cBA dgdB|
GFGA GDEF|GB EF g2 EF|gdBG cAFA|G2G2G2:|
EF|gdBc ecAF|GBDB GBDB|AcDc AcDc|BdGd BdGd|
gdBd ecAF|GBDB AGAB|cedc BAGF|G2G2G2:|
BA|GFGA GDEF|BGAB dGBd|ecfd gece|(3ded (3cBA GFEF|
GFGA BDGB|AGAB cdef|gfge dcBA|G2G2G2:|
Bc|"25"dedB GABG|ADFA GFGA|BGBd cBAG|FGAF DcBc|
"29"dedB GABG|AGAB cdef|gfge dcBA|G2G2G2:|

X:492176 
T:ROSE of DRISHANE, The 
S:Hartnett
B:ONMI.1631
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
fe|dAFA defg|afbf agfg|afge fdgf|edcB Agfe|
dAFA defg|afbf agfg|afge fdec|d2dd d2:|
fg|afbf agef|geae g2fg|afge fdgf|edcB Agfe|
dAFA defg|afbf agfg|afge fdec|d2dd d2:|

%%%

X:492177 
T:SAILOR'S HORNPIPE (1st setting), The  
B:ONMI.1577
R:hornpipe
L:1/8
%Q:1/4=150
M:C|
L:1/8
K:D
AG|FAdc d2AG|FAdc d2A^G|Aced cBA^G|Aced cBA=G|
FAdc d2AG|FAdc d2A2|BcdB cdec|f2d2d2:|
ef|gfge c2ec|dcdB A2GF|GABG FGAF|E^DEF E2ef|
gfge c2ec|dcdB A2^GA|BcdB cdec|f2d2d2:|

%%%

X:492178 
T:SAILOR'S HORNPIPE (2nd setting), The 
B:ONMI.1578
R:hornpipe
%Q:1/4=150
L:1/8
M:C|
L:1/8
K:D
Bc|dcdA FAdf|edcB A2fg|afaf bagf|edcB A2fe|
dcdB FAdf|edcB A2fg|afdg bgec|d2d2d2:|
EG|afaf d2ga|bgbg e2fg|afaf bagf|edcB A2fe|
dcdB FAdf|edcB A2fg|afdg bgec|d2d2d2:|

%%%

X:492179
T:SAULT'S FAVOURITE 
S:Gillan
B:ONMI.1767
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D % source key = F
A,2|DCDF A^GAB|defd A2AG|FAdB AFED|CDEF ECA,C|
DCDF A^GAB|defd A2AG|FAdB AFEC|D2F2D2:|
A2|dfAf dfAf|egBg egBg|dfAf dfAf|edcB A2Bc|
dAfA dAfA|eAgA eAgA|a2gf edce|d2f2d2:|

Source version:
K:F
C2|FEFA c=Bcd|fgaf c2cB|Bc fd cAGF|EFGA GECE|
FEFA c=Bcd|fgaf c2cB|Bc fd cAGE|F2A2F2:|
c2|(3fga ca faca|(3gab db gbdb|(3fga ca faca|gfed c2de|
fcac fcac|gcbc gcbc|c'2ba gfeg|f2a2f2:|

%%%

X:492180 
T:SAULT'S OWN HORNPIPE 
S:Gillan
B:ONMI.1660
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
dc|BGBd gb AF|gzGz DzG,z|cBcd efgf|edcB A2dc|
BGBd gb AF|gbaf g2dc|Bdgd ecAF|G2B2G2:|
Bc|dgga g2fg|dgg2 dgg2|dgbg a2ga|eaa2 eaa2|
dgga g2fg|egfg dfga|bgaf gdec|BGAF G2:|

%%%

X:492181 
T:SCHOLAR, The 
S:Gillan
B:ONMI.1640
Z:Brennan/Black
N:Also played as a reel.
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
A2|dfaf gfeg|fdAG FGA=c|BGFG EFGg|fdec dcBA|
dfaf gfeg|fdAG FGA=c|BGFG EFGg|1 fgec d2:|\
[2 fgec defg||
a2fd dfaf|dfaf bagf|gfge =cege|=cege agfe|
a^gaf dfaf|dfaf bagf|gfgf gbag|1 fdec defg:|\
[2 fgec d4|]

%%%

X:492182 
T:SEA CAPTAIN, The 
S:F.O'Neill
B:ONMI.1674
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
Bc|d2ec ABce|dcAF DEFG|ABGA FGAB|c2AA A2Bc|
d2ec ABce|dcAF DEFG|ABGA FDEC|D2DD D2:|
A2|Acde fefg|fdec dcAG|A2AG FGAB|c2AA A3g|
fdec d2cA|BGAF DEFG|ABGA FDEC|D2DD D2:|

Another tune of 'ambiguous' modality. I have a suspicion that the 
quarter-note C's in measures 4 and 12 should be natural.

%%%

X:492183 
T:SEAMEN'S CLUB, The 
S:not attributed
B:ONMI.1768
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
D2|DGGB AGEG|DGGB e2dB|d2gf edcB|cBce dBAG|
DGGB AGEG|DGGB e2dB|d2gf edcB|dcAB G2:|
ga|bgfg egdB|cBAG F2GA|BGBd eceg|agfe d2BA|
Ggfg egfg|dgfg bgfg|dgfe dcBA|G2G2G2:|

%%%

X:492184 
T:SHASKEEN CLOG, The 
S:McFadden
B:ONMI.1703
N:Also played as a reel
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
DF|G3B A2Ac|dged cAAc|BdBG AcAF|GBAG FDEF|
GFGB A2 Bc|dged cAAg|fefa ecAc|BGAF G2:|
Bc|dggf g2fg|abag fddc|BcBG AcAF|GBAG FD D2|
dggf g2fg|abag fdde|fefa ecAc|BGAF G2:|

%%%

X:492185 
T:SILK HANDKERCHIEF, The 
S:Cronin
B:ONMI.1665
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
d2|gabg efge|dBge dBGB|AGAB AGAB|cBAB cdef|
gabg efge|dBge dBGB|AGAB AGAB|cdef g2:|
B2|dggf g2gf|gaba gfed|eaab a2ag|agba gfed|
dggf g2gf|edBg eBGB|AGAB A=GAB|cdef g2:|

%%%

X:492186
T:SLIPPER HORNPIPE, The
S:Dillon
B:ONMI.1596
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:D
Bc|dfec dABG|FdEd D2d2|ceAd cdef|gefd cABc|
dfec dABG|FdEd D2d2|cABc dfec|d2dc d2:|
ec|Acec Acec|Adfd Adfd|Bged cdef|gefd cABc|
dfec dABG|FdEd D2d2|cABc dfec|d2dc d2:|

%%%

X:492187 
T:SMOKEY CHIMNEY, The 
S:Cronin
B:ONMI.1635
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
Bc|dcde fdAF|GFGA BGEd|efge cdec|defd A2Bc|
dcde fdAF|GFGA BGEd|efge cABc|dfec d2:|
de|fefg afdf|gfga bgeg|fgaf defd|cedB A2de|
fefg afdf|gfga bgeg|afge fdec|dfec d2:|

%%%

X:492188 
T:SOLDIER'S JOY, The 
B:ONMI.1642
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
FG|AFDF AFDF|A2d2 d2cB|AFDF AFDF|G2E2 E2FG|
AFDF AFDF|A2d2 d2de|fafd egec|d2d2d2:|
de|fdfd fagf|edcd efge|fdfd fagf|edcB A2de|
fdfd fagf|ecAc efge|fafd egec|d2d2d2:|

%%%

X:492189 
T:SON of PROSPERITY, The 
B:ONMI.1581
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
L:1/8
M:C|
K:G % Dmix
AG|FDFA dABG|FAD2 D2AG|FDFA dABG|EGC2 C2AG|
FDFA dABG|FAD2 D2AG|FDAD EGCE|F2D2D2:|
Bc|dedc AGAB|cdcA d2 Bc|dedc AGEF|EGC2 C2 Bc|
dedc ABAG|FEFG ABAG|FDAD EGCE|F2D2D2:|

I'm guessing this tune is D-modal instead of D-major, which is why I 
have K:G. You can hear the source version by replacing G with D in 
the K field. 

%%%

X:492190 
T:SORRY TOO LATE   
S:McFadden
B:ONMI.1706
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
% simplified version
dc|BdAB GDB,D|GBdf g2bf|gedB cdea|gedB Adcd|
BdAB GDB,D|GBdf g2bf|gedB cedc|BGAF G2:|
Bd|g2eg f2df|gfeg f2e2|gbaf gbaf|gedB Adcd|
BdAB GDB,D|GBdf g2bf|gedB cedc|BGAF G2:|

Source version:
dc|Bd AB GDB,D|GB EF g2bf|(3gfe dB cdea|(3gfe (3dcB Adcd|
BdAB GDB,D|GB EF g2bf|(3gfe (3dcB cedc|BGAF G2:|
Bd|(3gag eg (3faf df|gfeg f2e2|gbaf (3gab AF|(3gfe (3dcB Adcd|
Bd AB GDB,D|GB EF g2bf|(3gfe (3dcB cedc|BGAF G2:|
%

%%%

X:492191 
T:SOUTHERN SHORE, The 
S:J.O'Neill
B:ONMI.1740
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
D2|GdBG AcAF|GABG D2GF|EGAB cBAG|FAdc FD (3cBA|
GdBG AcAF|GABG D2GF|Eedc BAGF|A2G2 G2:|
AG|FAd^c dBAG|FAd^c dfed|^cdef gece|d^cde d2d=c|
BcBA ^GBec|ABAG FAdf|egfe dcBA|G2B2 G2:|

%%%

X:492192 
T:SPELLAN the FIDDLER 
S:J.O'Neill
B:ONMI.1731
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
EF|GDBG dBgd|bgd2 =cBAG|Fd^cd Adcd|dced cAFD|
GDBG dBgd|bgd2 =cBAG|fecA edBG|FADF G2:|
g2|bgdB GBdg|afcA FAcf|agba [c'a]bag|fedc BAGF|
GDBG dBgd|bgd2 cBAG|fecA edBG|FADF G2:|

%%%

X:492193 
T:SPELLAN'S DELIGHT 
S:J.O'Neill
B:ONMI.1614
Z:Brennan/Black
R:hornpipe
N:Source m.11 = |ceac' d'c'ba|
%Q:1/4=150
M:C|
L:1/8 
K:A
E2|A2Ec dBGB|Aceg aecf|dbca Bgeg|aece fdBG|
A2Ec dBGB|agbg aece|dced feag|bgeg a2:|
e2|abeg afcf|dfec dBGB|"11"ceae dega|gbaf e2fg|
agbg aece|dbBg aece|dced feag|bgeg a2:|

%%%

X:492194 
T:SPELLAN'S FANCY 
S:J.O'Neill
B:ONMI.1615
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D % source key = A
% simplified arrangement
AG|FdAF D2Ac|dAFd AFDA|BGEC AFDA|FAdc dcBG|
FdAF G2EG|FdDd AFDf|geAa fdAf|geAe d2:|
ed|ceAe dfAG|FAdc dfad|BGEc dAFd|c2B2 A2Ac|
dGFD CEAG|FAdc ecAG|FAdf gecA|EGAc d2:|

Source version:
K:A
ed|caec A2 Eg|aeca ecAe|fdBG ecAE|(3CEA (3ceg AF FD|
caec (3dfd Bd|caAa ecAc'|d'bee' c'aec'|d'beb a2:|
BA|GBEB AcEd|ceAg aeca|fdBg aeca|[A2g2][A2f2][A2e2]EG|
(3aed (3cBA GBEd|ceag bged|ceac' d'bge|dBGE A2:|
%

%%%

X:492195
T:SPELLAN'S FIDDLE 
S:J.O'Neill
B:ONMI.1616
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:G % source key = A
Bc|dgfa gedB|GFGA BGDC|B,DGB cBAG|FAdf eBcA|
Ggfa gedB|GFGA BGDC|B,DGB (3Afe (3dcA|G2B2G2:|
K:D
FG|ABAG FAde|fgfd Adfa|gfeg fedf|eaca BaAa|
ABAG FAde|fgfd Adfa|gecA cAGE|(3DFA (3dfa [d2d'2]:|

Source version:
K:A
cd|eagb afec|AGAB cAED|CEAc dcBA|GBeg fcdB|
Aagb afec|AGAB cAED|CEAc (3Bgf (3edB|A2c2A2:|
K:E
GA|BcBA GBef|gage Begb|agfa gfeg|fb^db cbBb|
BcBA GBef|gage Begb|af^dB (3dcB AF|(3EGB (3egb [e2e'2]:|
%
This tune - which reminds me very much of any J. Scott Skinner hornpipe 
you can think of - changes key to E major in the second part, but O'Neill 
doesn't change the A major key signature. I have indicated the key change 
a little more clearly (I hope) in the simplified version. Also note that
a key change like this usually indicates the tune is to be played A-B-A,
but the Chief's notation doesn't show that.

%%%

X:492196 
T:SPELLAN'S INSPIRATION 
S:J.O'Neill
B:ONMI.1612
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D % source key = Bb
fg|a2fe d2Ad|B2G2 G2AG|FAGB Adgf|edcB Agab|
agfa dfAd|B2G2 G2AG|FAGB Adce|d2D2 D2:|
%
FG|ABAG FGAF|BAGF GFGA|B=cBA GBed|c2A2 A2FG|
ABAG FAGF|G2b2 b2ag|fadf eace|d2D2 D2:|
%
FE|D2FD ADFD|CDEF GFGA|FAGB Adce|gecA GFGE|
D2FD ADFD|CDEF GFGE|FdcB AGFE|D2F2 D2:|

%%%

X:492197 
T:SPRING GARDEN, The 
S:J.O'Neill
B:ONMI.1681
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bc|dgdg ecAF|GFGB AFDC|B,DGF D2cB|AGFE D2 Bc|
dgdg ecAF|GFGB AFDC|B,DGF EcAF|G2G2 G2:|
cB|AGAB cBcd|edef g2 EF|gfed cBAG|Add^c d2 Bc|
dgdg ecAF|GFGB AFDC|B,DGF DcAF|G2G2 G2:|

%%%

X:492198 
T:STAR HORNPIPE, The  
S:J.O'Neill
B:ONMI.1654
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bc|d^cdf ge=cA|GFGB D2EF|GFGA BABc|d^cdf A2B=c|
d^cdf ge=cA|GFGB D2EF|Gedc BAGF|A2G2 G2:|
cB|A^GAB cBcd|e^def g2gf|edcB cBAG|F2D2D2 Bc|
d^cdf ge=cA|GFGB D2EF|Gedc BAGF|A2G2 G2:|

%%%

X:492199 
T:STRANGER FROM LIMERICK, The 
S:Fielding
B:ONMI.1694
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
D2|GAGF GBdB|ABAG FGAF|Bdgf edcB|AGFE DEFE|
D2FA GBeB|A2GB ABcA|Eedc BAGF|A2G2G2:|
Bc|dBGB DBGB|dBgf edcB|cAFA DAFA|BAec dcBA|
GDB,D G,B,DG|BGed cBAG|Fedc BAGF|A2G2G2:|

%%%

X:492200 
T:SUNRISE HORNPIPE, The 
S:F.O'Neill
B:ONMI.1684
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
EF|GFGB AGEF|GAGE D2z2|d4 edBG|BAAB A2D2|
GFGB AGEF|GAGE D2 z2|d4edBG|AcBA G2:|
E2|e2EF GFE2|^defd e2z2|e2EF GFE2|^defd e2z2|
e^def gfeg|fedf e2 EF|gfge dBGB|AcBA G2:|

%%%

X:492201 
T:SUPPLE DANCER, The  
S:J.O'Neill
B:ONMI.1646
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8 
K:G
dc|B2GB cAFA|afge dcBA|B2GB cBAG|FAdf edcA|
B2GB cAFA|afge dcBA|B2GB cAFA|G2B2G2:|
Bc|d2g2 f2e2|d2cA G2F2|Eedc BAGF|AGFE D2Bc|
d2g2 f2e2|d2cA G2F2|Eedc BAGF|A2G2G2:|

%%%

X:492202 
T:SWEEP'S HORNPIPE, The 
S:J.O'Neill
B:ONMI.1613
N:Some people call this tune "The Belfast" (?)
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
P:part 1
ag|f2df AdFA|DFAd f2ef|gbeg dfAF|GBAF E2ag|
f2df AdFA|DFAd f2ef|gfed cABc|d2f2 d2:|
%
P:part 2
z2|FEFA Bcde|fgfe dcdB|A2f2 fef2|G2e2 ede2|
FEFA Bcde|fgfe dcdB|Afed cABc|dfec d2:|
%
P:part 3 %(simplified)
ag|f2e2 d2c2|B2A2 G2ba|g2f2 e2d2|c2B2 A2ag|
f2e2 d2c2|B2A2 G2F2|Eged cABc|d2f2d2:|

Source version of Part 3:
ag|(3fgf (3efe (3ded (3cdc|
B2 a2 G2ba|\
(3gag (3fgf (3efe (3ded|\
(3cdc B2 A2ag|
(3fgf (3efe (3ded (3cdc|
B2 a2 (3GAG (3FGF|\
Eged cABc|d2f2 d2:|

%%%

X:492203 
T:THIRTY YEARS AGO 
S:F.O'Neill
B:ONMI.1632
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bc|dBeB dBAB|GFGA GDGA|BGBd cBAG|FGAF D2Bc|
dBeB dBAB|GFGA GABc|defe dcAF|G2GF G2:|
EF|GFGA B2AG|FGAF DEFD|GFGA B2AG|Adde dcBA|
GFGA B2AG|FGAB c2Bc|defe dcAF|G2GF G2:|

%%%

X:492204
T:THRESHERS, The 
S:McFadden
B:ONMI.1704
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
FG|A2Bc dcdB|AdFD EA,B,C|DCDE FEFG|dBAF E2FG|
A^GAc dcdB|AdFD EA,B,C|ABdB AFEG|F2D2D2:|
de|fa af bfag|faec dcBA|FABc dcdb|afed e2fg|
afbf agfe|faec dcBA|FAdA BGEG|F2D2D2:|

%%%

X:492205 
T:TIM the TURNCOAT 
S:Dollard
B:ONMI.1697
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
Bd|g2bg e2dc|BcdB G2G2|DGBG DGBG|dcBc A2d2|
g2bg e2dc|BcdB G2G2|FGAB cBce|dcAF G2:|
Bc|dcde dBGB|c2Bc AFD2|G2Bc defg|agfe dcBc|
dcde dBGB|c2Bc AFD2|G2Bc dgfg|ecAF G2:|

%%%

X:492206 
T:TINWARE LASS, The 
S:F.O'Neill
B:ONMI.1566
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
BA|GABc d2ef|gfaf gedc|BABc dBGA|B2A2 AcBA|
GABc d2 EF|gfaf gedc|BABc dBAc|B2G2 G2:|
EG|a2d2 d2 EF|g2G2 G2 EF|gfge dBGA|B2A2 A2BA|
GABc d2 EF|gfaf gedc|BABc dBAc|B2G2 G2:|

%%%

X:492207 
T:TOBIN'S RESOURCE 
S:Tobin
B:ONMI.1623
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
AG|FAdf ecAG|FAdf gecA|FAdB cdec|dcdf ecAG|
FAdf ecAG|FAdf gecA|FAdB cdec|dfec d2:|
de|f2fe f2ec|dfec d2cA|BABc dcdf|edcB ABde|
f2fe fgfe|dfec d2cA|Bdgf edce|dfec d2:|

%%%

X:492208 
T:TOMORROW MORNING 
B:ONMI.1661
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
fe|dAFA dfed|ecAc egfe|fafd Bged|c2A2 A2fe|
dAFA dfed|ecAc egfe|fafd Bgec|d2d2d2:|
fg|afdf a2gf|gece g2fe|fafd Bged|c2A2 A2fe|
dAFA dfed|ecAc egfe|fafd Bgec|d2d2d2:|

%%%

X:492209 
T:TOP OF THE MORNING 
S:F.O'Neill
B:ONMI.1571
Z:Brennan/Black
%Q:1/4=150
R:hornpipe
L:1/8
M:4/4
L:1/8
K:G
EF|GFGA G2AB|cAFA G2AB|cBce dBGB|AGFE DEFD|
GFGA G2AB|cAFA G2AB|cBce dBAB|G2GG G2:|
AB|cBcd e2dc|BABc d2BG|GFGA B2AG|A2de dcAF|
GFGA G2AB|cAFA G2AB|cBce dBAB|G2GG G2:|

%%%

X:492210 
T:TRUMPET HORNPIPE (1st setting), The  
S:F.O'Neill
B:ONMI.1586
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
EF|:G2GG G2G2|BGBd gdBG|D2DD D2D2|FDFA dcAF|
G2GG G2G2|BGBd g2z2|fafd egec|1 d2fe dcAF:|2 d2dd d2||
|:z2|e2ee e2e2|fgaf gfed|c2cc B2BB|ABAG FGEF|
DGG2 EGG2|DGG2 BGFD|Bdfe dcAF|G2GG G2:|
%
P:"love those accidentals" version
EF|:G2GG G2G2|BGBd gdBG|D2D2 ^D2D2|EGFA cAFA|
G2GG G2G2|BGBd g2z2|fafd ege^c|1 d2fe dcAF:|2 d2dd d2d2||
|:e2ed e2ed|efgf edcB|cded cBAG|FGAF D2EF|
G2G2 =F2F2|E2E2 ^D2D2|=DFAd cAFA|G2GG G2z2:|

%%%

X:492211 
T:TRUMPET HORNPIPE (2nd setting), The 
S:J.O'Neill
B:ONMI.1587
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
D2|G2GG G2GG|BGBd gdBG|D2DD D2DD|FDFA dcAF|
GGG2 GGG2|BGBd gdBG|ABcd efge|d2f2 d2:|
z2|d2dd d2dd|dBgf edcB|cdec dcBA|GBAF GFED|
DGFG EGFG|DGFG EGFG|dGFG dcBA|G2B2 G2:|

%%%

X:492212 
T:TULLAMORE PIPER, The  
S:Delaney
B:ONMI.1773
R:hornpipe
N:Note no repeats in source.
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
fe|dfAd f2fe|d2ba ^gaed|ceAc eAce|dgba ^ga=gd|
dfAd f2fe|d2ba ^gaed|ceAc eAce|d2f2d2:|
A2|B2c2 d2cB|BA^GA F2ed|ceAc eAce|dfba ^gafd|
B2c2 d2cB|BA^GA F2ed|ceAc eAce|d2f2d2:|

%%%

X:492213 
T:TWILIGHT STAR, The 
B:ONMI.1641
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
D2|GBAF GDB,D|GBec d2ef|gfed cBAG|FGAB ADEF|
GBAF GDB,D|GBec d2ef|gfgd ecAF|G2G2G2:|
Bc|d2dB g2gd|e2ec a2ag|f2fe dcBA|Bed^c d2B=c|
d2dB g2gB|e2ec a2ag|fgfe dcBA|G2G2G2:|

%%%

X:492214 
T:ULSTER HORNPIPE, The 
S:J.O'Neill
B:ONMI.1599
Z:Brennan/Black
N:Source version of m.19: EG (3fga (3gab Bc'
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
dc|BGFG DGBd|cBAG FAGF|Ggfe dBAG|B2A2 A2dc|
BGFG DGBd|cBAG FAGF|Ggfe dcAc|B2G2G2:|
dc|BGBd gabg|ab[ac']a gfed|egfa gba[ac']|bgfg e^def|
gbdg egBd|cBAG FAGF|Ggfe dcAc|B2G2 G2dc|
BGBd gabg|ab[ac']a gfed|"19"egfa g2ba|
bgfg e^def|gbdg egBd|cBAG FAGF|Ggfe dcAc|B2G2G2|]

%%%

X:492215 
T:WANDERING WILLY 
S:J.O'Neill
B:ONMI.1743
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
dc|BGDG B2cB|A^GAB c2BA|Bgdg BgdB|c2A2 A2dc|
BGDG B2cB|A^GAB c2d2|egdg BgAc|B2G2 G2:|
Bc|dgfg edBd|ea^ga e2ga|bagf gedB|c2A2 A2Bc|
dgfg edBd|ea^ga e2d2|egdg BgAc|B2G2 G2:|

%%%

X:492216 
T:WHERE DID YOU FIND HER? 
S:McFadden
B:ONMI.1758
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:D
fe|dAFA DAFA|dAGA DAFA|Bdef gefd|edcB Agfe|
dAFA DAFA|dAGA D2FA|Bged cABc|d2f2d2:|
fg|afdf Adcd|Fdcd Adcd|Bdef gefd|cdef e2b^g|
afdf Adcd|Fdcd Adcd|Bged cABc|d2f2d2:|

%%%

X:492217 
T:WHISKEY YOU'RE THE DEVIL 
S:F.O'Neill
B:ONMI.1639
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:A
E2|AcBc AFFE|Acea f2EG|agfe fecA|BcBA F2E2|
AcBc AFFE|Acea f2EG|agfe fecA|B2A2A2:|
cd|eaga fe ce|faga f2EG|agfe fecA|BcBA F2E2|
AcBc AFFE|Acea f2EG|agfe fecA|B2A2A2:| 

%%%

X:492218 
T:WHISTLING MIKE 
S:J.O'Neill
B:ONMI.1679
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
EF|GABc dBgf|efge dBGB|cedc BAGB|AGFE D2 EF|
GABc dBgf|efge dBGB|cedc BAGB|A2G2 G2:|
EF|gdBd edBd|gdBd edBd|gfed cBAG|FAGE D2 EF|
GABc dBgf|efge dBGB|cedc BAGB|A2G2 G2:|

%%%

X:492219 
T:WHITNEY'S FANCY 
S:F.O'Neill
B:ONMI.1765
N:See note on Dotted Rhythm at beginning of this file
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8 
K:G
d2|g3a gfed|edBG AGEF|GFGA BABd|ed^ce d2 EF|
g3a gfed|edge dBAB|GAGE DCB,A,|B,2G,2G,2:|
D2|GABA GAB2|ABcB ABc2|defe dcBA|GABc d2D2|
GABA GAB2|ABcB ABc2|defe dcAF|G2G2G2:|

%%%

X:492220 
T:WICKLOW HORNPIPE, The
S:Ennis
B:ONMI.1579
Z:Brennan/Black
%Q:1/4=150
R:hornpipe
L:1/8
M:C|
L:1/8
K:D
FG|ABAF DEFG|AGFD c2 Bc|defd cAGF|DG g2 DGGz|
ABAF DEFG|AGFD c2 Bc|defd cAGF|F2D2D2:|
z2|f2fd cAGF|D2g2 g2af|d3e fdec|Addc Addz|
efec ABcA|dcAB c2 Bc|defd cAAG|F2D2D2:|

O'Neill's setting has no C naturals. The version of this in "Allan's 
Irish Fiddler" (tunefolder 11) is closer to the version most often 
heard today.

%%%

X:492221 
T:WIDOW CANTWELL'S FANCY 
S:Mrs.Cantwell
B:ONMI.1732
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
% simplified version
ge|dBGG GBdB|AGFE DcBA|GFGG GBdB|BAAA A2ge|
dBGG GBdB|AGFE DcBA|GBdg ecAF|G2G2 G2:|
Bc|dgg2 dgg2|dgg2 edcB|Aaag fedc|Bdef gfge|
dBGG GBdB|AGFE DcBA|GBdg ecAF|G2G2 G2:|

Source version:
ge|dBGG GBdB|(3ABG (3FGE DcBA|GFGG GBdB|BAAA A2ge|
dBGG GBdB|(3ABG (3FGE DcBA|GBdg ecAF|G2G2 G2:|
Bc|dgg2 dgg2|dgg2 edcB|Aaag fedc|Bdef gfge|
dBGG GBdB|(3ABG (3FGE DcBA|GBdg ecAF|G2G2 G2:|
%

%%%

X:492222 
T:WILY OLD BACHELOR, The 
S:unattributed
B:ONMI.1751
R:hornpipe
%Q:1/4=150
Z:Brennan/Black
M:C|
L:1/8
K:G
% simplified version
DC|B,DGA BGDB,|CEAB cAFD|B,DGA BGcB|AGFE DCB,A,|
B,DGA BGDB,|CEAB cAFD|B,DGB ADEF|G2B2G2:|
ga|bgeg dgBg|dgBg dgBg|bgeg dgBg|fgab a2ga|
bgeg dgBg|cBAB cdef|gdBG EcAF|G2B2G2:|

Source version:
DC|B,DGA BGDB,|CEAB cAFD|B,DGA BGcB|\
(3ABG (3FGE (3DEC (3B,CA,|
B,DGA BGDB,|CEAB cAFD|B,DGB ADEF|G2B2G2:|
ga|bgeg dgBg|dgBg dgBg|bgeg dgBg|fgab a2ga|
bgeg dgBg|cBAB cdef|gdBG EcAF|G2B2G2:|
%

%%%

X:492223 
T:WOODS OF KILKENNY, The 
S:Fielding
B:ONMI.1693
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:D
A2|dAFA dfaf|gece dcBA|BGAF E2ef|gece dcBA|
dAFA dfaf|gece dcBA|dfaf bgec|d2d2d2:|
AG|FAA2 dAA2|fdcd BAGF|Eee2 gee2|cege dcBA|
gbbg faaf|gece dcBA|dfaf bgec|d2d2d2:|

%%%

X:492224 
T:YOUGHAL HARBOUR 
S:F.O'Neill
B:ONMI.1633
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
BA|GFEF GABd|egfa gage|dcBA G2Bd|cBAG EcBA|
GFEF GABd|egfa gage|dcBA BAGF|G2G2 G2:|
dc|Bdef g2fg|agfg edge|dcBA G2Bd|cBAG EcBA|
GFEF GABd|egfa gage|dcBA BAGF|G2G2 G2:|

%%%

X:492225 
T:YOUNG EDMOND O'NEILL 
B:ONMI.1645
Z:Brennan/Black
R:hornpipe
%Q:1/4=150
M:C|
L:1/8
K:G
EF|G2FG G2FG|GFGe dBA^G|ABcd ebge|d^dfe =d^c=cA|
G2FG G2FG|GFGe dBA^G|ABcd fdcA|GDB,D G,2:|
D2|(3GAB D2 GFED|E2[E2e2][E2e2]AG|(3FGA A,2 FEB,C|\
D2[D2d2][D2d2]D2|
(3GAB D2 GFED|[C2E2][G2e2][F2d2][E2c2]|\
(3Bge (3dBG (3DCB, (3CB,A,|G,2G2G2:|

I'd bet that this is a composition of either The Chief himself or of one 
of his fiddling colleagues. I'd also bet that Edmond might have been one 
of the O'Neill sons who died so early. If so, this nice little tune makes
a lovely tribute.

%%%