BB's IRISH TRADITIONAL TUNE LIBRARY
"O'Neill's Music Of Ireland" ("The 1850") 
jigs #701-1115 

========================================================================
Original ABC transcriptions: Vince Brennan (2003). These files represent
a massive amount of work by Mr.Brennan and my sincerest thanks are due 
to him for sharing the results of his labors.
========================================================================
N: field remarks are mine unless in quotes, in which case source will be provided.
========================================================================
"AMBIGUOUS" TUNES

Many of the tunes in thie O'Neill's volumes that carry major key signatures of A, D, or G are no longer played as major key tunes. In some cases (particularly in A) they are now played as A minor (more correctly A dorian, because the F remains sharp while the C and G are lowered half a step). 

A tune might also be played "modally" (i.e., in mixolydian mode) where all 7ths are lowered half a step. Tunes adapted from the Scots piping repertoire are almost 100% "modal". A well-known Irish tune like "Blarney Pilgrim" is modal because all its C's are natural. G modal tunes also exist (part 3 of "The Luck Penny" is an example).

There is a table at the end of this section that might help clarify how each scale degree is treated in the different modes.

The problem for a transcriber in encountering an unfamilar tune is to determine how credible O'Neill's key signature is. In 90% of tunes there's no difficulty - the Chief's key signature tells you all you need to know. However figuring out the remaining 10% requires some experience and guesswork, and even after these are judiciously applied, the transcriber still can't be 100% sure that his result will be what the Chief had in mind!

In the case of tunes that suffer from ambiguity syndrome, I have included in the individual tune file an alternate version of the tune that contains my ideas on how it should sound. While I can guarantee that my version will sound authentic, I can't guarantee that it's the way the Chief or any other musician would play it.

One of the great things about ABC is the flexibility it offers to users familiar with it. That means that anyone having a copy of this or any ABC file can make changes to its contents in order to find a suitable sound. For example, if I show a tune as being in A minor, a few simple key-strokes on the appropriate notes will change the tune to A major. If the results aren't suitable, the tune can be restored to A minor without permanent damage (strongly recommended is to use only COPIES of tunes for experimentation purposes!)

In fairness to the Chief, I should note that he is certainly not the only collector to suffer from the ambiguity syndrome. I would venture a guess that the advent of recording towards the beginning of the 20th Century reduced (if it did not completely eliminate) the problem by providing a "standard" from which other musicians might learn. This process continues today, and works well once a tune has been recorded. It's in regards to the older tunes, unfamiliar outside of the pages of the various collections, that the ambiguity syndrome might persist, at least until a "definitive" version is recorded.

Here are the various permutations of A, D, and G:

A major			C, F, G sharp
A minor			C and G natural, F sharp (= "Dorian" mode, which applies to 95% or Irish 					minor-key dance tunes)
A modal			C and F sharp, all accented G natural

D major			C and F sharp
D minor			C and F natural, B natural (Dorian)
D modal			F sharp, accented C natural

G major			F sharp
G minor			F natural, B flat, E natural (Dorian)
G modal			accented F natural

=========================================================================
TUNE STRUCTURE

Some of the tunes in the older collections (including O'Neill's) are 
structured as ABA or AA-B-A, which simply means that the tune returns 
to the first part before ending. The "segno" sign (looks like a fancy 
dollar sign) is used to indicate the starting point for the return, and 
"DS", "dal segno", "DC", or "da capo" are used at the end to direct the 
player back to the "segno". The A part is then played once through - 
no repeats - to a "fine" (end) measure.

This elegant system is a legacy of classical music which is almost 
totally irrelevant in traditional music today, where AA-BB is the 
prevalent structure. 
 
Alos note that ABC does not read these symbols for playback purposes; 
to create an accurate playback I had to place the parts manually (so to 
speak) as they were intended to be played. (The symbols might still be 
in the ABC but they don't do anything.)

I have left those "longhand" versions in these files in case anyone using 
the file wishes to change any of the playback parameters (playback speed, 
for instance).
 
==================================================================

X:493001 
T:ABSENT MINDED MAN, The 
B:ONMI.0758
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
d|cAc efg|aed c2A|dfd cec|dBB B2d|
cAc efg|aed c2A|Bba gfg|aAA A2 :|
c|ecc Acc|ecc Acc|dBB GBB|dBB GBB|
ecc fdd|gee aff|ecc gBG|ABA A2 :|

%%%

X:493002 
T:ACTIVE OLD MAN, The 
S:J.O'Neill
B:ONMI.0882
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
GAG GBG|GAG AFA|GGG GGG|GcB AFA|
GAG GBG|GAG AFA|G2g gfe|dcB AFA ||
%
G2d dAc|BGB AFA|G2d dAc|BcB AFA|
G2d dAc|BGB AFA|G2g gfe|dcB AFA ||
%
G2g gdc|BGB AFA|G2g gdc|BcB ecA|
G2g gdc|BGB AFA|G2g gfe|dcB AFA ||
%
def gdf|efg G2g|efg gd=f|efg A2g|
geg =fdf|ece dBd|dcB gfe|dcB AFA ||"final"G6|]

%%%

X:493003 
T:ALL ALIVE 
S:J.O'Neill
B:ONMI.1105
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Em % source key = Gm
F|GBG AFA|GEE E2F|GBG ABG|FDD D2F|
GFG AGA|B2e edc|BAG FAF|GEE E2:|
F|GBe dBG|dBG dBG|FAd AFD|AFD AFD|
GBe dBG|gfe dBG|AcA FAF|GEE E2:|

%%%

X:493004 
T:ALL COVERED WITH MOSS 
S:Cronin
B:ONMI.0782
N:To my hearing, there's a D to A key change between parts 1 and 2.
That would seem to call for a return to the first part, although
the book doesn't give any indication that this is an A-B-A tune.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % Source key = C
P:"1"
A|d2F FEF|AFE EFE|d2F FEF|dcd edB|
AFE EFE|"6"EFE EFG|FEF ABc|d3 cB :|
P:"2"
c|:A2B cAc|BAB cAF|A2B cAc|d3 cBc|
[1 A2B cAc|BAB cBc|efe edc|d3 c2B :|
[2 Ace afc|efe ecB|AFE ABc|ded cBA||
P:repeat part 1
d2F FEF|AFE EFE|d2F FEF|dcd edB|
AFE EFE|"6"EFE EFG|FEF ABc|d3-d3|]

%%%

X:493005 
T:ANGRY PEELER, The 
S:Fr.Fielding
B:ONMI.1041
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
B2A GED|DED GED|BAB dBG|ABA A3|
B2A GED|DED GED|BAB dBG|DEG G3:|
B2A Bcd|ege dBG|BAB dBG|FAA A2|
B2A Bcd|ege dBG|BAB GED|EGG G3:|

%%%

X:493006 
T:ANTRIM LASSES, The 
S:J.O'Neill
B:ONMI.0911
F:file ID: onmi.jigs/006antrim
N:This is one of the "ambiguous" tune that I refer to in the introduction 
to this file. Source key signature is A but I don't think that's correct. 
This clearly sounds better as a "modal" tune (to my ear anyway). 
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Amix
E|A2E Acd|ede ABA|G2D GBc|dcd G2B|
A2E ABd|e2f gfg|edc Bcd|ecA A2 :|
a|aga A2a|aga A2f|gfg G2g|gfg G2B|
c2c d2d|e2f gfg|edc Bcd|ecA A2 :|

%%%

X:493007 
T:APPLES IN WINTER 
S:Ennis
B:ONMI.1111
N:|^d| replaced in mm 6,12, and 13.
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Em
c|BEE dEE|BAG FEF|DED FDF|AB^c ded|
BEE BAB|def gfe|fdB AdF|FEE E2:|
B|efe edB|ege fdB|ded dAF|DFA def|
edB def|gba gfe|fdB AdF|FEE E2:|

%%%

X:493008 
T:ASK MY FATHER 
S:Ennis
B:ONMI.0941
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
A|F2D DED|A2D DED|ABA B2G|ABA A2G|
F2D DED|A2D DED|G2B A2F|G3-G2 :|
g|f2d efg|f2d cAG|ABA B2G|ABA B2g|
f2d efg|f2d cAF|1 "thru"G2B A2F|G3-G2:|
[2 "final"G2B AFE|D6|]

%%%

X:493009 
T:BALLAHABOY FAIR 
B:ONMI.0790
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
e|d2A AFA|BGB Afe|d2A AFA|g3 f2d|
d2A AFA|Bdg bab|aba agf|e3 d2 :|
a|fga bag|fga bag|fga fga|efg gfe|
fga bag|fga baa|aba agf|e3 d2 :|

%%%

X:493010 
T:BALLYHOOLEY JIG, The 
S:F.O'Neill
B:ONMI.0877
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
GAG Bcd|ABA cde|GAG dBd|gfe dcB|
cec BdB|ABA cde|dBG cAF|G3 G3 :|
gfe dBd|edB GBd|gfe dBd|ecA Aef|
gbg afd|ege dBG|BdB cAF|G3 G3 :|

%%%

X:493011 
T:BANISH MISFORTUNE 
S:Cronin
B:ONMI.0776
N:This version - with its "classical" ornamentation (not reproduced
here) and no C naturals - is recognizable (but just barely) as a 
relative of today's session tune.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|F2D DED|DEF GFG|A3 cAG|ABc dAG|
F2D DED|DEF GFG|AdB cde|d3 d2:|
%
e|f2e dcd|dfa agf|ecd cBc|e2f gfe|
[1 f2e dcd|dfa agf|ged cde|d3 d2 :|
[2 fga gab|afd ecA|fed cde|d3 d2||
%
3|fdf ece|dAB cAG|F2D DED|DEF GFG|
A2B cAG|AdB cde|fed cde|d3 d2:|

%%%

X:493012 
T:BANKS OF LOUGH GOWNA, The 
S:O'Reilly
B:ONMI.1060
F:file ID: onmi.jigs/012blg
N:1:Source has |^g| in mm 9,11,12, and 13. I'm not sure what key 
the Chief had in mind but I'm calling it A minor, which is how 
it's played today. . .however. . .
N:2:Some musicians play this tune in Bm, so I've added the ABC 
for that key.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
ABA AGE|EDE G3|ABA AGE|c2d ecA|
ABA AGE|EDE G3|cde ged|cAA A3:|
cde g2a|gea ged|cde g2a|ge^g a3|
cde g2a|gea ged|cde fed|ecA A3:|
%
P:raised version in Bm
K:Bm 
BcB BAF|FEF A3|BcB BAF|d2e fdB|
BcB BAF|FEF A3|def afe|dBB B3:|
def a2b|afb afe|def a2b|af^a b3|
def a2b|afb afe|def gfe|fdB B3:|

%%%

X:493013 
T:BAREFOOT BOY, The 
S:Kerwin
B:ONMI.1074
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
E|DGG A2G|FDD FEF|DGG A2G|Add cAF|
DGG A2G|FDD FGA|BdB cAF|AGG G2:|
c|B2B cAA|BAG FGA|BdB cAc|BGB c2A|
[1 B2B cAA|BAG FGA|BdB cAF|AGG G2:|
[2 GBd gfe|dec Bcd|ecA FGA|BGG G3|]

%%%

X:493014 
T:BARNDOOR JIG, The 
S:F.O'Neill
B:ONMI.0939
R:jig
Z:Brennan/Black
N:See note on "Ambiguous Tunes" at top of file.
%Q:1/4=160
M:6/8
L:1/8
K:Amix
EAA AGA|Bcd e2f|gfg ege|dBA GAG|
EAA AGA|Bcd e2f|gfg edB|cAA A3 :|
aea aea|aga b2a|gdg gdg|gdg gfg|
aea aea|aga b2a|dfd dcB|cAA A3 :|

%%%

X:493015 
T:BARNEY O'NEILL 
S:O'Reilly
B:ONMI.1106
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
B|AFD DFA|B2d F2A|AFD DEF|GFG EFG|
AFD DFA|B2d F2A|Bdd F2E|FDD D2:|
g|fed dAd|efe efg|fed faa|agf eag|
fed B2d|A2d F2A|Bdd F2E|FDD D2:|

%%%

X:493016 
T:BARRONSTOWN RACES, The 
S:Cronin
B:ONMI.1038
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
F|DGG GFG|BGc BAF|DFE FEF|A2d cAF|
DGA GFG|BAG Bcd|fed cAF|AGG G2:|
%
d|dgg gfg|abg fed|cBc fef|abg fed|
dgg gdc|BAG Bcd|fed cAF|AGG G2:|
%
F|DGA BAG|dBd cAG|FGA cAF|cAc BAF|
GFG BAB|cBc dag|fed cAF|AGG G2:|
%
d|gdg gbg|fdf faf|ede ege|dBG GAc|
BAB cBc|dcd eag|fed cAF|AGG G2:|

%%%

X:493017 
T:BASHFUL MAID, The 
S:Fielding
B:ONMI.1037
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|FAA AFA|AFA d2B|GBB FAA|EFE E2A|
FAA AFA|AFA d2B|ABc dcB|AFD D2 :|
d|ecA ABA|ecA d2A|GBB FAA|EFE E2d|
ecA ABA|edc d2B|ABc dcB|AFD D2 :|

%%%

X:493018 
T:BASKET OF TURF, The 
S:J.O'Neill
B:ONMI.0735
N:aka "Sligo Lasses/Lassies"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
E|EBB BAG|FDF AGF|EBB Bcd|AGF E2E|
EGB BAG|FDF AGF|GAB Bcd|AGF E2 :|
B|Bee efg|dcB AGF|Eee efg|f^df e2e|
Eee efg|dcB AGF|GAB Bcd|AGF E2 :|

%%%

X:493019 
T:BE EASY YOU ROGUE! 
S:Gillan
B:ONMI.1109
N:aka "Stop It You Rogue Stop Stop" (and similar; cf.O'Farrell)
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:A
E|AcA BAF|d3 d2z|AcA BAF|B3 B2z|
AcA BAF|ded dfa|ecA BAF|A3 A2:|
%
d|ecA ecA|d3 dfa|ecA ecA|B3 B2z|
AcA BAF|DFA dfa|ecA BAF|A3 A2:|
%
d|cAA BFF|AEE dfa|ecA BAF|B2zB2d|
cAA BGG|AEE dfa |ecA BAF|A3 A2:|
%
e|aga fdA|dcd d2f|aga ecA|BAB Bfg|
aga fdA|DFA dfa|ecA BAF|A3 A2:|

Source version of: 
mm 21-22:
|c A/B/c/A/ B G/A/B/G/|A E/F/G/E/ dfa|
mm 25, 29:
|f/e/d/c/B/A/  fdA|
m 27:
|e/d/c/B/A/  ecA|

%%%

X:493020 
T:BEAUTIES OF IRELAND, The 
B:ONMI.0980
R:jig
%Q:1/4=160
Z:Brennan/Black
M:12/8
L:1/8
K:D
G|F2D DFD DFD DFD|E2A, A,EA, A,EA, A,EA,|
F2D DFD DFD DFD|1 Bcd edc d2B A2 :|\
[2 Bcd edc d2zd2 ||
A|f2d def gag fgf|ecA AcA ecA AcA|
f2d def gbg faf|1 ecA ABc d2zd2 :|\
[2 ecA ABc d2B A2G|D6z3z3|]

%%%

X:493021 
T:BEFORE I WAS MARRIED 
S:F.O'Neill
B:ONMI.0999 % A-B-A
R:jig 
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
P:"1"
G|FGA Afe|dBB BAG|FGA Ade|fdd dAG|
FGA Afe|dBB BAG|FGA Aag|fdd d2 :|
P:"2"
e|fef afe|dBd d2e|fgf e^de|fdB Bde|
fef afe|dBc d2e|faf e^de|fdB B2:|
P:"1" repeat
FGA Afe|dBB BAG|FGA Ade|fdd dAG|
FGA Afe|dBB BAG|FGA Aag|fdd Hd3|]

%%%

X:493022 
T:BEHIND THE BUSH IN THE GARDEN 
S:Conners
B:ONMI.1114
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Am
B|c2A AGE|c2A AGE|G2G GAE|G3 E2B|
c2d e2a|g2e d2e|c2A BAG|A3 A2:|
B|c2B c2d|efe e2d|c2B c2d|e3 G2G|
[1 c2B c2d|efe e2d|cBA BAG|A3 A2:|
[2 c2d e2a|g2e d2e|c2A BAG|A3 A3|]

%%%

X:493023 
T:BEHIND THE HAYSTACK 
S:F.O'Neill
B:ONMI.0893
N:This is an "upside-down" version of a well-known session tune, 
today normally played in D.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d|efe edB|def gfe|dBA ABA|dBA ABd|
efe edB|def gfe|dBG GAG|dBG G2 :|
%
d|gbg faf|ege dBG|dBA ABA|dBA ABd|
gbg faf|ege dBG|dBG GAG|dBG G2 :|
%
d|g2a bge|g2a bge|dBA ABA|dBA ABd|
g2a bge|g2a bge|dBG GAG|dBG G2 :|

%%%

X:493024 
T:BESOM IN BLOOM, The  
S:F.O'Neill
B:ONMI.0797
N:A neat tune but a little unusual in that both parts end 
on a IV cadence! My 2nd ending to part 2 is intended to fix
that (if it needed fixing).
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G % source key = A
c|BAG B2G|cAG G2c|BAG B2c|dcB cdc|
BAG B2c|dcd g2a|gag fdB|dcB c2 :|
d|efe edc|ded d2c|BAG B2G|cAG G2d|
efe edc|ded def|gag fdB|1 dcB c2 :|2 dcA G3||

%%%

X:493025 
T:BESSIE MURPHY 
S:Ennis
B:ONMI.0953
N:This tune doesn't sound exactly right in either D (source key) or G!
I'm going with G because the C sharps in the key of D just sound too
weird. . .if you're curious, replace G with D in the K: field and
play it back. See what I mean?
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
G|F2G ABc|ded cAG|FGA cAG|FGA A2G|
F2G ABc|ded cAG|FDF GAG|FDF G2 :|
g|fed cde|fed cAG|FGA cAG|FGA A2g|
fed cde|fed cAG|FDF GAG|FDF G2 :|

%%%

X:493026 
T:BEST IN THE BAG, The 
S:F.O'Neill
B:ONMI.0852
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GAG AGA|Bge dBA|GFG AGA|BGE E2D|
GAG AGA|Bge dBG|c2A BGE|GAG G2 :|
d|gfg efg|fag fed|gfg efg|afd def|
g2e a2f|g2e dBG|c2A BGE|GAG G2 :|

%%%

X:493027 
T:BIDDY MALONEY 
S:Gillan
B:ONMI.1010
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|FGA AFA|AFA AFA|BGG AGF|BGE EGE|
FGA AFA|AFA d2A|B/c/dB AFd|AFD D2 :|
%
d|ecA AcA|ecA d2A|GBG FGA|BGE Ecd|
ecA dfa|gfe d2A|dcB AFd|AFD D2 :|
%
g|a3 g3|fed cBA|GBG FGA|BGE Efg|
agf gbg|fed cBA|dcB AFd|AFD D2 :|
%
g|aff dfg|aff dga|bgg ega|bgg efg|
aff bgg|aff d2A|BdB AFd|AFD D2 :|
%
A|d2c dAF|d2c dAF|GBG FGA|BGE E2A|
d2c dAF|d2c dAF|dcd efg|fdd d2 :|
%
g|fab afd|f2g afd|g2e f2d|efe efg|
fab afd|f2g afd|gfg eag|fdd d2 :|
%
g|fdf ece|dcB AGF|GBG FGA|BGE E2g|
fdf ece|dcB AGF|BdB AFd|AFD D2 :|

Changes to source version:
In mm 25,26,29 and 30: |aff| replaces |a f/g/a/f/|
In mm. 27-28: |bgg| replaces |b g/a/b/g/|
In mm.33,34, 37,38: |d2c| replaces |d/e/dc| 

X:493028 
T:BIDDY'S WEDDING 
B:ONMI.0985
N:Related to "Leg of the Duck"
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:C
cdc c2c|ceg gec|cdc c2c|Bcd dBG|
cdc c2c|ceg gec|faf ege|Bcd dBG :|
cdc g2c|e2c g2c|cdc g2c|Bcd dBG|
cdc gec|edc gec|faf ege|Bcd dBG :|"final"Hc3z3|]

%%%

X:493029 
T:BILLY BARLOW 
S:Cronin
B:ONMI.0840
Z:Brennan/Black
Y:See note on Ambiguous Tunes at top of this file.
Source key is A major but I think A dorian is a better
sound. (Use K:A if you want to hear the difference.)
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador 
d|ecA ecA|ecA ABc|dBG dBG|dBG GAB|
cBc dcd|efg a za|age edB|cAA A2 :|
d|e3 efd|ecA ABc|d2d dge|dBG GAB|
cBc dcd|efg a za|age edB|cAA A2 :|

%%%

X:493030 
T:BLACK DONALD THE PIPER 
S:F.O'Neill
B:ONMI.0946
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
dBB efg|dBB BAG|dBB efg|dBG A2G|
dBB ecc|dBB BAG|A2B cde|dBG A2G :|
gdd gee|gdc BAG|gddgee|dBG A2G|
gdd gee|gdc BAG|A2B cde|1 "thru"dBG A2G :|
[2 "final"dcA HG3|]

%%%

X:493031 
T:BLACK ROGUE, The 
S:J.O'Neill
B:ONMI.0915
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Em
g|dBB BAB|dBB B2g|dBB BAB|GEE E2g|
dBB BAB|dBB BAG|ABc BAB|GEE E2 :|
d|gfg aga|bge edB|gfg aga|bgf efg|
bag agf|gef g2e|dBB BAB|GEE E2 :|

Source version m12:
bge e-e/f/g/a/|

%%%

X:493032 
T:BLACKEYED BIDDY 
S:J.O'Neill
B:ONMI.0820
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
E|ABA Ace|eac B2A|cBA d2B|cAA aec|
ABA Ace|eac B2A|cBA d2B|cAA A2 :|
a|e2a f2a|e2a fed|efg aec|eac ecA|
cBc dcd|eac B2A|cBA d2B|cAA A2 :|

%%%

X:493033 
T:BLARNEY PILGRIM, The 
S:Cronin
B:ONMI.1099
N:I think it's a tribute to the Chief and his colleagues 
that musicians of today play this tune note-for-note the 
way it appears here!
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Dmix
DED DEG|A2G ABc|BAG AGE|GEA GED|
DED DEG|A2G ABc|BAG AGE|GED D2z:|
%
ded dBG|AGA BGE|ded dBG|ABA G3|
g2e dBG|AGA BGE|B2G AGE|GAG G2z:|
%
A2D B2D|A2D ABc|BAG AGE|GEA GED|
A2D B2D|A2D ABc|BAG AGE|GED D2z:|

%%%

X:493034 
T:BLAZING TURF FIRE, The
S:Cronin
B:ONMI.0780
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|ded dfd|cAB cBc|ded afd|ecA ABc|
ded dfd|cAB cde|fde dcA|GED D2 :|
G|EDF GAG|EDE G2A|EDF GAc|BAG A2G|
EDF GAG|E2E Geg|fde dcA|GED D2 :|

%%%

X:493035 
T:BLOOMING MEADOWS (1st Setting), The 
S:F.O'Neill
B:ONMI.0917
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
F|D2G G2A|BdB cAG|F2D DED|F2G AFD|
D2G G2A|BAG ABd|fed cAF|GAF G2:|
f|g2d def|g2a bag|f2d ded|f2g afd|
[1 g2d def|g2a bag|fed cAF|GAF G2 :|
[2 g2e f2d|edc Bcd|fed cAF|GAF G3 |]

%%%

X:493036 
T:BLOOMING MEADOWS (2nd Setting), The 
S:J.O'Neill
B:ONMI.0918
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
F|D2G G2A|B2d cAG|F2D DED|F2F E2D|
D2G G2A|BAG Ade|fed cAF|AGF G2 :|
%
c|def g2a|bag afd|fef afd|efg afd|
def g2a|bag afd|fed cAF|AGF G2 :|
%
A|B3 c3|dcB cAG|F3 DED|FEF AFD|
B3cBc|dcB cde|fed cAF|AGF G2 :|

Source version m.12:
|d-d/e/f/g/ afd|

%%%

X:493037 
T:BLUE BONNETS JIG, The           
S:F.O'Neill
B:ONMI.1064
Y:"Irish version"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
G|ABA c2e|aba a2e|gag fgf|ecA B2e|
ABA c2e|aba a2e|fed cde|fac B2 :|
G|Ace ece|fed cBA|Ace efa|ABc B2A|
Ace ece|fed cBA|agf ece|1 "thru"fac B2 :|
[2 "final"fac BcB|A3z3|

%%%

X:493038 
T:BOILED GOATS' MILK 
S:Cronin
B:ONMI.0884
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BGA B2d|cAG A2B|cAF G2B|def gdc|
BGA B2d|cAG A2c|BdB cAF|AGG G2 :|
d|geg fdc|BAB dBG|gag fdc|BAB def|
geg fdc|BAB dBG|BdB cAF|AGG G2:|

%%%

X:493039 
T:BOLD JOHN O'LEARY 
S:Mahoney
B:ONMI.1055
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
a|ged cAG|FDE F2G|FED def|gfg eag|
fed cAG|cAG FDE|DFA eag|fdc d2:|
g|a3 dfa|agb afd|g2g gef|ged cAG|
FED dcd|edc d2e|fed cAG|Adc d2:|

%%%

X:493040 
T:BOLT THE DOOR 
S:Delaney
B:ONMI.0957
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Am
f|ecA A2B|G2E E2B|c2A B2G|A2B c2d|
ecA A2B|G2E E2B|c2A B2G|ABA A2 :|
%
B|cBA G2B|e3d2B|c2A B2G|A2B c2d|
ecA A2d|e3d2B|c2A B2A|G3 g2e|
cBA G2d|e3d2B|c2A B2G|A2B c2d|
ecA A2d|e2a a2^f|g2e d2B|A6 |]

%%%

X:493041 
T:BOOK OF RIGHTS, The 
S:Cronin
B:ONMI.0783
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A,|DED D2F|Add AFA|Bcd AGF|EDE FDB,|
DED D2F|Add AFA|Bcd AGF|EDD D2 :|
A|dfa a2a|aba afd|gbg faf|ede fdB|
dfa agf|ede fdA|Bcd AGF|EDD D2 :|

%%%

X:493042 
T:BOW-LEGGED TAILOR, The 
S:Early
B:ONMI.0878
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
F|GAG gfg|edc B2A|GAG BAG|FAA cBA|
GAG gfg|afd cAF|DEG Adc|BGF G2 :|
c|dBG dBG|ecA dBG|gba gBd|cAA ABc|
dBg dBG|EFG AFD|GFG Adc|BGF G2 :|

%%%

X:493043 
T:BOY FROM THE GLENS, The 
S:F.O'Neill
B:ONMI.0892 
%Q:1/4=160
R:jig
M:6/8 % A-B-A
L:1/8
K:D
P:"A"
e|dBA ABA|def dBA|dBA ABA|BdA B2g|
ada gfe|d/e/fe dBA|dBA eag|fdd d2 :|
P:"B"
A|def gfg|agf fef|def gfg|f2d edB|
def gfg|agf fef|dBA B2g|ada gfe ||
P:"A" repeat
dBA ABA|def dBA|dBA ABA|BdA B2g|
ada gfe|d/e/fe dBA|dBA eag|fdd Hd3|]

%%%

X:493044 
T:BOY FROM THE MOUNTAIN, The 
S:Dillon
B:ONMI.0974
R:jig
Z:Brennan/Black
N:Source m.4,8,16: |Adc d-d/c/A/G/|
%Q:1/4=160
M:6/8
L:1/8
K:D
G|F2F G2G|A2D GED|F2F G2G|Adc dAG|
F2F G2G|A2A Ade|fed cAG|Adc dA :|
%
c|d2e f2g|e2d cAG|d2e f2g|faf gec|
[1 d2e f2g|e2d cde|fed cAG|ABc d2 :|
[2 d2e fef|edc d2e|fed cAG|Adc Hd3 |]

%%%

X:493045
T:BOYS OF BALLINAFAD, The 
S:J.O'Neill
B:ONMI.0978
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:A
f|ecA AcA|ecA F2A|EFA ABc|edc B2f|
ecA AcA|F2A E2c|d2f ecA|BAA A2 :|
f|ecA Ace|fde fga|ecA AGA|BGE Ecd|
ecA Ace|fde fga|edc BAB|cAA A2 :|

%%%

X:493046 
T:BOYS OF BALLINAMORE, The 
S:West
B:ONMI.0937 % A-B-A
R:jig
Z:Brennan/Black
N:1:I think this sounds better as a "modal" tune. To hear the source 
version, use "K:D" before playing it back.
N:2:No repeats in source.
%Q:1/4=160
M:6/8
L:1/8
K:Dmix
P:"A"
d|cAF G2G|ABc AdB|cAF GFG|Ade fed|
cAF G2G|ABc AdB|cAF GFG|Adc d2 ||
P:"B"
g|fed efg|ecc gcc|fed efg|age d2e|
fed efg|ecc gcc|faf ege|d2e fed ||
P:"A" repeat
cAF G2G|ABc AdB|cAF GFG|Ade fed|
cAF G2G|ABc AdB|cAF GFG|Adc d3 |]

%%%

X:493047 
T:BOYS OF COOMANORE, The 
S:F.O'Neill
B:ONMI.1073
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
G|F2E FDD|Ddc dAG|F2E FDD|FAF GFE|
FEG FDD|Ddc dAG|FAG FGE|FDD D2:|
G|ABc d2e|fdf ecA|ABd efg|faf gfe|
ABc d2e|fdf ecA|AGF EAG|FDD D2:|

%%%

X:493048 
T:BOYS of the TOWN, The 
S:J.O'Neill
B:ONMI.0825
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GFG GBd|edB dBA|GFG GBd|edB AFD|
GFG GBd|edB gfg|edB AGA|BGG G2 :|
B|def gfg|afd edB|def gfg|afd e2d|
[1 def gfg|afd efg|edB AGA|BGG G2 :|
[2 def gbb|faa efg|edB AGA|BGG G3 |]

%%%

X:493049 
T:BOYS of the WEST, The 
S:Fr.Fielding
B:ONMI.1035
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
g|fed edB|dBG GAB|cBc edc|BAA A2g|
fed edB|dBG GAB|cBc edc|BGG G2 :|
c|def gfg|eaa aga|bag bag|fdd d2g|
ecc efg|dBG GAB|ABA gfe|BGG G2 :|

%%%

X:493050 
T:BREECHES MARY 
S:J.O'Neill
B:ONMI.0990
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Am
d|eAA BGG|GBd dcB|egg dgg|BGB dcB|
eAA BGG|GBd dcB|ege dcB|cAA A2 :|
d|eaa a^ga|egg ged|eaa a^ga|BAB dcB|
eaa a^ga|egg ged|ege dcB|cAA A2 :|

%%%

X:493051 
T:BRIDGET MCRORY 
S:F.O'Neill
B:ONMI.0933
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
g|dBG GFG|BAB GFG|dBG ABd|e2A A2g|
dBG GFG|BAB GAB|gfe dBA|B2G G2:|
g|gAg gfe|aAa agf|gag gfe|a2e e2g|
gAg gfe|aAa agf|gfe dBA|B2G G2:|

%%%

X:493052 
T:BRYAN O'LYNN 
B:ONMI.0881
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
B|cAd cAG|EGE GAB|cAd cAG|EAA A2B|
cAd cAG|EGE GAB|cde fed|cAA A2 :|
f|gag ged|cAB cde|eaa age|edd de^f|
gag ged|cAB cde|fed cAG|EAA A2 :|

%%%

X:493053 
T:BUCKS OF WESTMEATH, The 
S:Delaney
B:ONMI.0979
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
e|d3 BdB|G2A B2^c|d3 BdB|cAB c2e|
d3 BdB|G2A B2d|gfe dcB|A2B c2 :|
%
d|gfg dcB|gfg dcB|gfg dcB|A2B c2f|
gfg abc'|bag gfe|gfe dcB|A2B c2 :|
%
e|dBG G2e|dBG G2e|dBG G2B|A2B c2e|
dBG G2e|dBG G2d|gfe dcB|1 "thru"A2B c2 :|\
[2 "final"AFA HG3|]

%%%

X:493054 
T:BUNCH OF ROSES, The  
S:F.O'Neill
B:ONMI.1054
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Edor % source key = Gm
A|G2G GAB|A2F FGA|G2E EFG|FDB, B,EF|
G2G GAB|A2F FGA|GFE FED|E3 E2:|
c|d2B Bcd|e2B BAF|E2d d2e|fdB B2c|
def edc|dcB AGF|EFG FED|E3 E2:|

%%%

X:493055 
T:BUTCHER'S CAVE, The 
S:J.O'Neill
B:ONMI.1067
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
G|FDD FDD|FAG FED|ABA AGF|GAG GFG|
ABA cAG|Ade fed|cAF EAG|EDD D2:|
e|fdd add|fdd ded|fdd add|ged cde|
fdd add|faf ecA|cAF EAG|EDD D2:|

%%%

X:493056 
T:BUTCHER'S MARCH, The 
S:Hartnett
B:ONMI.0867
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
g|fAA eAA|d2B A2g|fAA eAA|d2B G2g|
fAA eAA|fAA efg|faf gfe|d2B G2 :|
c|ded BAB|d2B A2B|ded BAB|d2B G2B|
ded BAB|d2B A2g|faf gfe|d2B G2 :|

%%%

X:493057 
T:BUTTERMILK MARY 
B:ONMI.1002
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
B|cAE FEC|EAc ecA|def edc|cBB Bed|
cea ecA|daf ecA|dfd ced|cAA A2 :|
d|eaa agf|ecA Ace|fbb b2a|gee efg|
aba gag|fgf efg|aec Bed|cAA A2 :|

%%%

X:493058 
T:CASTLE DONOVAN 
B:ONMI.0727
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|B3 ABA|GAG GBd|edd gdB|BAG Adc|
BcB ABA|GAG GBd|edd gdB|cAF G2 :|
d|gfg efg|fag fed|gfg dfg|afd d2c|
BcB ABA|GAG GBd|edd gdB|cAF G2 :|

%%%

X:493059 
T:CAT IN THE CORNER, The 
B:ONMI.0871
F:file ID: onmi.jigs/059ccorn
%Q:1/4=160
N:An "ambiguous" tune that's in D major in the source but is always 
played as modal these days. To hear the original, replace "Dmix" with 
"D" in the K: field.
R:jig
M:6/8
L:1/8
K:Dmix
G|F2D DFA|dAF AFD|EGE CEC|EGE CEG|
F2D DFA|dAF AFD|GBG EFG|AFD D2 :|
g|f2d dfa|afd dfa|e2c ceg|gec efg|
faf edc|dcB AFA|BdB ABG|FDD D2 :|

%%%

X:493060 
T:CHARLEY THE PRAYERMASTER 
S:F.O'Neill
B:ONMI.0862
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|GED G2A|Bee dBA|GED GAB|cBA BGE|
GED G2A|Bee dBA|GED G2A|BGG G2 :|
d|e2d e2d|efe edB|d2B d2B|dge dBG|
e2d e2f|gfe dBA|GED G2A|BGG G2 :|

%%%

X:493061 
T:CHARLIE STEWART 
S:J.O'Neill
B:ONMI.0935
N:|f-f/g/a/f/ ecA| in 7,10,14  |faf|
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:A
d|cee Ace|dfa ecA|def ecA|GBB B2d|
cee efg|agf ecA|faf ecA|BAA A2 :|
d|cAA eAA|faf ecA|cAA eAA|GBB B2d|
cAA eAA|faf ecA|agf eac|BAA A2 :|

%%%

X:493062 
T:CHARMING YOUNG WIDOW, The 
S:F.O'Neill
B:ONMI.0872
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|Add dcd|efg afd|Add dcd|edc d2c|
Add dcd|efg aga|bab afd|gec d2 :|
A|dfa afd|Bgd gec|dcd Bgd|edc d2A|
dfa afd|Bgd gec|dBF DFA|Bec d2 :|

%%%

X:493063 
T:CHERISH THE LADIES 
S:Gillan
B:ONMI.0730
%Q:1/4=160
N:This is Mr. Gillan's "florid" version of a well-known tune. Normally
I would have removed all the frippery but I restrained myself this 
time!
R:jig
M:6/8
L:1/8
K:D
(3A/B/c/|dFF AFF|DFA AGF|BEE GEE|GBA GFE|
dFF AFF|DFA AFA|Bcd efg|fdd d2 :|
%
A|dfd cec|dfd AGF|BEE GEE|GBA GFE|
dfd cec|dfd AGF|Bcd efg|fdd d2 :|
%
B|dfd cec|dfd AGF|B zE G zE|GcB/A/ GFE|
eGe cFc|dGd A2G|(A3/2B/2c/2d/2) efg|fdd d2 :|
%
E|Add fdd|add fdd|(A/2B/2c)d gfg|ece gfe|
agf bgf|afd cBA|(3f/g/a/ dB AGF|GEF GF :|
%
E|f2f afd|fed cde|g2g gfg|ece gfe|
agf bge|afd cBA|fdB AGF|GEF GF :|
%
E|DFA dAF|DFA BGE|DFA dAF|GEF GFE|
DFA DGB|DFA d2e|fdB AGF|GEF GF :|
%
(3A/B/c|dFF AFF|DFA AGF|BEE GEE|GBA GFE|
dFF AFF|DFA AFA|Bcd efg|fdd d2 :|

%%%

X:493064 
T:CHILD OF MY HEART, The 
S:Ennis
B:ONMI.1095
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Am
c|e2d c2A|GEE c2d|e2d c2A|GEA GED|
e2d c2A|GEE c2d|edc dcA|GEA GE :|
D|ABA AGE|c3 DED|ABA AGE|GED DED|
ABA AGE|c3 c2d|edc dcA|1 "thru"GEA GE :|
[2 "final" GEA GDG|HA3z3|

%%%

X:493065 
T:CHRISTENING, The 
B:ONMI.0952
R:jig
%Q:1/4=160
Y:See note on "ambiguous tunes" at top of file. To play this back in 
the source key, replace "Amix" with "A".
Z:Brennan/Black
M:6/8
L:1/8
K:Amix
a|cAA cAA|BGG d2B|cAA cAA|cAA g2e|
dBB cAA|BGG d2B|cec d2B|cAA A2 :|
e|d2e g2a|BGB d2B|d2e g2a|gfe g2e|
dBB cAA|BGG d2B|cec d2B|cAA A2 :|

%%%

X:493066 
T:CLIFFS OF MOHER, The 
S:F.O'Neill
B:ONMI.0861
N:Only distantly related to the Am session tune of the same name!
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d|gfg agf|dgg fdc|AGG AFE|DGG AGG|
gfg agf|dgg fdc|AGG AFE|DGF G2 :|
A|ded cAA|ded cAG|FAB cAG|FAB c2A|
ded cAA|ded cAG|FAB cAG|FGF G2 :|

%%%

X:493067 
T:COME IN FROM THE RAIN 
S:J.O'Neill
B:ONMI.1104
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Em
A|B2E EFE|d3A2G|F2D DED|F2G A2c|
B2E EFE|d3e2f|g2e f2^d|e3 e2:|
f|gfe b2e|gfe b2e|f2d A2g|f2g a2f|
gfe b2e|gfe b2e|f2d Bc^d|e3 e2:|

%%%

X:493068 
T:COME NOW OR STAY 
S:F.O'Neill
B:ONMI.1001
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|ABA d2f|afb afd|ege dfd|ecA AFG|
ABA d2f|afb afd|faf gec|ded d2 :|
f|edc BAG|F2D GFE|A2F Bcd|cee egf|
edc BAG|F2D GFE|ABd ege|fdd d2 :|

%%%

X:493069
T:COME TO DINNER 
S:J.O'Neill
B:ONMI.1013
N:An "ambiguous" tune (see note above). To hear the source version, 
replace "Amix" with "A".
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Amix
e|cAA A2A|EAB cBA|BGG G2G|BGB gdB|
cAA A2B|cde agf|gec Bed|cAA A2 :|
e|aga bag|aec Ace|dBG EGB|Acf efg|
aga bag|aec Ace|dBG EGB|cAA A2 :|

%%%

X:493070 
T:CON CASEY'S JIG 
B:ONMI.0801
R:jig
%Q:1/4=160
N:I tried a number of key signatures for this odd tune and none of them
work too well!
M:6/8
L:1/8
K:Ddor
F|EAE AEA|G3 GEG|EAE AEd|AGE EDC|
EAE AEA|G3 GAB|cBA BGE|EDD D2 :|
e|fed ecA|GEE Gce|fed ecA|GEG A2e|
fed ecA|G2E GAB|cBA BGE|EDD D2 :|

%%%

X:493071 
T:CONDON'S FROLICS 
S:Cronin
B:ONMI.0838
N:See note on Ambiguous Tunes at top of the ABC file. My setting is 
A dorian; to hear the source version, replace "Ador" with "A" in the
K: field.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
g|ecA c2d|edc BAG|ABA c2d|e^de efg|
ecA c2d|edc BAG|ABA gfg|ecA A2 :|
d|eaa efg|dec BAG|cBc dcd|efe e zd|
eaa efg|dec BAG|ABA gfg|ecA A2 :|

%%%

X:493072 
T:CONNACHTMAN, The 
S:J.O'Neill
B:ONMI.1053
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BGA B2g|fdd edc|BGA B2g|fdB cdc|
BGA B2g|fdc dga|bag fdc|dgf g2:|
a|bag a2g|fdc dga|bag a2g|fdf g2a|
bag a2g|fdc dga|bag aeg|fdf g2:|

%%%

X:493073 
T:CONNACHTMAN'S RAMBLES, The 
B:ONMI.1003
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|FAA dAA|BAA dAG|FAA dfe|dBB BAG|
FAA dAA|BAB def|gfe dfe|dBB B2 :|
f|fbb faa|fef def|fbb faa|fed e2e|
fbb afe|dBc def|gfe dfe|dBB B2 :|

%%%

X:493074 
T:CONNIE THE SOLDIER 
S:F.O'Neill
B:ONMI.0794
N:One of the more unusual tunes in ONMI!
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
z|EAA A2d|cAG EFD|DGG DEE|DGG GED|
EAA A2d|cAG EFD|EFG AGE|EDD D2 :|
e|fdd ede|fdd d2e|fed ded|cAA Ade|
fdd ede|fed A2G|EFG AGE|EDD D2 :|

%%%

X:493075 
T:CONTENTMENT IS WEALTH  
S:J.O'Neill
B:ONMI.0729 
N:This tune is also played in Am. 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
F|GFE Eed|BAB E2G|FED DdB|AFE Def|
gfe dfe|BAF d2B|AFD DEF|GEE E2 :|
%
A|BGE EGA|B^AB EFG|AFD DFG|A^GA DGA|
BGF EGA|Aed B2A|BAG FGA|GEE E2 :|
%
A|GBe GBe|GEE EAG|FAd FAd|FD^C DBA|
GFE e^de|fed e2A|BAG FGA|GEE E2 :|

source version (Am):
A/B/|cBA Aag|ede A2c|BAG Gge|d-d/c/B/A/ G2a/b/|
c'ba gba|edB g2e|dBG GAB|cAA A2 :|
c/d/|ecA Acd|e^de ABc|dBG GBc|d^cd G2c/d/|
ecA Acd|dag e2d|edc Bcd|cAA A2 :|
e/d/|cea cea|cAA A2d/c/|Bdg Bdg|BGG G2e/d/|
cBA a^ga|bag a2d|edc Bcd|cAA A2 :|

%%%

X:493076 
T:COOK in the KITCHEN, The 
S:Early
B:ONMI.1042
N:This tune is generally played today with F natural in mm 2 and 6. 
To play back the source version, delete the = before the F.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GDF GAG|"2"=FDE F2A|GDG GFG|Add cAG|
GDF GAG|"6"=FDE F2d|cAG FGA|AGG G2:|
%
A|BcB BAG|ABA AGF|GAG GFG|Add cAG|
BcA BAG|ABA A2d|cAG FGA|AGG G2:|
%
B|d2e f2g|a2g f2d|cAG FGA|Add cAG|
d2e f2g|a2g f2d|cAG FGA|AGG G2:|

%%%

X:493077 
T:COURTNEY'S FAVORITE 
S:Carberry
B:ONMI.0798
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
BEE BEE|BAc dAF|BEE BEE|A2G FED|
BEE cEE|dEE cEE|1 BAc dcB|ABG FED :|\
[2 Bec dcB|A2G FGE||
DFA d2d|BA^c dAF|DFA d^cd|BAG FED|
DFG ABd|Bee efg|fed e2d|BAG FED :|"final"E6|]

%%%

X:493078 
T:CRABS in the SKILLET 
B:ONMI.1112
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Ador % source key = Gm
E|A3 e2G|A2B c2d|efe dcB|edc BAG|
A3e2G|A2B c2d|dBd gfe|1 dBA GF :|2 dBG A2||
%
e|aba agf|gag gfe|def gfe|dBG A2e|
aba agf|gag gfe|def gfe|1 dBA G2:|2 dBA GF||
%
G|A2zB2z|c2zd2z|efe dcB|edc BAG|
A2zB2z|c2ze2z|dBd gfe|1 dBA GF :|2 dBG HA3|

%%%

X:493079 
T:DAIRY MAID (1st setting), The 
S:J.O'Neill
B:ONMI.1100
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G % source key = F
c|d2e d2B|AGG G2B|d2g edB|cAA ABc|
d2B AGA|BAB g2f|e2d gdB|AGF G2:|
d|g2e edg|d2B BAB|dgf edg|BAG ABc|
d2B AGA|BAB g2f|e2d gdB|AGF G2:|

%%%

X:493080 
T:DAIRY MAID (2nd setting), The 
S:F.O'Neill
B:ONMI.1101
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
G|FDD FEF|DGG G2A|BAB GBd|cAG F2A|
BAB Bcd|cBc ABc|dfd cAF|AGF G2:|
d|gfe fdc|BGG G2g|fef dfd|cAG F2c|
BAB Bcd|cBc ABc|dfd cAF|AGF G2:|

%%%

X:493081 
T:DAN ROGERS' 
S:F.O'Neill
B:ONMI.0787
%Q:1/4=160
R:jig
M:12/8
L:1/8
K:Em
def|gdB B2A B2A Bcd|efe edB dBA ABd|
gdB B2A B2A Bc^d|efg fe^d e3 :|
e2f|gbg faf gfg edB|edB Bed BAA Aef|
gbg faf gfg efg|aga Bc^d e3 :|

%%%

X:493082 
T:DANCINGMASTER, The 
S:F.O'Neill
B:ONMI.0960
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Ador
B|cAA eAA|cBA eAA|BGG dGG|gfe dcB|
cAA eAA|cBA e2f|g=fe dcB|cAA A2 :|
d|efg a2b|a2b age|efg a2b|age g2d|
efg a2b|a2b age|gfe dcB|cAA A2 :|

%%%

X:493083 
T:DANDY BONNET, The
S:J.O'Neill
B:ONMI.0948
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:A
e|cAA A2E|Ace f2d|cAA Ace|fdf efg|
afa gec|fdf ecA|cAF EFG|ABA A2 :|
e|cAF ECE|AEA ecA|dBG GBc|dBf fed|
cAF ECE|AEA def|eac BdG|ABA A2 :|

%%%

X:493084 
T:DANIEL O'ROURKE
S:J.O'Neill
B:ONMI.0769
N:1:I have taken the liberty of changing the key signature for parts 
2 and 3 from G to D, since I'm pretty sure that's what's supposed to 
happen after the "V of V" cadence in part 1 (apologies for the double 
Dutch!)
N:2:Since the original part 3 goes way out of range for anything 
except piccolos, I have appended a (suggested) alternate.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
a|gdB BdB|gdB gba|gdB BdB|ecA A2f|
gdB BdB|gdB gab|afd ge^c|ded d2 :|
K:D
e|d2b afd|afd fga|d2b afd|ecA cde|
d2b afd|afd fga|1 bge afd|ecA cd :|\
[2 Bge cAc|ded d2||
E|D2d d2e|fdd def|gag bge|cAA AFE|
D2d d2e|fdd d2c|Bge cAc|ded d2 :|

Source version of mm 17-24:
B/c/|d2d' d'ag|fdd def|gag bge|cAA ABc|
d2d' d'ag|fdd d2d/c/|Bge cAc|ded d2 :|

%%%

X:493085 
T:DANIEL of the SUN 
B:ONMI.0984
N:Related to "Leg of the Duck". Parts 2 and 3 don't repeat in the
source.
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
e|fdd edd|fef dBA|Bee e2d|Bee ede|
fdd edd|fef dBA|Bdd d2A|Bdd d2 :|
%
e|fga efg|fef dBA|Bee e^de|Bee e2g|
fga efg|fef dBA|Bdd d2A|Bdd d2 ||
%
e|f2d e2d|f2e dBA|Bee e2d|Bee ede|
fdd edd|fef dBA|Bdd d2A|Bdd d3 |]

%%%

X:493086 
T:DARBY the DRIVER 
B:ONMI.0789
N:Source has F natural in m.14.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
G|EAA ABc|BAA ABc|d2e dBg|BGG GAG|
EAA A2A|BAA ABc|d2e dBg|BAA A2 :|
e|a^ga a2e|a^ga a2e|gag ege|dBG G2e|
a^ga a2e|"14"de^f g2g|ege dBg|BAA A2 :|

%%%

X:493087 
T:DAY AFTER the FAIR, The 
S:J.O'Neill
B:ONMI.0868
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em % source key = Gm
F|G2A BGE|BGE BGE|F2G AFD|AFD AFD|
G2G A3|Bee efg|dec BcA|GEE E2 :|
A|BcA BcA|BGE EFG|ABG ABG|AFD DEF|
G3A3|Bee efg|dec BcA|GEE E2 :|

%%%

X:493088 
T:DENIS DELANEY 
B:ONMI.0703
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BAG GBG|GBG ABc|BAG GBG|cAF Adc|
BAG GBG|GBG ABc|BAG dBG|cAF A2 :|
%
c|Bcd def|gfe fed|dBG gdB|cAF Adc|
Bcd def|gfe fed|dBG gdB|cAF A2 :|
%
c|dBG dBG|dBG ABc|dBG dBG|cAF Adc|
Bcd def|gfe fed|dBG gdB|1 "thru"cAF A2 :|
[2 "final" 2 cBc AGF|G6|]

%%%

X:493089 
T:DICK SULLIVAN'S FAVOURITE
S:J.O'Neill
B:ONMI.1027
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
Bdc BdB|GBd gdB|Bdc BdB|AFA cBA|
Bdc BdB|GBd gdB|cac BgB|AFA cBA :|
%
dgf gdB|gag gba|gag gdB|FAB cde|
dgf gdB|gfe dcB|cac BgB|AFA cBA :|
%
dBG GBc|dBG gfe|dBG GBG|AFA cde|
dBG GBd|gfe dcB|cac BgB|AFA cBA :|"final"HG6|]

%%%

X:493090 
T:DO YOU WANT ANYMORE? 
S:Cronin
B:ONMI.0741
N:This tune is in straight D major in ONMI, but it's played today as 
D modal ("Dmix"). To hear the original, remove "mix" from the K: field.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Dmix
A,|DFA A2B|cAd cAG|Adc deg|fed cAG|
FDF GAB|cAd cAG|Adc AGE|FDD D2 :|
g|fdg fec|Adc Ade|fdg fec|ABc d2e|
aba gag|fgf edc|Adc AGE|FDD D2 :|

%%%

X:493091 
T:DOCTOR O'HALLORAN 
S:J.O'Neill
B:ONMI.1075
N:The accidentals give this tune a really unique sound, but I
realize they might be a challenge to play (they are for me!)
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Dm
F|D2d ^cde|f2d dcB|ABA AGF|cAf cAF|
D2d ^cde|f2d ecA|BA^G AFE|DFE D2:|
F|DAA AGF|Ecc cA^G|A2^G A=B^c|ded cAG|
Aff fag|fed ecA|BA^G AFE|DFE D2:|

%%%

X:493092 
T:DOCTOR O'NEILL 
S:Cronin
B:ONMI.0701
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|d3 AFD|E2F G2A|BGB Bcd|AGF EFA|
d3 AFD|E2F G2A|BGB Bcd|AFD D2 :|
%
A|d3 ceA|dfe dcB|AFA Bcd|AGF EFA|
d3 ceA|dfe dcB|AFA Bcd|AFD D2 :|
%
g|fef afd|dcd fed|gfg faf|gee e2g|
fef afd|dcd fed|gfg fag|fdd d2:|
%
g|fdf ece|dcB AFA|AFd AFd|AGF E2g|
fdf ece|dcB AFA|AFA Bcd|AFD D2 :|
%
G|FAF GBG|FAG FED|FAF GBG|AGF E2G|
FAF GBG|FAG FED|BGB Bcd|AFD D2 :|

%%%

X:493093 
T:DOHERTY'S FANCY 
S:J.O'Neill
B:ONMI.0811
N:Source has a double stop |[E3A3]| in mm 1, 3, and 5.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
E|A3 cBA|ecA aec|A3 cBA|BGE dBG|
A3 cBA|ecA aec|fga ecA|dBG A2:|
e|aga fga|gba gfe|aga fga|bag afg|
agf edc|fed cBA|fga ecA|dBG A2 :|

%%%

X:493094 
T:DRAUGHT OF ALE, The 
S:J.O'Neill
B:ONMI.0912
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
D|GBA G2A|Bdg Bdg|GBA G2B|AFD AFD|
GBA G2A|Bdg Bdg|ecA dBG|cAF G2 :|
d|egf g2f|ege dBG|GFG dBG|BAA A2d|
egf g2f|ege dBG|GFG dBG|cAF G2 :|

%%%

X:493095 
T:DRINK AND BE MERRY 
S:J.O'Neill
B:ONMI.1067
N:This sounds like an A-B-A tune even though it's not notated as 
such in ONMI. Feel free to ignore the repeat.
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
d|cAG F2G|FDE F2D|DGG FGA|B2c ded|
cAG FED|GAG gfe|dBG AFD|DGG G2:|
K:D
G|ABA fef|gag fed|cAG FGA|ded cAG|
ABA fef|gag fed|cAG F2E|D2D D2:|
P:part 1 repeat
K:G
cAG F2G|FDE F2D|DGG FGA|B2c ded|
cAG FED|GAG gfe|dBG AFD|DGF G3|]

%%%

X:493096 
T:DRIVE THE COWS HOME 
B:ONMI.0806
S:F.O'Neill
Y:See note on Ambiguous Tunes at top of the ABC file. I'm going with A 
dorian on this - if you want to hear the source version, remove "dor"
from the K: field.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
d|efe edB|dBA A2B|GAG GBd|BAG G2g|
fed efg|aga e2f|gfg dBd|ecB A2 :|
e|aga efg|aga e2f|gfg def|gfg d2e|
[1 aga efg|aga e2f|gfg dBd|ecB A2 :|
[2 agf gfe|fed edB|gfg dBd|ecB HA3 |]

%%%

X:493097 
T:DUNMANWAY LASSES, The 
B:ONMI.0977
R:jig
%Q:1/4=160
Z:Brennan/Black
N:An interesting tune with a major/minor mode change between parts!
M:6/8
L:1/8
K:G
D|GFG dBG|BAB dBG|GFG dBG|GAG GED|
GFG dBG|BAB dBG|GBG B2A|GED D2 :|
d|gfg aga|bge edB|gfg aga|bge ega|
bgg agg|ege dBG|BAB GBA|GEE E2 :|

%%%

X:493098 
T:EAST AT GLENDART 
T:Humors of Glendart
S:F.O'Neill
B:ONMI.0719
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|BAF ADD|FEF DFA|BAF ADD|FEE EFA|
BAF ADD|FEF DFA|dcB AFE|FDD D2 :|
A|def d2B|ABA AFD|def d2f|ede fdB|
def edB|AFA ABc|dcB AFE|FDD D2 :|

%%%

X:493099 
T:EASTER SUNDAY 
S:Delaney
B:ONMI.0942
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
E|DED DdB|AGF G2A|BGG AFD|EFE EAF|
DED d2B|AGF G2A|BGB AFA|DED D2 :|
e|fdB ABd|efg fed|fdB ABd|fee ede|
fdB ABd|efd eag|fdB Ade|fdd d2 :|

%%%

X:493100 
T:EAVESDROPPER, The 
B:ONMI.0715
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GBB BAG|Bdd dBG|cee dBG|BAA A2B|
GBB BAG|Bdd dBG|cee dBA|BGG G2 :|
d|gfg afd|efg d2B|cee dBG|BAA Adf|
gab afd|efg dBG|cee dBA|BGG G2 :|

%%%

X:493101 
T:ELLIS' JIG
S:F.O'Neill
B:ONMI.0998
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
D|GAG B2G|c2A F2D|GAG B2c|d2g B2c|
dge =f2d|cAG F2A|ded cBA|G3 G2 :|
d|g2d B2G|c2A F2D|g2d B2^c|dde =f2e|
dge =f2d|cAG F2A|ded cBA|G3 G2 :|

%%%

X:493102 
T:END of the DAY, The 
S:J.O'Neill
B:ONMI.0950
R:jig
Z:Brennan/Black
N:Source m.17: |d-d/e/d/c/ dec|
Source m.19: |c-c/d/c/B/ cdB|
%Q:1/4=160
M:6/8
L:1/8
K:G
A|BAB G2D|GAG GBd|cBA GFG|Ade dcA|
BAB G2D|GAG GBd|gfe dcB|AFA cB :|
A|B2d ded|dBd gdc|B2d ded|ece afd|
B2d ded|ded def|gfe dcB|AFA cB :|
c|d2c dec|dBG GAB|c2B cdB|cAF FGA|
B3 c3|dgg gab|^fge dec|BGG G2 :|

%%%

X:493103 
T:FAIRHAIRED BOY, The 
S:Beamish
B:ONMI.0924
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Amix
EAA AGA|Bdd dBd|ege dBA|BAB GED|
EAA AGA|Bdd dBd|ege dBG|BAA A3 :|
eaa eaa|egg ged|ege dBA|BGG GED|
[1 eaa eaa|egg ged|ege dBG|BAA A2z :|
[2 EAA AGA|Bdd dBd|ege dBG|BAA A3 |]

%%%

X:493104 
T:FARDOWN FARMER, The
S:J.O'Neill
B:ONMI.1024
%Q:1/4=160
Z:Brennan/Black
R:jig
M:6/8
L:1/8
K:G
A|BAB GED|EFG GAB|BAB GED|EAA ABc|
BAB GED|EFG GAB|dfe dcA|BGF G2:|
A|Bcd ded|dge dBG|Bcd ded|efd g2d|
Bcd ded|dge dBG|dfe dcA|BGF G2:|

%%%

X:493105 
T:FAREWELL SWEET NORA 
B:ONMI.0904
N:Source m.14: |e-e/g/f/e/ dBG|
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
DED GAB|AGA BGE|DED GAB|AdB AGE|
DED GAB|AGA Bcd|ege dBG|DEF G2z :|
dBd efg|fed cBA|GFG Bcd|efg aef|
gbg afd|efe dBG|ege dBG|DEF G2z :|

%%%

X:493106 
T:FAREWELL TO MY TROUBLES 
S:F.O'Neill
B:ONMI.0961
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
A|dec dcA|GFG AFD|FEF GFD|FGA c2A|
dec dcA|GFG AFD|F3 GAG|FDD D2 :|
G|FED FGA|cdB =cAG|A=fe dec|ABc d2c|
BGB d=cA|GFG AFD|F3 GAG|FDD D2 :|

%%%

X:493107 
T:FASTEN THE LEG IN HER 
S:F.O'Neill
B:ONMI.0860
%Q:1/4=160
Z:Brennan/Black
R:jig
M:6/8
L:1/8
K:G
c|B2B BAB|GBd gdB|A2A AGA|Bee dBA|
B2B BAB|GBd gfg|efg fag|fdd d2 :|
f|gag fgf|ede fdB|ABA AGA|Bee dBA|
gag fgf|ede fdd|1 "thru"def eag|fdd d2 :|
[2 "final"def gfe|def g3|

%%%

X:493108 
T:FAT MAN'S FANCY, The 
S:Stack
B:ONMI.0907
N:Source is missing repeat on part 1.
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G % source key = A
D|G3 AGA|B2f gfe|fdB AGF|GBG AFD|
G3 AGA|B2f gfe|fdB AGF|GBA G2 :|
B|e2e edB|def gfe|gfe dcB|ABA ABd|
e2e edB|def g2a|bag fag|fef g2 :|

Source version:
K:A
E|A3 BAB|c-c/e/f/g/ agf|gec BAG|AcA BGE|
A3 BAB|c-c/e/f/g/ agf|gec BAG|AcB A2 ||
c|f2f fec|efg agf|agf edc|BcB Bce|
f2f fec|efg a2b|c'ba gba|gfg a2 :|

%%%

X:493109 
T:FATHER DOLLARD'S FAVORITE 
S:Dollard
B:ONMI.0748
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
DFA dcd|AFA BGE|DFA dcd|AFA gfe|
DFA dcd|AFA BGE|afd bge|AFD E2D :|
fef gfg|afd AFD|fef gfg|DFA B2A|
fef gfg|afd bge|fga Bcd|AFD E2D :|

%%%

X:493110 
T:FATHER FIELDING'S FAVOURITE 
S:F.O'Neill
B:ONMI.1004
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GAB BcA|AGG GBc|dBG FGA|FDD D2D|
GAB BcA|AGG fed|cAG FGA|AGG G2 :|
d|gfg afd|cBc dBG|gfg afd|cBc d2d|
gfg gfg|ece efg|ded cBA|BGG G2 :|

%%%

X:493111 
T:FATHER JACK WALSH
T:"Tatter Jack Walsh"
S:F.O'Neill
B:ONMI.0885
Z:Brennan/Black
N:You can replace the |c'| in m.18 with |a|. 
N:This is straight D major in the source.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Dmix
e|fef ded|cAB c2d|cAF GFG|Ade f2a|
gec ded|cAB c2d|cAF GFG|Add d2 :|
%
A|dfg afd|dfg a2d|cde ged|cde f2a|
gec ded|cAB c2d|cAF GFG|Add d2A ||
dfg afd|dfg a2[ac']|bgb afd|cde f2a|
gec ded|cAB c2d|cAF GFG|Add Hd3 |]

%%%

X:493112 
T:FATHER O'CARROLL 
S:F.O'Neill
Z:Brennan/Black
N:Named for the Chief's first music teacher back in Cork.
B:ONMI.0846
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|ded edB|GAG GED|DEG GAB|BAA ABc|
dge dBA|GAG GED|DEG ABc|BGG G2 :|
c|BAG Bcd|ege dBG|BAG GFG|BAA A2c|
BGG dGG|ege dBG|DEG ABc|BGG G2 :|

%%%

X:493113 
T:FATHER TOM'S WAGER 
B:ONMI.1005
N:A great tune if you can get down to the low notes!
(You can play them up an octave but it doesn't sound
quite the same.)
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|dge dBG|AEF GDB,|G,B,D GBd|cBc ABc|
dge dBG|AEF GDB,|G,B,D GAc|BEF G2 :|
c|Bdg bag|fed cAF|DGG FAA|GBB ABc|
Bdg bag|gfe dBG|cec dBG|AEF G2 :|

%%%

X:493114 
T:FELIX the WRESTLER 
S:F.O'Neill
B:ONMI.1049
Z:Brennan/Black
N:This is straight A in source, but I think it
sounds better as A minor.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am % source key A
e|c2A AcA|ecA ABc|B2G GBG|dBG Bcd|
c2A AcA|ecA ABc|ded Bcd|ecA A2:|
d|c2a aga|efe edc|B2g gfg|ded dcB|
[1 c2a aga|efe edc|ded Bcd|ecA A2:|
[2 cBA dcB|edc fed|cBA Bcd|ecA A3|]

%%%

X:493115 
T:FIDDLER'S HEAVEN
S:Delaney
B:ONMI.0785
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
c|dAF FEF|ded dfe|dAF FEF|AFE EFA|
dAF FEF|ded def|ecA BAF|EAA A2 :|
d|ecA AcA|ecA Acd|ecA BAG|AFE Ecd|
ecA AcA|ecA d2B|cAF EFA|BAA A2 :|

%%%

X:493116 
T:FIELD OF FLOWERS, The  
B:ONMI.1065
Z:Brennan/Black
N:Part 1 sounds a little like "Irish Washerwoman"
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G % source key = F
a|gfe dBG|cBB B2a|gfe dBG|BAA A2a|
gfe dBA|Bef gba|gfe dBA|BGG G2:|
d|gba gdc|Bdd d2e|gba gfd|ea^g a2d|
gbg adc|Bef gba|gfe dBA|BGG G2:|

%%%

X:493117 
T:FINERTY'S FROLIC 
B:ONMI.1016
Z:Brennan/Black
N:Some juicy accidentals in this one!
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
E|DGG GAB|cAG FGA|BAB cAF|AGG G2F|
DGG GAB|cAG FGA|d=fd cA^F|AGG G2 :|
d|def g2g|=fed cA^F|Ggf gag|=fdd d2e|
fag =fed|cd_B A=Bc|d=fd cA^F|AGG G2 :|

%%%

X:493118 
T:FIRST NIGHT IN AMERICA 
S:J.O'Neill
B:ONMI.0851
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GFG AFD|GFG Bcd|efg gdB|ABG AFD|
GFG AFD|GFG Bcd|efg dBA|BGG G2 :|
d|gfg bge|dcd ecA|Bdg gfg|abg afd|
gfg bge|dcd ecA|Bdg dBA|BGG G2 :|

%%%

X:493119 
T:FISHERMAN'S FROLIC, The 
S:F.O'Neill
B:ONMI.1047
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|Add dcd|cee e2g|fed dfd|ecA A2A|
Add dcd|cee e2g|fed faA|ABc d2:|
a|afd dfa|agf g2a|afd dfd|ecA ABc|
dcd e^de|fef gag|fed faA|ABc d2:|

%%%

X:493120 
T:FISHERMAN'S WIDOW, The 
S:Mahoney
B:ONMI.0931
N:Close to "Rambling Pitchfork"
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
F2G AFA|dcA AGF|G3 ABc|ded cAG|
F2G AFA|dcA AGF|GFG ABG|AFD D3:|
d2e f2d|dcA ABc|d2e f2a|afd dcA
[1 d2e f2d|ecA AGF|GFG ABG|AFD D3:|
[2 afa geg|FED cAF|G2A BAG|AFD D3 |]

%%%

X:493121 
T:FISHING FOR EELS 
S:Ennis
B:ONMI.1006
Z:Brennan/Black
N:Part 2 of this tune = part 2 of "Pay the Reckoning"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G2G dBG|BAB dBG|G2G dBG|AGA BGE|
G2G dBG|BAB def|gfe dBG|AGA BGE :|
gbg faf|ege def|gfg efg|aga bge|
gbg faf|ege def|gfe dBG|AGA BGE :|"final"HG6|]

%%%

X:493122 
T:FLAXDRESSER, The 
S:J.O'Neill
B:ONMI.0835
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BAG AGE|DGA BAG|BAG dcB|BAA AGA|
BAG AGE|DGA BAG|Bdg dBG|AGG G2 :|
%
B|GBd efg|dBG AGE|GBd efg|fdd def|
gfe dcB|AGA BGE|DcB AGA|BGG G2 :|
%
c|def gfe|dBG GED|DEG GAB|BAA ABc|
def gfe|dBG AGE|DcB AGA|BGG G2 :|

%%%

X:493123 
T:FLITCH OF BACON, The 
S:Fielding
B:ONMI.1039
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
DGG BAB|cAG FGA|DGG BAB|cAF G2G|
DGG BAB|cAG FGA|fed f2d|cAF G2z:|
def gag|fed g2B|def gag|fed cAF|
def gag|fed g2d|fed f2d|cAF G2z:|

%%%

X:493124 
T:FRIENDLY JACK 
S:Fielding
B:ONMI.0742
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A2D FED|A2D FED|A2D FED|G2E E3|
A2D FED|A2D FED|G2A B2G|F2D D3 :|
d2e f2d|g2e f2d|d2e f2d|e2d B2c|
d2e f2d|g2e f2d|d2B A2G|F2D D3 :|

%%%

X:493125 
T:FRIEZE BREECHES, The 
S:F.O'Neill
B:ONMI.1051
Z:Brennan/Black
N:1:Note that O'Neill's version contains no C naturals. Bulmer & 
Sharpley's version of this is probably the most "accurate" in terms 
of current performance (tunefolder 131). There are four (!) settings
of this tune in the Willie Clancy folder (t/f 22).
N:2:This title is spelled a variety of ways (e.g. "Friar's Britches")
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|FEF DED|A2d cAG|ABA GAG|F2A GEC|
FEF DED|A2d cAG|FEF GEC|DED D2:|
P:part 2
G|A2d d2e|fed cAG|ABA GAG|F2A GEC|
A2d d2e|fed cAG|FEF GEC|DED D2G|
A2d d2e|fed cAG|ABA Bcd|ded cAG|
fef efe|ded cAG|FEF GEC|DED D2||
P:part 3
F|DED cBc|AdB cAG|ABc d2e|fed cAF|
DED cBc|AdB cAG|FEF GEC|DED D2:|
P:part 4
A|d2e f2g|a2f ged|c2d efg|fdf ecA|
d2e f2g|a2f ged|faf gec|ded d2:|
P:part 5
d|fdf ece|ded cAG|ABA A2G|F2A GEC|
fdf ece|ded cAG|FEF GEC|DED D2:|
P:part 6
G|A2B cBA|c2d cAG|A2d d2e|fed cAG|
A2B cBA|dcB cAG|FEF GEC|DED D2G|
A2B c2B|c2d cAG|A2d d2e|fed cAG|
faf gec|ded cAG|FEF GEC|DED D3|]

%%%

X:493126 
T:GAELIC CLUB, The 
S:F.O'Neill
B:ONMI.0956
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Am
B|cBA AGE|ABA ABc|BAG BdG|Bdg GAB|
cBA AGE|ABA c2d|efe dcB|cAA A2 :|
B|ceg gec|ceg dBG|ceg gec|BGG GAB|
cBA AGE|ABA c2d|efe dcB|cAA A2 :|

%%%

X:493127 
T:GALLANT TIPPERARY 
S:Cronin
B:ONMI.0894
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
c|ded FGA|B2A ABc|d2d ede|f2d def|
gag fed|efd cBA|BAG FGA|B2A A2 :|
%
g|aba def|gab efg|aba fed|e2A Afg|
aba fgf|efe d2A|BAG FGA|B2A A2 :|
%
A|dAF dAF|B2A ABc|dAF dAF|G2E EAc|
dAF BAF|Adf a2g|fed FGA|B2A A2 :|
%
g|afd cBA|BGG G2g|bge efd|cAA Afg|
afd gfe|afd cBA|BAG FGA|1 "thru"B2A A2 :|
[2 "final"B2A BFE|D6|]

%%%

X:493128 
T:GALLOWGLASS JIG, The
S:Dunning
B:ONMI.1023
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
B|cBA eBd|cAA A2B|cBA e^fg|BGG GAB|
cBA eBd|cea e2d|cBA ^GAB|cAA A2:|
e|a^ga e=fd|cAA A2B|cBA e^fg|BGG G2e|
[1 a^ga e=fd|cAA Aed|cBA ^GAB|cAA A2:|
[2 aeg fdB|ecA B^GE|ABc dBe|cAA A3 |]

%%%

X:493129 
T:GALWAY TOM (1st Setting) 
S:Fielding
B:ONMI.0744
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Bm
B|AFA A2B|AFA A2B|AFD DFA|B2A Bcd|
AFA BGB|cAc dBc|def gfe|fdB B2 :|
d|dff fef|fef fef|dff fef|dBB B2A|
dff fef|fef g2a|bab fef|dBB B2 :|

%%%

X:493130 
T:GALWAY TOM (2nd setting) 
S:McFadden
B:ONMI.0745
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
d|def fef|fef fef|def fef|edB BAB|
def fef|fef fef|baf fed|fdB B2 :|
%
d|AFA AFA|AFA A2d|BGB BGB|BGB Bcd|
AFA BGB|dBd efa|baf fed|1 fdB B2 :|2 fdB BA||
%
B|def abf|abf abf|def abf|gfe fdB|
def a2f|a2f a2f|gbg faf|gfe fd :|
%
B|AFD DFA|AFA A2d|BGE EFA|BGB B2d|
AFA BGB|dBd efa|baf fed|1 fdB B2 :|2 fdB BA||
%
B|d3 fdd|edd fdd|d2d fdd|edB BAB|
d3 fdd|edd efa|baf fed|1 "thru"fdB BA :|
[2 "final"fdB ABc|d6|]

%%%

X:493131 
T:GARRYOWEN 
B:ONMI.0971
N:"Marching song (to this day) of the 7th Cavalry Div, 
US Army (now the 7th light mechanized)." (Brennan)
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
f|edc BAG|BcB Bgf|edc BAG|ABA Agf|
edc BAG|BcB B2c|def gdB|ABA A2 :|
c|d2B d2B|deB dgf|e2c e2c|efd e2f|
g2a b2a|gfe edB|def gdB|1 "thru"ABA A2 :|
[2 "final"ABA AGF|G6

%%%

X:493132
T:GEESE IN THE BOG 
S:Mahony
B:ONMI.1085
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
B|Add fdB|AFA AFA|Add fdB|AFA B2A|
Add fdB|AFA DFA|gfe fdB|AFA Bd:|
B|AFE DFE|DFA BdB|AFD DFA|BGA BdB|
AFE DFE|DFA Bgf|gfe fdB|1 AFA Bd :|\
[2 AFA B3|]

%%%

X:493133 
T:GET UP EARLY 
S:F.O'Neill
B:ONMI.0770
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em % source key = Gm
B,|B,2E EDE|F2B B2^c|d2B AGF|G2E FDB,|
B,2E EDE|F2B B2^c|d2B AFD|E3 E2 :|
e|e2B e2B|e2g f2e|d2B d2B|d2B AFD|
[1 e2B e2B|e2g f2e|d2B AFD|E3 E2:|
[2 e2B e2f|g2e f2e|d2B AFD|E3 E3|]

%%%

X:493134 
T:GET UP OLD WOMAN and SHAKE YOURSELF 
S:F.O'Neill
B:ONMI.1091
Z:Brennan/Black
N:The Chief forgot to put a key signature on this!
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Edor
F|G2B BAB|G2E E2G|F2A AFA|F2D DEF|
G2B BAB|def gfe|dcB BAB|G2E E2:|
c|d2B BAB|d2B ABc|d2B BAB|G2E EBc|
d2B BAB|def gfe|dcB BAB|G2E E2:|

%%%

X:493135 
T:GILLAN'S APPLES 
S:Gillan
B:ONMI.1110
Z:Brennan/Black
N:1:Originally called "Apples in Winter" but re-named by the Chief to
avoid confusion with other tunes of the same name. However ...
N:2:..this isn't the session version of this tune (K:G, |G3 B2A|GAG GBd|),
which I guess should be called "Gillan's Other Apples" or "Gillan's Kiwis"
- or something. 
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
c|dAF FAF|FAF F2d|AFE EFE|EFE EFA|
dAF FEF|DFA d2e|fed cdB|A3 A2:|
%
d|cAe cAe|cAe edc|dBf dBf|dBf fed|
cAe cAe|cAe e2a|fed cdB|A3 A2:|
%
d|cBA BAF|dAF D2d|cBA BAF|AFE E2d|
cBA BAF|DFA d2e|fed cdB|A3 A2:|
%
d|cAA eAA|faf edc|dBB fBB|faf fed|
cAA eAA|fAA cea|fed cdB|1 "thru"A3 A2:|
[2 "final"AFE HD3|]

%%%

X:493136 
T:GIRLS of BANBRIDGE, The 
S:J.O'Neill
B:ONMI.0812
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
B|AFA dcB|BAG FED|FAD FED|CDE EFG|
AFA dcB|BAG FED|faf gec|ded d2 :|
B|AFA dfa|agf efg|fag fed|cde e2A|
AFA dfa|agf efg|fag gec|ded d2 :|

%%%

X:493137 
T:GLENS OF MAYO, The 
S:F.O'Neill
B:ONMI.1078
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
e|dBG AGE|GAB c2e|dBG BAG|AB^d e2g|
dBG AGE|GBd gfe|dBG AGE|GAG G2:|
B|BcB Beg|fe^d e2g|fed dBA|Bd^c d2B|
BcB Bef|gab aba|gfe dBA|GEE E2:|

%%%

X:493138 
T:GOATS' HORNS, The 
S:Beamish
B:ONMI.0926
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Bm
A|ded fdd|edd fdd|dcd fdd|edB B2A|
ded fdd|edd fdd|def gfe|fdc B2 :|
d|AFA A2B|AFA A2B|AFA def|gfe fdB|
AFA A2B|AFA A2B|def gfe|fdc B2 :|

%%%

X:493139 
T:GOBBY-O, The 
S:F.O'Neill
B:ONMI.0844
Z:Brennan/Black
N:1:This tune appears in many other 19th Century collections, 
but it's always in A minor. The ONMI version is in A major.
N:2:In his notes to this tune, Mr.Brennan asks "just what IS 
a gobby?" Good question, Vince!
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
B|c2A AGA|E2A ABc|BAB GAG|dBG GAB|
c2A AGA|E2a a2b|age edB|cAA A2 :|
E|A2B c2d|e2f g3|agf gfe|dBG G2E|
A2B c2d|efg a2b|age edB|cAA A2 :|

%%%

X:493140
T:GOING TO DONNYBROOK 
S:Early
B:ONMI.1086
Z:Brennan/Black
R:jig % A-B-A
%Q:1/4=160
M:6/8
L:1/8
K:G
P:"A"
E|DGG BGG|AGG GBd|efg dBG|AGA BGE|
DGG BGG|AGG GBd|efg dBG|AGF G2:|
P:"B"
f|gfg efg|edB def|gfg eag|fdd d2f|
gfg efg|edB def|1 gfe dBA|BGF G2:|\
[2 gba gfe|dBA BGE|]
P:"A" repeat
DGG BGG|AGG GBd|efg dBG|AGA BGE|
DGG BGG|AGG GBd|efg dBG|AGF HG3|]

%%%

X:493141 
T:GOLD RING, The 
S:Ennis
B:ONMI.0708
Z:Brennan/Black
N:A piper's showpiece for many years! (Note the accidentals
in part 3.)
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d|cAG GFG|cAG G2d|cAG GFG|cAG F2d|
cAG GFG|cAG A2G|FGA fed|cAG G2 :|
%
d|cAd cAd|cAG G2d|cAd cAd|cAG F2d|
cAd cAd|cAG A2G|FGA fed|cAG G2 :|
%
f|gag gdc|BGG Gde|=fgf fc_B|A=FF F2d|
gag gdc|BGG G2d|=fgf fed|cAG G2 :|
%
f|gdd fdd|gdd fdd|gdd fdd|cAG Gef|
gdd fdd|gdd fdd|fag f2d|cAG G2 :|
%
D|Gdd Gdd|cAG G2A|B2G A2G|cAG F2A|
B2G A2G|B2G A2G|FGA fed|cAG G2 :|
%
A|BGB AFA|DED FED|Add fed|cAG FGA|
BGB AFA|DED FED|Add fed|cAG G2 :|
%
A|BAB DED|AFA DED|Add fed|cAG FGA|
BAB DED|AFA DED|Add fed|cAG G2 :|

%%%

X:493142 
T:GRANDFATHER'S PET 
S:F.O'Neill
B:ONMI.0864
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
e|dBA ABA|dBA ABA|d2e f2d|e2d B2e|
dBA ABA|dBA ABA|d2f a2g|fge d2 :|
e|fgf fed|e2f g2e|fgf fed|ecA A2e|
fgf fed|e2f g2g|agf gec|d3 d2 :|

%%%

X:493143 
T:GREEN MEADOW, The 
S:O'Reilly
B:ONMI.1062
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|def AFA|DED AFA|def AFA|EFA B2A|
def AFA|DED AFA|dcB AGF|EFA B2:|
A|Add fdB|cBc ecA|Add fdB|AFA B2A|
[1 Add fdB|cBc efg|fdB AGF|EFA B2:|
[2 Aff fed|cee efg|fdB AGF|EFA B3|]

%%%

X:493144 
T:GREEN SLEEVES 
B:ONMI.0994
R:jig
%Q:1/4=160
M:6/8
Z:Brennan/Black
L:1/8
K:Ador
B|c2c cde|dBG GAB|cBA ABc|BGE EAB|
c2c cde|dBG GAB|cBA GE^G|A3 A2 :|
f|gag gfe|dBG GBd|aba aba|gee e2f|
gag gfe|dBG GAB|cBA GE^G|A3 A2 :|

%%%

X:493145 
T:GRUMBLING RUSTIC, The 
S:F.O'Neill
B:ONMI.0809
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|DED AFA|dcd AFD|AGF F2E|AGF F2E|
DED AFA|dcd AFD|AFE E2B|AFE E2 :|
A|DED d2d|edc d2B|AGF F2E|AGF F2E|
[1 DED d2d|edc d2B|AFE E2B|AFE E2 :|
[2 edc dcB|cBA Bcd|AFE E2B|AFE D3 |]

%%%

X:493146 
T:GUDGEON OF MAURICE'S CAR, The
S:Conners
B:ONMI.1115
Z:Brennan/Black
N:According to Webster's 9th New Collegiate Dictionary, 
a "gudgeon" is either (1) a pivot, journal, or socket, 
or (2) a small European freshwater fish. The choice is 
yours (I'd personally lean towards definition 1).
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
c|BAG Bcd|edc Bcd|BAG Bcd|ecA Adc|
BAG Bcd|edc Bcd|egd ecA|BGG G2:|
G|GBd g2d|edc Bcd|GBd g2d|ecA Adc|
BAG g2d|edc Bcd|egd ecA|BGG G2:|

%%%

X:493147 
T:GUIRY'S FAVOURITE 
S:Carey
B:ONMI.0707
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:C
f|gea ged|cAB c2d|eaa age|ed^c de^f|
gea ged|cAB cde|fed ecA|GFE D2 :|
B|cBc A2G|EcB cde|ded cAG|Adc ded|
cBc A2G|EcB cde|fed ecA|1 "thru"GFE D2 :|\
[2 "final"GAB c3|]

%%%

X:493148 
T:HAG with the MONEY, The  
S:McFadden
B:ONMI.0721
Z:Brennan/Black
N:This tune is also played with C naturals in the 
first part (as in Version 2 below)
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Dmix
Add AcA|GEF G2E|Ddd AcA|GEF GED|
AdB c2A|GEF G2E|DFA cBA|BGE GED :|
K:D
Adc d2e|fec d2c|Adc d2e|fdf ecA|
Adc d2e|faf ecA|AGE cBA|BGE GED :|

%%%

X:493149 
T:HANDY WITH THE STICK 
S:F.O'Neill
B:ONMI.0896
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
A|Bed cBA|GEG BGE|DEG GAB|edB cBA|
Bed cBA|GEG BGE|DEG GAB|Be^d e2 :|
f|gdB GBd|gaf gdB|cAA EAA|ced cBA|
GBB Acc|GBA GFE|DEG GAB|Be^d e2 :|

%%%

X:493150 
T:HAPPY TO MEET AND SORRY TO PART 
S:F.O'Neill
B:ONMI.0807 
Z:Brennan/Black
N:Although the Chief has this as an AA-BB-A tune, I don't 
think anybody plays it like that these days.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
P:"A"
g/f/|edc BAB|GEF G2A|Bdd Bee|Bdd dge|
dBG AGE|DEG G2A|Bed B2A|BGG G2 :|
P:"B"
f|gag fed|Bdd def|gag fed|Bee e2f|
[1 gag gfe|dBd g2e|dBG AGE|DEG G2 :|
[2 gag fed|dBd g2f|gfg eag|fef gfe||
P:"A" repeated
edc BAB|GEF G2A|Bdd Bee|Bdd dge|
dBG AGE|DEG G2A|Bed B2A|BGG HG3|]

%%%

X:493151 
T:HARE IN THE CORN (1st setting), The 
B:ONMI.0766
Z:Brennan/Black
N:Mm 9-10: source |d B/c/d/B/ GBc|  |dBB|
Mm 11-12: source |e c/d/e/c/ Ace|  |ecc|
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|d2G d2=f|edc B2G|c2e dcB|cAA ABc|
d2G d2=f|edc BAG|Aag fef|gGG G2 :|
c|dBB GBc|dBB GBd|ecc Ace|ecc ABc|
dBd ece|fdf gfe|dcB Agf|gGG G2 :|

%%%

X:493152 
T:HARE IN THE CORN (2nd setting), The 
B:ONMI.0767
Z:Brennan/Black
N:Unless the Chief intended the single-sharp key signature to indicate 
a modal tune (i.e., all C's natural) - which he doesn't do anywhere 
else in his collections - I'm going with the "scribal error" theory. 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % source key = G?
A|BAB c2A|BAB c2A|BdB AFD|EFE E2c|
BAB c2A|BAB c2A|BdB AFA|DED D2 :|
%
G|F2A AFA|BGB AFA|BdB AFD|EFE E2G|
F2A AFA|BGB AFA|BdB AFA|DED D2 :|
%
g|fdd edd|fdd d2A|BeB AFD|EFE E2g|
fdd edd|fdB AFA|DFA deg|fdd d2 :|

%%%

X:493153
T:HARTIGAN'S FANCY 
S:Carey
B:ONMI.0816
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|B2B GBd|cBc ABc|B2B GBd|cAG FGA|
B2B GBd|cBc ABc|dfd cAF|AGG G2 :|
d|f2f fed|cAG FGA|g2g gfg|afd dfg|
fag fed|cAG FGA|BdB cAF|AGG G2 :|

%%%

X:493154 
T:HASTE TO THE WEDDING 
B:ONMI.0987
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
A|AFA Agf|ede fdB|AFA AdF|EFE E2A|
AFA Agf|ede fdB|A2g gag|ded d2 :|
a|afa afa|bgb bfb|afa agf|efe dfg|
a3 f3|ede fdB|A2g fag|ded d2 :|

%%%

X:493155 
T:HAVE A DRINK ON ME 
S:F.O'Neill
B:ONMI.0720
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BAG EGD|EGD EGD|BAG EGD|EAA ABc|
BAG EGD|EGD EGD|BAG EGD|EGG G2 :|
D|GBd e2d|dgd B2A|GBd e2d|eaa aga|
bag agf|gfe dBG|BAG EGD|EGG G2 :|

%%%

X:493156 
T:HIDE AND GO SEEK 
B:ONMI.0859
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
d|BGE EGE|EGE BGE|DFA dcB|AFD DBc|
BGE EGE|EGE dcB|ABA FGA|BGE E2 :|
B|eBe gfe|bge efg|ded fed|afd def|
efe gfe|bge ega|BcB AGA|BGE E2 :|

%%%

X:493157 
T:HIGHLANDER, The 
S:F.O'Neill
B:ONMI.0857
Z:Brennan/Black
N:Although source includes no G naturals, this to my ear 
is clearly an A modal tune. See note on Ambiguous Tunes 
at top of the jigs_ABC file.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Amix
f|e2A ABA|e2A Bcd|e2A ABA|dBG Bcd|
e2A g2A|e2A Bcd|ede g2e|dBG GB :|
d|g3 faf|g2e dBd|g3 f2e|dBG GBd|
g2e a2f|g2e dBd|gfg f2e|1 "thru"dBG GB :|
[2 "final"dBF GAG|A6

%%%

X:493158 
T:HIGHWAY TO DUBLIN, The 
S:Dunlap
B:ONMI.0713
Z:Brennan/Black
N:Another ambiguous tune where O'Neill's A major key signature 
may not be correct. 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Amix
g|fed cBA|ecA A2g|fed cBc|dBG G2g|
fed cBA|def efg|agf efd|cAA A2 :|
g|faf g2f|ecA A2g|faf g2e|dBG G2g|
faf geg|fdf efg|agf efe|cAA A2 :|

%%%

X:493159 
T:HINCHY'S DELIGHT 
S:F.O'Neill
B:ONMI.1032 % spelled "Hinchey's" elsewhere
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|BAB GBG|AFD F2G|AGA fed|cAG FGA|
BAB GBG|AFD F2G|AGA fed|cAF G2 :|
d|gfg afd|gfg a2d|gfg b2g|a2g fga|
geg fed|fed cde|fef ded|cAF G2 :|

%%%

X:493160
T:HOLLY TREE, The 
B:ONMI.0972
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
d|gfg e2d|Bdd Bdd|gfg e2d|BAA A2d|
gfg e2d|Bdd Bdd|gfg e2d|BGG G2 :|
B|GAB Bdd|BAA Gdd|GAB Bdd|BAA A2B|
GAB Bdd|BAA Gdd|gfg e2d|BGG G2 :|

%%%

X:493161
T:HOUSE IN THE GLEN (setting 1), The 
S:F.O'Neill
B:ONMI.0897
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
AFA DED|AGF A2=c|BGG dGG|BAG Bcd|
AFA DED|AGF A2=c|def gfe|fdB B2A :|
Add fdd|ede fdB|Add fdd|edB B2A|
Add fdd|ede efg|faf gfe|fdB B2A :|"final"D6|]

%%% 

X:493162 
T:HOUSE IN THE GLEN (setting 2), The 
B:ONMI.1088
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
A|FDA, DFB|AFD EDB,|A,DF Adf|fgf eag|
fed AFD|EDB, DFA|dcd eag|fdd d2:|
g|afa geg|fed ecA|dcd ede|fdf efg|
afa geg|fed ecA|dcd AFD|EDD D2:|

%%%

X:493163 
T:HOW ARE YOU KITTY? 
B:ONMI.0890
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
D|EAA cAA|eAA cAA|EAA cBA|dBB B2c|
A3 cAA|eAA cBA|EFA Bcd|cAA A2 :|
g|a3 gfe|cef ecA|EAA cBA|dBB Bce|
a3 gfe|c2e dBA|EFA Bcd|cAA A2 :|
f|eae cec|AcA E2z|A3 cBA|cBB Bcd|
eae cec|AcA E2z|A3 Bcd|cAA A2 :|

%%%

X:493164 
T:HOW MUCH HAS SHE GOT? 
S:J.O'Neill
B:ONMI.1102
Z:Brennan/Black
N:1:Whoever did the notation for this tune overlooked the fact that 
an accidental in one octave doesn't automatically apply to the same 
note (in the same measure) in other octaves!
N:2:I'm calling "A modal" on this!
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Amix
f|aed cBA|ecA A2g|aed cBA|dBG G2g|
aed cBA|def efg|agf gfe|dBG A2:|
B|A2a aec|aec ABA|G2g gdB|gdB G2B|
A2a aec|def efg|agf gfe|dBG A2:|

%%%

X:493165 
T:HUISH THE CAT 
B:ONMI.0909
Z:Brennan/Black
N:Many different names and versions of this tune!
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:Am
G|GAG c2e|d2A c2e|GAG c2d|ecB A2c|
GAG c2e|d2A c2e|gfe f2d|ecB A2 :|
G|gfe f2d|edc f2d|gfe f2d|ecB A2G|
gfe f2d|edc f2d|GAG f2d|ecB A2 :|

%%%

X:493166 
T:HUMORS OF BALLINAFAUNA, The 
S:F.O'Neill
B:ONMI.1081
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Am
G|E2A A2B|c2A BGE|GAG EDE|GAG GED|
E^F^G A2B|c2A Bcd|ege dB^G|A3 A2:|
^g|a2e a2e|ab[ac'] bab|g2e g2e|edc BAG|
a2e a2e|ab[ac'] bab|gfe dB^G|A3 A2:|

%%%

X:493167 
T:HUMORS OF BALLINGARRY, The 
B:ONMI.0828
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|BGG dGG|cAG FGA|BGG BdB|cAF G2A|
BGG dGG|cAG FGA|def gdB|cAF G2 :|
B|def g2g|edc BAG|eaa aga|bge edB|
def gfg|edc BAB|GBd gdB|cAF G2 :|

%%%

X:493168
T:HUMORS OF BALLYCASTLE, The 
S:J.O'Neill
B:ONMI.0810
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
E|AGA cBA|faf ecA|AGA cBc|FGA BGE|
AGA cBA|faf ecA|BdB cec|ABA A2 :|
g|agf efg|aba afe|cfe f2e|cfe f2g|
agf edc|faf ecA|BdB cec|ABA A2 :|

%%%

X:493169 
T:HUMORS OF BALLYDEHOB, The 
S:F.O'Neill
B:ONMI.1097 
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
c|BGG AGE|DGG AGE|DGG AGA|Bdd edc|
BGG AGE|DGG AGE|DEG ABc|BGG G2:|
c|Bdd Acc|BdB cGE|DGG AGA|BAA ABc|
Bdd Acc|BdB cGE|DEG ABc|BGG G2:|

%%%

X:493170 
T:HUMORS OF BANDON, The 
S:J.O'Neill
B:ONMI.0786 
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|DGG GFG|BAG FGA|d2G GFG|Bcd =fef|
d2e c2d|cAG FGA|BAG ADF|G3 G2 :|
%
B|dgg gfg|fag f2a|g2f d2e|=f2d c2e|
d2c A2B|c2A G2B|A2G F2A|GFE F2E||
%
D|DGG GFG|BAG FGA|d2G GFG|Bcd =fef|
d2e c2d|cAG FGA|BAG ADF|G3 HG3|]

%%%

X:493171 
T:HUMORS OF BANTRY, The 
S:F.O'Neill
B:ONMI.0711
Z:Brennan/Black
N:Almost the same tune as "Blackthorn Stick"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d|gfg ege|dBG AGE|DEG AGA|BGB AGE|
gfg ege|dBG AGE|DEG AGA|BGG G2:|
d|edd gdd|edd gdB|def gfg|edB AGE|
[1 gfg ege|dBG AGE|DGG AcA|BGG G2 :|
[2 gfg aga|bge edB|GFG AcA|BGG G3 |]

%%%

X:493172 
T:HUMORS OF CAPPA, The
S:McNamara 
B:ONMI.0779 
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|dFF AFA|dFF AFA|BEE BEE|BdB AFA|
dFF AFA|dFF AFA|ABd efg|fdd d2 :|
A|dfd cec|BdB AFA|BEE BEE|BdB AFA|
dfd cec|BdB AFA|ABd efg|fdd d2 :|

%%%

X:493173 
T:HUMORS OF CASTLE COMER, The 
B:ONMI.0913 
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Em
F|EFE EFA|BcB B2^c|ded dcB|ABA FED|
EFE EFG|BcB B2^c|dcB AFD|E3 E2 :|
e|eBe eBe|efg f2e|ded dcB|ABA FED|
eBe eBe|efg f2e|dcB AFD|E3 E2 :|

%%%

X:493174 
T:HUMORS OF CASTLELYONS, The 
S:F.O'Neill
B:ONMI.0959
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Em
F|G3 BAG|d2G BAG|A2B c2d|efe dBA|
G3 BAG|d2G BAG|A2B c2A|BGE E2 :|
f|gag gdB|gag gdB|A2B c2d|efe dBd|
[1 gag gdB|gag gdB|A2B cBA|BGE E2 :|
[2 G3 BAG|d2G BAG|A2B c2A|BGE HE3 |]

%%%

X:493175 
T:HUMORS OF CAVAN, The 
S:O'Reilly
B:ONMI.1056 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
E|EAA A2f|ecA dcd|cde efg|aBB B2c|
EAA A2f|ecA dcd|cde efg|a2A A2:|
d|cBA BAF|FBB B2d|cBA BAF|EFA A2d|
cBA BAF|dcd fga|ecA BAF|EFA A2:|

%%%

X:493176 
T:HUMORS OF CORK, The 
S:F.O'Neill
B:ONMI.1057 
F:file ID: onmi.jigs/177hcork
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
e|dBG GFG|GFG ABc|BAG dcB|ece efg|
dBG GFG|ABc Bcd|def dec|BGG G2:|
d|g2b e2g|dcB ABc|BAG dcB|ece efg|
dBG GFG|ABc Bcd|def dec|BGG G2:|

%%%

X:493177 
T:HUMORS OF DINGLE, The 
S:Stack
B:ONMI.1044 
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
c|dAF FEF|DEF FEF|AFD E2D|EFD EFA|
dAF FEF|DFA d2e|fed dcd|BA^G A2:|
A|cee cee|cBc ABc|dcd fdf|agf ecA|
cee cee|cBA dcd|fed cdB|1 "thru"fed cdB|BA^G A2:|
[2 "final" fed cdB|AFE D3|

%%%

X:493178 
T:HUMORS OF DRINAGH, The
S:Cronin
B:ONMI.1022
Z:Brennan/Black
N:Usually played with only the first 2 parts. 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|FDF ABc|dfd ecA|FDF ABc|dcA GAG|
FDF ABc|dfd ece|fdf gec|Add d2 :|
%
e|fdf gfg|aba gfe|fdf gfg|aba gfg|
aba gag|fgf ecA|fdf gec|Add d2 :|
%
c|AFD DBc|dfd cBc|AFD DBc|dcB GcB|
AFD DBc|dfd ecA|fdf gec|Add d2 :|
%
f|agf gag|fed ecA|agf gag|fdd dfg|
afa gfe|fdf ecA|fed gec|Add d2 :|

%%%

X:493179 
T:HUMORS OF LIMERICK, The 
S:Cronin
B:ONMI.0876
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G2B d2B|g2e d2B|G2B d2B|AcA BGE|
G2B d2B|g2e d2f|g2e d2B|AcA BGE :|
g2a b2g|a2a age|g2a b2a|g2g ged|
g2a b2g|a2a age|g2e d2B|AcA BGE :|"final"G6|]

%%%

X:493180 
T:HUMORS OF MULLINAFAUNA, The 
S:F.O'Neill
B:ONMI.0845
Z:Brennan/Black
N:This is clearly related to "Banish Misfortune" but the source 
shows no C naturals. (See note on Ambiguous Tunes at top of the 
file.) Delete "mix" from the K: field to hear the source version.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Dmix
e|fed cAG|ABA cAG|F2D DED|F2A GFD|
ABA cAG|ABA A2e|fed ecA|ded d2 :|
e|f2d dcd|f2g agf|e2c cdc|e2f gec|
f2g afd|e2f gec|fed ecA|ded d2:|

%%%

X:493181
T:HUMORS OF PASSAGE, The 
B:ONMI.0940
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:Em
F|G2G GEG|A2A AGA|BcB BAG|B2E EEF|
GAG GEG|ABA AGA|BcB cBA|BEE E2 :|
f|g2e faf|g2e e2f|gfg ege|f2d d2f|
g2e faf|gfg efg|fdB cBA|BEE E2 :|

%%%

X:493182 
T:HUMORS OF TRALIBANE, The 
S:F.O'Neill
B:ONMI.0793 
Z:Brennan/Black
N:See note on Ambiguous Tunes at top of the jig_ABC file.
I like this as an A dorian instead of A major tune (replacing
"K:G" with "K:A" will let you play back the original).
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G % source version = A major
"A dorian"
g/f/|ecA Ace|dBG GBd|cBA ecA|def gfg|
ecA Ace|dBG GBd|cBA edB|BAA A2 :|
d|efg efg|faf ged|efg efg|baa a2d|
efg efg|fed Bcd|gfe edB|BAA A2 :|

%%%

X:493183 
T:HUMORS OF TRIM, The 
S:F.O'Neill
B:ONMI.0949
Z:Brennan/Black
N:aka "Rolling Wave"
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
FEF DED|D2d cAG|FEF DED|A2F GFE|
FEF DED|D2d cAG|FAF GBG|A2F GFE :|
D2d cAd|cAd cAG|F2d cAd|A2F GFE|
D2d cAd|fed cAG|FAF GBG|A2F GFE :|

%%%

X:493184 
T:HUMORS OF WHISKEY, The 
S:Tobin
B:ONMI.0784 
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|dfd ecA|dcB AGF|GBB FAA|GFG E2A|
dcd ecA|dcB AFA|Bcd efg|fdd d2 :|
B|AFA dcd|BGB ede|AFA dAF|GFG EFG|
AFA dcd|BGB ede|faf ede|fdd d2 :|

%%%

X:493185 
T:HUMORS OF WINTER, The 
S:Mahoney
B:ONMI.0922
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
F|GAG GBd|gfe dBG|cde dfg|abg fed|
GAG GBd|gfe dBG|cde dgB|dcA G2 :|
B|BcB Bef|gfe e^de|fdB fdB|ge^d eBG|
BcB Bef|gfe e^de|fgf Bgf|e3 d2 :|

%%%

X:493186
T:I DO NOT INCLINE 
B:ONMI.0955
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
G/E/|DB,D G2A|BcB AGA|BGE EGA|BE E2G/E/|
DB,D G2A|BcB AGA|BGE DEF|GAG G2 :|
G/A/|BGG AFF|GEE FDD|EFE E2G/A/|BGE E2G/E/|
DB,D G2A|BcB AGA|BGE DEF|GAG G2 :|

%%%

X:493187 
T:I KNOW WHAT YOU LIKE 
S:McFadden
B:ONMI.0722
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|DGG GAG|FGA c2A|Bdg ecA|BGd AFD|
DGG GAG|FGA cBA|Bdg ecA|AGG G2 :|
c|Bdf gdc|BGG GAG|FGA cAG|FDD D2c|
Bdf gdc|BGB cBA|Bdg ecA|AGG G2 :|

%%%

X:493188 
T:I WILL IF I CAN 
S:F.O'Neill
B:ONMI.0992
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
D|GBd gdB|ded d2B|GBd gdB|ABA A2D|
GBd gdB|def gfg|edB cBA|GAG G2 :|
d|g2d edB|ded def|g2d edB|ABA A2d|
g2d edB|def gfe|dcB cBA|GAG G2 :|

%%%

X:493189 
T:I'LL NEITHER SPIN NOR WEAVE 
S:J.O'Neill
B:ONMI.1083
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
c|BAG AFD|D2D DEG|G2B c2e|dBG A2c|
BAG AFD|D2D DEG|BAG AFD|G3 G2:|
G|GAG GBd|ege dBG|c2B ABd|BAG AFD|
GAG GBd|ege dBG|BAG AFD|G3 G2:|

%%%

X:493190
T:IDLE ROAD, The 
S:Cronin
B:ONMI.0839
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|DBB Dcc|DBB c2e|dBG AFD|BAG AFD|
DBB Dcc|DBB c2e|dBG FGA|BGG G2 :|
G|Ggg efg|fed cAF|Ggg gfg|afd cAF|
DBB Dcc|DBB c2e|dBG FGA|BGG G2 :|

%%%

X:493191 
T:IS IT THE PRIEST YOU WANT? 
B:ONMI.0873
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
e|edB d2B|d2B B2e|edB d2B|c2A A2e|
edB d2B|d2B B2e|edB gfg|BGG G2 :|
f|g2g faf|g2e e2e|a2a aga|b2e e2f|
g2g faf|g2e e2e|edB gfg|BGG G2 :|

%%%

X:493192 
T:JACK LOUGHLIN 
S:Mahoney
B:ONMI.1076
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:A
B|AGF G2E|EFE EFG|A2B c2d|efg a2f|
gfe dcd|eaf g2f|edc dBG|B2A A2:|
g|aba gfe|dgf efg|aba gfe|dBA GAB|
cBc dcd|eaf g2f|edc dBG|B2A A2:|

%%%

X:493193 
T:JACK-OF-ALL-TRADES 
S:J.O'Neill
B:ONMI.0936
Z:Brennan/Black
N:I have replaced source's m.14 (= |gbe' c'ae|)
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:A
E|ABA Ace|a2A A2B|cde dcB|ABA GFE|
ABA Ace|a2A A2B|cde dcB|cAA A2 :|
E|A3 cBA|cee e2e|a3f2b|gee e2e|
fga ecA|GBe a2e|fga c2B|cAA A2 :|

%%%

X:493194
T:JACKSON'S BOTTLE OF BRANDY 
S:J.O'Neill
B:ONMI.0898
Z:Brennan/Black
N:This is more commmonly known as "Pay the Reckoning"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G2e dBG|ABG dBG|G2e dBG|A2A BGE|
G2e dBG|BAB def|gfe dBG|AGA BGE :|
gbg faf|ege def|gfg aga|bab afd|
gbg faf|ege def|gfe dBG|AGA BGE :|"final"G6|]

%%%

X:493195
T:JACKSON'S CRAVAT 
S:F.O'Neill
B:ONMI.0900
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
f|gdc BdB|cec BdB|gdc BdB|ecA A2f|
gdc BdB|cec BdB|G2g gfg|dBG G2 :|
f|gfg efg|abg fed|gfe dcB|ecA A2f|
gfg efg|abg fed|gfe dec|BGG G2 :|

%%%

X:493196 
T:JACKSON'S FANCY 
B:ONMI.0905
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:D
DFA def|edc dAF|DFA dAF|FEE EFE|
DFA def|edc dAF|DFA deg|fdd d3 :|
fed faf|gbg fag|edc faf|gee eag|
fed faf|gbg fag|edc Aag|fdd d3 :|

%%%

X:493197
T:JACKSON'S FRIEZE COAT 
S:Cronin
B:ONMI.0728 % misspelled "Freize"
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|F2F FED|DED FED|F2F FED|E2F G2A|
F2F FED|DED FED|BdB cAG|E2F G2:|
%
c|dcd AFA|BdB AFA|dcd efg|fed cBA|
dcd AFA|BdB AFA|dcd efg|fdd d2 :|
%
c|d2e f2g|afd ecA|Acd ecA|Acd ecA|
d2e f2g|afd ecA|Acd eag|fdd d2 :|

%%%

X:493198 
T:JACKSON'S MAID 
S:J.O'Neill
B:ONMI.1066
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
D|DGA B2d|cAG FGA|BdB AFD|GBG AFD|
DGA Bcd|cAG FGA|BdB AFD|DGG G2:|
c|ded dcB|cdc cBc|ded =fef|dgg g2a|
bag =fed|cAG FGA|BdB AFD|DGG G2:|

%%%

X:493199 
T:JACKSON'S MORNING BRUSH  
S:Delaney
B:ONMI.0899
Z:Brennan/Black
N:Also called "Jackson's Morning Breeze"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
D|DFE EFD|DFA AFA|BAB def|gfg e2D|
DFE EFD|DFA AFA|BAB d2e|fdd d2 :|
%
g|fed faf|ede fdB|AFA def|gfg e2g|
fed faf|ede fdB|AFA d2e|fdd d2 :|
%
g|fdf ece|dBd AFA|DFA def|gfg e2g|
[1 fdf ece|dBd AFA|DFA d2e|fdd d2:|
[2 afd gec|dcB AFA|DFA d2e|fdd d2 ||
%
g|fed faf|gbg faf|fed faf|gfg e2g|
fed faf|gbg faf|fed eag|fdd d2 :|

%%%

X:493200
T:JACKSON'S RAMBLES 
S:F.O'Neill
B:ONMI.0921
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
E|DFA B2A|BdB BAF|DFA dAF|EFE E2F|
DFA B2A|BdB BAF|DFA DAG|FDD D2 :|
g|fed dfa|bge fdB|AFA def|gee e2g|
[1 fed dfa|bge fdB|AFA d2e|fdd d2 :|
[2 gbg afa|ege fdB|AFA d2e|fdd Hd3 |]

%%%

X:493201 
T:JACKSON'S ROLLING JIG 
S:F.O'Neill
B:ONMI.0943
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
G3 BGB|AFA c2A|G3 BGB|dcA ecA|
G3 BGB|AFA c2A|GBd d2f|gdB cAF :|
gdc BGB|AFA c2A|gdc BGB|dcA ecA|
gdc BGB|AFA c2A|GBd d2f|gdB cAF :|"final"G6|]

%%%

X:493202 
T:JERRY'S BEAVER HAT 
S:O'Reilly
B:ONMI.0754
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
D|DFA d2e|fdB BAF|ABA AFD|EFE E2D|
DFA d2e|fdB BAF|ABA dAF|DED D2 :|
d|dfa afd|gbg faf|dfa afd|cee e2f|
dfa afd|gbg faf|BdB AFA|DED D2 :|

%%%

X:493203 
T:JIMMY O'BRIEN'S 
S:F.O'Neill
B:ONMI.0991
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
B|c3 BdB|AGA BGE|DEG GAB|AGA BGE|
cec BdB|AGA BGE|DEG AGA|BGG G2 :|
d|gfe dBd|edc Bcd|gfe dBd|ecA A2d|
gfe dBd|edc Bcd|DEG AGA|BGG G2 :|
D|GBd GBd|FAA FAA|GBd GBd|eAA A2D|
GBd GBd|FAA FAA|DEG AGA|BGG G2 :|

%%%

X:493204 
T:JOHN THE BLACKSMITH 
B:ONMI.0875
%Q:1/4=160
Z:Brennan/Black
R:jig
M:6/8
L:1/8
K:D
a|fdd fdd|ecc g2e|fdd fdd|fdd a2f|
gee fdd|ece g2e|faf g2e|fdd d2 :|
g|fed c2A|ecc c2g|fed c2A|fdd d2e|
fed d2A|ccc g2e|faf g2e|fdd d2 :|

%%%

X:493205
T:JOHN WHITE'S MOTHER 
B:ONMI.0791
%Q:1/4=160
Z:Brennan/Black
N:Neither part repeated in source (scribal error?)
R:jig
M:6/8
L:1/8
K:D
d|DED AFA|dcB AFD|BEE EFA|BEE E2F|
DED FDF|ABc dAF|ADD DED|ADD D2 :|
A|def edB|AFA d2c|Bee ged|Bee e2A|
def edB|dAG FGE|DFA deg|fdd d3 :|

%%%

X:493206 
T:JOHNNY the JUMPER 
S:J.O'Neill
B:ONMI.1107
Z:Brennan/Black
N:I'm not sure if the G in m.2 is really sharp. Probably won't make a 
big difference if you play it as natural!
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Ador
f|:eAA cBA|eAA f^ga|eAA c2e|dBG Bcd|
eAA cBA|eAA B2A|GBG gfg|dBG Bcd:|
cBA a^ga|cBA Bcd|cBA gfg|dBG Bcd|
cBA a^ga|cBA B2A|GBG gfg|dBG Bcd:|

%%%

X:493207 
T:JOLLY CORKONIAN, The 
S:Crowley
B:ONMI.0822
Z:Brennan/Black
N:1:Source key signature is D, but with F naturals in mm 10 and 14
and the C's that should be natural but aren't, I'm calling D dorian
on this. See the introductory note on Ambiguous Tunes.
N:2:Scots version of this (in Em) is called "Hills of Glenorchy"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ddor
P:D dorian
B|AFD DED|AGA cBA|GEC CDC|EDC EFG|
AFD DED|AGA cde|dcA GEC|DED D2 :|
A|ded dcA|dcd fed|cdc cBA|GAB cGE|
ded dcA|def fed|cBA GEC|DED D2 :|

%%%

X:493208 
T:JOLLY JOKER, The 
S:J.O'Neill
B:ONMI.1014
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
Ddd dFG|ABG FGE|Ddd dFA|GBA GFE|
Ddd Fdd|Edd Ddd|fdB AGF|EBA GFE :|
FEF DzD|DFA AGE|FEF D3|gdB Bcd|
FEF DzD|DFA AGF|GBG FAF|EBA GFE :|"final"D6|]

%%%

X:493209 
T:JOLLY OLD MAN, The 
S:F.O'Neill
B:ONMI.0895
Z:Brennan/Black
%Q:1/4=160
N:I get a better feeling for this in A minor, not A major. 
See introductory note on Ambiguous Tunes.
R:jig
M:6/8
L:1/8
K:Am % source key = A major
A|AGA c2d|edc BcA|GFG B2c|dge dBG|
AGA c2d|edc Bcd|ecA ABG|A3 A2:|
e|aga b2a|age edB|GAB d2d|dge dBG|
[1 aga b2a|age edB|A2A ABG|A3 A2 :|
[2 AGA c2d|edc Bcd|ecA ABG|A3 A3 |]

%%%

X:493210 
T:JOY BE WITH YOU 
S:J.O'Neill
B:ONMI.0910
Z:Brennan/Black
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:D
f2B ABd|f2B ABd|f2a e2f|dBA ABd|
f2B ABd|fdB ABd|f2a e2f|dBA ABd :|
faa eaa|fdB ABd|faa eff|dBA ABd|
faa eaa|faa eaa|fga bge|fdB ABd :|

%%%

X:493211
T:JOY OF MY LIFE, The 
S:F.O'Neill
B:ONMI.0808
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GFG AGA|Bge dBA|BAB GAB|AGE E2D|
GFG AGA|Gge dBA|BAB GAB|AGF G2 :|
f|gfe gfe|efg dBA|Bee dBA|Bee e2f|
[1 gfe fed|efg dBA|BAB GAB|AGF G2 :|
[2 gbg faf|ege dBA|BAB GAB|AGF HG3 |]

%%%

X:493212 
T:JULIA McMAHON 
B:ONMI.0805
S:F.O'Neill
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GAF GAB|dBd g2d|BAF GAB|dBG FGA|
G2A GAB|dBd g2d|Bcd ecA|GAF G2 :|
d|gag fed|efe d2d|gdB GAB|dBG FGA|
[1 gag fed|def g2d|Bcd ecA|GAF G2:|
[2 BAB cBc|dcd g2d|Bcd ecA|GAF HG3|]

%%%

X:493213 
T:KATIE'S FANCY
S:F.O'Neill
B:ONMI.0762
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
E|DEF G2A|Bgf efg|dBG FGA|BGB AFD|
DEF G2A|Bgf dfg|dBG FGA|BGG G2 :|
%
d|gfe agf|gfe dBG|gfe dcB|AGA BGE|
DEF G2A|Bgf efg|dBG FGA|BGG G2 :|
%
c|dgf gab|eag fed|bag fag|fge d2d|
ece gfe|dBG DGB|cAF DFA|BGG G2 :|

%%%

X:493214
T:KELLY THE RAKE  
B:ONMI.0736
Z:Brennan/Black
N:This is one of the most unusual tunes in ONMI. It isn't shown as an 
A-B-A tune in ONMI, but the cadence at the end of part 2 seems to call 
for a return to the first part. (I transposed it down a fourth to get
rid of the B flats in the source version's second part. You're welcome!)
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % source key G/Gm
dAF dAF|dAF d2e|fed dcd|ecA A^GA|
dAF dAF|dAF d2e|fed cde|1 d3 d2z :|2 d3=c2B||
K:Dm
|:cAF FEF|cFF dFF|cAF FEF|GEC CEG|
cAF FEF|cFF dFF|cfe dcB|1 AGF EDC:|2 AGF ECA||
P:repeat of A part
K:D
dAF dAF|dAF d2e|fed dcd|ecA A^GA|
dAF dAF|dAF d2e|fed cde|d3 Hd3|]

%%%

X:493215 
T:KERRY COBBLER, The 
S:F.O'Neill
B:ONMI.0732
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|ded fga|gaf ecA|ded fga|cAA A2A|
ded fga|gaf ecA|dfa gec|Add d2:|
e|fed cAG|Add cAG|fed cAG|Ade f2g|
agf gfe|dfe dcA|fed cAG|Add d2 :|

%%%

X:493216 
T:KILFINANE JIG, The  
S:J.O'Neill
B:ONMI.1070
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
B|ADD F2d|cAA BAG|FDD A2d|cAF GAG|
FED def|ged cde|fed cAF|GFD D2:|
B|ABA fed|eAB cAG|ABA fed|eEF GAB|
ABA fed|eAB cde|fed cAF|GFD D2:|

%%%

X:493217
T:KILKENNY GIRL, The 
B:ONMI.0752
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
B|d2B d2B|G2G GAB|c2A c2A|FGA D2B|
d2B g2d|e2c g2e|ded BcA|G3 G2 :|
D|DFA cAF|GBd dBG|DFA cAF|GBd dBG|
ece ege|dBd dgd|edc BcA|G3 G2 :|

%%%

X:493218 
T:KILKENNY JIG, The 
S:Fielding
B:ONMI.0740
Z:Brennan/Black
%Q:1/4=160
N:Nice little tune featuring two "flavors" of A!
R:jig
M:6/8
L:1/8
K:A
B|cBA dBG|AEF GAB|cBA dBG|ABA A2B|
cBA dBG|AEF GAB|c2e dBG|ABA A2 :|
K:Ador
e|gfg agf|g2e edB|a2e a2e|a2e edB|
gfg agf|g2e edB|c2e dBG|ABA A2 :|

%%%

X:493219
T:KILLASHANDRA LASSES, The 
B:ONMI.0880
Z:Brennan/Black
S:O'Reilly
%Q:1/4=160
M:6/8
R:jig
L:1/8
K:G
D|GAG BAG|dBG BAG|ABA ABd|ecA A2D|
GAG BAG|dBG BAG|ABc BAB|GEE E2 :|
d|efg fed|efg dBG|ABA ABd|ecA A2d|
[1 efg fed|efg dBG|ABc BAB|GEE E2 :|
[2 bag agf|gfe dBG|ABc BAB|GEE E3 |]

%%%

X:493220
T:KING OF THE PIPERS, The 
S:Cronin
B:ONMI.0702
Z:Brennan/Black
N:Another piper's showpiece! I left all the ornamentation in but I'm
not sure it came out too well in the sound file.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
dDD cDD|BDD ADD|dDD cBA|AGF EFA|
dDD cDD|BDD ADD|B/c/dB cBA|GEC EFG:|
%
DFF DGG|DFF DEE|DFF DGG|AGE AGE|
DF2 DG2|DF2 DE2|B/c/dB cBA|GEC EFG :|
%
dAF DFA|BAF DFA|dAF DFA|AGF EFA|
dAF DFA|BAF DFA|B/c/dB cBA|GEC EFG :|
%
dfa geg|fdf ecA|dfa gec|AGF EFA|
dfa geg|fdf ecA|B/c/dB cBA|GEC EFG :|
%
FG/F/D EF/E/D|FG/F/D E/F/GE|FG/F/D EF/E/D|AG/F/E BGE|
FG/F/D EF/E/D|FG/F/D EFA|B/c/dB cBA|GEC EFG :|

%%%

X:493221 
T:KINNEGAD SLASHERS, The
S:F.O'Neill
B:ONMI.0901
Z:Brennan/Black
N:I believe named for a "hunt", not a group of serial killers! Judging 
by its presence in almost all the 19th century collections that I've 
come across, this had to be one of the most popular tunes in the 
repertoire. Not often heard today however! (I don't think anybody 
would miss the "snaps" but that's up to you.)
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
A|ded dAF|ABA ABc|ded dAF|Eee e2f|
ded dAF|ABA Aag|fef dBA|Bdd d2 :|
%
A|dfa afd|cde ecA|dfa afd|faa a2A|
dfa afd|cde eag|fef dBA|Bdd d2 :|
%
c|dAF dAF|ABA ABc|dAF dAF|Eee e2f|
dAF dAF|ABA Aag|fef dBA|Bdd d2:|

%%%

X:493222 
T:KISS ME DARLING 
B:ONMI.0920
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
z|d2e f2d|g2e f2d|d2e fed|cec ABc|
d2e f2d|g2e f2d|fga gec|dAF D2 :|
g|fed c2B|A2A A2g|fed c2A|GEF G2g|
fed cBA|AFG A2g|fga ABc|dAF D2 :|

%%%

X:493223
T:KISS ME SWEETHEART 
S:J.O'Neill
B:ONMI.1082
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
c|B2G GBG|A2B c2e|B2G GBG|ecA ecA|
B2G GBG|A2B c2e|dBd gfe|dBG G2:|
c|B2c d2g|ece d2g|BGB dBG|ecA ecA|
B2c d2g|ece d2c|Bcd gfe|dBG G2:|

%%%

X:493224 
T:KIT O'MAHONY'S 
S:F.O'Neill
Z:Brennan/Black
H:"This lady was [the Chief's] maternal grandmother and a raving beauty 
in her day." (Brennan) There's a nice hornpipe named after her too.
B:ONMI.1021
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BcB ABA|GAG FGA|BAB cAF|DGG Gdc|
BAG AGF|DGE FGA|fed cAF|DGG G2 :|
%
A|GBd deg|fed cAF|GBd def|gfg def|
gfe fed|edB cde|fed cAF|DGG G2 :|
%
D|GBd cAc|BGG GBd|gdB cAE|FGA cAF|
GBd cAc|BGG gfg|fed cAF|DGG G2 :|
%
d|gfg dBG|fed cAF|GBd deg|fef def|
gfg afd|bag afd|fed cAF|DGG G2 :|

%%%

X:493225 
T:KITTY COME OVER 
S:McNamara
B:ONMI.0778
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BcA BGE|GAG GBd|efg ded|BAA A2c|
BcA BGE|GAG GBd|efg dec|BGG G2 :|
f|gfg efg|fag fed|gfg efd|eAA A2c|
BcA BGE|GAG GBd|efg dec|BGG G2 :|

%%%

X:493226 
T:KITTY MAGEE 
B:ONMI.0716
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
d|d2A AFA|d3 efg|f2d e2d|c2A ABc|
d2A AFA|d3 efg|f2d e2c|ded d2 :|
A|d2f a2f|e2f g3|f2d e2d|c2A A3|
aba g2f|e2f g3|f2d e2c|ded d2 :|

%%%

X:493227 
T:KITTY OF OULART 
S:F.O'Neill
B:ONMI.1090
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
G|FAD FED|FAD FED|GBG FAF|EFE EFG|
FAD FED|FAD FED|dcB AFA|DED D2:|
%
A|d2e f2d|edB BAF|ABA ABd|efd edB|
d2e f2d|edB BAF|dcB AFA|DED D2:|
%
A|dcd efg|fed cBA|BdB AFD|EFE E2A|
dcd efg|fed cBA|BdB AFA|DED D2:|

%%%

X:493228 
T:KITTY'S RAMBLES 
S:F.O'Neill
B:ONMI.1043
Z:Brennan/Black
N:D major in source but all other versions of this (under various 
titles) are D modal.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Dmix
P:D modal
G|FED cBA|dcd efg|fed cAF|GAF GFE|
FED c2A|dcd efg|fed cAG|Adc d2:|
%
A|dfa dfa|dfa afd|ceg ceg|ceg gfe|
fef gfg|afa gfe|fed cAG|Adc d2:|
%
e|fgf efe|ded cAG|FGF EFE|DED GED|
AGA cAG|dcd efg|fed cAG|Adc d2:|
%
g|afd dcd|dfa agf|gec cBc|ece gfe|
fdf geg|agf efg|fed cAG|Adc d2:|

%%%

X:493229 
T:KNEEBUCKLE, The 
S:Beamish
B:ONMI.0927
N:This is in A major in ONMI, but could just as well be A modal (K:D) 
or A dorian (K:G). See the introductory note on "Ambiguous Tunes".
I suspect this has a Scots origin, which would make A modal a likely
candidate. Since I'm not sure, however, I'll keep it in A major.
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:A
e|eAA eAA|efe edB|eAA ege|dBA Acd|
eAA eAA|efe edB|def gfe|dBA A2 :|
a|afa geg|fdf ecA|afa geg|dcB A2a|
afa geg|fdf ecA|def gfe|dBA A2 :|

%%%

X:493230 
T:Knocknagow 
S:Cronin
B:ONMI.1113
Z:Brennan/Black
N:1:This setting of the tune reflects the way I have heard most 
musicians perform it. Three species of A and I'm not sure if I have
any of them right! (I recall that Joe Derrane RIP used to play this
so I may have his version of it somewhere.)
N:2:Some collections show parts 1 & 2 (mm 1-16) and 3 & 4 (mm 17-32)
as separate tunes.
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Ador
E|EAB cBc|EGF GAB|EAB cBc|d^cd e=cA|
EAB cBc|EGF GAB|eag edB|cAA A2:|
B|Aab a^ga|ede gfg|Aab aec|def gdB|
Aab a^ga|ede gfg|e=fe dcB|cAA A2:|
%
K:A
"A major"
c|"_17"ece dcB|cAF ECE|AGA cBc|dcd Bcd|
efe dcB|cAF ECE|Ace aed|cAA A2:|
K:D 
"A modal"
c/d/|"_25"eaf g2e|a2f ecA|dfa ecA|dBB Bcd|
ecA fdB|a^ga ecA|df^g aed|cAA A2:|

%%%

X:493231 
T:LACCAROO BOYS, The 
S:F.O'Neill
B:ONMI.1007
Z:Brennan/Black
N:Measure 8, 16: |edB A2| replaces |e-e/d/c/B/ A2|
Measure 12: |bg^f e2f| replaces |b-b/a/g/^f/ e2f|
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
G|EAA ABc|BAG Bdd|efe dge|dBG GAG|
EAA ABc|BAG Bdd|efe deg|"8"edB A2 :|
A|GBd gab|BAG Bdd|eaa a^ga|"12"bg^f e2f|
gag gab|BAG Bdd|e^fe deg|"16"edB A2 :|

%%%

X:493232
T:LADIES OF CARRICK, The 
S:Miss Kennedy
B:ONMI.0934
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:A
eAA edc|eAA Aaf|eAA edc|fBB Baf|
eAA edc|eAA ef=g|fed edc|fBB BAF:|
ecc acc|ecc ef=g|ecc acc|fBB Baf|
ecc acc|ecc ef=g|fed edc|fBB BAF:|"final"A6|]

%%%

X:493233 
T:LAME CROWLEY 
S:F.O'Neill
B:ONMI.0821
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
dBA A2c|BAB G2e|dBA ABd|e2d efg|
dBA A2c|BAB G2e|gbg faf|e2d efg :|
def g2g|agf g2g|def g2a|bge edB|
def g2g|agf g2g|bag agf|e2d efg :|

%%%

X:493234 
T:LANNIGAN'S BALL 
S:F.O'Neill
B:ONMI.0858
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
D|EFE G2A|B2A B^cd|D2E F2G|ABA AFD|
EFE G2A|B2A B^c^d|edB cBA|BGE E2 :|
d|e2f gfg|eag fe^d|e2f gfg|fdB B3|
e2f gfg|eag fe^d|edB cBA|BGE E2 :|

%%%

X:493235 
T:LARK IN THE MORNING (1st setting), The 
T:Trip to Sligo
S:Carberry
B:ONMI.1019
Z:Brennan/Black
N:1:This isn't the session "Lark" - it usually goes by the name "Trip 
to Sligo" (but has other names as well).
N:2:If you're not a string player (or even if you are), you can forget 
about the /B,/ in mm 1 and 3. (Two bracketed notes are alternatives,
not a double-stop - B, or E, not B, and E).
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
B,|[B,2E2]c BGE|D2d AFD|[B,2E2]c BAF|GFE e2f|
gfe dcB|ABG FED|EFG ABc|BGF E2 :|
B|eBe gbe|dAd faf|eBe gbe|faf gbe|
faf gfe|dcd AFD|EFG ABc|BGF E2 :|

%%%

X:493236 
T:LARK IN THE MORNING (2nd Setting), The
S:J.O'Neill
B:ONMI.1020
Z:Brennan/Black
N:Another "Lark" that's not the session "Lark". Part 2 of this setting 
is another version of the tune now commonly known as "Trip to Sligo".
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
d|eAA A^GA|cde fed|eAA A^GA|cde ged|
eaa g^fg|cdc BA^G|ABc def|ecB A2 :|
B|A2e ecA|G2g dB^G|A2e ece|dcB Aab|
[ac']ba gfe|dBg dB^G|ABc def|ecB A2 :|

%%%

X:493237 
T:LARRY GROGAN 
B:ONMI.0879
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BGB BGB|AFA ABc|ded cAF|GBd gdc|
BGB BGB|AFA ABc|dfd cAF|GAG G2 :|
e|=f3 edc|Bcd dBG|=f3 e^fg|ABA Ade|
=f3 edc|Bcd dBG|dfd cAF|GAG G2 :|

%%%

X:493238 
T:LARRY O'GAFF (1st setting) 
S:F.O'Neill
B:ONMI.0869
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
f|gGG BAG|ded dBG|cec BdB|ABc def|
gGG BAG|ded dBG|cec BdB|AGA G2 :|
d|dgg gfg|gaf ged|eaa aga|bgg g2b|
c'ba gfe|ded dBG|cec BdB|AGA G2 :|

%%%

X:493239 
T:LARRY O'GAFF (2nd Setting) 
S:J.O'Neill
B:ONMI.0870
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
c|dDD fed|aba afd|gbg faf|ede ABc|
dDD fed|aba afd|gbg faf|ede d2 :|
A|Add dcd|dfd ecA|Ace ede|fde d2d|
dfe dcB|AdB AFD|GBG FAF|1 "thru"EDE D2 :|
[2 "final"EFG ABc|dDE HD3|]

%%%

X:493240 
T:LIMERICK TINKER, The 
S:J.O'Neill
B:ONMI.0973
N:Note no repeats in source.
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Ador
A2B cBA|BAG AGE|A2B cee|dBA G2E|
A2B cBA|BAG Aef|gba g2e|dBG G2B ||
%
efe edB|e2A ABd|efe edB|dBG GBd|
efe edB|e2A Aef|gba g2e|dBG G2B ||
%
c2A B2A|e2A A2B|c2A B2A|dBA GAB|
cBA BAG|AGE GAB|gba g2e|dBG G2B ||"final"A6|]

%%%

X:493241 
T:LITTLE GREY CHURCH, The 
B:ONMI.1067
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
D|GAG GDE|GAG GAB|cec BdB|ABG E2D|
GDE GAB|cBA Bcd|edc BAG|AEF G2:|
B|c2c cde|gdc Bcd|cdc BdB|ABG AFD|
GBd cAF|GAG Bcd|edc BAG|AEF G2:|

%%%

X:493242 
T:LITTLE HOUSE UNDER THE HILL, The 
S:F.O'Neill
B:ONMI.0988
N:In m. 23, |d2B| replaces |d B/c/d/B/ AGF|
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
B|AGF AGF|AGF A2B|AGF AGF|GEF G2B|
AGF AGF|AGF ABc|dcB AGF|GEF G2 :|
%
B|AFF DFF|AFF A2B|AFF DFF|GEF G2B|
AFF DFF|AFG ABc|dBd AGF|GEF G2 :|
%
A|dFF AFF|dFF A2c|dFF AFF|GEF G2A|
dFF AFF|dFF ABc|d2B AGF|GEF G2 :|

%%%

X:493243 
T:LITTLE YELLOW BOY, The 
S:F.O'Neill
B:ONMI.0706
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
c|AFD DFA|DFA AdB|AFD DFA|B2A BdB|
AFD DFA|DFA ABc|def gfe|fdB B2 :|
d|Add fdd|edd fdd|Add fdd|edB B2d|
Add fdd|edd fdd|gfe fdB|AFA B2 :|

%%%

X:493244 
T:LOCK THE DOOR 
S:O'Reilly
B:ONMI.0993
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:Em
z|EFE BAG|FDF AGF|EFE BAG|AGF E3|
EFE BAG|FDF AGF|BdB AGF|E3 E2 :|
%
A|B2^c d2e|d2B AFD|B2^c d2e|fdB fdB|
B2^c d2e|dcB AFA|BdB AGF|E3 E2 :|
%
E|E2B E2B|E2B BAB|E2B E2B|AGF E3|
E2B E2B|E2B BAB|dcB AGF|E3 E2 :|

%%%

X:493245 
T:LONG JOHN'S WEDDING 
S:F.O'Neill
B:ONMI.1018
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
e|c2A ABA|agf e2d|c2A ABc|d2c Bcd|
c2A ABA|agf e2d|c2A BGB|A3 A2 :|
e|A2B c2d|efe e3|d2B Bcd|e2d cBA|
f2g agf|e2d c2a|c2A BGB|A3 A2 :|

%%%

X:493246 
T:LUCK PENNY, The 
S:F.O'Neill
B:ONMI.1098 
Z:Brennan/Black
N:The present-day setting of this tune is different from O'Neill's: 
his part 1 is now part 3, with F naturals in the third and fourth 
measures of the part. There's a good current setting of this in "Foinn Seisiun 2" (252055).
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
c|dBG GFG|BGB dBG|cAF FEF|AFA cAF|
dBG GFG|gbg fed|def gdB|cAF G2:|
%
A|BAG AGF|DGE FGA|BAG Bcd|cAG Fdc|
BAG AGF|GBd gag|fed gdB|cAF G2:|
%
e|dgf gfg|abg fed|bag afd|def g2a|
bag agf|gbg fed|def gdB|cAF G2:|

%%%

X:493247 
T:MAGUIRE'S KICK 
S:J.O'Neill
B:ONMI.1071
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
A|F2E EDE|F2D DCD|F2E EFA|d2e fdA|
F2E EDE|F2D DCD|F2E EFA|B3 d2:|
A|ABd e2f|d2B A2F|ABd e2f|d3 B2A|
ABd ede|fdB BAF|AFE EFA|d3 fdA||
F2E EDE|F2D DCD|F2E EFA|d2e fdA|
F2E EDE|F2D D2F|AFD DFA|B3 d3|]

%%%

X:493248 
T:MAID AT THE WELL, The 
S:F.O'Neill
B:ONMI.0724
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|GED DED|GEG c2e|dcB AGA|BAG E2A|
GED DED|GDG c2e|dcB AGA|BGG G2 :|
d|gdd edd|gdB c2e|dcB AGA|BAG E2d|
gdd edd|gdB c2e|dcB AGA|BGG G2 :|

%%%

X:493249
T:MAID ON THE GREEN, The 
S:F.O'Neill
B:ONMI.0853
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d|gfg e2d|Bee dBA|BGG dGG|BAA ABd|
gfg e2d|Bee dBA|BGG dBA|BGG G2 :|
d|gfg afd|gfg a2f|gfg eag|fdd d2g|
bgb afa|gfg e2d|Bee dBA|BGG G2 :|

%%%

X:493250
T:MALOWNEY'S WIFE 
S:Ennis
B:ONMI.0709
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|F2A AFA|AFA AFD|GBG FGA|BGE EAG|
F2A AFA|AFA d2A|Bcd AFd|AFD D2 :|
%
d|ecA Bcd|ecA AGF|GBG FGA|BGE E2d|
ecA Bcd|ecA d2A|Bcd AFd|AFD D2 :|
%
g|afa gfe|fed cBA|BdB AFA|BGE Efg|
afa gfe|fed cBA|BdB AFd|AFD D2 :|

%%%

X:493251 
T:MAN WHO DIED and ROSE AGAIN, The 
S:P.Tuohey
B:ONMI.1096
Z:Brennan/Black
N:This sounds like a "hybrid" of two or three different tunes!
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
GBA G2A|BGe e2d|GBA G2B|AFD AFD|
GBA G2A|BAB dcd|edB edB|AFD DFD:|
gef g2a|bge e2f|gef g2b|afd dcd|
GFG AGA|BAB dcd|edB edB|AFD DFD:|

%%%

X:493252 
T:MARKET TOWN, The 
S:J.O'Neill
B:ONMI.0958
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:A
E|EFE ECE|EFA A2f|edc Bcd|cBA FGA|
EFE ECE|EFA A2f|edc BAB|cAA A2 :|
d|efe ece|f2g a2f|edc Bcd|cBA F2F|
[1 efe ece|f2g a2f|edc BAB|cAA A2 :|
[2 Ace def|cde fga|edc BAB|cAA A3 |]

%%%

X:493253 
T:McARDLE'S FAVORITE 
S:J.O'Neill
B:ONMI.1045
Z:Brennan/Black
N:Part 1 is in the "Ship in Full Sail"/"Kitty What Ails You?" family
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % source key = A
ADD FDD|ADD FED|Bcd AFD|EFE EDB,|
ADD FDD|ADD FED|Bcd AFD|EFE D2z:|
Ade fdB|AFA dAF|Ade fdB|gfe fdB|
Ade fdB|AFA dAF|Bcd AFD|EFE D2z:|

%%%

X:493254 
T:MERRY CHRISTMAS 
S:J.O'Neill
B:ONMI.0841
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GAB AGE|ceg dBG|GAB AGE|FDD DEF|
GAB AGE|ceg dBG|EFG Adc|BGG G2 :|
B|d^ce def|gfe dBG|Bcd efg|gbg afd|
gba gfe|dBg dBG|EFG Adc|BGG G2 :|

%%%

X:493255 
T:MERRY MAIDEN, The 
S:O'Reilly
B:ONMI.1063
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
B|ADD BAF|ABd edB|ADD BAF|AFE E2B|
ADD BAF|ABd edB|AdB AGE|FDD D2:|
B|AFA d2e|fdf ecA|BAB d2e|faf gfe|
AFA d2e|fdf ecA|BdB AGE|FDD D2:|

%%%

X:493256 
T:MERRY OLD MAID, The 
S:J.O'Neill
B:ONMI.0738
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
F|E2e eB^c|d2B AFD|E2e e2B|efg fdB|
E2e eB^c|d2B AFD|GFG AcA|BGE E2 :|
f|g2e efg|fgf def|g2e efg|afd dba|
gfe efg|fdB Bcd|e2B a2A|BGE E2 :|

%%%

X:493257 
T:MERRY OLD WOMAN (1st Setting), The 
S:J.O'Neill
B:ONMI.0799
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|BcB ABA|GAG GFG|B3 c2c|def gdc|
BcB ABA|GAG GFG|BdB cAF|AGF G2 :|
A|B3 c3|def gde|f3 g3|def gfg|
bbg aaf|def gdB|BdB cAF|AGF G2 :|

%%%

X:493258 
T:MERRY OLD WOMAN (2nd Setting), The 
S:F.O'Neill
B:ONMI.0800
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|B3 AGF|DGF G2A|BAB cBc|dgg fdc|
BGB AFA|DGF FGA|BdB cAF|AGF G2 :|
A|BAB cBc|dgg fdc|dgg gfg|agf g2A|
[1 BAB cBc|dgg fdc|B2d cAF|AGF G2:|
[2 bgb afa|gfd cAF|Bcd cAF|AGF HG3 |]

%%%

X:493259 
T:MILLER OF GLANMIRE, The 
S:West
B:ONMI.0765
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
D|EAA EAA|B3 G2A|Bee edB|def gag|
eaa age|dBG G2A|Bee dBG|BAA A2 :|
D|eaa age|dBG G2A|Bee edB|def gag|
eaa age|dBG G2A|Bee dBG|BAA A2 :|

%%%

X:493260 
T:MINERS of WICKLOW, The 
S:McFadden
B:ONMI.0995
R:jig
Z:Brennan/Black
N:|D2G ABc| replaces |D-D/E/F/G/ ABc| in mm 1 & 5.
%Q:1/4=160
M:6/8
L:1/8
K:D
D2G ABc|dcB AGF|GBF EFE|FAF DED|
D2G ABc|dcB AFA|1 Bcd edc|dAG FED :|\
[2 Bcd efg|fdc d2||
g|fdd fdf|ecA efg|fdd def|gfg efg|
faf gab|afd cBA|1 "thru"Bcd efg|fdc d2 :|\
[2 "final"Bcd edc|dAF HD3 |]

%%%

X:493261 
T:MISS BRUCE 
S:J.O'Neill
B:ONMI.0751
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|FAd dcd|Adf fef|afd afd|cee e2G|
FAd dcd|Adf b2g|afd gec|ded d2 :|
g|afd dcB|ABA A2A|gab afd|cee e2g|
afd dcd|Bdg b2g|fga gec|ded d2 :|

%%%

X:493262 
T:MISS CASEY 
S:Ennis
B:ONMI.1094
Z:Brennan/Black
N:This is one of the "ambiguous" A major/modal/minor tunes that appear 
with some frequency in ONMI. The original has a few G's marked natural. 
Given the facts that the Chief shows piper Ennis as the source, and that 
G sharps would be difficult for even a good piper to handle, my guess 
is that all the G's are natural and the tune should be considered A modal.
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Amix
P:A modal
D|EAA AGE|cBc dcd|ege ded|cAA GED|
EAA AGE|c3 dcd|ege ded|cAA A2:|
d|eaa age|dcd gab|age ded|cAA GED|
[1 eaa age|dcd gab|agf ded|cAA A2:|
[2 EAA AGE|c3dcd|ege ded|cAA A3|]

%%%

X:493263
T:MISS MONROE'S 
S:J.O'Neill
B:ONMI.0982
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
D|G2G AGA|Bcd efg|GFG AGA|BGE E2D|
G2G AGA|Bcd efg|dcB AGA|BGG G2 :|
f|gfg efg|fdd def|gfg aga|bge e2f|
gfg aga|bge efg|dcB AGA|BGG G2 :|

%%%

X:493264 
T:MIXING THE PUNCH 
S:J.O'Neill
B:ONMI.1015
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|FED dfe|dAF GFE|GBG edB|ABA GFE|
FAD GBE|Ace dAG|FDG ECE|DED D2 :|
c|d2d def|ABA Fdc|Bcd efg|d2f ecA|
FED def|efg ecA|FDG ECE|DED D2 :|

%%%

X:493265 
T:MOLL IN THE WAD 
B:ONMI.0737
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BAB G2F|E2F G2c|BAB G2B|AFD D2c|
BAB G2F|E2F G2c|BGB dcB|AFE D2 :|
c|BGB d2c|BGB d2c|BGB dcB|AFD D2c|
BGB d2c|BGB def|gfe dcB|AFE D2 :|

%%%

X:493266 
T:MONAGHAN JIG, The 
S:Gillan
B:ONMI.1033 
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
A|BGE F2E|BGE FGA|BGE F2E|AFD FGA|
BGE F2E|BGE FGA|dcB ABG|FDF AG :|
%
F|EGB efg|fed edB|EGB dBG|FDF AGF|
EGB efg|fed edB|dcB ABG|FDF AG :|
%
f|g2e efe|geg bge|g2e efg|fdf agf|
g2e efe|geg bge|dcB ABA|1 "thru"FDF Ad :|
[2 "final"FDF AGF|E6|]

%%%

X:493267 
T:MONEY IN BOTH POCKETS 
B:ONMI.0746
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
G|c2E EDE|GAG GFE|c2E EDE|G2g fed|
c2E EDE|GAG GFE|DED DEG|ABA A2 :|
G|cdg gec|Bdg dBG|ceg gec|f3 e2f|
gfe agf|gfe dcB|cBA GEG|ABA A2 :|

%%%

X:493268 
T:MOONCOIN JIG, The 
S:Fr.Fielding
B:ONMI.1034
Z:Brennan/Black
N:This is clearly a modal tune, although ONMI shows G naturals 
only in mm.9,11, and 19. Sounds like it's from the same source as 
"Langstrom's Pony". 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Amix
P:A modal
cBA AEA|AEA Bcd|cBA Ace|dBG Bcd|
cBA AEA|AEA Bcd|Ace gfe|dBG Bcd :|
%
cde efg|faf ged|cde efg|faA Bcd|
cde efg|afd bge|afd gec|dBG Bcd :|
%
cBA Aaf|ecA Bcd|cBA gfe|dBG Bcd|
cBA Aaa|Agg Aff|Aee efg|1 "thru"dBG Bcd :|
[2"final" dBG BAG|A6|]

%%%

X:493269
T:MORGAN RATTLER 
S:J.O'Neill
Z:Brennan/Black
N:This tune appears in almost every 19th-century collection that I have 
come across, although it seems to be rarely heard today. O'Neill's version 
is ten parts, of which I have included only the first four here. I have 
also transposed it to D.
B:ONMI.1046
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % source key = C
B|AGF EFG|FEF D2d|AGF EFA|B2A Bcd|
AGF EFG|FEF D2g|f2d ecA|B2A Bc :|
%
e|d3 fdB|c2c ecA|d3 dfB|bge fga|
d3 fdB|c2d ecA|d2d cBA|B2A Bc :|
%
e|dcB cBA|dAG FED|dcB cBA|B2A Bcd|
dcB cBA|dAG FdB|AGF EFA|B2A Bc :|
%
d3 d3|dfa ecA|d2d dfa|bge fga|
[1 d3 d3|dfa ecA|d2d cAF|B2A Bcd|
[2 deg agf|efd cBA|d2d cAF|B2A B2c|"final"d6|]

%%%

X:493270 
T:MOUNTAINEER'S MARCH, The 
S:F.O'Neill
B:ONMI.1030
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
F|GAG GAB|ABA ABd|edd gdB|ABA ABd|
GAG GAB|ABA ABd|edd gdB|cAF G2:|
c|d2d dBG|efe efg|ded dBG|ABc BAG|
ded dBG|e2d efg|dBd gdB|cAF G2:|

%%%

X:493271 
T:MOUNTAINY BOY, The 
S:Cronin
B:ONMI.0750
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
d|cAA A2G|FAA A2d|cAB cAG|ABc dfd|
cAA A2G|FAA A2g|fed cAG|ABc d2 :|
g|fgf efe|ded cde|fag edc|edd d2g|
fgf efe|ded cde|fed cAG|ABc d2 :|

%%%

X:493272 
T:MOVE UP TO ME 
B:ONMI.0757
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|B2d dBd|ece dBG|Bcd de=f|AFA ABc|
B2d dBd|ece dBG|BdB cAF|GAG G2 :|
d|geg fdf|ece dBG|geg fdf|ece d2d|
geg fdf|ece dBG|BdB cAF|GAG G2 :|

%%%

X:493273 
T:MY BROTHER TOM 
S:Kennedy
B:ONMI.0996
R:jig
N:See introductory note on Ambiguous Tunes. I'm going D modal on this 
one but I'm not 100% sure that's right. (D major isn't too solid either.)
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Dmix
P:D modal
G|DED AGE|GAB cBc|DED AGE|GcA GEC|
DED AGE|GAB cBc|edc dcA|GcA GE :|
G|:ABc dcd|edc d2c|ABc d2e|fed cAG|
[1 ABc dcd|edc d2c|GAB cBc|GcG GEC :|
[2 fed edc|dcA c2A|GAB c2A|GcA GEC|HD6|]

%%%

X:493274 
T:MY DARLING ASLEEP 
S:Beamish
B:ONMI.0925
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
e|fdd cAA|BGG A2G|FAA def|gfg eaa|
fdd cAA|BGG A2G|FAA def|gec d2 :|
G|FAA Add|FAA BGG|FAA def|gfg eaa|
fdd cAA|BGG A2G|FAA def|gec d2 :|

%%%

X:493275 
T:MY FORMER WIFE 
S:Early
B:ONMI.0849
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
E|EAA EBc|BAG c2A|BGE EFE|GED DED|
EAA ABc|BAB GBd|ede gdB|BAA A2 :|
d|efg ab[ac']|bag a2g|ede g2a|gba ged|
efg ab[ac']|bag a2g|ede gdB|BAA A2 :|

%%%

X:493276 
T:NANCY HYNES 
S:Ennis
B:ONMI.0903
Z:Brennan/Black
N:See introductory note on Ambiguous Tunes. To me this tune (which
reminds me of "Banish Misfortune") is a Dmix-Dmaj hybrid, but (as
usual) I could be wrong!
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:Dmix
G|A3 cAG|A2d cAG|F2D DED|FAF GED|
A3 cAG|A2G Ade|fed e^cA|ded d2 :|
K:D
e|fgf fed|efe edc|ded dcd|ecA A2g|
[1 fgf fed|efe edc|faf gec|ded d2 :|
[2 f2d edc|ded cAG|A2d cAG|Add d2 ||
%
c|ded cdc|BAB cAG|F2D DED|FAF GED|
A3 =cAG|A2G Ade|f2d ecA|1ded d2 :|2dec Hd3|]

%%%

X:493277 
T:NELL FLAHERTY'S DRAKE 
S:F.O'Neill
B:ONMI.0763
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GAB AGE|DEG GBd|efg dBG|BAA A2D|
GAB AGE|DEG GBd|efg dBA|BGG G2 :|
B|def gfg|afd edB|gfg edB|BAA A2D|
GAB AGE|DEG GBd|efg dBA|BGG G2 :|

%%%

X:493278 
T:NEW CLOAK, The 
B:ONMI.0919
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Em
D|EFA BAF|dAF AFD|EFA BAF|FEE E2D|
EFA BAF|dAF AFD|dfe dAF|FEE E2 :|
d|dBd efe|dBd ede|fed dcB|ABd FED|
EFA BAF|dAF AFD|dfe dAF|FEE E2 :|

%%%

X:493279 
T:NEW PAIR OF SHOES, The 
S:O'Reilly
B:ONMI.0824
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BGG dGG|BAG G2f|efg dBG|FAA Adc|
BGG dGG|BGG g2f|efg dBG|FAF G2 :|
d|gfg afd|gfe dBd|efg dBG|FAA A2d|
gfg afd|gfe dgf|ecA dBG|FAF G2 :|

%%%

X:493280 
T:NEWMARRIED COUPLE, The 
S:Early
B:ONMI.1011
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GAG GBd|gfe d2c|Bdg dBG|FAA A2D|
GAG GBd|gfe d2c|BdB cAF|GAG G2 :|
c|Bdg dBG|Bdg d2c|Bdg dBG|FAA A2c|
Bdd def|gfe fdc|BdB cAF|GAG G2 :|

%%%

X:493281 
T:NIGHT AT THE FAIR, The 
S:F.O'Neill
B:ONMI.0788
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|B2A GED|EGG G2A|BGG dGG|BAA ABc|
B2A GED|EGG G2A|BGB Adc|BGG G2 :|
d|egg eaa|egg ged|edB AGA|BAA A2d|
egg eaa|egg ged|ced cBA|BGG G2 :|

%%%

X:493282 
T:NIGHT CAPPER, The 
S:F.O'Neill
B:ONMI.0723
Z:Brennan/Black
N:I renamed this slightly to distinguish it from the other "Night Cap"
which is identical to "Strike the Gay Harp". I don't think the Chief
would object too much.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G|Bcd d2c|Bcd dBG|cee e2d|cee ecA|
Bdd d2c|Bdd dBG|GBd e2d|gBG A2 :|
G|BGG dGG|BGB dcB|cAA eAA|c2d edc|
BGG dGG|BGB dBG|GBd e2d|gBG A2 :|"final"G6|]

%%%

X:493283 
T:NOLAN the SOLDIER 
S:F.O'Neill
B:ONMI.0726
Z:Brennan/Black
N:Note no repeats in source.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
D2F A2A|BGB A2F|GFG E2G|FEF D3|
D2F A2A|BGB A2A|Bcd ecA|B2c d2 :|
e|fgf fgf|ecA Ace|fgf fgf|gfg ede|
fgf fgf|ecA Ace|Bcd ecA|B2c d2 :|

%%%

X:493284 
T:NORTHERN ROAD, The
S:Dillon
B:ONMI.1025
Z:Brennan/Black
%Q:1/4=160
N:A neat little tune that ends on a sixth (B in key of D) - nice
sound!
R:jig
M:6/8
L:1/8
K:D
d|AGF A2D|DED FED|AGF A2D|F3 d3|
AGF A2D|DED AGF|EFE E2F|G3 B2:|
z|ABc d2F|AGF d2F|ABc dAF|B3 d3|
[1 ABc ded|cBA d2A|Bcd EFE|D3 B2 :|
[2 faf gec|fdB AFD|EFE E2F|G3 B3 |]

%%%

X:493285 
T:NOTHING CAN SADDEN US
B:ONMI.0747
N:Source shows 16-bar second part as repeated (?)
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
B|cdc BcB|ABA Ace|fga edc|cBB Bed|
c3 BAB|ABA Ace|fga edc|dBG A2 :|
%
d|cde e2e|efe fga|edc cBA|GAB B2e|
cde e2e|efe fga|edc cBA|GAB Bed|
c3 BAB|A2A Ace|fga edc|cBB Bed|
cdc BcB|ABA Ace|fga edc|dBG A3 |]

%%%

X:493286 
T:O'GALLAGHER'S FROLICS 
B:ONMI.1008
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em % source key = Dm
B,|EFE GFE|BcB dBA|BcB B2A|GBG AFD|
EFE GFE|BcB dBA|BAG FEF|GEE E2 :|
B|e2f gfe|g2a bag|dfg afd|afd afd|
efe gfe|dfe dBA|BAG FEF|GEE E2 :|

%%%

X:493287 
T:O'REILLY'S FAVORITE 
S:O'Reilly
B:ONMI.1059
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|FDD ADD|def gfe|edd fdd|eEE E2A|
FDD ADD|def g2f|eag fge|fdd d2:|
e|faa fba|faf edd|faa fba|fdd e2g|
faa fba|faf edd|efg fge|fdd d2:|

%%%

X:493288 
T:OFF SHE GOES! 
B:ONMI.0914
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
z|F2A G2B|ABc d3|F2A G2B|AFD E2D|
F2A G2B|ABc d2e|f2d g2f|edc d2 :|
z|faf def|gbg efg|faf def|ecA A2g|
faf def|gbg efg|f2d g2f|edc d2 :|

%%%

X:493289 
T:OFF TO THE HUNT 
S:J.O'Neill
B:ONMI.0712
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
E|ABA ABd|ege dBG|GFG BAG|dBG BAG|
ABA ABd|ede gba|edc Bcd|ecA A2 :|
g|aga ABA|aga A2f|g2G GAG|BAB GAB|
cBc d^cd|ede gba|edc Bcd|ecA A2 :|

%%%

X:493290 
T:OLD AS THE HILLS 
S:F.O'Neill
B:ONMI.1017
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
a|ABA cBA|d2e fga|ABA c2A|dBG Bcd|
ecA Ace|d2e fga|ece dBG|Ace a2 :|
e|c2e ecA|Aca ecA|c2e ecA|Bcd dcB|
c2e ecA|Ace fga|ece dBG|Ace a2 :|

%%%

X:493291 
T:OLD GREY GOOSE, The 
S:J.O'Neill
B:ONMI.1000
N:One of the classic "big tunes" popularized by Michael Coleman. I
love the tune but can never remember what part goes where when I
play it!
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Em
F|GBG FAF|GEE E2F|DFA dAG|FDD DEF|
GFG AGA|BAB gfg|edB BAF|GEE E2 :|
P:part 2
F|G2G dBG|GAc dBG|A2A ecA|ABd ecA|
GAG dBG|ege gfg|edB BAF|GEE E2 :|
P:part 3
d|efe edB|def g2e|fdd add|fag fed|
gfg fef|def gfg|edB BAF|GEE E2 :|
P:part 4
c|BGG AFF|GEE E2c|BGG dAG|FDD D2c|
BGG AGF|GEE gfg|edB BAF|GEE E2 :|
P:part 5
f|gbg faf|gee e2f|gbg fag|fdd def|
gbg faf|ege gfg|edB BAF|GEE E2 :|
P:part 6
f|gdc BcA|GEE E2f|gdB dAG|FDD DEF|
G3 AGA|BcB gfg|edB BAF|GEE E2 :|

%%%

X:493292 
T:OLD HORNED SHEEP, The
S:F.O'Neill
B:ONMI.1026
Z:Brennan/Black
%Q:1/4=160
R:jig % A-B-A
M:6/8
L:1/8
K:G
P:"A"
f|g2G GFG|EGG DGG|g2G GFG|EAG FED|
g2G GFG|EGG DGG|EGG FGA|BGG G2 :|
P:"B"
c|Bdd dBG|Bdd d2G|Bdd dBG|cAA A2c|
Bdd dBG|Bdd def|gfe dcB|ABG FA :|
P:"A" repeated
d|g2G GFG|EGG DGG|g2G GFG|EAG FED|
g2G GFG|EGG DGG|EGG FGA|BGG HG3 |]

%%%

X:493293 
T:OLD MAN DILLON 
S:F.O'Neill
B:ONMI.0804
Z:Brennan/Black
N:Source key signature is A major but tune is usually 
played in Am (dorian) today. See introductory note 
on Ambiguous Tunes.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
G|EAA ABd|edB c2A|BGG DGG|Bdc BAG|
EAA ABd|ede a2e|edc Bcd|ecB A2 :|
g|gef g2a|gef g2d|BGG DGG|Bdc BAG|
[1 gef g2a|gef g2d|edc Bcd|ecB A2 :|
[2 EAA ABd|ede a2e|edc Bcd|ecB HA3 |]

%%%

X:493294 
T:OLD MAN'S DELIGHT, The 
S:J.Kennedy
B:ONMI.0819
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
f|ecA A2c|BGE E2f|ecA Ace|fba g2f|
ecA ABc|BGE E2E|FGA BGE|A3 A2 :|
e|cAc ece|fdf e2f|ecA ABc|BGE Eed|
cAc ece|fdf e2f|ecA EFG|A3 A2 :|

%%%

X:493295
T:OLD NORA 
S:F.O'Neill
B:ONMI.0866
Z:Brennan/Black
N:Appears in other collections as "Nora Criona" (in various 
spellings). The 6-part version here is obviously a party piece;
Jerry O'Brien's setting is more down-to-earth. Johnny O'Leary
has it as a slide. 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|:GAG G2A|B2G d2B|GAG G2B|A2B cBA|
GAG G2A|BAG ABc|d2e fef|A2B cBA :|
%
ded d2c|B2G d2B|ded d2B|A2B cBA|
ded d2c|BAG ABc|d2e fef|A2B cBA :|
%
BGG dGG|BAG dBG|AFF cFF|AFA cBA|
BGG dGG|BAG ABc|d2e fef|A2B cBA :|
%
GBd GBd|GBd dcB|GBd GBd|A2B cBA|
GBd GBd|GBd dcB|GBd fef|A2B cBA :|
%
GBd gfg|agf g3|GBd g2B|A2B cBA|
GBd gfg|agf g2a|bag agf|A2B cBA :|
%
dBG GDG|BGB d2B|dBG GDG|A2B cBA|
dBG GDG|BGB dcB|GBd fef|A2B cBA :|"final"G6|]

%%%

X:493296 
T:OLD WOMAN TOSSED UP IN A BLANKET, The 
S:F.O'Neill
B:ONMI.0771
Z:Brennan/Black
N:"...seventeen times as high as the moon!" This is one of those tunes 
that you learn just because of the title.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
E|AcB Bce|fec B2A|AcB c2B|cAF F2E|
AcB Bce|fec B2A|AcB c2B|cAA A2 :|
e|fea fea|fea fec|ecf ecf|ecA B2e|
aff gee|fec B2A|AcB c2B|cAA A2 :|

%%%

X:493297 
T:ONE BEFORE WE GO 
S:J.O'Neill
B:ONMI.0888
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". To my ear the accented 
G's seem to require A modal.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Amix
P:A modal
e|ABA cBA|cde efg|GAG BAG|dBG BAG|
ABA cBA|cde fga|ede gdB|AcB A2 :|
e|Ace aec|ece aec|Bdg gdB|dBG aec|
edc eaf|edc eaf|ede gdB|AcB A2 :|

%%%

X:493298 
T:ONE-HORNED COW, The 
S:J.O'Neill
B:ONMI.1077
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
Bdd gdd|edd gdc|Bdd gdd|edc BcA|
Bdd gdd|edc gdc|Bdd gfg|edB A2G:|
Bdd ecc|dBB ecc|Bdd ece|dBG A2G|
Bdd ecc|dBB ecc|Bdd gfg|edB A2G:|

%%%

X:493299 
T:ONE-LEGGED MAN (setting 1), The 
S:F.O'Neill
B:ONMI.0710
Z:Brennan/Black
N:Almost the same tune as "When Sick Is It Tea You Want?"
%Q:1/4=160
R:jig
L:1/8
M:6/8
K:D
A|A2c dcB|AFG AFA|dfd ege|fdc B2A|
A2c dcB|ABG AFA|dcd eag|fdc d2 :|
g|afd cBA|BGG G2a|bge dcB|cAG A2A|
A2d dcB|A2B AFA|dcd eag|fdc d2 :|

%%%

X:493300 
T:ONE-LEGGED MAN (setting 2), The
B:ONMI.0938
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
B|AFA DFA|DFA DFA|AFA DFA|DFA Bcd|
AFA DFA|DFA DFA|def gea|fdB Bc :|
e|def a2f|b2g a2f|def a2f|afd edB|
def a2f|b2g a2f|def gea|1 "thru"fdB Bc :|
[2 "final"fdc BAB|D6||

%%%

X:493301
T:ORANGE ROGUE, The 
S:Cronin
B:ONMI.0837
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d|ege dBA|GEF G2A|BAB def|g2b agf|
ege dBA|GEF G2A|BAB d^cd|e3e2 :|
f|g2e a2f|g2B BAB|g2e a2f|g3 B2d|
g2e a2f|g2e fed|BAB def|g2b ag :|

%%%

X:493302 
T:OUR OWN LITTLE ISLE 
B:ONMI.0832
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|G3 AGA|Bee edc|BAB GBA|GEE E2D|
G3 AGA|Bee edc|BAB GBA|AGG G2 :|
D|g3 g2g/f/|edc BAG|g3 g2g/f/|efg a2g|
bag agf|edc BAG|BAB G2B/A/|GEE E2 :|

%%%

X:493303 
T:OUT ON THE OCEAN 
S:F.O'Neill
B:ONMI.0795
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
e|dcB BAG|BdB A2B|GED G2A|BAB GED|
dcB BAG|BdB A2B|GED G2A|BGG G2 :|
d|efd edB|efe fdB|ded dBd|gfe dBA|
GFG AGA|BcB B2A|GED G2A|BGG G2 :|

%%%

X:493304 
T:OUT WITH THE BOYS (1st Setting)
S:J.O'Neill
B:ONMI.0760 
Z:Brennan/Black
%Q:1/4=160
R:jig % A-B-A
M:6/8
L:1/8
K:G
P:"A"
B|B3 g2e|dBG AFD|G3 g2e|dBG A2B|
G3 g2e|dBG GAB|cde dcB|cAF G2 :|
%
P:"B"
B|eBe gbg|eBe gbg|eBe g2a|bag agf|
eBe gbg|eBe g2a|bag agf|e3 d2 :|
%
P:"A" repeat
B|B3 g2e|dBG AFD|G3 g2e|dBG A2B|
G3 g2e|dBG GAB|cde dcB|cAF HG3 |]

%%%

X:493305 
T:OUT WITH THE BOYS (2nd Setting) 
S:F.O'Neill
B:ONMI.0761
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
F|G3 g2e|dBG AGE|DEG BAG|BAA ABA|
G3 g2e|dBG AGE|DEG BAG|AGF G2 :|
%
d|ede gfg|ede gfg|ede gfg|fdB B2d|
ede gfg|agf gfe|BcB AGA|BGE E2 :|
%
F|G2g gdB|G2g gdB|DFA cBA|BFA GFE|
D2g gdB|G2g gdB|BcB AGA|BGE E2 :|

%%%

X:493306 
T:OWEN MALONE 
S:Dunlap
B:ONMI.0951
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
c|dBG Gge|dBG Gge|dcB dcB|ABA ABc|
dBG Gge|dBG Gge|def gdB|GAG G2 :|
z|Bdd Add|gag f2d|Bdd Add|ge^c de=c|
Bdd Add|gag f2e|def gdB|GAG G2 :|

%%%

X:493307 
T:PADDY FROM PORTLAW 
B:ONMI.0764
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
B|AFD DFD|AFD DdB|AFD DFD|GEE EdB|
AFD DFD|AFA d2e|fed BdB|AFD D2 :|
g|afd dfd|afd d2g|afd dfd|gee efg|
agf bag|agf edc|fdB ABG|FDD D2 :|

%%%

X:493308 
T:PADDY GO EASY 
S:F.O'Neill
B:ONMI.1108
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
E|DEF FEF|AFF F2E|DEF FEF|AFE E2F|
DEF FEF|AFA d2d|cBA BAF|AFE E2:|
%
f|ecA ABA|ecA A2f|ecA Ace|fdB B2f|
ecA fdB|ecA a^gf|ecA BAF|AFE E2:|
%
d|dFF FEF|AFF F2d|dFF FEF|AFE E2d|
dFF FEF|AFA d2d|cBA BAF|AFE E2:|

%%%

X:493309 
T:PADDY from LONGWOOD
S:F.O'Neill
B:ONMI.1040
Z:Brennan/Black
N:Obviously not the A minor "session" tune of the same name (which is 
also called "The Clare Jig", "Mug of Brown Ale", and other names).
I changed the name to "individualize" this one. (Longwood is in Co.
Meath, not far from Trim.)
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|FDF ABc|ded def|AGF G2A|BGE E2G|
FDF ABc|ded def|AGF BAG|FDD D2:|
%
g|fdf agf|gfe dBG|AGF G2A|BGE E2g|
[1 fdf agf|gfe dBG|AGA BAG|FDD D2:|
[2 FDF ABc|ded def|AGF BAG|FDD D2||
%
f|eAA Agf|edc d2B|AGF G2A|BGE Efg|
agf gfe|ded def|AGF BAG|FDD D2:|

%%%

X:493310 
T:PADDY O'CARROLL 
B:ONMI.0986
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:D
G|FDD FDD|FGF FED|AFF dFF|EFE DAG|
FDD FDD|FGF FED|AFF dFF|DED D2 :|
g|fdd ecc|BdB AGF|fda eca|dB^g a2=g|
fdd ecc|BdB AGF|AFF dFF|DED D2 :|

%%%

X:493311 
T:PADDY O'RAFFERTY 
S:F.O'Neill
B:ONMI.0954
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
GAB DED|DcB AGE|GAB DED|GAG GED|
GAB DED|DcB ABc|dcB AGE|GAG GED :|
%
DBB DAA|DBB AGE|DBB DAA|GAG GED|
DBB DAA|DBB ABc|dcB AGE|GAG GED :|
%
dcd efg|ded dBG|d^cd efg|GAG GED|
d^cd efg|ded def|gfe dcB|GAG GED :|
%
BDD EDD|BGB AGE|BDD EDD|GAG GED|
BDD EDD|BGB ABc|dcB AGE|GAG GED :|
%
B2G A2G|B2G AGE|B2G AGE|GAG GED|
BGG AGG|BGG ABc|dcB AGE|GAG GED :|"final"G6|]

%%%

X:493312 
T:PADDY the PIPER 
S:F.O'Neill
B:ONMI.0964
N:A "hybrid" double jig / slip jig - the only one in ONMI.
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
G|Add dcd|efg afd|Add dcd|edc d2A|
Add dcd|efg aga|bab afd|gec d2 :|
c|dfa afd|Bgf gec|dcd Bgd|edc d2A|
dfa afd|Bgf gec|dAF DFA|Bec d2 :|
M:9/8
R:slip jig
B|AFA GEc d2B|AFA GFE DFG|
AFA GEa a2g|fdf gec d2B|
AFA GEc d2B|AFA GFE DFG|
AFA GEa a2g|fdf gec d2 :|

%%%

X:493313
T:PADDY WHACK 
B:ONMI.0759
%Q:1/4=160
Z:Brennan/Black
R:jig
M:6/8
L:1/8
K:G
G|GBd gfg|edc BAG|GBd efg|fdd def|
gbg afd|cde dBG|GAB cAd|BGG G2 :|
c|BGB cde|dBG A2G|GBd efg|fdd def|
gba gfe|dBG AFD|GAB cAd|BGG G2 :|

%%%

X:493314
T:PADDY'S RESOURCE 
B:ONMI.0997
N:Occasionally referred to as “The New York Jig”.
R:jig
%Q:1/4=160
M:6/8
Z:Brennan/Black
L:1/8
K:G
A|GAG DB,D|GBd e2d|gBB BAG|cEE E2D|
GAG DB,D|GBd e2d|gBB BAG|cEF G2 :|
F|GBd GBd|dcB BAG|GBd efg|dcB A2G|
GBd gfe|dcB AGF|GAG DB,d|BGG G2 :|

%%%

X:493315
T:PALM SUNDAY 
S:F.O'Neill
B:ONMI.0829
Z:Brennan/Black
%Q:1/4=160
N:I'm not sure what the F natural is doing in measure 11 but my
guess is that you can safely ignore it.
R:jig
M:6/8
L:1/8
K:Ador
B|AGE G2E|G2E G2B|A2B c2d|e2d efg|
e3 dBA|BAG Bcd|edc BAG|B2A A2 :|
c|aga efg|aga bge|gfg g=fe|dBG GBd|
efg ded|BAG Bcd|edc BAG|B2A A2 :|

%%%

X:493316
T:PENNILESS TRAVELLER, The 
B:ONMI.0772
Z:Brennan/Black
N:A relative of "When Sick Is It Tea You Want?"
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:C
A|Gcc cBA|GAG GEF|Gcc c2d|ecA A2G|
Gcc cBA|GAG GEF|Gcc Bdf|ecc c2 :|
f|gec cBc|AFF Ffg|afd dec|BGG G2G|
Gcc cBA|GAG GEF|Gcc Bdf|ecc c2 :|

%%%

X:493317 
T:PETTICOAT LOOSE 
S:F.O'Neill
B:ONMI.0826
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
A|GEE cEE|GFG GcA|GEE cEE|A3 AcA|
GEE cEE|cde eag|fde cAG|1 EAG AB :|2 EAG A2||
^f|g3 ged|cAA Bcd|eaa age|edd d2^f|
gaf ged|cAA Bcd|e2d cAG|EAG A2 :|

%%%

X:493318 
T:PHILIP O'NEILL 
S:F.O'Neill
B:ONMI.0796
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
E|DBB B2d|cAA A2c|BGG GFG|ABG FED|
DBB Bcd|cAA ABc|dGG DGG|BGG G2 :|
A|Bcd def|gfe fdB|ded dBG|GAG FED|
Bcd def|gfe gdB|dGG DGG|BGG G2 :|

%%%

X:493319 
T:PIPE ON THE HOB, The 
S:Carey
B:ONMI.0705
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
B|c3 edc|edc BAG|ABA gze|eaa ged|
c3 edc|edc deg|age dBe|ABA A2 :|
%
^f|g3 gea|age edB|ABA gze|aba ge^f|
g3 gea|age e^fg|age dBe|ABA A2 :|
%
B|c2c d2d|ecA AGE|c2c d2d|ecA A2B|
c2c d2d|e2e gab|age dBe|ABA A2 :|

%%%

X:493320 
T:PIPER'S PICNIC, The 
S:McFadden
B:ONMI.0815
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
E|AcA BGE|cde dBG|AcA BGE|EDE GAB|
AcA BGE|cde dBG|cBA BGE|EFG A2 :|
B|ceA ceA|cee edc|Bd=G Bd=G|Bdd dcB|
cde dcB|cBA Ggf|ecA GED|EFG A2 :|

%%%

X:493321 
T:PRETTY JANE 
B:ONMI.0768
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
c/B/|ABA cBA|cde a2f|ecA BAF|BcB B2c|
ABA cBA|cde a2f|ecA BAF|ABA A2 :|
f/g/|aba afe|fef agf|ecA BAF|BcB Bfg|
aba age|fdf a2f|ecA BAF|ABA A2 :|

%%%

X:493322
T:PRIEST AND HIS BOOTS, The 
S:F.O'Neill
B:ONMI.0968
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
d|e2e e2e|efd cBA|dcd fed|cAc ecd|
efe efe|efd cBA|dcd fga|gec d2 :|
g|afa geg|fdf ecA|dcd fed|cAc efg|
a2f g2e|f2d ecA|dcd fga|gec d2 :|

%%%

X:493323 
T:PRIEST with the COLLAR, The 
B:ONMI.0731
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GBG AGE|c2c B2A|GBG AGE|G2G G2D|
GBG AGE|AEA ABc|BAG AGE|G2G G2 :|
%
c|dBB dBB|A2A ABc|dBB dBB|G2G GBc|
dBB dBB|AEA ABc|BAG AGE|G2G G2 :|
%
e|f2d edB|A2A Ade|f2d edB|G2G Gde|
f2d edB|AEA ABc|BAG AGE|G2G G2 :|

%%%

X:493324 
T:PRIEST'S LEAP, The 
B:ONMI.0781
Z:Brennan/Black
N:Another version of "Saddle the Pony".
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GBA G2B|def gdB|GBA G2B|AFD AFD|
GBA G2B|def gfg|ecA dBG|FEF G2 :|
B|ded dcB|def gdB|ded dcB|AFD AFD|
ded dcB|def gfg|ecA dBG|FEF G2 :|

%%%

X:493325 
T:PUT ON YOUR CLOTHES 
S:J.O'Neill
B:ONMI.1050
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
d|cGE cGE|EDE CEG|cGE cGE|Add ded|
cGE cGE|EDE CEG|cee e2d|cAA A2:|
e|gag ged|ecc cde|aba age|edd d2e|
[1 gag ged|ecc cde|fed fed|ecA A2:|
[2 gfe agf|gfe dcB|cee e2d|cAA A3|]

%%%

X:493326 
T:RACES AT CARRICK, The 
S:Cronin
B:ONMI.0836
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
g|fdB Bcd|ecA A2G|FAA def|gfg bag|
fdB Bcd|ecA A2G|FAA cde|gec d2 :|
e|f3 fed|faa a2f|gfg Bcd|ecA A2d|
f3 fed|faa agf|gfg bag|fdd d2 :|

%%%

X:493327 
T:RAKES OF CLONMEL, The 
S:F.O'Neill
B:ONMI.0902
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:Ador
P:A dorian
B|cBA GED|EAA A2B|cBA edc|BGG Gef|
gfg efg|dBG Bcd|ecA GED|EAA A2 :|
%
g|aea aed|cAA Aef|gea gdc|BGG G2f|
[1 gea gfe|dBG Bcd|ecA GED|EAA A2 :|
[2 cBc d^cd|edc Bcd|ecA GED|EAA A2 ||
%
B|Aaa aga|bge e2f|gfg bge|dBG G2B|
cBc d^cd|e=fe Bcd|ecA GED|EAA A2 :|

%%%

X:493328 
T:RAKES OF KILDARE, The 
B:ONMI.0847
Z:Brennan/Black
N:O'Neill's G-modal version is not the usual one played today. 
There's a "session" A-dorian version in Allan's Irish Fiddler.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:C
P:G modal
D|D2G GFG|ABc d2e|fef ded|cAG F3|
DGG GFG|ABc d2e|fed cA^F|G3 G2 :|
d|gfg def|gfg a2g|fef ded|cAG F2d|
gfg def|gfg a2g|fed cA^F|G3 G2 :|

%%%

X:493329
T:RAMBLER FROM CLARE, The 
B:ONMI.1009
Z:Brennan/Black
N:|cef| replaces |c-c/d/e/^f/| in mm. 9 and 13.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Ador
B|cAB GAE|DEG GAB|cBA GED|EAA A2B|
cAB GAE|DEG GAB|cde =fed|cAA A2 :|
B|cef gef|gea ged|ef^g aba|gef ged|
cef ge^g|aba ged|cde =fed|cAA A2 :|

%%%

X:493330 
T:RANTING RAKE, The 
B:ONMI.0916
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
A|GAG G2g|dBd dBd|ege dBd|ABA ABA|
GAG G2g|dBd dBd|ege dBd|GAF G2 :|
c|d3 e3|ded dBG|cdc BdB|AGA BGE|
d3 B3|AGA Bge|dBd gdB|GAF G2 :|

%%%

X:493331 
T:RED STOCKINGS
B:ONMI.0774
Z:Brennan/Black
N:Same tune as "Saddle the Pony". (This is Johnny O'Leary's 
name for that tune too. He may have gotten it from O'Neill.)
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GBA G2B|def gdB|GBA G2B|AFD AFD|
GBA G2B|def gdB|ecA dBG|cAF G2 :|
A|Bde dcB|def gdB|ded dBG|ABG AFD|
ded dcB|def gdB|ecA dBG|cAF G2 :|

%%%

X:493332 
T:REDHAIRED HAG, The 
S:F.O'Neill
B:ONMI.0923
N:See the introductory note on "Ambiguous Tunes". I'm looking at
measure 3 and calling A modal on this one.
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Amix
P:A modal
f|ecA aeA|cde gfg|BGG dGG|Bcd d2f|
ecA aeA|cde fga|def gdB|ecA A2 :|
e|agf ecA|cde fga|BGB dBG|Bcd d2e|
agf ecA|cde a3|def gdB|ecA A2 :|

%%%

X:493333 
T:RIVALS, The 
S:F.O'Neill
B:ONMI.1103
Z:Brennan/Black
R:jig
%Q:1/4=160
N:See note on Ambiguous Tunes at top of this file. Accented G's are
pointing towards A modal.
M:6/8
L:1/8
K:D
P:A modal
f|ecA ABA|cBA Aaf|ecA ABA|dBG GBd|
cBA ABA|ecA Ace|fed edc|dBG A2:|
%
B|Aaa aea|cBA ABA|Ggf gfg|dBG GcB|
Aaa aea|fga efg|fed edc|dBG A2:|
%
B|Aaa e2a|cBA AcB|Aaa efg|dBG GcB|
Aaa efg|fga efg|fed edc|dBG A2:|

%%%

X:493334 
T:ROAD TO LURGAN, The 
S:J.O'Neill
B:ONMI.0830
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|G3 B2G|c2A B2G|GBd cAG|F3 DEF|
GAG B2G|c2A BAG|ded cAF|G3 G2 :|
c|BAG AFD|DED FED|BAG AFD|F3 ABc|
BAG AFD|DED FED|BdB cAF|G3 G2 :|

%%%

X:493335
T:RORY O'MOORE 
B:ONMI.0856 
Z:Brennan/Black
%Q:1/4=160
R:jig % A-B-A
M:6/8
L:1/8
K:G
P:"A"
e|dGG BGG|dGG G2e|dcB BAG|FAA ABc|
dGG BGG|dGG edc|Bcd def|gGG G2 :|
P:"B"
f|gfe edB|cBA G2F|EFG GAB|Bed e2f|
gfe edB|cBA G2F|EFG GAB|1 edd d2 :|2 Bed e2|]
P:"A" repeat
e|dGG BGG|dGG G2e|dcB BAG|FAA ABc|
dGG BGG|dGG edc|Bcd def|gGG G3 |]

%%%

X:493336 
T:RUINS OF KILLMALLOCK, The  
S:F.O'Neill
B:ONMI.1029
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
B|cBc dcd|ecA AGE|cBd cBA|GEF GAB|
cBc dcd|ecA Bcd|cBA BGE|EAA A2 :|
e|aga ece|agf edc|dcd BGB|Acd efg|
aga ece|agf edc|Bcd efg|aAA A2 :|

%%%

X:493337 
T:RUNAWAY BRIDE, The 
B:ONMI.0945
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
c|BcB AGA|GAG GBd|edd gdB|BAG Adc|
B2B AGA|GAG GBd|efg faf|gag g2 :|
d|efg fga|ded dcB|edc BAG|BAG Adc|
BcB AGA|GAG GBd|efg faf|gag g2 :|

%%%

X:493338 
T:SADDLE THE PONY (1st setting) 
S:F.O'Neill
B:ONMI.0717
N:1:Neither this setting or setting 2 sounds like today's 
session tune of the same name (which ONMI calls "Red 
Stockings")
N:2:See the introductory note on "Ambiguous Tunes". I'm
going with A dorian on this one.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G % source key = A major
P:A dorian"
B|:cAA eAA|cBc eAA|cAA eAA|dBG Bcd|
cAA eAA|cBc efg|agf gfe|dBG Bcd :|
eaf gee|fdd gee|eaf gfe|dBG Bcd|
eaf gee|fdd gee|def gfe|1 "thru"dBG Bcd :|
[2 "final"dBG BdB|A6|]

%%%

X:493339 
T:SADDLE THE PONY (2nd Setting) 
S:F.O'Neill
B:ONMI.0718
N:See the introductory note on "Ambiguous Tunes". If this 
is really a modal tune (A mix), it sounds a lot like a 
member of the "Langstrom's Pony"/"Mooncoin" family. (Is
this Langstrom's pony that needs a saddle? - just asking.) 
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % source key = A major
P:"A modal"
g|:fed cAA|eAA cBA|fed cAA|BGB dBG|
fed cAA|cAA efg|faf gfe|dBG Bcd :|
cee dff|cee ecA|cee dff|dBG Bcd|
cee dff|cAA efg|faf gfe|1 "thru"dBG Bcd :|
[2 "final"dBG BdB|A6|]

%%%

X:493340 
T:SCATTER THE MUD (1st Setting) 
S:F.O'Neill
B:ONMI.0966
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
d|eAA B2A|eAA ABd|eAA B2A|BGG GBd|
eAA B2A|eAA ABd|edc BcA|BGG G2 :|
d|gfg efg|fag fed|gfg efg|afd d2d|
gfg efg|fag fed|edc BcA|BGG G2 :|

%%%

X:493341 
T:SCATTER THE MUD (2nd Setting) 
S:McFadden
B:ONMI.0967
N:|B2A| replaces |B-B/c/B/A/| in mm 1,3, & 5.
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Am
d|eAA B2A|eAA ABd|eAA B2A|dBG GBd|
eAA B2A|eAA AGE|GAB Bge|dBA A2 :|
d|eaa egg|dBA ABd|eaa egg|dBG GBd|
ea^f g2e|dBA AGE|GAB Bge|dBA A2 :|

%%%

X:493342 
T:SERGEANT CAHILL'S FAVORITE 
S:Cahill
B:ONMI.0834
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D2E G2A|B2d dBG|B2c A2B|G2A BGE|
D2E G2A|B2d dBG|B3A2B|G3 G3 :|
g2d e2d|g2d e2d|B3A2B|G2A BGE|
D2E G2A|B2d dBG|B3A2B|G3 G3 :|

%%%

X:493343 
T:SERGEANT EARLY'S JIG 
S:Early
B:ONMI.0725
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". I suspect 
that the accented C's in this tune are actually C natural;
the unaccented ones I have left as C sharp. I don't know if
this "hybrid" works or not.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % source key = G
A|FED EFG|AGE =c2e|dcA efd|ecA A2G|
FED EFG|AGE =c2e|dcA GEA|DED D2 :|
d|=cBA Bcd|efe e2d|dcd efd|ecB A2d|
=cBA Bcd|eag e2d|dcA GEA|DED D2 :|

%%%

X:493344 
T:SERGEANT STACK'S FAVOURITE 
S:Stack
B:ONMI.1028
Z:Brennan/Black
See the introductory note on "Ambiguous Tunes". I like
A dorian for this. I have also cleaned up a few of the
ornamentations.
%Q:1/4=160
R:jig % A-B-A
M:6/8
L:1/8
K:G % source key = A major
P:A dorian
P:"A"
B|c3 BcB|AGE GAB|c3 dcd|ege aed|
c3 BcB|AGE GAB|cBA GED|EAA A2 :|
P:"B"
B|cef gfg|eaf ged|cef gfg|eag a2B|
cef gfg|eab age|c3 d3|edc d=f :|
P:"A" repeated
d|c3 BcB|AGE GAB|c3 dcd|ege aed|
c3 BcB|AGE GAB|cBA GED|EAA A3 |]

%%%

X:493345
T:SHANDON BELLS 
B:ONMI.0814
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
B|AFD DFA|ded cBA|BGE EFA|B2A Bcd|
AFD DFA|ded cBA|Bcd ecA|1 d3 dc :|2 d3 d2||
g|f2d ded|faa afd|cAA eAA|cBc efg|
f2d ded|faa afd|Bcd ecA|d3 d2 :|

%%%

X:493346 
T:SHEEP on the MOUNTAINS, The 
B:ONMI.0831 
Z:Brennan/Black
%Q:1/4=160
N:Simplified mm 11-12: |ABA d3| replaces |A B/A/G/A/ d3|
R:jig % A-B-A
M:6/8
L:1/8
K:D
P:"A"
D|F3 G3|AdB cAG|A3 d3|A3 d3|
F3 G3|A2d cAF|G3 AFD|G3 AFD|
F3 G3|AdB cAG|ABA d3|ABA d3|
FEF GAG|AdB cAF|G3 AFD|GFE D2||
P:"B"
f|fed efg|afd cAG|A3 d3|A3 d3|
[1 fed efg|afd cAF|G3 AFD|G3 AFD|
[2 f3 g3|afd cAF|G3 AFD|G3 AFD ||
P:"A" repeated
F3 G3|AdB cAG|A3 d3|A3 d3|
F3 G3|A2d cAF|G3 AFD|G3 AFD|
F3 G3|AdB cAG|ABA d3|ABA d3|
FEF GAG|AdB cAF|G3 AFD|GFE HD3|]

%%%

X:493347 
T:SHORT GRASS, The 
S:J.O'Neill
B:ONMI.0981
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:Am
d|cGE cGE|EDE CEG|cGE cGE|Add ded|
cGE cGE|EDE CEG|cee e2d|cAA A2:|
z|gag ged|ecc cde|aba age|edd d2e|
[1 gag ged|ecc cde|fed fed|ecA A2 :|
[2 gfe agf|gfe dcB|cee e2d|cAA A3 |]

%%%

X:493348 
T:SILKEN WALLET, The 
B:ONMI.0891
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BGE EFE|AFD DED|BGE GAB|c3 B2A|
BGE EFE|AFD DED|E2c BcA|G3 G2:|
D|GAG GBd|ege dBG|GAG GBd|e2f g3|
[1 GAG GBd|ege dBG|AGE EDE|c2B A2 :|
[2 agf gfe|fed edB|cBA BAG|E2F G3 |]

%%%

X:493349 
T:SLATTERY'S FANCY 
B:ONMI.0803
Z:Brennan/Black
S:Casey
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:A
B|c3 c2B|cec dBA|GAB BcB|Bec dBA|
cdc c2B|cec dBA|GAB Bec|dBG A2 :|
z|a3 gfe|dBA GAB|cBc dcd|efg a2z|
a2a gfe|dBA GAB|cBc cde|dBG A2 :|

%%%

X:493350 
T:SMASH THE WINDOWS 
S:J.O'Neill
B:ONMI.0965
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D
A,|DED F2A|d2f ecA|G2B F2A|E2F GFE|
DED F2A|d2f ecA|Bgf edc|d3 d2 :|
a|a2f d2e|f2g agf|g2e c2d|e2f gfe|
f2d g2e|a2f bag|fed cde|d3 dfa|
agf fed|Adf afd|gfe ecA|Ace gfe|
fed gfe|agf bag|fed cde|d3 d3 |]

%%%

X:493351
T:SNUG in the BLANKET 
B:ONMI.0889
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G|A2B cBc|EFE c2A|B2G AFD|GAG BAG|
A2B cBc|EFE c2A|BdB cAF|G3 BA :|
G|FGA AFd|AFd AFd|FGA AFd|EFG GFE|
FGA AFd|AFd ABc|BdB cAF|G3 BA :|
G|FGA AFD|DED AFD|FGA AFD|GAG BAG|
FGA AFD|DED ABc|BdB cAF|1 "thru"G3 BA :|
[2 "final"G3 BAF|G6|]

%%%

X:493352
T:SOD OF TURF, The 
B:ONMI.0928
R:jig
%Q:1/4=160
Z:Brennan/Black
N:Another challenge to figure out! Status of the C's isn't clear
- ambiguous, in fact! - but I'm going with D modal. (Don't forget
you can always make adjustments in the K: field to find a sound you
like better.)
M:6/8
L:1/8
K:Dmix
P:D modal
e|dcA AGE|c2A ABc|dcA AGF|DGG GBc|
dcA AGE|c2A ABc|dcA fga|ge^c d2 :|
c|dcA f2g|a2g f2c|dcA fga|g2A GBc|
dcA f2g|a2g f2c|dcA fga|ge^c d2 :|

%%%

X:493353 
T:SPINNER'S LILT 
S:J.O'Neill
B:ONMI.1058
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|D2F FGA|ABA AGF|D2F FGA|BAB gec|
d2F FGA|ABA AGF|GBG FAF|EFA B2 :|
A|d2f faf|d2f ecA|d2f faf|ede f2g|
agf bag|fed cBA|dcB AGF|EFA B2 :|

%%%

X:493354 
T:SPORTING BACHELOR, The 
B:ONMI.0850
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GBd g2d|ed^c d2B|cBA BAG|AB^c d2D|
GBd g2d|ed^c d2B|cBA ABc|def g2 :|
B|dcA B2G|dcA B2G|def gfe|dcB A2B|
c2e efg|B2d dBG|Aag fef|gba g2 :|

%%%

X:493355 
T:SPOTTED COW, The 
S:F.O'Neill
B:ONMI.0983
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Bm
G|Add fdd|edd fdd|Add fdd|edB BAF|
Add fdd|edd fdd|faf geg|fdc B2 :|
%
G|AFA A2B|AFA A2B|AFA Dfe|fdc B2d|
AGF A2d|AGF A2B|dfd ege|fdA B2 :|
%
G|ABA AFA|DFA DFA|ABA AFA|fdA BAF|
ABA AFA|DFA DFA|faf geg|fdc B2 :|

%%%

X:493356 
T:SPRING WELL, The 
B:ONMI.1080
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
G2E GAB|A2G ABd|ede gdB|BGF E2D|
G2E GAB|A2G ABd|ede gdB|AGG G2z :|
BGG dGG|ege dcA|BGG dGG|AGA BGE|
BGG dGG|efe def|gfg ecA|BGG G2z :|

%%%

X:493357
T:STACK THE RAGS 
S:F.O'Neill
B:ONMI.0989 % A-B-A
N:Nice tune but I had problems with the Chief's key signature 
(G) and the fact that the repeated first part ended oddly. 
I changed a few things around (including transposing to Em, 
a more accessible key for trad players).
N:The bracketed notes aren't chords but "alternatives" in case you 
can't play the lower note. (There may be another way of doing this in 
ABC but I don't know what it is!)
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:Edor % source key = Gm
B|AFE E2D|[B2B,2]E E3|AFE E2E|d3 ^c2B|
AFE E2D|[B2B,2]E E3|D2E F2G|A3 B2 :|
%
z|E2e e3|dfd e3|B2e e2c|d3 ^c2B|
E2e e3|dfd e3|fgf f2e|d3 B2A|
B2e e3|dfd e3|B2e e2^c|d3 d2e|
fed ed^c|d^cB d2B|AGF F2F|d3 ^c2|]
P:Part A repeat
B|AFE E2D|B,2E E3|AFE E2E|d3 ^c2B|
AFE E2D|B,2E E3|D2E F2G|A3 B3|He6|]

%%%

X:493358
T:STAGGER THE BUCK 
S:McFadden
B:ONMI.0854
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GBG AGE|c2c B2d|GBG AGE|EAA AGE|
GBG AGE|Bdf gfe|dBG AGE|DGA G2:|
G|Gge dBG|c2c B2d|Gge dBG|EAA AGE|
Gge dBG|Bdf gfe|dBG AGE|DGA G2:|

%%%

X:493359 
T:STORYTELLER, The 
B:ONMI.0743
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:C
d|edc cAG|GEG GEG|edc cge|edd dcd|
edc cAG|GEG GEG|cge dcd|ecc c2 :|
F|EGc cec|GBd dfd|ceg gfe|edd def|
gec cec|dBG G2F|EGc dcd|ecc c2 :|

%%%

X:493360 
T:STRAW SEAT, The 
B:ONMI.0833
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". To my hearing this 
is a D dorian tune (= D minor with B's natural instead of flat).
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:C
P:D dorian
c|d2d ded|cBA ABc|d2d def|ecA ABc|
d2d ded|cBA ABc|dBd cBA|GED D2 :|
G|FDF ABA|FDF ABA|ECE GAG|ECE GAG|
FDF ABA|FDF ABc|dBd cBA|GED D2 :|

%%%

X:493361 
T:STRIKE THE YOUNG HARP 
B:ONMI.1052
Z:Brennan/Black
N:aka "Strike the Gay Harp". This is usually played in D today.
Note no repeats in source - I replaced them (and created the
appropriate endings for the last part).
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D % source key = C
c|dBB cAA|BAG FED|dBB cAA|dAF EFA|
def Bcd|ABG F2E|D2D D2F|AFD EF :|
%
c|def f^ga|aba afd|def f^ga|bge ecA|
def a2a|ba^g a2=g|fed dfe|dAF EF :|
%
c|dfe dfe|dAG FED|dfe dfe|dAF EFA|
def Bcd|ABG F2E|D2D D2F|1 "thru"AFD EF :|
[2 "final"AFD EFE|D6|]

%%%

X:493362 
T:STROP the RAZOR (1st setting) 
B:ONMI.1092
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
G|DGG BAG|AFD FDC|DGG BAG|Add cAG|
DGG BAG|AFD F2G|FED F2G|Add cA :|
G|DGG G2A|DFF F2G|DGG GFG|Add cAG|
DGG G2A|DFF F2G|FED F2G|1 "thru"Add cA :|
[2 "final"Add cAF|G6

%%%

X:493363 
T:STROP the RAZOR (2nd Setting) 
B:ONMI.1093
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
GAG GBG|AFD DFD|GAG G2B|Add cAF|
GAG GBG|AFD DFD|FDE F2G|Add cAF||
%
GDG G2A|FDF F2A|GDG G2B|Add cAF|
GDG G2A|FDF FGA|cAG FGA|Add cAF||
%
GBe f2d|abg f2d|cAG FGA|Add cAF|
GBe f2d|abg f2d|cAG FGA|Add cAF||
%
G3 BGG|AGG BGG|GAG BGG|Add cAF|
GAG BGG|FDE F2G|FDE F2G|Add cAF||"final"G6|]

%%%

X:493364 
T:SWEET BIDDY DALY 
S:F.O'Neill
B:ONMI.1084
Z:Brennan/Black
N:aka "Irishman's Heart/Health to the Ladies"
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:A
a|ecA BAF|AFE EFA|Bdc BAB|cBB B2a|
ecA BAF|AFE EFA|Bdc BAB|cAA A2:|
A|cee dff|cee ecA|cde eaf|ecA B2A|
cee dff|cee ecA|Bdc BAB|cAA A2:|

%%%

X:493365 
T:TAILOR'S THIMBLE, The 
S:J.O'Neill
B:ONMI.0827
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|DFF FED|FAA Adc|Bdd Add|Bdd AFE|
DFF FED|FAA A2c|BdB AGF|1 EFE E2 :|2 EFE D2||
e|fgf fed|faa a2f|efe edB|def g2g|
fgf efe|ded cBA|BdB AGF|1 EFE E2:|2 EFE HD3|]

%%%

X:493366 
T:TAILOR'S WEDDING, The 
S:F.O'Neill
B:ONMI.0848
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|GFG BGB|def g2b|GFG B2e|dBA A2D|
GFG BGB|def gfg|agf gfe|dBA A2 :|
d|efe edB|ded dBd|efe edB|dBA ABd|
efe edB|def gfg|agf gfe|1 "thru"dBA A2 :|
[2 "final"dcB AFA|G6|]

%%%

X:493367 
T:TAKE IT EASY 
S:F.O'Neill
B:ONMI.1089
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
D|G3 ABd|edB A2B|G3 ABd|ede E2D|
G3 ABd|edB A2G|def gdB|AcB G2:|
%
f|gfe agf|gfe def|gfe agf|gab e2f|
gfe agf|gfe def|gab dBG|AcB G2:|
%
d|e3 dBG|BAG ABd|e3 dBG|A2B E2d|
e3 dBG|BAG ABd|efg dBG|AcB G2:|

%%%

X:493368 
T:TATTER THE ROAD 
B:ONMI.0906
Z:Brennan/Black 
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
d|cAG F2D|G2G G3|ABA A2G|F2G A2d|
cAG FED|G2G G3|ABA B2G|AFD D2 :|
e|f2d d2e|f2d cBA|B2G ABc|B2G AFD|
f2d efg|f2d cBA|B2G cAF|G3 G2 :|

%%%

X:493369 
T:TELL HER I AM 
S:Delaney
B:ONMI.0749
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
d|edB GAB|DED GAB|DED cBA|BGE E2d|
edB GAB|DED GAB|AGE cBA|BGG G2 :|
d|BdB def|gfe dBG|ABA AGA|BGE E2d|
Bcd def|gfe dBG|AGE cBA|BGG G2 :|

%%%

X:493370 
T:TEMPLEHOUSE JIG (1st setting), The  
S:F.O'Neill
B:ONMI.0755
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
z|EFE G2A|B2F G2E|DED F2D|A2D F2D|
EFE G2A|B2F G2A|BcB AGF|BGE E2 :|
f|g2f e2f|g2f e2g|faf d2f|faf d2f|
[1 g2f e2f|g2f e2d|BcB AGF|BGE E2 :|
[2 b2g a2f|g2e f2d|BcB AGF|BGE E3 |]

%%%

X:493371
T:TEMPLEHOUSE JIG (2nd setting), The 
S:J.O'Neill
B:ONMI.0756
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
z|EFE G2E|B2E G2E|DED F2D|A2D F2D|
EFE G2E|B2E G2E|BcB cBA|BGE E2 :|
f|gbg ege|gbg ege|faf dfd|faf def|
[1 gbg ege|gbg ege|gbg faf|bge e2 :|
[2 gfe agf|bag fed|B^cd AGF|BGE E3 |]

%%%

X:493372 
T:TENPENNY BIT (1st Setting), The
S:Beamish
B:ONMI.0929
N:I didn't like the G sharps in this tune when I first heard them,
but I've change my mind since. Your choice (keeping in mind that
played at speed, the difference between sharp and flat will probably
not be noticed).
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
P:A dorian
e|eAA ^GAA|Bdd Bdd|eAA ^GAA|BAA A2e|
eAA ^GAA|Bdd Bdd|gfe edB|BAA A2 :|
d|e2f gfg|eag fed|e2f gfg|ef^g a2a|
baa aff|gfe def|gfe edB|BAA A2 :|

%%%

X:493373 
T:TENPENNY BIT (2nd Setting), The 
S:Kennedy
B:ONMI.0930
N:Source has |=f| in mm 10 and 15. I removed them as adding nothing
to the tune (except confusion).
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
P:A dorian
D|EAA G2A|Bed Bcd|edB G2A|B2A GED|
DED G2A|Bed Bcd|ede gdB|BA^G A2 :|
d|e2f gfg|eag fed|e2f gfg|ef^g a2a|
b^gb afa|gfe def|gfe fdB|BA^G A2 :|

%%%

X:493374 
T:THATCHER, The
S:Fr.Fielding 
B:ONMI.1036
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". I think A dorian 
works here.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G % source key A major
P:A dorian
f|eAB c2d|edc BAG|eAB c2d|eaa eaa|
eAB c2d|edc BAG|ABA gfe|dcB A2 :|
d|eaa efg|dec BAG|eaa efg|fed efg|
eaa efg|dec BAG|ABA gfe|dcB A2 :|

%%%

X:493375
T:THE WIDOW BRADY
S:F.O'Neill
B:ONMI.0734
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
d|AFD DFA|AFA B2d|AFD DFA|fdB B2d|
AFD DFA|AFA B2d|def gfe|fdd d2 :|
d|afd fed|ecA Ace|fed dec|ecA Afg|
aba gfe|fed cBA|Bcd efg|fdd d2 :|

%%%

X:493376 
T:THIEF OF LOUGH ERNE, The 
S:F.O'Neill
B:ONMI.0963
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
A|GED DCD|Adc B2A|GEE EGE|GEE E2A|
GED DCD|Adc B2A|BGG G2A|BGF G2 :|
A|BGG dGG|BGG dGG|AFF cFF|AFA c2A|
[1 BGG dGG|BGG dGG|Bdc B2A|BGF G2 :|
[2 BGG AFF|GEE d2c|Bdc B2A|BGF G3 |]

%%%

X:493377 
T:THREE LITTLE DRUMMERS, The 
S:F.O'Neill
B:ONMI.0969
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
P:A dorian
f|eAA eAA|BAB GBd|eAA eAA|def gfg|
eAA eAA|BAB GBd|def gdB|BAA A2 :|
%
d|eaa eaa|egg egg|eaa eaa|def gdB|
eaa eaa|egg egg|def gdB|BAA A2 :|
%
d|eaa a^ga|bab ged|eaa a^ga|bab g2d|
eaa a^ga|bab ged|def gdB|BAA A2 :|

%%%

X:493378 
T:THRESHING THE BARLEY 
B:ONMI.0976
R:jig
%Q:1/4=160
Z:Brennan/Black
M:6/8
L:1/8
K:G
c|BAB GBd|cBc ABc|Bcd cBA|Gge d2c|
BAB GBd|cBc ABc|Bcd cAF|GFG G2 :|
c|Bcd def|gfe dBG|Bcd def|age d2d|
gag gdB|cdc cAF|GBd cAF|GFG G2 :|

%%%

X:493379
T:THRUSH'S NEST, The 
S:McFadden
B:ONMI.0855
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
Add fdd|edd fdd|Add fdd|edB BAF|
Add fdd|edd efg|faf gfe|fdB Bcd :|
ABF DFA|DFA Bcd|ABF DFA|fdB Bcd|
ABF DFA|DFA d2e|faf gfe|fdB Bcd :|

%%%

X:493380 
T:TIE THE PETTICOAT TIGHTER 
S:F.O'Neill
B:ONMI.0792
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
B|c2A BGE|c2A BGE|G2G G2d|G2G G2B|
c2A BGE|c2A BGE|A2A A2e|A2A A2 :|
B|: cde dcB|cBA BGE|gag gdB|gag gdB|
[1 cde dcB|cBA BGE|aba aec|aba aec :|
[2 cde def|edc BA^G|A2A A2e|A2A A3 |]

%%%

X:493381 
T:TIM HOGAN'S JIG 
B:ONMI.1012
Z:Brennan/Black
N:I added repeats to parts 2 and 3. 
N:Bracketed notes are "either/or", not "both"!
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
P:A dorian
ABA A3|A2A g3|ABA A2e|edc BA^G|
ABA A3|A2A g3|def gfg|1 edc BAG :|2 edc Bc||
%
d|ef^g ab[ac']|bag a2g|ef^g aga|baf ged|
ef^g ab[ac']|bag gfe|def gfg|edc BA :|
%
B|cec BdB|Acd ecA|cec BdB|GBc dBG|
cec BdB|Acd ecA|def gfg|1 "thru"edc BA :|
[2 "final"edc BAG|HA6|]

%%%

X:493382 
T:TIM the THATCHER 
S:Mary O'Neill
B:ONMI.0739
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". My guess for this
tune is A modal.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D 
P:"A modal"
E|ABA c2A|d2B G2B|ABA c2A|B2E GAB|
ABA c2A|dBd e2f|gab gfe|dBG A2 :|
d|efe d2B|e2B ABd|efe d2c|dBA GBd|
efe d2B|e2f g2a|b2a gfe|dBG A2 :|

%%%

X:493383 
T:TIP the CRUISKEEN 
B:ONMI.0887
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:A
A2B c2A|B2G A2F|cAF FAF|cAF FAF|
A2B c2A|B2G A2F|BGE EGE|BGE EGE :|
e2c d2B|c2A cde|cAF FAF|cAF FAF|
e2c d2B|c2A cde|BGE EGE|BGE EGE :|

%%%

X:493384 
T:TOBIN'S FAVOURITE 
S:Tobin
B:ONMI.0775
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
E|DFA dcd|ecA cde|fdf gfg|ecA GFE|
DFA dcd|ecA efg|faf gec|edc d2 :|
c|dfa agf|ege efg|fdf gfg|ecA GFE|
DFA dcd|ecA efg|faf gec|edc d2 :|

%%%

X:493385 
T:TONGS by the FIRE, The 
S:F.O'Neill
B:ONMI.0962
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
D|GBd cAF|Gge dBG|cec BdB|ABG FED|
GBd cAF|Gge dBd|cec Bag|fef g2 :|
d|gdB gdB|gfa gdB|gfg eag|fdd def|
gbg faf|ege def|gdB AGA|BGG G2 :|

%%%

X:493386 
T:TOP OF CORK ROAD, The 
T:Father O'Flynn
B:ONMI.1031
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
e|dAF DFA|Bed cBA|dcd efg|aed cBA|
dAF DFA|Bed cBA|dcd efg|fdd d2 :|
g|fdf fga|ecd efg|dcd fed|cAA A2c|
BGB Bcd|AFA DFA|dcd efg|fdd d2 :|

%%%

X:493387 
T:TOP of the HILL, The 
S:F.O'Neill
B:ONMI.0947
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
P:A dorian
ABc e2A|g2A e2A|ABc e2A|gfe dBG|
ABc eAA|gAA eAA|BGB gfe|dge dBG :|
gAg g2f|ef^g a3|aAa g2e|dge dBG|
gAg g2f|ef^g a3|aAa g2e|dge dBG :|"final"A6|]

%%%

X:493388 
T:TRIP IT UP STAIRS 
B:ONMI.0817
Z:Brennan/Black
N:Not related to the session tune of the same name 
(aka "Sackow's")
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
G2A B2G|A2G FGA|B2E EFE|B2E EFE|
G2A B2^c|d2A BAG|F2D DED|F2D DED :|
%
d2d dAF|DFA dAF|G2E EFE|G2E EFE|
d^cd edc|d^cB ABG|F2D DED|F2D DED :|
%
g2g gag|f2f fgf|e2e e2g|bge e2f|
gfg agf|edc BAG|F2D DED|F2D DED :|E6||

%%%

X:493389 
T:TRIP to the COTTAGE, The 
B:ONMI.0802 
Z:Brennan/Black
N:As AA-BB-A in the book, but I don't think anybody plays 
it like that these days.
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
c|dcd BGB|cBc AFA|DGG FAA|GBB ABc|
dcd BGB|cBc AFA|EGG FGA|BGG G2 :|
d|gfe d2d|edc Bcd|ecA dBG|FAG FED|
gfe d2d|edc Bcd|efg eag|fdd d2:|

%%%

X:493390 
T:TWOPENNY JIG, The 
S:O'Reilly
B:ONMI.1061
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G % source key = F
P:A dorian
AGE c2d|ecA AGE|A2B c2d|ecA A2c|
AGE c2d|ecA BAB|GBd gfe|1 dBG GAB:|\
[2 dBG G2||
d|ege dfd|cec BAG|A2B c2d|ecA A2d|
[1 ege dfd|cec BAB|GBd gfe|dBG GB :|
[2 ece gfe|dec BAB|GBd gfe|dBG GAB|A6|]

%%%

X:493391 
T:UNFORTUNATE RAKE, The 
S:J.O'Neill
B:ONMI.0970
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:Edor
P:E dorian
B|Bee efg|dcB AGF|Eee efg|fdf e2E|
Eee efg|dcB AGF|GAB Bcd|AGF E2 :|
F|GBB BAG|FDF AGF|GAB Bcd|AGF E2F|
GBB BAG|FDF ABd|fed edB|AGF E2 :|

%%%

X:493392 
T:VICTOR'S RETURN, The 
S:F.O'Neill
B:ONMI.0886
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". This sounds to me
like an A modal candidate.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D 
P:A modal
f|eAA fed|eAA f2d|eAA gfe|dBG Ggf|
eAA fed|eAA f2d|agf gfe|dB^G A2 :|
B|A2a aba|gef gdB|A2a aba|gfe dcB|
A2a aba|gef g2f|gfe efg|dB^G A2 :|

%%%

X:493393 
T:VISIT TO IRELAND, A 
B:ONMI.0753
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
B|ded dBG|Bdd def|gfe dcB|cAA ABc|
ded dBG|Bdd def|gfg ABc|BGG G2 :|
d|gfg aga|bag fed|gfe dcB|cAA A2d|
gfg aga|bag fed|gfg ABc|BGG G2 :|

%%%

X:493394 
T:WAIT AWHILE 
B:ONMI.0932
R:jig
N:See the introductory note on "Ambiguous Tunes". IMO another A 
modal candidate!
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:D % source key = A major
P:A modal
B|cde eca|cAc e2d|cde efg|BGB d2B|
cde efg|agf edc|dfd cac|BGB d2 :|
B|acA ecA|acA efg|acA ecA|BGB d2B|
acA ecA|acA efg|agf edc|1 "thru"BGB d2 :|
[2 "final"BGB dcB|A6

%%%

X:493395 
T:WALK OUT OF IT HOGAN 
S:F.O'Neill
B:ONMI.1072
Z:Brennan/Black
N:Note that parts are not repeated in the source.
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:G
G3 AGE|B2A AGE|G3 AGE|GAB GED|
G3 AGE|GAB cde|dBG AGE|GAB GED||
%
BGG AGG|BGG AGE|BGG AGE|GAG GED|
BGG cAA|dBB cAA|BGG AGE|GAB GED||
%
dge dBG|ABA ABd|ege dBG|Bgf g2a|
bag agf|gfe dcB|cBA BAG|AGE FED||
%
G2d BGd|BGd AGE|G2d BGd|AFd FED|
G2d BGd|BGd ABc|BAG AGE|GAB GED||
%
DFD DFD|ABA BGE|DFD DFD|G2F GFE|
DFD DFD|ABA ABc|BAG AGE|GAB GED|"final"G6|]

%%%

X:493396 
T:WALLOP the POTLID 
S:McFadden
B:ONMI.1048
Z:Brennan/Black
N:O'Neill's key signature for this tune is D, so all his C's would be
sharp (there aren't any accidentals in his setting). On the other hand,
myy key signature is G, which means that all the C's will be natural.
The truth is probably somewhere in between. Unfortunately this is the
only setting of this tune that I can find, so I don't have anything to
compare it to.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
P:D modal
F2D DED|E2D DED|F2D DED|DFA BGE|
F2D DED|E2D DED|E2C CEC|=CEF GFE:|
%
DFA dcd|edc d2B|ABc d2e|fed edc|
d2e fda|gec d2c|ded cAG|FAF GFE:|
%
f2d dfd|e2d dfd|f2d dfd|dfa bge|
f2d dfd|ded dfd|e2c cec|cef gfe:|
%
ded dfd|cec cec|dfd dfd|dfa bge|
ded dfd|cec cef|ged cdf|gea gec:|
%
ABc dcd|edc d2c|ABc deg|fed edc|
d2e fda|gec d2c|dad cAG|FAF GFE:|
%
DFA dcd|edc d2B|ABc deg|fed efg|
fdf ecA|dAB cAG|ced cAG|FAF GFE:|\
"final"HD6|]

%%%

X:493397 
T:WALLOP the SPOT 
S:McFadden
B:ONMI.1087
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
d2B cAF|FEF dAF|d2B cAF|B2d AFE|
d2B cAF|FEF dAF|dfd cec|B2d AFE:|
%
c2d ecA|eaf ecA|c2d ecA|B2F AFE|
c2d ecA|eaf ef^g|agf ecA|B2F AFE:|
%
DFA dfd|dfd dAF|DFA dAF|B2d AFE|
DFA dfd|dfd d2g|fag d2A|B2d AFE:|
%
F2E D2D|DED D2E|FEF DFA|B2d AFE|
F2E D2D|DED D2c|dcB cBA|B2d AFE:|"final"D6||

%%%

X:493398 
T:WALLS OF LISCARROLL, The 
S:Carey
B:ONMI.0704
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G % source key = D major
P:D modal
A|dcA AGE|GEE D2E|GEE cEE|GAB c2e|
dcA AGE|GEE D2E|GEE cEE|DED D2 :|
A|dcd ecA|dcd ecA|cBc cBA|GAB cGE|
Ade =fed|edc dcA|GEE cEE|DED D2 :|

Source version:
K:D
A|dcA AGE|GEE D2E|GEE cEE|"4"GAB =c2e|
dcA AGE|GEE D2E|"7"GEE =cEE|DED D2 :|
A|d=cd ecA|d=cd ecA|=cB/d/c cBA|GAB =cGE|
Ade fed|ed=c dcA|"15"GEE =cEE|DED D2 :|

%%%

X:493399 
T:WASN'T SHE FOND OF ME? 
S:F.O'Neill
B:ONMI.0865
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
P:A dorian
f|eAA eAA|efe edB|eAA eAA|ded BAG|
eAA eAA|efe edB|def gfg|edc BAG :|
def gfg|edB eAA|def gfg|edc BAG|
def gfg|aba ab[ac']|bag gfe|dge dBG :|

%%%

X:493400
T:WELCOME TO CORK 
S:F.O'Neill
B:ONMI.0733
Z:Brennan/Black
N:Modal second part is a nice touch!
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|dBG dBG|efg dBG|cec BdB|cAG FED|
dBG ecA|gag fed|fed cAF|AGG G2 :|
G|Ggf gag|=fde f3|=F=fe fgf|edc dcA|
Ggf gag|=fde f3|cde =fcA|AGG G2 :|

%%%

X:493401 
T:WELLINGTON'S ADVANCE 
S:J.O'Neill
B:ONMI.0813
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". This appears in minor 
in other sources.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G % source key A major
P:A dorian
F|EAA AGA|cBA c2d|efe efg|dBG GFG|
EAA AGA|cBA c2d|efe dcB|cAA A2 :|
g|aee aee|aed cBA|BAB gfe|dBG GFG|
eaa aga|egg gfg|efe dcB|cAA A2 :|

%%%

X:493402 
T:WHAT AILS YOU? 
S:J.O'Neill
B:ONMI.1079
Z:Brennan/Black
R:jig
%Q:1/4=160
M:6/8
L:1/8
K:D
A|d2d def|e2d c2A|B2B BAF|A2A ABc|
d2d def|e2d c2A|B2A GEF|D2D D2:|
B|A2G FEF|A2A A2g|f2d edB|d2d d2B|
A2G FEF|A2A A2A|Bcd edc|d2D D2:|

%%%

X:493403 
T:WHEELS of the WORLD, The 
S:McNamara
B:ONMI.0777
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G|FDD ADD|BGB cBA|Bcd ecA|ABG FED|
G3 A2A|BGB cBA|Bcd ecA|AGG G2:|
B|def gdB|dBG c2A|Bcd ecA|ABG FED|
[1 def gdB|dBG c2A|Bcd ecA|AGG G2 :|
[2 G3 A2A|BGB cBA|Bcd ecA|AGG G3|]

%%%

X:493404 
T:WHEN SICK IS IT THE TEA YOU WANT? 
S:F.O'Neill
B:ONMI.0714
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
Add dcB|ABA AFA|Add d2e|fdB B2A|
Add dcB|ABA AFA|dfd ege|fdd d3 :|
afd dcd|BGG G2g|bge ede|cAA A2A|
Add dcB|ABA AFA|dfd ege|fdd d3 :|

%%%

X:493405 
T:WHEN WILLIAM AT EVE 
S:J.O'Neill
B:ONMI.0944
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:C
F|EGc cBc|Bdf fed|ecG AdB|cBA G2F|
EGc cBc|Bdf fed|gec AdB|c3 c2 :|
c|g^fg gag|gfe f2e|def afd|cdc B2G|
ABc fdc|Bcd efg|fdB GAB|c3 c2 :|

%%%

X:493406 
T:WHISKY AND WATER 
S:F.O'Neill
B:ONMI.0874
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
D|B2A G3|GBA G3|B2A G2A|B2A BGE|
B2A G3|GBA G2E|FEF d2B|e2B AF :|
A|B2e e2d|fed e3|B2e e2f|g2e fdB|
[1 B2^c d2B|edc d3|B2^c d2e|f2e dB :|
[2 B2^c d2=c|B2A G3|FEF d2B|e2B AFD |E6|]

%%%

X:4934087
T:WHITE PETTICOAT, The 
B:ONMI.0773
Z:Brennan/Black
N:A very interesting "classical"-sounding tune, possibly a 
composition by one of the Chief's "posse" of musicians.
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
B|Bed cBA|GFE B,EG|FBB cBB|eBB cBA|
Bed cBA|GFE B,EG|FBB cBA|GEE E2 :|
g|gec Gce|gaf gec|cBA EAc|Be^d eBG|
FBB GBB|FBA GFE|B,EG cBA|GEE E2 :|

%%%

X:493408 
T:WILL YOU COME HOME WITH ME? (1st setting) 
S:Cronin
B:ONMI.0842
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
G|FGA AFD|BAG AFD|ABA ABG|ABA ABG|
FGA AFD|BAG AFD|DGG GAF|DGG G2 :|
A|B3 cBc|ded cAG|ABA ABG|ABA ABG|
B3 cBc|ded cAF|DGG GAF|DGG G2 :|

%%%

X:493409 
T:WILL YOU COME HOME WITH ME? (2nd setting) 
S:F.O'Neill
B:ONMI.0843
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
A|BAB cBc|ded cAG|ABA ABG|ABA ABG|
BAB cBc|ded cAF|GAG A2F|GAG G2:|
e|fef def|gag fdc|ABA ABG|ABA ABG|
fef def|gag fdB|GAG A2F|GAG G2:|

%%%

X:493410 
T:WILLY WALSH'S JIG 
S:O'Reilly
B:ONMI.0823
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
B|ADD BAF|ABd edB|ADD BAF|AFE E2F|
ADD BAF|ABd edB|AdB AFA|Bdd d2 :|
B|AFA d2e|fdf ecA|BAB d2e|faf gfg|
AFA d2e|fdf ecA|AdB AFA|Bdd d2 :|

%%%

X:493411
T:WOODCOCK, The 
S:Dillon
B:ONMI.0975
N:Same name, not same tune, as "Hammy Hamilton's #2".
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
DGG BGG|dGG BGG|DGG BAG|FAA BGE|
DGG BGG|dGG BGG|DGG ABc|1 BGA GED :|2 BGG G2 ||
%
c|d2g B2d|AcA BGE|DGG BAG|FAA ABc|
d2g B2d|AcA BGE|DGG ABc|BGG GAc|
dgf edc|AcA BGE|DGG BAG|FAA ABc|
dgf edc|AcA BGE|DGG ABc|BGG G3 |]

%%%

X:493412  
T:YELLOW FLAIL, The 
S:F.O'Neill
B:ONMI.0818
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BAG GFG|D2E FEF|GAG GAB|cAG FGA|
BcB BAG|ABA ABc|dcA AGF|G3 G2 :|
%
D|GFG BAG|GFG AFD|GFG BGB|c2A F2A|
GFG BAG|EFG ABc|dcA AGF|G3 G2 :|
%
D|G2A B2c|ded d2c|BAG FGA|cAG F2A|
BcB BAG|ABA ABc|dcA AGF|G3 G2:|

%%%

X:493413 
T:YOUNG FRANCIS MOONEY 
S:F.O'Neill
B:ONMI.0863
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:Em
D|EFE G2A|BAB d2A|FDD DED|FAG FED|
EFE G2A|BAB d2e|fed efg|fee e2 :|
B|efe fdB|efe fdB|ded dAF|d^cd B2d|
efe fdB|ede g2a|bag faf|gee e2 :|

%%%

X:493414 
T:YOUNG TIM MURPHY 
S:Hartnett
B:ONMI.0883
Z:Brennan/Black
%Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
G|AFD DFA|Bcd A2A|Bcd AGF|GFG EFG|
AFD DFA|Bcd B2A|Bcd F2E|FDD D2 :|
e|fef dBA|Bdd d2e|fef def|gfg e2a|
fed B2d|A2d F2A|Bdd F2E|FDD D2 :|

%%%

X:493415 
T:YOUNG TOM ENNIS 
S:Ennis (sr.)
B:ONMI.0908
N:"Composed by 'The Piper' Ennis for his son, Tom, who became a 
noted violinist in Irish circles in the 19-'teens and 'twenties." 
(Brennan)
R:jig
Z:Brennan/Black
%Q:1/4=160
M:6/8
L:1/8
K:G
P:A dorian
B|cBA BcB|AGE GAB|cBA Bed|BAA A2B|
cBA BcB|AGE GAB|cde ded|cAA A2 :|
f|gfe age|dBG Gef|gfe agf|ef^g aef|
gfe age|dBG GAB|cBA Bed|BAA A2 :|

%%%