BB's IRISH TRADITIONAL TUNE LIBRARY
"O'Neill's Music Of Ireland" ("The 1850")  
reels 1176-1325

========================================================================

folder contents

========================================================================
Original ABC transcriptions: Vince Brennan (2003). These files represent
a massive amount of work by Mr.Brennan and my sincerest thanks are due 
to him for sharing the results of his labors.

Details on particulars of the transcriptions are at the end of the file.
========================================================================
"AMBIGUOUS" TUNES

Many of the tunes in thie O'Neill's volumes that carry major key signa-
tures of A, D, or G are no longer played as major key tunes. In some 
cases (particularly in A) they are now played as A minor (more correctly 
A dorian, because the F remains sharp while the C and G are lowered 
half a step). 

A tune might also be played "modally" (i.e., in mixolydian mode) where 
all 7ths are lowered half a step. Tunes adapted from the Scots piping 
repertoire are almost 100% "modal". A well-known Irish tune like "Blarney 
Pilgrim" is modal because all its C's are natural. G modal tunes also 
exist (part 3 of "The Luck Penny" is an example).

There is a table at the end of this section that might help clarify how 
each scale degree is treated in the different modes. None of this is
necessary to performance, but every little bit of knowledge can help
(and in this case is NOT a dangerous thing!)

The problem for a transcriber in encountering an unfamilar tune is to 
determine how credible O'Neill's key signature is. In 90% of tunes 
there's no difficulty - the Chief's key signature tells you all you 
need to know. However figuring out the remaining 10% requires some 
experience and guesswork, and even after these are judiciously applied, 
the transcriber still can't be 100% sure that his result will be what 
the Chief had in mind! After all, most of these tunes were notated by
the Chief and his helpers over a hundred years ago. Traditional music
- even when reduced to notation - is never carved in stone the way
classical music (e.g.) might be, with the result that in many instances
the way a particular tune is performed today might not correspond to
the notation in ONMI.

In the case of tunes that suffer from what I call "ambiguity syndrome", 
I have gone with my "instinct" as to how the tune should sound. While 
I can guarantee that my version will sound authentic, I can't guarantee 
that it's the way the Chief or any other musician of 1900 would play it.

One of the great things about ABC is the flexibility it offers to users 
familiar with it. That means that anyone having a copy of this or any 
ABC file can make changes to its contents in order to find a suitable 
sound. For example, if I show a tune as being in A minor, a few simple 
key-strokes in the file header will change the tune to A major. 

If the results aren't suitable, the tune can be restored to A minor 
without permanent damage (strongly recommended is to use only COPIES 
of tunes for experimentation purposes!)

In fairness to the Chief, I should note that he is certainly not the 
only collector to suffer from the ambiguity syndrome. I would venture 
a guess that the advent of recording towards the beginning of the 20th 
Century reduced (if it did not completely eliminate) the problem by 
providing a "standard" from which other musicians might learn. This 
process continues today, and works well once a tune has been recorded. 
It's in regards to the older tunes, unfamiliar outside of the pages of 
the various collections, that the ambiguity syndrome might persist, 
at least until a "definitive" version is recorded.

Here are the various permutations of A, D, and G:

A major			C, F, G sharp
A minor			C and G natural, F sharp (= "Dorian" mode, which 
				applies to 95% of Irish minor-key dance tunes)
A modal			C and F sharp, all accented G natural

D major			C and F sharp
D minor			C and F natural, B natural (Dorian)
D modal			F sharp, accented C natural

G major			F sharp
G minor			F natural, B flat, E natural (Dorian)
G modal			accented F natural

=========================================================================
TUNE STRUCTURE

Some of the tunes in the older collections (including O'Neill's) are 
structured as ABA or AA-B-A, which simply means that the tune returns 
to the first part before ending. 

In the book, a "segno" sign (looks like a fancy dollar sign) is used 
to indicate the starting point for the return, and "DS", "dal segno", 
"DC", or "da capo" are used at the end to direct the player back to the 
"segno". The A part is then played once through - usually not repeated 
- to a "fine" (end) measure.

This elegant system is a legacy of classical music which is almost totally 
irrelevant in traditional music today, where AA-BB is the prevalent structure. 
 
In most cases I kept to O'Neill's structural ideas. However, since ABC 
does not read the "classical" symbols for playback purposes, I had to 
place the parts manually (so to speak) as they were intended to be 
played. 

This was mainly to generate an accurate sound file. However I have left 
those "longhand" versions below in case anyone using the file wishes 
to change any of the playback parameters (playback speed, for instance).
 
=========================================================================
G sharps and D sharps

In the majority of A minor tunes in ONMI, G sharps are employed as 
"leading" notes (i.e. immediately preceding the tonic A). In the majority 
of E minor tunes, D sharps are used in the same capacity. Since very few 
Irish tunes today follow that "classically-correct" system, I have dropped 
the book's G sharps to G natural and D sharps to D natural. Keep in mind
that you can always restore these notes to their book status by adding a
caret (^) before the G/g or D/d. That's ABC for "increase this note a 
half-step". If you don't like the result, just delete the ^.
=========================================================================

X:495001
T:AFTER THE SUN GOES DOWN 
S:J.O'Neill
B:ONMI.1471 
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:Em
G2BG DGBG|egfa gedB|G2BG DGBG|AcBA GEE2|
G2BG DGBG|egfa gedB|egfa gedB|AcBA GEE2||
gfeg fedB|gfga bede|gfeg fedB|AcBA GEE2|
gfeg fedB|gfga beeg|bgaf gedB|AcBA GEHE2|]

%%%

X:495002
T:ALL HANDS AROUND 
S:J.O'Neill
B:ONMI.1188
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
G2Be d2Bd|gdBd cAFA|G2Be d2Be|dcAB GDEF|
G2Be d2Bd|gdBd cAFA|GBAc Bdeg|fdcA G4||
bagb a2fa|gfeg fdd2|bagb a2fa|gfef d2ga|
bagb a2fa|gfeg fdBA|GBAc Bdeg|fdcA HG4|]

%%%

X:495003
T:ANNIE O'NEILL 
S:E.Cronin
B:ONMI.1253
Z:Brennan/Black
N:No repeats in source.
R:reel
M:C
%Q:1/4=180
L:1/8
K:G
zD|GABd cAFB|AGGF GABc|dcAG FGAc|BGAF GFED|
GABd cAFB|AGGF G2g2|fdcA FGAB|AGGF G2 :|
zd|gage fgfd|cBcA dcdf|gage fgfd|cBcA defa|
gage fgfd|efed cdeg|fdcA FGAB|AGGF G2 :|

%%%

X:495004
T:ARE YOU WILLING? 
S:Fielding
B:ONMI.1494
Z:Brennan/Black
N:No repeats in source.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
A2EA FAEA|AAcA BABc|A2EA FAEA|faed cABc|
A2EA FAEA|AAcA BABc|defg agae|fdBe cAA2 :|
agae fece|dBcA BAFA|agae fgae|fdBe cAAg|
aece fece|dBcA BAFA|A,CEA ceae|fdBe cAA2 :|

%%%

X:495005
T:AROUND THE WORLD FOR SPORT 
S:McFadden
B:ONMI.1442 % A-B-A
N:No repeats in source.
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
P:"A"
GFGB A2dc|BdAc BEEF|GFGB A2dc|BGAG FDEF|
GFGB A2dc|BdAc BEEF|G2GF GAB^c|dBAG FDD :|
P:"B"
f|gfef g2ef|geag fddf|gfef gfed|BdAG FDDf|
gfef g2bg|fgag fddf|gbaf gfed|BdAG FDEF|]
P:"A" repeat
GFGB A2dc|BdAc BEEF|GFGB A2dc|BGAG FDEF|
GFGB A2dc|BdAc BEEF|G2GF GAB^c|dBAG FDHD2 |]

%%%

X:495006
T:AVONMORE, The 
S:F.O'Neill
B:ONMI.1189 % as A-B-A 
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
P:"A"
dc|BGG2 G2G2|BGBd gdec|BGG2 G2cB|AGFG ABcA|
BGG2 G2G2|BGBd g2fg|afge fdec|AGFG ABcA||
P:"B"
Bdd2 d2d=c|BGBd gdec|Bdd2 d2=cB|AGFG ABcA|
Bdd2 d2d=c|BGBd g2fg|afge fdec|AGFG ABcA|]
P:"A" repeat
BGG2 G2G2|BGBd gdec|BGG2 G2cB|AGFG ABcA|
BGG2 G2G2|BGBd g2fg|afge fdec|AGFG ABcA||"final"HG4z4|]

%%%

X:495007
T:BALLINASLOE FAIR 
S:McFadden
B:ONMI.1285
Z:Brennan/Black
%Q:1/4=180
R:reel % AA-B-A
N:Usually just AA-BB today.
M:C|
L:1/8
K:C
P:"A"
cB|AGAB cBcA|GECE GFGB|AGAB cBca|1 gedB ce:|\
[2 gede cde||
P:"B"
|:f|gcc2 gcac|gcc2 Bcdf|gcc2 agaa|gede cdef|
gcc2 gcac|gcc2 BcdB|AGAB cdea|gede cedB||
P:"A" repeat
|:AGAB cBcA|GECE GFGB|AGAB cBca|1 gedB cedB:|\
[2 gede cABG|HA4z4|]

%%%

X:495008 
T:BANK OF IRELAND, The 
S:J.O'Neill
B:ONMI.1186
Z:Brennan/Black
N:Source has no C naturals but this is clearly a modal tune.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^D modal"
ed|cAAB cABG|EGDG EGDB|cAAB cABG|Addc d2:|
de|f2fd e2ec|dfed cAAg|f2fe e2ed|eaag edd2|
fgaf efge|dfed cAAG|Addc defg|afge dfec||"final"Hd4z4|]

%%%

X:495009
T:BANTRY LASSES, The  
S:F.O'Neill
B:ONMI.1190
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D % source key = G
A2FD DFAF|G2FG EFGE|FGFE DFAd|cAGE FDDB|
A2FD DFAF|G2FG EFGE|FGFE DFAd|cAGE FDD ||
B|Addc dfed|cdef gefd|Addc dfed|cAGE FDDz|
Addc dfed|cdef g2ag|fafd efed|cAGE FDHD2|]

%%%

X:495010
T:BASHFUL BACHELOR, The  
S:J.O'Neill
B:ONMI.1443
Z:Brennan/Black
N:No repeats in source.
%Q:1/4=180 
R:reel
M:C|
L:1/8
K:D
D2FA d2AF|d2fd ecAc|d2Ad BAGF|EFGE FDD2|
D2FA d2AF|d2fd ecAc|defg a2af|bgeg fdd2 :|
d2dg fafd|g2bg e2cA|d2dg fafd|ecAc d2FA|
d2dg fafd|g2bg e2fg|afge fdec|dBAG FDD2 :|

%%%

X:495011
T:BEAMISH'S GOAT 
S:Beamish
B:ONMI.1332
Z:Brennan/Black
N:Source has |^g| at the beginning of m.15, which seems out of place ...?
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
dB|A2AB GFGB|AGAB e2dB|A2AB GFGB|dBGB d2dB|
A2AB GFGB|AGAB cBcd|edef gfge|dBGB A2 :|
Bd|e2ef gfgf|edcd efgf|e2ef gfge|dBGB d2Bd|
e2ef gfge|efge a2ef|gaba gfef|gedB A2 :|

%%%

X:495012
T:BELFAST LASSES, The  
S:J.O'Neill
B:ONMI.1385
Z:Brennan/Black
N:aka "Humors of Castlecomer"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2BG dGBG|EAAG FAFD|G2BG dGBG|EcAF G2G2|
G2BG dGBG|EAAG FAFD|G2BG dGBG|egea g2g2 ||
gddc BdBG|FAAG FAFD|gddc BdBG|EFAF G2G2|
gddc BdBG|EAAG FAFD|gdec BdBG|egfa g2Hg2 |]

%%%

X:495013
T:BIG PAT'S REEL 
S:F.O'Neill
B:ONMI.1192
Z:Brennan/Black
N:source has |^d| in mm. 7 and 12.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:Em
dc|BGEF G2BG|G2BG FAD2|BGEF G2Bd|g2fg e2dc|
BGEF G2BG|G2BG FAD2|BGEF GABd|egfg e2 ||
ef|gfga bgag|faag fddz|gfga bgag|fedf e2ef|
gfga bgag|faag fddz|g2ge f2fd|egfg He4 |]

%%%

X:495014
T:BILL CLANCY'S DELIGHT 
S:J.O'Neill
B:ONMI.1465
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:D
d2fd AFDF|d2fd egfe|d2fd AFDF|GEFD EDB,A,|
d2fd AFDF|d2fd egfe|d2fd AFDF|dfeg fd d2 ||
FDAD BDAD|FDAD CEEG|FDAD BDAD|GEFD A,DDG|
FDAD BDAD|FDAD CEEG|FAdf ecdB|Agfe fd Hd2 |]

%%%

X:495015
T:BLACK EYED SAILOR, The  
B:ONMI.1475
Z:Brennan/Black
N:aka "Sheehan's"
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
G2BG DGBG|ABcA BGGB|AGAB cBcA|EAAG FDEF|
G2BG DGBd|cBAB cdef|gedB cBce|dBcA BGG2 :|
g2bg dgbg|f2ag fdde|f2af dfaf|gbag fdef|
g2bg dgbg|f2ag fddf|gedB cBce|dBcA BGG2 :|

%%%

X:495016
T:BLACK HAIRED LASS, The  
S:F.O'Neill
B:ONMI.1326
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C
L:1/8
K:D
"^A modal"
ed|c2AB cdec|d2gd BGGB|cBAB cdec|dfec Aced|
cBAB cdec|d2gd BGGB|cBAB cdec|dfec A2||
AB|cdef g2eg|fddf gfed|cdef gfeg|fdec A2AB|
cdef gfeg|fddf e2fg|afge fdec|dfec HA4|]

%%%

X:495017
T:BLACKBERRY BLOSSOM, The  
S:F.O'Neill
B:ONMI.1295
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
ge|dBAc BAGA|BcBA B2ge|dBAc BGGB|Aaa^g a2:|
ef|gfge gbag|gfga beef|gfga bagf|eaa^g a2ef|
gfge gbaf|gfga beeg|bgaf gfed|eaa^g Ha4|]

%%%

X:495018
T:BLOOM OF YOUTH, The  
S:Lawson
B:ONMI.1215
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
G2DG EGDF|G2BG AGEF|G2DG EGBc|dBcA BGAF|
G2DG EGDF|G2BG AGEF|G2DG EGDc|dBAc BGG2||
gdd2 edcA|BdAc BEE2|gdd2 edcA|dBAc BGG2|
gdd2 edcA|BdAc BEE2|cBcd efge|dBAc BGHG2|]

%%%

X:495019 
T:BLUE GARTERS
S:McFadden
B:ONMI.1514
Z:Brennan/Black 
R:reel
%Q:1/4=180
L:1/8
M:C|
K:D % source key = F
e|dAA2 f2ed|egfe dBBc|1 dAA2 f2ed|egfe d2d:|
[2 defe dBAF|GEAF D3||
|:A|FDAD FDAD|GEBE GEBE|FDAD FDAD|GEAF D2DA|
FDAD FDAD|GEBE GEBE|DFAc dBAF|GEAF HD4|]

Source version:
K:F 
e|:f>c (3cBc a2gf|(3gab ag fdde|1 f>c (3cBc a2gf|(3gab ag f2fg:|
[2 fgag fdcA|BGcA F2F||c|AFcF AFcF|BGdG BGdG|
AFcF AFcF|BGcA F2Fc|AFcF AFcF|
BGdG BGdG|FA (3cde fdcA|BGcA F3|]
%

%%%

X:495020
T:BONNIE BOY, The  
S:J.O'Neill
B:ONMI.1438
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
ed|cBAa faec|dfec B2Bd|cBAa faec|dgec A2Ad|
cBAa faec|dfec B2Bd|cefg agbg|afed cAAd||
cAec fAeA|cAec B2Bd|cAec fAeA|dfed cAAd|
cAec fAeA|dfec B2Bd|cefg agbg|afec HA4|]

source version:
ed|cBAa (3fga ec|dfec B2Bd|cBAa (3fga ec|dgec A2Ad|
cBAa (3fga ec|dfec B2Bd|cefg agbg|afed cAAd||
(3cBA ec fAeA|(3cBA ec B2Bd|(3cBA eA fAeA|dfed cAAd|
(3cBA ec fAeA|dfec B2Bd|cefg agbg|afec A4|]

%%%

X:495021
T:BONNIE KATE 
S:J.O'Neill
B:ONMI.1277
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dB|AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc dedB|
AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc defg||
a2fd fafd|fafd e2ef|gfef gbag|fedc defg|
a2fd fafd|fafd e2ef|gfef gbag|fedc Hd4|]

source version:
dB|AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc dedB|
AFdB ABAF|DFAF E2EB|AFAd BGBd|cABc defg||
a2fd fafd|(3fga fd e2ef|gfef gbag|fedc defg|
a2fd (3fga fd|(3fga fd e2ef|gfef gbag|fedc d4|]

%%%

X:495022
T:BOTTLE OF PORTER, The  
S:Mrs.Cantwell
B:ONMI.1336
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
B|d2fg BGdB|Aaag fefd|gfgd ecdB|cedc BGG:|
c|BGDG EGDB|cBAB cedc|BGDG EGDB|cedc BGGc|
BGDG EGDB|cBAB cedc|Bggf eaag|fdcA BGHG2|]

%%%

X:495023
T:BOUNCING BOY, The  
S:O'Reilly
B:ONMI.1506
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
EF|G2BG A2cd|edcA BEEF|G2BG A2cd|edcA BGGD|
G2BG A2cd|edcA BEEF|G2BG A2cd|egfa g2||
ef|g2ge f2fd|e2fg afd2|g2ge f2fd|efaf g2g2|
gabg fgaf|edeg fd d2|g2fg eAAB|dcAF HG4|]

%%%

X:495024
T:BOYNE HUNT, The  
S:F.O'Neill
B:ONMI.1241
Z:Brennan/Black
N:Current session version of this has same Part 1, a different part 2,
and no part 3. Note that ONMI doesn't repeat parts.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
BAFA DAFA|DAFA BEEB|BAFA DAFA|ABde fddB|
BAFA DAFA|DAFA BEEB|BAFA DAFA|ABde fdd ||
g|faa2 bgaf|dfaf gfeg|faa2 bgaf|ABde fdde|
faa2 bgaf|dfaf gfeg|fgef dedB|ABde fdd||
g|fdad bdad|fdad ceeg|fdad bdad|ABde fddg|
fdad bdad|fdad ceeg|fgef dedB|ABde fdBc|Hd4z4|]

%%%

X:495025
T:BOYS OF BALLINCHALLA, The  
S:Dunlap
B:ONMI.1227 % as A-B-A
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
dc|BGG2 BGdc|BGG2 d2cB|cAA2 cAeA|cAA2 e2dc|
BGG2 BGdc|BGG2 d2cB|cedc BGAF|DGGF G2||
P:"B"
BA|Gggf gedB|Gggf gedB|Aaa^g aecB|Aaa^g aecA|
Gggf gedB|Gggf gfga|gfef gfeg|bgaf gedB||
P:"A repeat"
BGG2 BGdc|BGG2 d2cB|cAA2 cAeA|cAA2 e2dc|
BGG2 BGdc|BGG2 d2cB|cedc BGAF|DGGF HG4|]

%%%

X:495026
T:BOYS OF CAPPOQUIN, The  
B:ONMI.1364
Z:Brennan/Black
N:First |fe| replaces |/f/g/f/e/| in mm. 5 and 9.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
FDFA d2cA|ABGA EFGE|FDFA d2cA|AcGE EDD2:|
fefg fedf|efgf edcB|ABcd efge|fage edd2|
fefg fedf|edef edcB|ABcd efge|fage edHd2|]

%%%

X:495027 
T:BOYS OF GALWAY, The  
S:Early
B:ONMI.1341
Z:Brennan/Black
N:Close relative of "My Maryanne"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:C
B|cded cBAG|Addc dcAB|cded cBAG|AcGE EDDB|
cded cBAG|Addc dcAB|cABG AFGE|FDGF ECC||
f|gage cBcd|eaag agef|gage cBcd|eaag edde|
gage cBcd|eaag agef|gefd ecdc|Bcdf ecHc2|]

%%%

X:495028
T:BOYS OF PORTAFERRY, The  
S:O'Reilly
B:ONMI.1249
Z:Brennan/Black
N:Not shown in ONMI as A-B-A but maybe should have been.
R:reel
%Q:1/4=180
M:C
L:1/8
P:"A"
BA|G2BG AcBA|G2BG GEDE|G2BG ABce|dBgB c2BA|
G2BG AcBA|G2BG GEDE|G2BG ABce|dBAB G2||
P:"B"
GA|Bdgd edgd|Bdgd e2dc|Bdgd edef|gedB c2BA|
Bdgd edgd|Bdgd e2dc|Bdgd egfa|gedB c2|]
P:"A" repeated
BA|G2BG AcBA|G2BG GEDE|G2BG ABce|dBgB c2BA|
G2BG AcBA|G2BG GEDE|G2BG ABce|dBAB HG4|]

%%%

X:495029
T:BRIDGET MCBRIDE 
S:T.Cronin
B:ONMI.1254
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
d|gedc BGBd|cBcA ABcA|BGGF GBdB|cBAG FGBd|
gedc BGBd|cBcB ABcA|BcdB Bdeg|fdcA G2||
de|fefg fedB|cBAG FGAd|g2ga gfdg|fgaf g2de|
f2fg fedB|cBAG FGAc|BcdB cdeg|fdef Hg4|]

%%%

X:495030
T:BRIGHT MAY MORNING, The  
S:MacNamara
B:ONMI.1228
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
Gged B2AG|FDAD BDAD|Gged B2AF|DEGA BGG2:|
gedB cBcd|eaa^g aeef|gedc BcBA|Ggga bgg2:|

%%%

X:495031 
T:BROKEN PLEDGE, The  
S:McFadden
B:ONMI.1178
Z:Brennan/Black
N:Source key is D, but this tune is now generally played
as D minor ("dorian" if all the B's are natural).
%Q:1/4=180
R:reel
M:C|
L:1/8
K:C
P:D dorian
e|dcAG ADD2|cAGF ECCE|DEFG Addc|ABGB Adfe|
dcAG A2dB|cAGF ECCE|DEFG Addc|A2GE ED D2||
dcAG A2de|fefd ecAB|cAGE GAcd|egdf ecAc|
dcAG A2de|fefd ecAG|FEFG Addc|AcGE ED HD4|]

%%%

X:495032
T:BUCKLEY'S FANCY 
S:McFadden
B:ONMI.1211
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C
L:1/8
K:G
zD|G2BG dGBG|ABcd egdB|G2BG dGBG|ABAG FDEF|
G2BG dGBG|ABcd e2g2|bgaf gedB|GBAF G2||
ef|gfga gede|gabg ageg|agab agef|gabg e2de|
gfga gede|gabg agef|gfga gedB|GBAF HG4|]

%%%

X:495033
T:BUCKS OF ORANMORE, The  
S:McFadden
B:ONMI.1199
Z:Brennan/Black
N:The Chief has a "segno" at the beginning of this tune but no
other indications as to movement - I presume he wants us to return
to part 1 from the last measure of part 4, but there's no "fine"
to indicate when to stop playing! (At some point you've gotta throw
in a |D8| or you'll be going all night.)
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
dB|A2FA A2dB|A2FA BEEz|A2FA A2Bd|egfd ecdB|
A2FA A2dB|A2FA BEEF|DEFG AFAB|defd ecdB||
%
ADFD A2dB|ADFA BEEz|AD FD A2Bd|egfd ecdB|
AD FD A2dB|AD FD BEEz|DEFG AFAB|defd efge||
%
a2fd eddf|a2fd eBBg|a2fd eddf|egfd eBBg|
a2fd eddf|a2fd eBBg|a2fd eddf|gefd eBBd||
%
f2df e2 de|f2df eBBe|f2df e2df|egfd eBBd|
f2df e2de|f2df eBBe|faaf bfaf|egfd ecdB|"final"HD4z4|]

%%%

X:495034 
T:BUNCH OF GREEN RUSHES, The  
S:Fielding
B:ONMI.1202 
F:file ID: onmi.reels/034bgr
Z:Brennan/Black
N:This is one of ONMI's "ambiguous" tunes (see the Introductory Note
at the beginning of the ABC file). It's in 2 sharps in the book but
I can't imagine anyone playing it that way, even in the Chief's time.
Frankie Gavin plays a three-part version of this tune, with parts 
1 and 2 in D minor and part 3 D modal. (Reminder: to hear what this
tune sounds like as D modal, change "K:Dm" to "K:G") 
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:Dm
d|cAFA GEFG|cAGB Adde|cAGA FEFG|fdec Adde|
cAFA GEFG|cAGB Adde|cAGA FEFG|fdec Add||
d|defg abaf|gece gage|defg abaf|gece edd2|
defg bged|^cdef g2fg|afge fdec|dcAG Adde||"final"Hd4z4|]

%%%

X:495035
T:BUSH IN BLOOM, The  
S:McFadden
B:ONMI.1242 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
ge|d2BG AGEF|G2Bd efge|d2BG AGEd|eaag fde^c|
d2BG AGEF|G2Bd efge|d2BG AGEF|GBAF G2||
ef|g2fg Bgdg|g2bg agef|g2dg Bgdg|egfa g2ga|
bgg2 agef|gage dega|bgaf gfed|edef gage|"final"g4z4|]

%%%

X:495036
T:BUTCHER'S APRON, The  
S:J.O'Neill
B:ONMI.1482
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
d2AF d2AF|Efed cABc|defe dcdB|AdAF EFGE|
d2AF d2AF|Efed cABc|defe dcdB|ABAG FDD2||
a2fa dafa|b2gb ebgb|a2fa dafa|gefd ceef|
a2fa dafa|b2gb ebgb|agfe dcdB|ABAG FDHD2|]

%%%

X:495037 
T:CAHILL'S COURTSHIP 
S:Cahill
B:ONMI.1303 % A-B-A
Z:Brennan/Black
N:Since the original D version of this neat tune includes notes below
the range of treble instruments, I've appended a version in the key 
of A.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A 
E2|A2cA BAFE|A2cA afec|A2cA BAFf|edcB AdcB|
A2cA BAFE|A2cA afec|A2cA BAFf|edcB A2||
eg|aece fece|aecA BAFE|aece fecf|edcB A2 eg|
aece fece|aecA BAFE|ABcd eagf|edcB AdcB||
P:"A" repeat
A2cA BAFE|A2cA afec|A2cA BAFf|edcB HA4|]

source version:
K:D
A,2|D2FD EDB,A,|D2FD dBAF|D2FD EDB,B|AGFE DGFE|
D2FD EDB,A,|D2FD dBAF|D2FD EDB,B|AGFE D2||
(3ABc|dAFA BAFA|dAFD EDB,A,|dAFA BAFB|AGFE D2 (3ABc|
dAFA BAFA|dAFD EDB,A,|DEFG AdcB|AGFE DG|]

%%%

X:495038
T:CALLAN LASSES, The  
S:Fielding
B:ONMI.1493 
F:file ID: onmi.reels/038callan
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
ADD2 ADFD|ADFA BcdB|ADD2 ADFA|GFEF GABd|
ADD2 ADFD|ADFA BcdB|ADD2 ADFA|GFEF GABc||
d2fd AdFA|d2fd cdec|d2fd BdAF|GFEF GABc|
d2fd AdFA|d2fd cdeg|fdec dBAF|GFEF GABc|"final"d4z4]|

%%%

X:495039
T:CAMERONIAN REEL, The  
S:F.O'Neill
B:ONMI.1512 % A-B-A
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
P:"A"
dB|A2FA DAFA|GFEF GBdB|BAFA DAFA|GBAG FDdB|
A2FA DAFA|GFEF GBdB|BAFA DAFA|GBAG FDD2||
P:"B"
Addc d2cd|edef gfed|cAeA fAeA|fdef gfed|
fgaf bage|dfec defg|(3agf ge fdec|dABG FAdB||
P:repeat part "A"
A2FA DAFA|GFEF GBdB|BAFA DAFA|GBAG FDdB|
A2FA DAFA|GFEF GBdB|BAFA DAFA|GBAG FDD2||

%%%

X:495040
T:CAPTAIN KELLY'S REEL 
S:F.O'Neill
B:ONMI.1330 % A-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
D|GBAF G2ge|dBAc BEE2|GBAF G2ge|dBcA BGG2|
G2ef gfge|dBAc BEE2|G2Bd gfge|dBAB G3||
d|g2bg agbg|egdg egdf|g2bg agbg|dgfa g2d2|
g2bg agbg|egdg egdf|gafg efdf|eg fa gedB|"final"HG4z4|]

%%%

X:495041
T:CAPTAIN O'NEILL 
S:F.O'Neill
B:ONMI.1221
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
ge|dGBG FGAc|BGBd g2fe|dGBG FGAc|BGAF G2:|
fe|dgg2 agg2|dgg2 a2a2|dgg2 agfd|eg fa g2g2|
dgg2 agg2|dgg2 a2ga|bgaf gfed|eg fa Hg4|]

%%%

X:495042
T:CARRIGALINE 
T:Steeplechase
S:F.O'Neill
B:ONMI.1226 
Z:Brennan/Black
R:reel % as A-B-A
%Q:1/4=180
M:C|
L:1/8
K:C
P:"A"
B,|CB,CD EGG2|Adde dcAB|cBcA GEcA|GFED ECA,B,|
CB,CD EGG2|Adde dcAB|cBcA GEcA|GEDE C4||
P:"B"
c2ec gcec|agfd BcdB|c2ec gcec|agfd BGAB|
c2ec gcec|agfd BcdB|cBcA GEcA|GEDE C4|]
P:"A" repeated
CB,CD EGG2|Adde dcAB|cBcA GEcA|GFED ECA,B,|
CB,CD EGG2|Adde dcAB|cBcA GEcA|GEDE HC4|]

%%%

X:495043 
T:CASEY THE WHISTLER 
S:F.O'Neill
B:ONMI.1333
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes".
I'm calling D modal on this one!
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
AddB cBAG|AcGF EFG2|AddB cBAG|AcGE EDD2:|
FEFG ABcA|d2dc AGFD|FEFG ABcA|d2cA G2AG|
FEFG ABcA|d2dc ABc2|d2cA G2FG|AcBd cAGE|"final"HD4z4|]

%%%

X:495044
T:CASHMERE SHAWL, The  
S:Kennedy
B:ONMI.1344
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:C
BG|A2AB AGED|EGAB c2BG|AcBG AGEa|gedB c2:|
cd|ecgc eccg|ecge d2cd|ecgc eccg|a^fge d2cd|
ecgc eccg|ecge d2cd|e^fg2 eaa2|gedc c4|]

%%%

X:495045
T:CASTLE ISLAND 
S:Dillon
B:ONMI.1409 % A-B-A
F:file ID: onmi.reels/045castle
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
P:"A"
FAA2 dcAc|dcAc dcAG|FAA2 dcAc|1 defd dcAG:|\
[2 dgfe d2d2||
P:B"
faa2 geeg|fddf ecAc|faa2 geeg|fded cAAz|
affa geeg|fddc defg|afge fdec|defe dcAG|]
P:"A"repeated
FAA2 dcAc|dcAc dcAG|FAA2 dcAc|dgfe d2Hd2|]

%%%

X:495046
T:CHORUS REEL, The 
S:Kennedy
B:ONMI.1223
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^D modal"
dB|ADD2 AGFG|ADD2 D2dB|ADD2 AGFG|E2cA G2:|
%
FE|DddB ABAF|DddB A2FE|DddB ABAF|E2cA G2FE|
DddB ABAF|DddB A2Bc|dBcA BGAF|E2cA G2||
%
|:eg|f2dg f2dg|f2dg gbag|f2dg f2df|1 edef gfge:|\
[2 edef g2||
%
|:zg|fdec dcdB|AFDF A2Bc|dBcA BGAF|E2cA G2:|

%%%

X:495047
T:CHRISTENING, The  
S:Cronin
B:ONMI.1286
Z:Brennan/Black
%Q:1/4=180
R:reel % A-B-A
M:C|
L:1/8
K:D
P:"A"
c|d3B BAFA|BcdB BAFA|BEED EFGe|fgec dcBc|
dDED FDFA|Bcdc BAFA|BEED EFGe|fgec d3||
%
P:"B"
c|d2fd Adfd|Adfd cdec|d2fd Adfd|fgaf gfec|
d2fd Adfd|Adfd cdeg|f4 e4|a3f gfec|
%
P:"A repeated"
d3B BAFA|BcdB BAFA|BEED EFGe|fgec dcBc|
dDED FDFA|Bcdc BAFA|BEED EFGe|fgec Hd4|]

%%%

X:495048
T:CLARKSON'S REEL 
S:J.O'Neill
B:ONMI.1530 % A-B-A
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
A,2|D2DG FEDF|ABAF Acdc|BABc dBAF|EGFD EDB,E|
D2DG FEDF|ABAF Acdc|Bdce dBAF|EGFE D2 :|
eg|fddf afdf|edcd efge|fddf afdf|edef d2 (3ABc|
defg afdf|edcd efge|faec dBAF|1 "thru"G2FD ED :|
[2 "final"G2FD EDB,E|HD4z4|]

%%%

X:495049
T:CLOCK IN THE STEEPLE, The  
B:ONMI.1248
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
g|a2ec defg|afec dBBg|a2ec defg|afec A2Ag|
a2ec defg|afec dBBc|Ac eg abaf|ecBd cAA :|
B|c2cA d2dB|efec dBBd|c2cA defg|afed cAAB|
c2cA d2dB|efec dBBd|Ac eg abaf|ecBd cAA :|

%%%

X:495050
T:CLOUDY MORNING, The  
B:ONMI.1335
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
A|d2dA BdAF|AFAg fdBc|d2dA BdAF|GFEF GABc|
dcdA BdAF|ABde fdef|gfge fedf|edce dAF :|
g|abaf afdf|gefd edBd|afdf abaf|edef d2df|
afdf abaf|gbfa edBe|d2dA BdAF|ABde fdd :|

%%%

X:495051
T:COLLIER'S REEL, The  
S:J.O'Neill
B:ONMI.1404
Z:Brennan/Black
N:No C naturals in source.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
G|FDEG A2AB|c2cd cAGB|Addc d2eg|fded cAGE|
FDEG A2AB|c2cd cAGB|AddB cAGE|FAGE D3 :|
g|fdeg fdec|Addc Addg|fdeg fdec|ABcd c2fg|
a2af g2ge|fgfe d2dc|AddB cBAG|FAGE D3:|

%%%

X:495052
T:COLONEL FRASER 
S:McFadden
B:ONMI.1246 % as AA-B-C-D-A
Z:Brennan/Black
N:This is a "piper's party piece" so I've left the ornamentation
alone.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
dc|:BGAF DG (3GFG|AFcF dFcF|BGAF DGGg|1 fdcA d2cA:|2 FD cA BGG2||
P:"B"
dggf g2bg|fdcB ABcA|Gggf gbag|fdcA BGG2|
gfge d2dc|(3Bcd BG ABcA|GBAc (3Bcd eg|fdcA BGG2||
P:"C"
Bdd2 BGdG|AFcF (3ABc AF|Bdd2 BGdG|cAFG AGG2|
Bdd2 BGdG|AFcF (3ABc AF|(3GAB (3ABc (3Bcd eg|fdcA BGG2||
P:"D"
(3BcB GB (3BdB GB|a2 FA (3AcA FA|(3BcB GB (3BdB GB|cAFG AGG2|
(3BcB GB GBGB|a2 FA FAFA|GBAc (3Bcd eg|fdcA d2cA||"final"HG4z4|]

%%%

X:495053
T:COLONEL HOPKINS 
S:F.O'Neill
B:ONMI.1260
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
ge|dBGB d2ef|g2af gfed|bgaf gfed|1 BedB A2:|\
[2 egfa g2||
GA|B2dB A2BA|GABG AGFD|B2dB A2BA|GABG A2ge|
dBGB d2ef|g2af gfed|bgaf gfed|egfa g4|]

%%%

X:495054
T:COLONEL McBAIN 
S:F.O'Neill
B:ONMI.1403 % as "Col."
Z:Brennan/Black
N:Single in source.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
EF|GBEF GEBE|FADE FDAD|GBEF GEBE|FADF E2EF|
GBEF GEBE|FADE FDAD|G2GF GBdB|AFDF E2 :|
EF|G2GF GBdB|ABAG FAAF|Eeed e2ef|gefd Beef|
gfge dedB|ABAG FGAF|Beed BcdB|AFDF E2 :|

%%%

X:495055
T:COLONEL RODNEY 
S:J.Kennedy
B:ONMI.1263
Z:Brennan/Black
N:Single in source
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
cAA2 eAce|eaga fedc|dBB2 fBde|fefg afed|
cAA2 eAce|eaga fedc|defg abaf|eg ae cAA :|
e2ce Aece|aAgA fAeg|f2df Bfdf|bBaB gBfB|
e2ce aece|eaga fedc|defg abaf|eg ae cAA :|

%%%

X:495056
T:COME TO THE BOTTLE HOUSE 
S:Mrs.Cantwell
B:ONMI.1377 % A-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
ed|cBAc BAFE|FBBA B2ed|cBAc BAFE|EdcB A2:|
eg|a2ge fgec|B2BA BdcB|A2ae fgec|dfec A2:|

%%%

X:495057
T:COME TO THE DANCE 
S:Cronin
B:ONMI.1250
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
zD|GBdB cAFA|G2ge dBGB|cdec BcdB|ABcA GFED|
GBdB cAFA|Ggfg edBd|cedc BcdB|cdef g2 :|
zd|gdBd cBcd|edef gfga|bgaf gfed|egfa g2ga|
bgaf gage|dBGB dBcd|egfa gedB|cdef g2 :|

%%%

X:495058
T:COMELY JANE DOWNING 
S:F.O'Neill
B:ONMI.1461
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
G2BG BddB|c2ec efg2|G2BG Bddg|edcB ABcA|
G2BG BddB|cBcd efga|bgaf gfeg|edcB A2G2 :|
g2bg afed|edef gdBd|g2bg afed|edef g2ga|
bagf gfed|edef gdBd|cBcd efge|dBGB A2G2 :|

%%%

X:495059
T:COMELY MAIDEN, The  
S:O'Reilly
B:ONMI.1353
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
c| d2dc dAFA|dbab fbaf|d2dc dAFA|Beed cABc|
d2dc dAFA|dbab fbaf|bagf edcB|Aeed cAB :|
c|d2a^g afdf|abaf e^def|d2a^g afdf|efed cABc|
d2a^g afdf|abaf e^deg|bgaf gfed|1 "thru"efed cAB :|2 "final"caBc Hd4|

%%%

X:495060
T:COMING OVER THE HILLS 
S:Stack
B:ONMI.1448
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
BdcA d2cA|DGFG ABcA|BdcA G2GF|DFEF ABcA:|
K:D
Addc d2dc|Add2 efge|fdec d2dc|AGFG AB=cB|
Addc d2dc|Add2 efge|faef d2dc|AGFG AB=cA||"final"G4z4|]

%%%

X:495061
T:CONSIDINE'S GROVE 
S:Cronin
B:ONMI.1423
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
D|EDEF GFGA|BdAF DFAF|EDEF GFGA|BdAF BEE:|
d|efge fgaf|efge fddf|efge fgaf|gfed Beed|
efge fgaf|efge fddf|eBBA BcAF|GBAF BEE2 |]

%%%

X:495062
T:CONTRADICTION, The  
S:J.O'Neill
B:ONMI.1503
Z:Brennan/Black
N:A fiddler's "florid" version. I left the ornamentation in place.
The single-note triplets don't reproduce well in MIDI.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
e|:c2 (3cBA BEED|CEAc dfed|c2 (3cBA GABc|defg afed|
"5"c2 (3cBA BEED|CEAc dfed|c2 (3cBA GABg|afec A3||
g|"9"aA A/A/A aAcA|GBEB EBEg|aA A/A/A aAcA|GBEB cAAg|
"13"aA A/A/A aAcA|GBEB EBEg|agfe fedc|dEFG A2||
e2|"17"aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|dcBA EAA2|
"21"aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|dcBA EAA2||
"25"cefe cefe|dcBA BEE2|cefe cefe|fagb afed|
"29"cefe cefe|(3fga ec BEE2|ecea fdfa|gbeg aefd:|"final"a4z4|]

%%%

X:495063
T:CORNEY IS COMING 
S:J.O'Neill
B:ONMI.1548
Z:Brennan/Black
N:No C naturals in source but played as a modal tune today.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^D modal"
Addc dfed|ABcA EFGE|Dddc defg|afge fdec|
Addc dfed|ABcA EFGE|Dddc defg|afge fdd2||
defg adfd|cdef gedc|defg adfd|gece fdd2|
defg adfd|cdef gedc|defg a2gf|gbag fdHd2|]

%%%

X:495064
T:COURTING THEM ALL 
S:Cronin
B:ONMI.1489
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
F|DFBc d2Bc|d2fd ecAc|d2Ac BAGF|EFGE FDDF|
DFBc d2Bc|d2fd ecAc|d2Ac BAGF|EFGE FDD||
c|d2fd fafd|g2bg ecAc|d2fd fafd|efge fddc|
d2fd fafd|g2bg ecAc|d2Ac BAGF|EFGE FDHD2 |]

%%%

X:495065
T:CRAIG'S REEL 
S:Early
B:ONMI.1212
Z:Brennan/Black
N:SIngle in source.
%Q:1/4=180
R:reel 
M:C
L:1/8
K:D
FDFA B2Bc|dBcA BEEG|FDFA BABc|dABG FDD2|
FDFA B2Bc|dBcA BEEG|FD EF GABc|dABG FDD2 :|
d2fd Adfd|Adfd eB B2|d2fd Adfd|faeg fdd2|
d2fd Adfd|Adfd eB B2|g2fd eg fe|dBAG FDD2 :|

%%%

X:495066 
T:CRONIN'S FAVORITE 
S:Cronin
B:ONMI.1555
Z:Brennan/Black
N:This is straight G major in source, but as a modal tune it sounds
like "Yellow Tinker/Flowers of Limerick/Paddy on the Turnpike" etc etc.
To hear O'Neill's version, replace "K:C" with "K:G" before playback.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:C
"^G modal"
z2|GF|DGGF G2GA|BGcA BGAF|DFFE F2FG|AGAc BGED|
DGGF G2GA|BAGA Bcde|fefd cAFA|BGAF G2||
%B
GA|Gggf g2ga|bgga bgaf|d^cde fefg|abag fdcA|
dggf g3d|BAGA Bcde|fefd cAFA|BGAF G2||
%C
GF|DGGA BAGB|dcBd cBAG|FGAB cAFA|cBcA BGAF|
GFGA BABd|cBAB cdeg|fefd cAFA|BGAF G2||
%D
df|gddf gbag|fede fgaf|eccd efge|dcBA GcBA|
G2GA BABd|cBAB cdeg|fefd cAFA|BGAF HG4|]

%%%

X:495067
T:CUNNINGHAM'S FANCY 
S:Tuohy
B:ONMI.1290 
Z:Brennan/Black
N:Close cousin of "Kerryman's Daughter", "Fisherman's Lilt"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
BA|GEE2 cdef|gedB cAAz|GEE2 cdef|gedB c2:|
cd|efg2 eaaf|gedB cAA2|efg2 eaab|[ac']bag a2gf|
[1 efg2 eaaf|gedB cAA2|GEE2 cdef|gedB c2:|
[2 c'abg agef|gedB cAA2|GEE2 cdef|gedB Hc4|]

%%%

X:495068
T:CURRAGH RACES, The  
S:McFadden
B:ONMI.1276
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
a|e2cA eAcA|G2Bc dBGg|eAcA efge|dBGB cAAa|
eAcA eAcA|G2Bc dBGB|cBcA B2ge|dBGB cAA||
B|c2ec gcec|c2ge dBGB|c2ec gcec|dBGB cAAB|
c2ec gcef|g2ge dBGB|cBcA B2ge|dBGB cAHA2|]

%%%

X:495069
T:DAISY FIELD, The  
S:McFadden
B:ONMI.1270 % A-B-A
Z:Brennan/Black
N:Slightly different from the Coleman setting.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
AG|FGAF DEFD|EA,A,G, A,2AG|FGAF DEFA|faec dBAG|
FGAF DEFD|EA,A,2 EA,A,2|FGAF DEFA|faec d2||
ag|fddc dcdf|edcd efge|fddc dfaf|ecBc d2ag|
fddc dfaf|edcd efge|fdef gbag|faec dBAG|HD4z4|]

%%%

X:495070 
T:DAN MCCARTHY'S FANCY 
S:Delaney
B:ONMI.1283
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". 
I like this better as a modal tune!
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^A modal"
gf|:eAA2 egfg|eAA2 efdf|eAA2 egfa|1 gedB Agfg:|\
[2 gedB ABcd||
eaa2 bgag|eaag eg dg|eaa2 baga|gedB ABcd|
eaa2 bgag|eaag efdf|dega bgaf|gedB HA4|]

%%%

X:495071
T:DANCER'S DELIGHT, The  
S:J.O'Neill
B:ONMI.1318
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:A
eAA2 eAce|faec BABc|eAA2 eAce|1 faec BAFE:|\
[2 faec B2A2||
Aceg a2ag|faec BAFE|Aceg a2ae|gbeg afec|
Aceg a2ae|faec BAFE|Aceg a2ge|fefg agaf|Ha4z4|]

%%%

X:495072
T:DANDY DENNY CRONIN 
S:Beamish
B:ONMI.1467
N:See the introductory note on "Ambiguous Tunes".
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:D
"^A modal"
e3A e2ef|gefd e2ef|e2Bd e2ef|gefd BAA2|
e3A e2ef|gfgd e2dB|d2ef g2a2|gefd BAA2||
a2ef g2a2|gefd e2dB|a2ef g2a2|gefd BAA2|
a2ef g2a2|gefd e2dB|d2ef g2a2|gefd BAA2|]ˇ

%%%

X:495073
T:DAY WE PAID THE RENT, The 
B:ONMI.1232 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
ge|dGBG dGBe|dGBG FGAe|dGBG dGBd|1 efga ba:|2 efga bgg||
g|bagf gdBd|egdB BA A2|bagf gdBd|egea g2ga||
bagf gdBd|egdB BAAc|BGdG eGdG|egfa g4|]

%%%

X:495074
T:DILLON BROWN 
S:Miss Kennedy
B:ONMI.1257
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
BGAG EGDG|BGAB cedc|BGAG EGDE|GBAG EGG2:|
Bddf egdc|Bddf efg2|Bddf egdc|BGAG EGG2|
Bddf egdc|Bddf efg2|gfge dcBd|cABG EGHG2|]

%%%

X:495075
T:DILLON'S FANCY 
S:Dillon
B:ONMI.1271
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G % source key = A
DGGB dGBG|Bdgd egdc|1 Bcde dcBG|AcBG AEE2:|\
[2 Bdef gfge|dcBA GBd||
|:f|gdBd gdBd|gfaf gdBd|gdBd gdBG|FGAB cdef|
gdBd gdBd|gfaf gdBd|GBdf gfge|dcBA HG4|]

%%%

X:495076
T:DOCTOR TAYLOR 
S:McFadden
B:ONMI.1359 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
A|G2FG EGDF|G2Bd cBAF|G2FG EGDc|BdgB cBAF|
G2FG EGDF|G2Bd cBAF|GFGA Bdef|gdcA BGG2 :|
e|gdBd edBd|cABG AGEG|gfgd edBd|dedc BGG|
gefd edBd|cABG AGEG|DFGA Bdef|1 "thru"gbaf ged:|
[2 "final"gbaf gedB|HG4z4|]

source version:
G2FG EGDF|G2Bd cBAF|G2FG EGDc|(3Bcd gB cBAF|
G2FG EGDF|G2Bd cBAF|GFGA (3Bcd ef|gdcA BGG2||
gdBd edBd|cABG AGEG|gfgd edBd|dedc BGGz|
(3gfe fd edBd|(3cBA BG AGEG|(3DEF GA (3Bcd ef|\
(3gab af gedB|]

%%%

X:495077
T:DOGS AMONG THE BUSHES, The  
S:Ennis
B:ONMI.1274
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:C
"^G modal"
BGG2 DGG2|BGGB cedc|BGG2 DGG2|AFFA fdcA|
BGG2 DGG2|BGGB cedc|BABc defd|cAFA fdcA||
dggf gagf|dgga bgaf|defe fgfe|dfeg fdcA|
Bggf gagf|dggf bgag|bgag bgag|dfeg fdcA||"final"HG4z4|]

%%%

X:495078
T:DON'T BOTHER ME 
B:ONMI.1342
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
DFAc d2Bc|defd ecAc|d2Ac BAGF|EFGE FDD2:|
d2fd fafd|g2bg ecAc|d2fd fafd|efge fdd2|
d2fd fafd|g2bg ecAc|d2Ac BAGF|EFGE FDHD2|]

%%%

X:495079
T:DOOLEY'S FANCY 
S:McFadden
B:ONMI.1439 % A-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G % source key = A
d2|BGDG Bdgd|cBAG FGAc|BGBd gfge|dgfa gedc|
BGDG Bdgd|cBAG FGAc|BGBd g2ge|dcBA G2 :|
ef|g2fd edBG|cBAG FGef|g2fd edBG|egfa gdef|
gfgf edcB|cBAG FGAc|BGdG egfa|1 "thru"gedc Bd:| 
[2 "final"gedc Bdgd|HG4z4|]

%%%

X:495080
T:DROGHEDA LASSES, The  
S:Kennedy
B:ONMI.1292 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
c|dDD2 ABAF|Dgfe dcBc|dDD2 ABAF|BEEF GABc|
dDD2 ABAF|Dgfe dcBc|dBcA BGAF|BEEF GAB :|
c|d2fd fafd|Adfa gece|d2fd fafd|BEEF GABc|
d2fd fafd|Adfa gece|f2ec dABG|1 "thru"FABc dcB :|
[2 "final"FABc dcBc|Hd4z4|]

%%%

X:495081
T:DROWSY MAGGIE 
S:J.O'Neill
B:ONMI.1425
%Q:1/4=180
Z:Brennan/Black
R:reel
M:C|
L:1/8
K:D
"^E dorian"
E2BE dEBE|E2BE AFDF|E2BE dEBE|BABc dAFD|
E2BE dEBE|E2BE AFDF|E2BE dEBE|BABc dAFA||
d2fd c2ec|defg afge|d2fd c2ec|BABc dAFA|
d2fd c2ec|defg afge|afge fdec|BABc dAFD|]

%%%

X:495082
T:DRUMMOND LASSES, The  
S:McFadden
B:ONMI.1436
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2BG dGBG|G2BG EAAF|G2BG dGBd|cABG EGG2|
G2BG dGBG|dGBG EAAF|G2Bc dege|dBAG EGG2 :|
gfed Bdef|gfed eaag|gfed BcdB|cABG EGGd|
gfed Bdef|gfed eaa2|bgaf gedB|cABG EGG2 :|

%%%

X:495083 
T:DUBLIN LASSES, The  
S:McFadden
B:ONMI.1328
Z:Brennan/Black
N:This is Mr. McFadden's version of "Boys of Ballisodare"
(minus a third part).
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G % source key = F
dGG2 dGeG|dGGA BAA2|dGG2 dGeG|AcBA GEE2|
dGG2 dGeG|dGGA BAA2|GABd e2 dB|AcBA GE E2||
gfga baba|gfga beef|gfga b2ba|gefd Be e2|
gfga baba|gfga beeg|bgaf g2fe|dBAc BE HE2|]

%%%

X:495084
T:DUBLIN REEL, The  
S:Delaney
B:ONMI.1374
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
dFF2 dfec|dFF2 AFEF|dFF2 dfed|1 cABG AFEA:|2 cABc ABcd||
K:D
e2 cA EAcf|e2dA BFF2|e2 cA EAcA|BdcA BFF2|
e2 cA ecfc|eAcA BFF2|d3c dfed|cABG AFEA||
%
d3c dAFA|dcdB AFEA|d2dc dfed|cABc AFEA|
d3c dAFA|dcdB AFEA|dcdf e2ae|fdBc dfec|"final"d8|]

%%%

X:495085 
T:DUFFY THE DANCER 
S:Walsh
B:ONMI.1497
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". This is
pretty much "The High Reel".
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
"^A modal"
e|a2ea cAAd|cAeA cAAe|a2ea cAAd|BGdc BGBd|
a2ea cAAd|cAeA cAAe|g2fg aefd|BGdc BGG :|
e|cAeA fAeA|cAeA cAAd|cAeA fAeA|BGdc BGGd|
cAeA fAeA|cAeA cAAe|g2fg aefd|1 "thru"BGdc BGG :|
[2 "final"BGdc BGGB|HA4z4|]

%%%

X:495086
T:EARLY RISING 
B:ONMI.1454
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:D
B|DFAc BGAF|DFFA BEEF|DFAF BFAd|gfed cAGE|
DFAc BGAF|DFFA BEEF|DFAF BFAd|faeg fdd :|
e|d2fd c2ec|BdAF GFED|A,DFA DFAd|fadf e2fg|
abaf gfed|edfd edBc|dcdA BdAF|GBAF FDD :|

%%%

X:495087 
T:EWE REEL, The  
S:Kennedy
B:ONMI.1229
Z:Brennan/Black
N:No F naturals in source but always played as a G modal
tune today.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:C
"^G modal"
DGGF DGGE|F2AF cFAF|DGGF DGGg|1 fdcA BGAF:|2 fdcA BGG2||
g2bg dgbg|f2af dfaf|g2bg dgbg|agfa g2ga|
bgaf gdde|fefd cAGF|dggf gbag|fdcA BGAF|"final"G8|]

%%%

X:495088
T:FAIR AND FORTY 
S:J.O'Neill
B:ONMI.1482
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
D2|G2BG d2Bd|efge edBd|ceAc BdGB|ABcA GFED|
G2BG d2Bd|efge edBd|ceAc BdGB|cAFA G2||
d2|gfga bgdg|edef gdBd|gfga bgdg|edcB A2Bd|
gfga bgdg|edef gdBG|DGBd gdBd|cAFA G4|]

%%%

X:495089 
T:FAIR HAIRED MARY 
S:F.O'Neill
B:ONMI.1474
Z:Brennan/Black
N:This tune goes by many other names.
%Q:1/4=180
R:reel  
L:1/8
M:C|
K:D % source key = Gm
"^E dorian"
EBBA B2AG|FDAD BDAD|EBBA B2Bc|dBAF BAGF|
EBBA B2AG|FDAD BDAD|EBBA B2Bc|dBAF FEE2||
e2Be e2fe|dBBc d2dc|e2ed e2fe|dBAF BGAF|
eBBd e2fe|dBBc d2de|fgfe defe|dBAF FEE2|]

%%%

X:495090
T:FAR FROM HOME 
S:F.O'Neill
B:ONMI.1261
Z:Brennan/Black
N:I believe this is one of the few tunes - maybe 4 or 5 - in 
the O'Neill collections that the Chief didn't get from a fellow 
Irishman! (And it's played today pretty much note-for-note with
this setting.)
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
BA|GEDE G2GA|B2BA Bcd2|GEDE G2GB|AGAB AGEF|
GEDE G2GA|B2BA Bcd2|edef gedc|BGAF G2 :|
ef|g2ge f2fd|edef edBd|gedB G2B2|AGAB AGE2|
GEDE G2GA|B2BA Bcd2|edef gedc|BGAF G2 :|

%%%

X:495091
T:FAREWELL TO ERIN 
B:ONMI.1472
Z:Brennan/Black
N:1:aka "Cherry Tree", "Austin Tierney's", "Flying Column"
N:2:Key signature is G in source - scribal error?
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:D
B|D2 FD ADFD|Addc defd|D2 FD ADFD|BdAF FEEF|
D2 FD ADFD|Addc defg|afge fded|BdAF FEE :|
c|d3B AFF2|DFF2 ADFA|dcdB ADFA|BdAF FEEc|
d2c2 B2Ac|BA^GA Bcde|faec dcBA|1 GFED CEA :|
[2 GFED CEA,C|HD4z4|]

Source version:
D2 FD ADFD|Addc defd|D2 FD ADFD|(3Bcd AF FEEF|
D2 FD ADFD|Addc defg|(3agf (3gfe fded|(3Bcd AF FEEc||
(3dcd dB AFF2|DFF2 ADFA|dcdB ADFA|(3Bcd AF FEEc|
(3ded (3cdc (3BcB (3ABc|BA^GA Bcde|(3fga ec dcBA|GFED CEA,C|]

%%%

X:495092
T:FAREWELL TO IVELEARY 
S:F.O'Neill
B:ONMI.1384
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
c|BGG2 Bcdc|BGBd eAAc|BGG2 BcdB|dega bgg:|
a|bgfg egdg|cBcd eAAg|bgfg egdg|egfa bgga|
bgfg egdg|cBcd eAAc|BGGB cAAg|fdef Hg4|]

%%%

X:495093
T:FERMOY LASSES, The  
S:F.O'Neill
B:ONMI.1310
Z:Brennan/Black
%Q:1/4=180
R:reel 
N:This tune is sometimes called "Leitrim Thrush", probably because of 
a record mis-labelling back in the day (cf "Daisy Fields/Wild Irishman" 
confusion)
M:C|
L:1/8
K:G
BA|GEE2 BEE2|GEE2 BcBA|GEE2 BEE2|AFDF AcBA|
GEE2 BEE2|GEE2 BcBA|G2GF G2dG|AFDF A2 :|
BA|G2BG dGBG|G2Bd efg2|G2BG dGBG|AFDF AcBA|
G2BG dGBG|G2Bd efg2|afge dedB|1 "thru"AFDF Ac :|
[2 "final"AFDF AcBA|HG4z4||

%%%

X:495094
T:FIELD OF OATS, The  
S:F.O'Neill
B:ONMI.1523 % A-B-A
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
BA|GEEF G2EF|G2FG AcBA|1 GEEF G2ef|gfed B2:|\
[2 GFEF GABa|gefd e2ef||
P:"B"
g2bg f2af|e2fe BBef|gabg fgag|gfed e2ef|
g2bg f2af|e2fe BBef|ggbg f2af|gfed edBA"_DS"|]
P:"A" repeated
GEEF G2EF|G2FG AcBA|1 GEEF G2ef|gfed B2:|\
[2 GFEF GABa|gefd e2ef|gefd He4|]

%%%

X:495095
T:FIRST MONTH OF SUMMER, The  
S:F.O'Neill
B:ONMI.1214 
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:A
ed|cAFA EFEC|EAdc BdcB|AFF2 EFEC|EAGB AdcB|
cAFA EFEC|EAdc Bcdf|ecBc AFEC|EAGB A2 :|
ed|eAA2 ecfc|ecc2 feaf|eAA2 ecfe|dcBA GABc|
eAA2 ecfc|ecde fefg|agab agfe|1 "thru"dcBA GB :|
[2 "final"dcBA GBEG|HA4z4||

%%%

X:495096
T:FIRST OF MARCH, The  
S:McFadden
B:ONMI.1357 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
ge|d2BG AGEF|G2dG Bdge|d2BG AGEA|1 Bdgd ef :|2 Bdgd e2||
ef|g2gf gbag|fdad fdfa|g2gf gbaf|gfed Beef|
g2gf gbag|fdad fdfa|gbag faed|BABd efgd|e8|]

%%%

X:495097
T:FIVE LEAVED CLOVER, The  
S:F.O'Neill
B:ONMI.1247 
N:See the introductory note on "Ambiguous Tunes".
Other versions of this tune are A minor (dorian),
so I presuming that O'Neill's version is also.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
ed|cAAB AGEF|GEAE GEDF|EAAB cBcd|eage dfed|
cAAB AGEF|GEAF GFED|EAAB cBcd|eage d2 :|
cd|eaab agef|geae gede|c2ce d2df|eage d2cd|
eaag agef|geae gede|cBcd efgb|afge df :|
"final" afge dfAB|cAAB A4|]

%%%

X:495098
T:FIVE MILES AWAY 
S:F.O'Neill
B:ONMI.1434
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
c|d2dB ABAF|d2AF Agfe|dedF ABAF|GFEF GABc|
d2dB ABAF|d2AF Agfe|dedF ABAF|GBAG FDD :|
g|fdAd fdad|fdAd ceeg|fdAd fdaf|bage fddg|
fdAd fdad|fdAd ceeg|fage fdec|dABG FDD :|

%%%

X:495099
T:FLAX IN BLOOM, The  
S:J.O'Neill
B:ONMI.1389
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
B|D2 FD FAAf|gefd edBd|A2FA dfaf|gafd edBd|
D2 FD FAAf|gefd edBd|ABAF ABde|faeg fdd :|
g|f2df e2ce|dcdB AGFG|DFAd FAdf|gefd edBd|
f2df e2ce|dcdB AGFA|DFAc defg|ageg fdd :|

%%%

X:495100
T:FLOGGING REEL, The  
B:ONMI.1206
Z:Brennan/Black
N:Note that source repeats part 2.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
dc|:BGG2 BGdG|BGG2 Bdgd|BGG2 BdcB|AGFG ABcB:|
%
gfgd BGBd|gfge fgaf|gfgd BcdB|AGFG ABcA|
gfge BGBd|gfge fgaf|bgaf gedB|AGFG ABcA||
%
Bdgd Bdgd|Bdgd BGGB|Ac=fd Acfc|Ac=fc A=FFc|
Bdgd Bdgd|Bdef gfga|bgaf gedB|AGFG ABcA|"final"G4z4|]

%%%

X:495101
T:FLOWER OF THE FLOCK, The  
S:F.O'Neill
B:ONMI.1238
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
GE|DEGA BGGB|cABG AGEG|DEGA BABc|dBAB G2:|
ef|g2ge d2dB|AcBG AGEG|g2ge d2d2|eaab agef|
gfge dedB|cABG AGEG|DEGA BABc|dBAB G4|]

%%%

X:495102
T:FLOWING BOWL, The  
S:Cronin
B:ONMI.1297
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
ef|gfed cAAB|cAdB cAAf|gfed cdeg|fage d2:|
A2|d2fd adfd|d2fa gece|d2fd adfd|fage d2A2|
d2fd adfd|d2fa gece|f4 g4|fage d4|]

%%%

X:495103
T:FOLLOW ME DOWN TO CARLOW (1st Setting) 
S:B.Delaney
B:ONMI.1281
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
AGAG EFGB|A^GAB cded|cBcA EFGa|1 gedB cAdc:|2 gedB cAA2||
ecc2 ecgc|BGdG BGdG|ecc2 egfa|gedB cA A2|
agea gedB|cBcG EFGB|A^GAB ceaf|gedB cAHA2|]

%%%

X:495104
T:FOLLOW ME DOWN TO CARLOW (2nd Setting) 
S:J.O'Neill
B:ONMI.1282 % AA-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
A2AG EFG2|A2AB cded|cBcG EF^GB|AcBG A2A2:|
eaag efg2|B2BG GABd|eaag efg2|B2BG A2A2|
eaag efg2|B2BA GABd|egfa gage|dBgB gdBG||"final"HA4z4|]

%%%

X:495105
T:FOUR COURTS (1st Setting), The  
S:Ennis
B:ONMI.1396
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
dB|ADFD ADGB|ADFD G2GB|ADFD ADGF|E2cA G2FG|
ADFD ADGB|ADFD G2FG|A^GAc BABc|dBcA G2||
%
AG|F2AF cFAG|F2cA G2AG|F2AF cFAc|dBcA G2AG|
F2AF cFAG|F2cA G2Bc|dfdc dcBc|dBcA G2||
%
dB|A2Ac B2Bd|ABAF G2dB|A2Ac B2Bc|dBcA G2dB|
AFAc BGBd|ABAF G2Bc|dfec dcBc|dBcA HG4|]

%%%

X:495106
T:FOUR COURTS (2nd Setting), The  
S:Cronin
B:ONMI.1397 % A-B-C-D-A
N:See the introductory note on "Ambiguous Tunes".
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^A modal"
P:"A"
ed|: c2Ac B2Ad|c2Ac BcdB|c2Ac B2Ac|dfed BcdB:|
P:"B"
e3g fddf|ecce dBBc|Acef g2fe|dfed BcdB:|
P:"C"
a2 eg a2 eg|agec Ac eg|agab agec|dfed BcdB:|
P:"D"
eAcA eAcA|eAcA BcdB|eAcA eAcA|dfed BcdB|
eAcA eAcA|eAcA BcdB|eAcA e2ef|gedc BcdB|"final"A8|]

%%%

X:495107
T:FOUR-HAND REEL, The  
S:Delaney
B:ONMI.1554 
Z:Brennan/Black
N:aka "Five Mile Chase"
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
EF|G2BG cGBG|FADA FADA|G2BG dGBd|egfa gedB|
G2BG dGBG|FADA FADA|G2BG dGBd|egfa g2g2||
gdBd edBd|gabg fdef|gdBd edBd|egfa g2g2|
gabg efge|dedc BGBd|efed edBd|egfa gedB|G8|

%%%

X:495108
T:FOURPENNY BIT, The  
S:Fielding
B:ONMI.1541  
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
DGGB cABG|GBdB cAFA|DBBG A^GAB|cBAG FGAF|
DGGB cABG|GBdB c2Bc|(3dcB cA BGAG|eg Ac BGG2||
dgg2 bgg2|defg agfg|dgfg dgfg|dBcA BGG2|
dgg2 bgg2|defg agg2|dgfg dgfg|abag fdcA||"final"HG4z4|]

%%%

X:495109
T:FROM SHORE TO SHORE 
B:ONMI.1545
Z:Brennan/Black
N:Source m.11 = |(3bag (3agf (3gfe (3dcB|
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
Bdd^c egdg|eg dg fafd|Bdd^c egdg|1 cAFD BGG2:|\
[2 fdcA BGG2||
bgfg egdg|bgfg faa2|bgfg egdg|cAFD BGG2|
bgfg egdg|bgfg faa2|bgaf gedB|cAFD BGHG2|]

%%%

X:495110
T:GALBALLY LASSES, The  
S:Cronin
B:ONMI.1501
Z:Brennan/Black
N:This sounds like a reversed version of "Grand Spey".
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
de|fgfe dcdA|BdAd BdAd|fgfe dcdA|BdAF FEEd|
fgfe dcdA|BdAd BdAd|afge fdec|dBAG FDD2||
%
fgab afdf|gaba bgeg|fgab afdA|BdAF FEEe|
fgab afdf|gabg bgeg|fgef defe|dBAG FDD2||
%
FEFD FAAc|BAdA BAdA|FEFD FAAc|BAdF FEEG|
FEFD FAAc|BAdA cdeg|fgef defe|dBAG FDD2|]

%%%

X:495111
T:GIRL WHO BROKE MY HEART, The 
S:F.O'Neill
B:ONMI.1176
Z:Brennan/Black
N:Source key signature is G minor, but it's usually 
played today as G modal. 
%Q:1/4=180
R:reel
M:C|
L:1/8
K:C
"^G modal"
dc|BGFD ECC2|DGGF GABc|defd cAGF|DEFE F2dc|
BGFD ECC2|DGGF GABc|defd cAGF|DGGF G2||
DF|G2Bd gdBG|F2Ac fcAF|G2Bd gdBd|cBcd cAFA|
G2Bd gdBG|F2Ac fcdB|GABd cAGF|DGGF G4|]

%%%

X:495112
T:GIRL WITH THE LAUGHING EYES, The 
S:F.O'Neill
B:ONMI.1528
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
Bc|d2FG Adef|gfed fdBc|d2FG A2AB|AGEG FDDA|
d2FG Adef|gfed fdBc|d2FG A2ag|faef d2 :|
eg|afbf afdf|gfed cd eg|afbf afdf|abag fdeg|
afbf afdf|gfed gdBc|d2FG A2ag|faef d2 :|

%%%

X:495113
T:GIRLS WILL YOU TAKE HIM?  
S:McNamara
B:ONMI.1464 
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes".
I'm calling D modal on this one!
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
"^D modal"
B|D3E FGAF|D2AF GECE|D3E FGAB|cAdB cAGE|
D3E FGAF|D2AF GECE|D3E FGAB|cAdB cAG :|
E|Addc dfed|AcBd cAGB|Adde fdeB|cAdB cAGE|
Addc dfed|AcBd cdeg|agef gfed|1 "thru"cAdB cAG :|
[2 "final"cAdB cAGE|HD4z4|]

%%%

X:495114
T:GIVE US ANOTHER 
S:McFadden
B:ONMI.1530
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
D2 FD FAAB|defd BdAd|B3A FAdB|1 AGFD EGFE:|\
[2 AGFD E2D2||
defg afdf|afdf eBB2|defg afdf|abaf e2d2|
defg afbf|afdf edBA|B3A FAdB|AGFD EGFE||"final"D4z4|]

%%%

X:495115
T:GOING TO THE FAIR 
S:F.O'Neill
B:ONMI.1412
N:In the "Miss McGuinness" family.
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
dGG2 dGBG|efga bgfg|dGG2 dGBd|1 egdB BAA z:|\
[2 egfa bgg2||
a2ba g2d2|egdg egdg|a2ba geef|gedB BAA2|
a2ba g2d2|egdg egdg|bgaf geef|gedB BAA2||"final"HG4z4|]

%%%

X:495116
T:GOLDFINCH, The  
S:O'Reilly
B:ONMI.1280
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
Ac|e2ea f2af|e2ae fece|e2af ecAc|BABc BAFB|
A2ea f2af|e2ae fecf|e2af ecAc|BABc A2 :|
c2|ecBc A2Ac|B2Bd ceaf|ecBc A2ce|fbba geaf|
ecBe A2Ac|B2Bd ceaf|ecBc A2ce|fage a2 :|

%%%

X:495117
T:GOOD MORNING TO YOUR NIGHT CAP 
T:Drunken Police Car
S:McFadden
B:ONMI.1485
Z:Brennan/Black
N:Coleman recorded this with the second part first.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
A2Ac BGGB|cBcd eg dB|A2Ac BGGB|cABG eg D2|
A2Ac BGGB|cBcd eg dB|A2Ac BGGB|cABG EAA2||
efec dedB|cBcd eaag|eg ec dedB|cABG eg D2|
e2ec dedB|cBcd efge|aged eg dB|cABG EAHA2|]

%%%

X:495118 
T:GOOSEBERRY BUSH, The  
S:Cronin
B:ONMI.1252
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". There
are no C naturals in the source version.
%Q:1/4=180
R:reel
M:C
L:1/8
K:G
"^D modal"
A,2|D3E FEFG|A2AB cAGB|ABcA dcAG|FGAF GBAF|
D3E FEFG|ABcA dcde|fdec dfed|cAB^c d2||
%
A2|d2de fded|cAdB cAGB|ABAF G2AG|FAB^c dcBc|
d2de fded|cAdB cAGB|ABcA dcAG|ABce d2||
%
A2|d2de fged|fefg agfd|cdef g2ef|gfge dcAB|
dcdB ABAG|FGAB cAGB|ABcA dcAG|ABce Hd4|]

%%%

X:495119
T:GREEN BRANCH, The  
S:Delaney
B:ONMI.1259
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
fe|dGBG dGGB|dGBG AG E2|dGBG defg|afdf g2:|
fe|dggf gbag|fdef gfef|dggf gbag|fede fee2|
dggf gbag|fdef gedB|c2cA BAGB|dfga bgHg2|]

%%%

X:495120 
T:GREEN FIELDS OF AMERICA, The  
S:F.O'Neill
B:ONMI.1240
Z:Brennan/Black
N:ONMI has this as a single. The version here is the way we learned 
it from the likes of Paddy Reynolds (RIP) - Heaven help you if you 
screwed up and played the second ending (which I think is from Coleman) 
first! 
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
c2ec B2dB|AGAB AGEF|GAGE DEGB|AGAB AGEG|
c2ec B2dB|AGAB AGEF|GAGE DEGA|BGAF G2z2:|
GABc d2ef|gage dBGB|c2ec B2dB|AGAB AGE2|
[1 GABc d2ef|gage dBGB|c2ec B2dB|AGAB GDEF:|
[2 gfgd efge|dcBG AGEF|GAGE DEGA|BGAF HG4|]

%%%

X:495121
T:GREEN GARTERS 
S:Kennedy
B:ONMI.1477 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
d2fd Adfd|d2fa gece|d2fd Adfd|edcd efge|
d2fd Adfd|d2fagece|d2fd Adfa|gecd edd2||
agfg afdf|a2fd efge|agfg afdf|edcd efge|
agfg afdf|a2fd efge|afge fdec|ABcd efge||"final"Hd4z4|]

%%%

X:495122 
T:GREEN GROVES OF ERIN, The  
S:F.O'Neill
B:ONMI.1429
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
P:"A"
A2cA eAcA|BGBd gedB|A2cA eAcA|BGEF GABG|
A2cA eAcA|BGBd gedB|A2cA eAcA|BGED EAA2||
P:"B"
eaag eaag|efgf efgf|eaag eaag|egfa gedB|
eaab [ac']abg|egfa gfge|dega bgag|egfa gedB||
P:"A" repeat
A2cA eAcA|BGBd gedB|A2cA eAcA|BGEF GABG|
A2cA eAcA|BGBd gedB|A2cA eAcA|BGED EAHA2|]

%

X:495123
T:GREEN JACKET, The  
S:Cronin
B:ONMI.1490 
N:See the introductory note on "Ambiguous Tunes". I can't decide
if all or only some of the C's in this tune are natural, so I
created the "hybrid" version below. If you want to hear a "full"
modal version (=all C's natural), replace "K:D" with "K:G". For a 
straight D major version, delete all "=".
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
D2 FD AD FD|ABcd edcA|D2 FD  A2d2|=cAGE ED=CE|
D2 FD AD FD|ABcd edcA|D2 FD  A2d2|=cAGE EDD2||
fdd2 fddf|ecc2 efge|fdd2 fged|=cAGE EDD2|
fede fedf|edcd efge|afge f2ed|=cAGE ED=CE|"final"D8|]

%%%

X:495124
T:GREEN LINNET, The  
S:J.O'Neill
B:ONMI.1262
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes".
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
"^A modal"
B|A2ae cBAc|BAGB gdBG|A2ae cBAc|BGdB cAA:|
B|ABcd ecBA|BGBd gdBG|ABcd ecBA|BGdB cAAB|
ABcd ecBA|BGBd gdBG|AcBd cedf|edcB cAHA2|]

%%%

X:495125
T:GREEN MOUNTAIN, The  
S:McFadden
B:ONMI.1205
Z:Brennan/Black
N:This version is actually closer to "Maid Behind the Bar" 
than to "Green Mountain" as it's played today.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
dB|AFAB AFEF|DFF2 ABde|fBBA Bcde|fdgf efdB|
AFAB AFEF|DFF2 ABde|fBBA BcdB|AFEF D2||
eg|fgab afde|fdad fddf|efga beef|gebe gfeg|
fgaf bfaf|defd efde|fBBA BcdB|AFEF HD4|]

%%%

X:495126
T:GREY BEARD, The  
S:Cronin
B:ONMI.1393
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
EF|GcBA GFGA|defa gedB|GABA GBcB|ABAG FDEF|
GABA GFGB|defa gfgf|ecAc dBAG|FDEF G2 :|
B2|d3e dcBc|defa gedB|GBde dcBc|AFDF ABcA|
dcde dcBc|defa g3f|ecAc dBGB|cAFA G2 :|

%%%

X:495127
T:GREY DAYLIGHT, The  
S:McNamara
B:ONMI.1371 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D 
F|D2FA DAFA|A,2CE A,ECE|D2FA DAFA|Bdce dBAF|
D2FA DAFA|A,2CE A,ECE|D2FA DAFA|Bdce dfe||
P:"B"
|:c|d2fd gefd|B2ed cABc|d2fd gefd|Bdce dfec|
d2fd gefd|B2ed cABc|defg abag|fdec dBA||
P:"A repeat"
F|D2FA DAFA|A,2CE A,ECE|D2FA DAFA|Bdce dBAF|
D2FA DAFA|A,2CE A,ECE|D2FA DAFA|Bdce dfec|Hd4z4|]

Source version:
A/G/F/E/|: D2FA DAFA|A,2CE A,ECE|D2FA DAFA|\
[1 (3Bcd (3cde dBAF:|[2 (3Bcd (3cde dfec||
d2fd gefd|(3BAB ed cABc|(3dcd fd gefd|\
(3Bcd (3cde dfec|
d2fd gefd|(3BAB ed cABc|defg abag|fdec dBAF|]

%%%

X:495128
T:GREY PLOVER, The  
S:Carey
B:ONMI.1544
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
G3B d2BA|BcBA BcBA|G3B d2BG|FADA FADA|
G2GB d2Bd|eBBd g2fg|efde Bddf|e2dB BAA2 :|
dgg2 a2ge|d2BA GB B2|dgg2 a2ge|d2BG FA A2|
dgg2 a2ge|dBBd g2fg|efde Bddf|1 "thru"e2dB BAA2 :|
[2 "final"e2dB A2DF|HG4z4|]

%%%

X:495129
T:HAPENNY FOR A COTTON BALL, A 
S:F.O'Neill
B:ONMI.1279
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
GA|B2BA Bcd2|efed efg2|BcBA GABG|AGEF G2:|
d2|gfed edBd|gfed e2ef|gfed edBA|BGEF G2ef|
gfed edBd|gfed e2ef|gbaf gfed|egfa g4|]

%%%

X:495130
T:HAPPY DAYS OF YOUTH, The  
S:F.O'Neill
B:ONMI.1311
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
G2Bd e2dB|GABG AGEF|G2Bd e2dB|cABG EGG2:|
faag fdde|fdag fdd2|faag fddf|edef gfed|
faag fdde|fdag fdd2|bgaf gfef|dfaf gedB|\
"final"HG4z4|]

%%%

X:495131
T:HARVEST FIELD, The  
B:ONMI.1428
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
BA|GFGA Bdd2|efge dBB2|efge dBGA|BAAG AcBA|
GFGA Bdd2|efge dBB2|gfge dBge|dBAB G2||
Bc|dbag efge|dBgB BAA2|dbag efge|dgfa g2ga|
bgaf agfd|e2dc BAA2|GFGA Bdd2|egfa g4|]

%%%

X:495132
T:HIGHWAY TO LIMERICK, The  
S:F.O'Neill
B:ONMI.1402
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
EAAB cBAc|BAGB dBGA|EAAB cBcd|eg dB BAA2:|
eaag efge|dBGc AGE2|eaag ef^ga|ba^gb a2ab|
c'abg efge|dBgd BGG2|EAAB cBcd|eg dB BAHA2|]

%%%

X:495133
T:HORNLESS COW, The  
B:ONMI.1455
Z:Brennan/Black
%Q:1/4=180
R:reel  
L:1/8
M:C
K:D
FAAF GFED|FAAc dABG|FAAF GBdB|Adfe dcBA|
FAAF GFED|FAAc dABG|FAAF GBdB|AFDF E2D2||
afdf gfge|afdf eBB2|afdf gfge|afdf e2d2|
afdf gfge|afdf eBB2|defg afbf|afdf e2d2|]

%%%

X:495134
T:HOW THE MONEY GOES 
S:O'Neill
B:ONMI.1368
N:Source m.15 = |(3gab (3bag gfed|
%Q:1/4=180
R:reel
Z:Brennan/Black
M:C|
L:1/8
K:G
G2Bd gdBd|cBAc BGEF|G2Bd gdBc|dcAF GFED|
G2Bd gdBd|cBAc BGEF|G2Bd gdBd|ecAF G2ef||
gbef gedf|gbef g2ef|gbef gedc|BGAF G2ef|
gbef gedf|gbef g2ga|gbag gfed|egfa g4|]

%%%

X:495135
T:HUMORS of BALLINACARRIG, The  
B:ONMI.1427
Z:Brennan/Black
%Q:1/4=180
N:|^d| replaced in mm 5,6,7,9,10
%Q:1/4=180
R:reel
L:1/8
M:C
K:D
"^E dorian"
dc|BEE2 d2cB|AD FD FAAc|BEEF GABc|1 dcdB e2:|\
[2 dBAc BEE2||
edef gfge|defg afdf|edef gfec|dBAc BEE2|
edef gfge|defg afdf|g2fd eg fe|dBAc BEHE2|]

%%%

X:495136
T:HUMORS OF NEWCASTLE, The  
S:Dillon
B:ONMI.1524
Z:Brennan/Black
N:First part of this is in the "Captain Kelly"/"Scartaglen" 
family.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
DFEF D2dB|A2FD EA,A,2|DFEF D2dB|AFDF EDD2:|
d2fd adfd|A2cA eAcA|d2fd adfd|faeg fBB2|
d2fd adfd|A2cA eAcA|dfeg faec|dBAG FDHD2|]

%%%

X:495137
T:HUMORS OF SCHULL, The  
S:Beamish
B:ONMI.1470
Z:Brennan/Black 
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
"^A dorian"
EAAA cAAA|BGGA BcdB|eddB A2ge|dBGA BAA2|
EAAA cAAA|BGGA BcdB|EAAB cdef|gedB A2z2||
eaag a2ba|a2bg agef|g2gf gabg|gedc BAA2|
eaag a2ba|a2bg agef|gedB cBce|gedB HA4|

%%%

X:495138 
T:HUMORS OF WESTPORT, The  
S:J.O'Neill
B:ONMI.1177
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D % source key = F
d2dc dAFA|d2dc dfed|dfec dAFA|GFEF GABc|
d2dc dAFA|d2dc dfeg|fdec dAFA|GFEF GBAG||
FDAD BDAD|FDAD GBAG|FDAD BDAD|GFEF GBAG|
FDAD BDAD|FDAD GBAG|FAdf ecdA|GFEF GABc|\
"final"d8|]

Source version:
K:F % source key
f2fe fcAc|f2fe fagf|fage fcAc|BAGA Bcde|
f2fe fcAc|f2fe fagb|afge fcAc|BAGA BdcB||
AFcF dFcF|AFcF BdcB|AFcF dFcF|BAGA BdcB|
AFcF dFcF|AFcF BdcB|Acfa gefc|BAGA Bcde|]

%%%

X:495139 
T:I HAVE NO MONEY 
S:McFadden
B:ONMI.1356 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C
L:1/8
K:D % source key = C
A|FAdB AGA2|FAdA FEEA|FAdB AGAB|defe dBBA|
FAdB A3A|FAdA FEEA|FAdB A3b|afge fdd||
b|afef dcdg|afeg fbbg|afef dcdB|AdAG FDDg|
afef dcdg|afeg fbbg|afbg afed|BdAG FDHD2|]

Source version:
K:C
G|eg cA GFGG|EGcG EDDG|eg cA GFGA|cded cAAG|
eg cA G3G|EGcG EDDG|eg cA G3a|gefd ecc||
a|gede cBcf|gedf eaaf|gede cBcA|GcGF ECCf|
gede cBcf|gedf eaaf|geaf gedc|(3ABc GF Ecc2|]

X:495140
T:I'M READY NOW 
S:F.O'Neill
B:ONMI.1362
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". I'm not familiar 
with this tune, but the frequency of accented /c/ indicates that
it's probably D modal instead of D major. If you want to hear it
as D major, replace "K:G" with "K:D".
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G % source key = D major
"^D modal"
ed|cAAB cded|cAGE EDDB|cBAB cdeg|1 fdec df :|\
[2 fdec d2||
de|f2fa e2eg|fded cAAg|f2fa e2eg|fdec d2de|
f2fa e2eg|fded cAAg|f3f eaag|fdec Hd4|]

%%%

X:495141
T:I'M WAITING FOR YOU 
S:J.O'Neill
B:ONMI.1486
Z:Brennan/Black
N:Source has this as "single" (no repeats).
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
D2|G2dG BGdG|AGFG ABcA|BAGF GABc|de=fd cA^FA|
BGG2 BGAG|FGAB cBcA|BdGB cBAG|FDEF G2:|
Bd|g2fd edBG|FDAD BDAD|E2EF GFGA|Bdce d2Bd|
g2fd edBG|FD AD BDAD|G2FE DGBd|1 cDEF G2:|\
[2 cDEF HG4|]

%%%

X:495142 
T:IRISH MUSIC CLUB, The  
S:Cronin
B:ONMI.1498
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes".
I'm considering this D modal.
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^D modal"
dB|AFDE FEFG|A^GAB cBcA|defd cAGF|DGGF GABG|
AFDE FEFG|A^GAB cBcA|defg abag|fdec d2||
A2|defg abaf|defg abaf|dg2f gagf|dggf g2fg|
agfe defd|cAGF GABc|defd cAGF|Addc d4|]

%%%

X:495143 
T:IVY LEAF (1st setting), The  
S:J.O'Neill
B:ONMI.1370 % A-B-A
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes".
Source key is A major but I'm thinking A dorian
is more accurate.
N:2:Part 1 = "Man of the House"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
P:"A"
A2ed cdec|A2ec dBGB|A2ed cdef|1 gfge dBGB:|\
[2 gedB cAA2||
P:"B"
eaag edef|gfge dBGB|eaag edez|EEED EFGB|
eaag edef|gfge dBGB|AcBd cedf|egfa gedB||
P:"A" repeated
A2ed cdec|A2ec dBGB|A2ed cdef|1 gfge dBGB:|\
[2 gedB cAHA2|]

%%%

X:495144
T:IVY LEAF (2nd Setting), The  
S:F.O'Neill
B:ONMI.1371 
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". Source has this in 
A major, but I'm going with A modal. ("Ivy Leaf 1" is the minor/dorian
setting.)
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^A modal"
A2ed cdec|A2ec dBGB|A2ed cdeB|AGEF GABG:|
eaag edef|gfgd BGBd|eaag edcB|AGEF GABG|
eaag edBd|gfgd BGBd|AGAB cBcd|egfa gedB|A8|]

%%%

X:495145
T:JACK DOLAN 
S:McFadden
B:ONMI.1358
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
cd|e3d Bddg|edBc dBGB|efed Bddg|edgd BA:|
cd|g2eg fded|gfgb agef|g2eg fded|BAGA Bdef|
g2bg fdef|gfgb a2ga|bgaf gfed|BABd eaaf|Hg4z4|]

%%%

X:495146
T:JENNIE ROCK THE CRADLE 
S:F.O'Neill
B:ONMI.1269
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
Ac|dAFA DAFA|dAFG A2 Ac|dAFA DAFA|GFEF G2 Ac|
dAFA DAFA|dAFA A2 Ac|dBcA BGAF|GFEF G2||
%
AG|DFAc BGAF|DFAB A2AF|DFAc BGAF|GFEF G2FE|
DFAc BGAF|DFAB A2 Ac|dBcA BGAF|GFEF G2||
%
AG|FD AD BDAD|FD AD A2AG|FD AD BDAD|GFEF G2AG|
FD AD BDAD|FD AD A2 Ac|dBcA BGAF|GFEF G2EF|HD4z4|]

%%%

X:495147
T:JENNY PICKING COCKLES 
S:Early
B:ONMI.1347
Z:Brennan/Black
N:No accidentals in source but this is clearly a modal 
tune. Usually played AA-BB roday.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
Addc AGEF|GEcE dEcE|Addc AGEF|GEcE EDFG|
Addc AGEF|GEE2 c2cd|edcA AGEF|GEcE EDD2||
f2fd e2ed|cAAB cdeg|f2fd e2ed|eage edd2|
f2fd e2ed|cAAB c3d|edcA AGEF|GEcE EDHD2|]

%%%

X:495148
T:JENNY PIPPIN 
S:Ennis
B:ONMI.1322
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
zd|BADA dADA|BADA defd|BADA dADc|dBAf e2:|
Bc|dfaf bgaf|dfaf g2fe|dfaf bgaf|dBAf e2dc|
dfaf bgaf|bgaf g2fg|agfe dBAB|1 "thru"dbaf e2 :|
[2 "final"dfec Hd4|

%%%

X:495149 
T:JENNY'S WEDDING 
S:J.O'Neill
B:ONMI.1479
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G 
"^D modal"
D2FD ADFD|Adde fded|cAAB c2cd|eaag edcd|
D2FA defd|cAAB cdeg|fdec d2cA|BdAF EDFA||
d2fd adfd|ecAB cdec|d2fd adfd|cdeg fdd2|
d2fd adfd|cdef g2fg|afge fdec|dBAG FDHD2|]

%%%

X:495150
T:JENNY'S WELCOME TO CHARLEY 
S:McFadden
B:ONMI.1456
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes".
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
"^D modal"
D3B AGEF|GEcE dEcE|D2dc AGEG|a2 AG EFGE|
D3B AGEF|GEcE dEcE|D2dc AGEG|a2 AG EDD2||
%
d3e dcAB|cAdB cAGB|Addc dcd2|cAGE EDD2|
dcde dcAB|cAdB cAGE|D2 eg AddB|cAGE EDD2||
%
eaa^g agef|geaf gedg|eaa^g aga2|agea e2d2|
eaa^g agef|geaf gedB|A2Bd e2dB|cAGE EDD2||
%
dfec dfed|cAAB c2AG|Addc dcd2|eaag e2d2|
dcdB dfed|cAAB cdcA|GAcd e2de|cAGc A2GE|\
"final"HD4z4|]

%%%

X:495151
T:JERRY HAYES 
S:F.O'Neill
B:ONMI.1383
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
A2|d2fe ceAc|dAfd egce|d2fd ceAg|fdec d2:|
AG|FDAF dABG|FDAF EcAG|FDAF dABG|FDEC D2AG|
FDAF dABG|FDAF EcAG|FDAF dAAg|fdec Hd4|]

%%%

X:495152
T:JIM KENNEDY'S FAVORITE 
S:Kennedy
B:ONMI.1296
Z:Brennan/Black
N:|^d| replaced
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2GA BEE2|BEdE BEEF|GFGA BABd|1 eg fd edeg:|\
[2 eg  fde2||
ef|g2f2 edB^c|d2ed Bdd2|g2f2 edBd|eg fd e2ef|
g2f2 edB^c|d2ed Bdd2|bgaf gfed|eg ed e2Hg2|]

%%%

X:495153 
T:JIM MOORE'S FANCY 
S:F.O'Neill
B:ONMI.1236 
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". The source key
is A major but it's a toss-up as to whether A modal (C's and F's
sharp, G's natural) or A dorian (C's and G's natural, F's sharp)
sounds best. I'm going with A dorian but you can hear the modal
version for yourself by replacing "K:G" with "K:D".
N:2:If /a'cba/ in mm 10 and 14 causes problems, replace it with /a2ba/.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
ABAG ABcd|efed efg2|G2BG dGBG|AcBA GEDG|
ABAG ABcd|efed efg2|afgf egfa|gedB BAA2||
a2bg a2bg|ac'ba geef|g2af g2af|gbag gfed|
agbg agbg|ac'ba geef|gfed egfa|gedB BAHA2|]

%%%

X:495154
T:JIMMY'S RETURN 
B:ONMI.1444 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Bm
e|f2Bc dBfB|cAec aecA|f2Bc dBfB|cAec dBBe|
f2Bc dBfB|cAec aecA|BcdB cdea|fdec dBB||
c|Bbfd BcdB|cAec aecA|Bbfd BcdB|cAec dBBc|
Bbfd BcdB|cAcA aecA|Baga fgef|dfec dBHB2 |]

%%%

X:495155
T:JOHN O'NEILL'S REEL 
S:F.O'Neill
B:ONMI.1265
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
A|BcBA FAAc|BEE2 FEFA|BcBA FAAB|ABde fdd:|
e|f2fd e2ec|fgfd edBd|fgfe dedB|ABde fdde|
f2fd e2ec|fgfd edBd|faa2 bgaf|ABde fdHd2|]

%%%

X:495156
T:JOHNNY HAS GONE TO FRANCE 
S:McFadden
B:ONMI.1437
Z:Brennan/Black
N:I'm not sure that this tune isn't "modal" with all the F's natural. 
In any event I'll keep the ABC as G major. You can hear the modal 
version by replacing "K:G" with "K:C" to choose which version you 
prefer.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
g2fg dcAc|dBcA FGAF|dgg2 dcA^c|dBcA dBcA|
g2fg dcAc|dBcA FGAF|dgg2 dcA^c|dBcA BGG2||
dgg2 gbag|fdcA FGAF|dgg2 gbag|fdcA AGG2|
g2fg gbag|fdcA defg|a2 ag fgag|fdcA AGHG2|]

%%%

X:495157
T:JOHNNY WITH THE QUEER THING 
T:Sailor on the Rock
S:F.O'Neill
B:ONMI.1294
Z:Brennan/Black
N:1:One of my favorite tune names of all time!
N:2:aka "Sailor on the Rock"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dfed BcdB|AD FD FAAB|defd B2dB|ABdf gfef|
dfed BcdB|AD FD FAA2|defd B2dB|ABdf e2d2||
faag fddf|gfga beeg|faaf gedB|ABdf e2d2|
faag fddf|gfga bgeg|faaf gedB|ABdf gfef|
"final"Hd4z4|]

%%%

X:495158 
T:JOHNNY'S WEDDING 
S:F.O'Neill
B:ONMI.1216
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:Em % source key = Gm
EF|GEBE GEEG|FDAD FDDF|1 GEBE GEEG|FDD2 E2:|\
[2 EGFA GBAc|Bedf e2||
ef|gefd dBB^c|dBAF FEDB,|gefe dBBA|cedf e2ef|
gefe dBB^c|dBAF FEDB,|EGFA GBAc|Bedf He4|]

%%%

X:495159
T:JOHNNY'S WELCOME HOME 
S:McFadden
B:ONMI.1346 
N:See the introductory note on "Ambiguous Tunes". I'm going
with A dorian on this one!
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
P:"A"
AEE2 cEE2|GFEF GFED|EGAB cded|cBcd e2fg|
abaf gbge|dBGB ABcd|eged cABG|AGEG A2||
P:"B"
eg|agea ageg|agef g2fg|agbg aged|cBcd e2fg|
abaf gbge|dBGB ABcd|eged cABG|AGEG AdcB||
P:"A" repeated
AEE2 cEE2|GFEF GFED|EGAB cded|cBcd e2fg|
abaf gbge|dBGB ABcd|eged cABG|AGEG HA4|]

%%%

X:495160
T:JOLLY JOURNEYMAN, The  
B:ONMI.1239
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
G2BG ABcA|eBcA eBcA|G2BG ABcA|eBcA BGG2:|
g2fg agfd|eBcA eBcA|g2fg agfd|eBcA BGG2|
g2fg agfd|eBcA eBcA|G2BG ABcA|eBcA BGHG2|]

%%%

X:495161
T:JOLLY SEVEN, The  
S:Hartnett
B:ONMI.1466
Z:Brennan/Black
N:I'm not sure about the accidentals in this - I think it's pretty
much a straight A dorian tune, but I'll include the source version
in case you want to try it.
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
"^A dorian"
c2ec gcec|c2ec dBGB|c2ec gcec|afge dBGB|
c2ec gcec|c2ec dBGB|cBA^G ABcd|eaed cAA2||
ceAe ceAe|ceAe dBGB|ceAe ceAe|afge dBGB|
ceAe ceAe|ceAe dBGB|cBA^G ABcd|eaed cAA2|]

source version:
c2ec gcec|c2ec dBGB|c2ec gcec|a^fge dBGB|
c2ec gcec|c2ec dBGB|cBA^G AB^cd|eaed ^cAA2||
ceAe ceAe|ceAe dBGB|ceAe ceAe|a^fge dBGB|
ceAe ceAe|ceAe dBGB|cBA^G AB^cd|eaed ^cAA2|]

%%%

X:495162
T:JOLLY TINKER, The  
S:Patsy Touhey
B:ONMI.1535 % AA-BB-CC-DD-E-A
Z:Brennan/Black
N:Parts A through D repeat; E is single; DC after part E = back to part 
A, but there's no "fine" marked!
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D 
"^A modal"
P:"A"
A3F GFGB|A2af gedB|ABAF GFGB|1 dBGB dedB:|2 dBGB d2||
P:"B"
|:cd|edef g2ef|g2af gfed|ed eg ageg|a2bg ag:|
P:"C"
ed|eaag edBd|eaag eg dg|eaag efge|dBGB d2:|
P:"D"
cd|edgd edcd|edgd e2cd|edgd efge|dBGB d2:|
P:"E"
Bd|eAA2 edBd|edef gefd|eAA2 efge|dBGB d2Bd|
eaag edBd|edef gefd|efgb afge|dBGB dedB||
P:"A"repeat % with "fine" supplied
A3F GFGB|A2af gedB|ABAF GFGB|dBGB dedB|"fine"HA4z4|]

%%%

X:495163
T:JOLLY WEAVER, The  
S:McFadden
B:ONMI.1459
Z:Brennan/Black
N:A strange little tune with triplets, cut time, and syncopation
all going on together (per the source version below).
%Q:1/4=180
R:reel  
L:1/8
M:C|
K:G
"^A dorian"
G|A2GE A2GE|A2GE G2eg|A2Bc BGGB|AddB c2ec|
A2GE A2GE|A2GE G2eg|A2Bc BGGB|AddB c3:|
d|eged efg2|GAGE G2EG|A2Bc BGGB|AddB c2cd|
eged efg2|GAGE G2eg|afge dBGB|AddB A3 :|

source version:
K:C
A>AGE (3AcA GE|(3AcA GE G2 eg|AA2c BGGB|AddB ccec|
A>AGE (3AcA GE|(3AcA GE G2 eg|AA2c BGGB|AddB c2cd||
ee2d efg2|GAGE G2EG|AA2c BGGc|AddB c2cd|
eg ed efg2|GAGE G2 eg|AA2c BGGc|AddB c4|]

%%%

X:495164 
T:JUG OF PUNCH, The  
S:Carey
B:ONMI.1542
Z:Brennan/Black
N:Source version in D major is not in current usage, so I have moved 
this version into D dorian. You can hear the source version by replacing 
"K:C" with "K:D".
R:reel
%Q:1/4=180
M:C|
L:1/8
K:C
P:D dorian
z|A,DDC DEFG|ABGB ABGA|EA,A,B, CDEF|G2AG FDEC|
A,DDE FDDE|F2ED CD E2|d2ed cAGE|FDEC D3 :|
G|Adde f2fd|e2ed cAAB|AGAB cBcd|eaag ed d2|
Adde f2fd|e2ed cAAB|c2BA GEAG|FDEC D3 :|

%%%

X:495165
T:JULIA DELANEY 
S:F.O'Neill
B:ONMI.1401
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". The more recent 
setting of this tune is in D minor, but it isn't really close to the 
ONMI version. I'm going to treat this as D modal because of the accented 
c's in the second part.
N:Source has |(3agf (3gfe FD (3edc| in measure 11.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
dcAG EGDE|G2AG EGG2|dcAG EGDG|1 Addc defe:|\
[2 Addc d2d2||
cdef g2fg|agef g2ed|cdef g2ag|addc dfed|
cdef g2fg|agef g2fg|afge fdec|d2dc defe|"final"Hd4z4|]

%%%

X:495166
T:KATE KELLY'S FANCY 
B:ONMI.1206 
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
dc|BABc dcAc|BGGB d2cA|BABc d2cA|d2cA BGG2|
BABc dcAc|BGGB d2cA|BABc d2de|fdcA BG :|
de|fgaf g2fe|dcAc d2de|fgaf g2fe|dcAc BGG2|
fgaf g2fe|dcAc d2de|fgaf gbag|1 "thru"fdcA BG :|
[2 "final"fdcA BGAB|HG4z4|]

%%%

X:495167
T:KEEPER HILL 
S:Cronin
B:ONMI.1481
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
z|A,2A,C EDEF|AGAc BABc|A,2A,C EDEF|ABcA BAFA|
A,2A,C EDEF|AGAc BABc|defd cdec|BABc BAF :|
B|cAae cAae|cAag fedc|dBbf dBbf|dBba gfed|
cAae cAae|cAag fedc|defg agae|1 "thru"dBcA BAF :|
[2 "final"dBcA BAFG|HA4z4|]

%%%

X:495168
T:KERRY HUNTSMAN, The  
S:Stack
B:ONMI.1447
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
G|A2cA BAcB|A2cA BAFE|A2cA BABc|efed cBAG|
A2cA BAcB|A2cA BAFE|d2cA B2AF|EFAc B3 ||
e|feae feae|feae dcBA|feae feag|efed cAAe|
feae feae|feae dcB2|Aceg abaf|efed cea ||
d|e3f e3f|e2cA BAFE|e3f e2cA|BdcA Bceg|
agfa gfeg|fedf ecAc|d2fd c2ec|BdcA BAFE|"final"A8|

source version:
A2cA BAcB|A2cA BAFE|A2cA BABc|efed cBAG|
"5"A2cA BAcB|A2cA BAFE|(3ded cA (3BcB AF|EFAc B2Ae||
"9"feae feae|feae dcBA|feae feae|efed cAAe|
"13"feae feae|feae dcBA|Ac eg abaf|efed cea2||
"17"e3f e3f|e2cA BAFE|e3f e2cA|(3Bcd cA Bc eg|
"21"agfa gfeg|fedf ecAc|(3ded fd (3cdc ec|(3Bcd cA BAFE|\
"final"A8|]

%%%

X:495169
T:KISS ME KATE 
S:F.O'Neill
B:ONMI.1432 % A-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
D|G2Bd gdBG|D2GB AEEF|G2Bd gdBd|ecBc ADEF|
G2Bd gdBG|D2GB AEEF|G2Bd gdBd|ecAc BGG ||
g|fgag fddg|fgag bgeg|fgag fddg|fdef g2dg|
gbaf g2bg|fgag fddg|fded fded|fdef gedB|HG4z4|]

%%%

X:495170
T:KISS the BRIDE 
S:F.O'Neill
B:ONMI.1496
Z:Brennan/Black
N:1:aka "Kiss the Bride in Bed" 
N:2:Source has |g2 a/g/f/g/ a2 b/a/^g/a/| for mm.9 and 13.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
D|GBAG FGAc|BGBd g2dg|ecAG FGAc|1 BGAF GFE:|\
[2 BGAF G3||
d|g2ag a2ba|bagf g2dg|ecAG FGAc|BGAF GFED|
g2ag a2ba|bagf g2dg|ecAG FGAc|BGAF HG4|]

%%%

X:495171
T:KISS the MAID BEHIND the BARREL 
S:Kennedy
B:ONMI.1308 
Z:Brennan/Black
N:This is what I think of as a "quasi-modal" tune, where some but not 
all the F's are natural. The way I hear this tune is that the higher 
F's (= /f/) are natural and the lower ones (= /F/) are sharp. But I
may be wrong (been known to happen!), so I just kept it as straight G
per the book.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
DGGc AGGF|DGGB cAGF|DGGc AGA^c|defd cAFA:|
%
dgg2 agg2|dgg2 agfe|dff2 aff2|defd cAFA|
dgg2 agg2|dgg2 agfg|afge fdec|dfeg fdcA||
%
G2dg BGdG|G2dg cAFA|G2dg AGA^c|defd cAFA|
G2dg BGdG|G2dg cAFA|G2GB A2A^c|defd cAFA||
%
B2BG A2Ac|BABc dedc|B2BG A2A^c|1 defd cAFA:|\
[2 "last time"defd cAFA|HG4z4|]

%%%

X:495172
T:KISS YOUR PARTNER 
S:McFadden
B:ONMI.1547
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
fe|d2Bd efge|dBGB AGEG|d2Bd efgb|afdf g2fe|
d2Bd efge|dBGB AGEG|d2Bd efgb|afdf g2 :|
ef|g2gf gbag|fdad bdad|g2gf gbag|fdef g2d2|
g2gf gbag|fdad bdad|edeg fdfb|afdf g2 :|

%%%

X:495173
T:KITTY LOSTY'S REEL 
S:Ennis
B:ONMI.1221
Z:Brennan/Black
N:1:|^d| replaced in mm 6,7,9
N:2:Source m.11 = |g/a/g/f/ ge f/g/f/e/ fe|
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
d^cdf e2dB|AD FD FAA2|Bddf edB^c|dBAF BEE2:|
Beef gfge|defg afdf|edef g2fe|dBAF BEE2|
Beef gfge|defg afdf|gfge fgfe|dBAF BEE2|]

%%%

X:495174
T:LADIES OF LEINSTER, The  
S:Dunphy
B:ONMI.1460
Z:Brennan/Black
%Q:1/4=180
R:reel  
L:1/8
M:C
K:G
dc|BGGB d2cB|ADDE FGAc|BGGB d2cB|cdeg fdcA|
BGGB d2cB|ADDE FGAc|BGGB d2cB|cdef g2||
d2|gfdB GBdB|Aaag fedc|Bdgf edcB|cdef g2dB|
G2gf edcB|ADDE F2GA|BGGB cAAg|fdef Hg4|]

%%%

X:495175
T:LADIES' PANTALETTES, The  
S:F.O'Neill
Z:Brennan/Black
B:ONMI.1235 
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
BdcA G2G2|ABcA d2cA|BdcA G2g2|fdcA dBcA|
BdcA G2G2|ABcA d2cA|BdcA G2g2|fdcA BGG2||
fgaf g2af|gbag fdd2|fgaf gbag|fdcA BGG2|
fgaf g2af|gbag fdd2|defg abag|fdcA BGAF||
"last time"HG4z4|]

"There was quite a discussion in spring of 2003 on the Irish Traditional 
Listserv about just what "The Ladies' Pantalettes" WERE... the general 
consensus was that they were the topmost sails on the mainmast of a 
square-rigged clipper,  but there were several schools of thought - or 
lack thereof." (Vince Brennan's note - I recall the discussion, but uncharacteristally I stayed out of it!)

%%%

X:495176
T:LADY BEHIND the BOAT, The  
S:Dillon
B:ONMI.1386 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
Bc|d2cA BGGE|DEFD EA,A,2|DFAc dfed|cABc d2:|
Bc|d2dc dfed|c2cB cedc|d2dc dfed|ecAc BABc|
dfaf gfed|Beef ecAc|defd cdec|BABc dfec||"final"Hd4z4|]

%%%

X:495177
T:LADY FORBES 
S:J.O'Neill
B:ONMI.1411
Z:Brennan/Black 
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
DFAd BAGF|Eeed cBAE|DFAd BAGF|GBAG FDDF|
DFAd BAGF|Eeef gecA|DFAd BAGF|GABG FDD2||
dcdA dfed|cAeA fAeA|dcdA dfed|cdef dcBA|
dcdA dfed|cdef gfec|dBAG FAdB|AGFE FDHD2|]

%%%

X:495178
T:LADY MARY RAMSAY 
S:F.O'Neill
B:ONMI.1536 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
D|G2GB dBGB|dBeB dBAB|G2GB d2Bd|eg dB AcBA|
G2GB dBGB|dBeB dBAB|G2GB dBGB|eg dBA2||
ga|b2gb a2fa|g2eg fdB2|b2gb a2fa|gfef d2ga|
bagb agfa|gfeg dega|bgaf gfed|eg dB AcBA||
"final"HG4z4|]

%%%

X:495179
T:LAME FISHERMAN, The  
S:Ryan
B:ONMI.1198
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
Bc|d2FG Adef|gfed fdBc|d2FG A2AB|AFEG FDDA|
d2FG Adef|gfed fdBc|d2FG A2de|faef d2 :|
eg|afbf afdf|gfed cd eg|afbf afdf|abag fd eg|
afbf afdf|gfed fdBc|dAFG A2de|faef d2 :|

%%%

X:495180
T:LARRY LAVIN'S CHOICE 
B:ONMI.1551 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
dB|A2FA ABdf|edfd edBd|A2FA ABdB|AFEG FDDB|
A2FA ABdf|edfd edBd|A2FA ABdB|AFEG FD :|
AG|FAdA BAdA|Beed cAA2|FAdA BAdF|GFEG FDD2|
FAdA BAdA|Beed cAA2|FAAc BAdB|1 "thru"AFEG FD :|
[2 "final"AFEG FDEC|HD4z4|]

%%%

X:495181
T:LAWSON'S FAVOURITE 
S:Lawson
B:ONMI.1307
Z:Brennan/Black
%Q:1/4=180
R:reel 
N:1:This is always played as a modal tune but "ambiguous" source shows 
no accidentals.
N:2:aka "Farewell to Leitrim", "Kennaw's"
N:3:Source m.3 = |(3dcB (3cBA BGAG|
M:C|
L:1/8
K:G
"^D modal"
d2AG FDDF|Ecc2 Ecc2|dBcA BGAG|FGEF Dgfe|
d2AG FDDF|Ecc2 ABce|dBcA BGAG|FGEF D2||
g2|fdd2 fdad|edcd efge|fdd2 fdad|cAGE D2de|
fdd2 fdad|edcd efge|fage fdec|Agfe defe||
"final"d2AG FDEC|HD4z4|]

%%%

X:495182
T:LEATHER BUTTONS 
S:Carey
B:ONMI.1543 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
FDAD BDAD|FDAF E2EG|FDAD BDAD|Bdce dBAG|
FDAD BDAD|FDAF E2EG|FDAD BDAD|Bdce d2d2||
d2fd edfd|d2fd e2e2|d2fd edfd|agfe dABc|
d2fd edfd|d2af e2e2|agfe dcBA|Bdce dBAG|HD4z4||

%%%

X:495183
T:LEAVE MY WAY 
S:Early
B:ONMI.1195
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
B,D|GFGB A2Bc|dBcA BGAF|DGGB A2dc|BGAF G2FD|
GFGB A2Bc|d2gd BGAF|DGGB ABcA|BdAF G2||
z2|gfge f2fd|e2fg afdf|g2ge f2df|egfa g2Bd|
g2bg f2af|ed eg afdf|gabg ecAc|BGAF HG4|]

%%%

X:495184
T:LEITRIM THRUSH, The  
S:McFadden
B:ONMI.1323 
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^A dorian"
A3B cAGB|AcAG EFGc|AGAB cdef|geag ecdB|
AGAB cAGB|AcAG EB,Cc|AGAB cdef|gfag ecc2||
g2ec gcec|gcec Bcd2|gcec gcec|gagf ecc2|
g2ec gcec|gcec Bcd2|gage d2cA|GAag ecdB|HA4z4|]

%%%

X:495185
T:LIGHTNING FLASH, The  
S:McFadden
B:ONMI.1458
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
dc|BGGB AFDE|FEFG Adgd|BGGB AGFA|BdcA G2dc|
BGGB AFDE|FEFG Acde|f2fd ecAc|BGAF G2 :|
Bc|dgga bgaf|dcde fdcA|dgga bgag|fdcA G2Bc|
dgga bgaf|dcde fefg|abag fgag|fdcA G2 :|

%%%

X:495186
T:LIMERICK LASSES, The  
B:ONMI.1451 % as A-B-C-A-B
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:D
dBAF D2EF|GFGA BEEc|dBAF D2EF|GBAG FDDc|
dBAF D2EF|GFGA BEEc|dBAF D2EF|GBAG FABc||
%
dcde f2ed|cdef gBBc|dfga b2ag|faeg fddc|
dcde fded|cdef gfga|bBbB b2ag|faeg fdd2||
%
AdBd AdBd|AdBd ceec|AdBd AdBd|efge fddB|
AdBd AdBd|Adfd ceef|gfec dcBA|Bdce fdd2|]

%%%

X:495187
T:LINEN CAP, The  
S:Cronin
B:ONMI.1500
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
g|a2ed cdec|Bcde fBBg|a2ed cdec|dfed cAAg|
a2ed cdec|Bcde fefg|agae faec|dfed cAA :|
B|cAEA cdec|Bcde fBBB|cAEA cdec|dfed cAAB|
cAEA cdec|Bcde fefg|agae faec|dfed cAA :|

%%%

X:495188
T:LISBURN LASSES, The  
S:J.O'Neill
B:ONMI.1529
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
P:"A"
G|F2EF D2DE|FDED FDED|F2EF D2DE|1 FABc dBA:|\
[2 FABc d3||
P:"B"
e|fdd2 fdd2|fdfg a2bg|fdec dcAB|cdcA Ggfg|
fdd2 fdd2|fedc d2de|fdec dcAB|cAGF GBA||
P:"A" repeated
|:G|F2EF D2DE|FDED FDED|F2EF D2DE|1 FABc dBA :|\
[2FABc Hd4|]

%%%

X:495189
T:LITTLE KATEY KEARNEY  
S:F.O'Neill
B:ONMI.1537
Z:Brennan/Black
N:1:See the introductory note on "Ambiguous Tunes". I'm going A modal 
on this one.
N:2:You can replace m.11 with |a2bg afge|
N:3:Source doesn't indicate it, but I'm more comfortable with this as
an A-B-A tune.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
"^A modal"
P:"A"
ed|cAAG EAAB|cAAc efed|cAAG EAAB|dBGB d2:|
P:"B"
ed|cBcd efed|cBcd eaa2|cBcd efge|dBGB d2ed|
cBcd efed|cBcd eaab|c'abg afge|dBGB d2||
P:"A" repeated
ed|cAAG EAAB|cAAc efed|cAAG EAAB|dBGB d2ed|
cAAG EAAB|cAAc efed|cAAG EAAB|dBGB HA4|]

%%%

X:495190
T:LONDON LASSES, The  
S:Delaney
B:ONMI.1278
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
F|G2BG dGBG|eaag efg2|G2BG dGBG|egdB AGEF|
G2BG dGBG|eaag efga|bgag egfa|gedB AGE :|
f|gfgd e2dB|dGBG Bdd2|gabg e2d2|egdB AGEF|
gfgd e2dB|dBB2 dega|bgag egfa|1 gedB AGE :|
[2 gedB AGEF|HG4z4|]

%%%

X:495191
T:LORD GORDON'S 
B:ONMI.1433 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dB|AD FD AD FD|ADFD A2GF|EFGA BEE2|defd B2AB|
defd efdB|AFDF A2Bc|dBcA BGAF|EFGA B2||
de|fdd2 fgag|fddf a2gf|efga beef|degd B2AB|
defd efdB|AFDF A2Bc|dBcA BGAF|EFGA HB4|]

%%%

X:495192
T:LORD McDONALD 
B:ONMI.1408
Z:Brennan/Black
N:This isn't quite the Coleman version, which (among other
differences) has an extra part that's not included here.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
B|d3e dBgB|dBgB aAAB|d3e dBgB|AcBA BGGB|
Bdde dBgB|dBgB aAAc|Bdde dBgB|AcBA BGG||
B|dgbg agbg|dgbg ageg|dgbg agbg|dedc BGGE|
DGBG AGEG|DGBG AGEG|BAGF GFED|EFGA BGHG2 |]

%%%

X:495193
T:LOUGH ALLEN 
S:F.O'Neill
B:ONMI.1321
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:A
cd|eAcA BGEd|eAcA d2cd|eAcA BGEG|AcBG A2cd|
eAcA BGEd|eAcA d2cB|AcBd cefa|gedB A2||
|:BA|Beef gedB|agab a2ba|gaba gedB|AcBG A2:|

%%%

X:495194
T:LOVELY MOLLY 
S:J.O'Neill
B:ONMI.1298
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
A|B2AF DEFA|BdAd Bdef|dBAF DEFA|BdAB FEE:|
A|Beed BddA|Beef gfed|Beed Bdef|dBAF FEEA|
Beed BddA|Beef gfga|bgaf gefe|dBAF FEHE2|]

%%%

X:495195
T:MacLEAN'S FAVOURITE 
S:F.O'Neill
B:ONMI.1317 
Z:Brennan/Black
N:Most of the /d/s in the source are sharp.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:Em
P:"A"
gf|edBA GABc|dGBG dGBe|edBA GABA|Beed efgf|
edBA GABc|dGBG dGBe|edBA GABA|Beed e2||
P:"B"
e2|defg afdf|edef edBe|defg afdf|edef d2d2|
defg afdf|edef edBf|g2ge f2fd|efed efgf|]
P:"A" repeat
edBA GABc|dGBG dGBd|edBA GABA|Beed efgf|
edBA GABc|dGBG dGBd|edBA GABA|Beed He4|]

%%%

X:495196 
T:MACROOM LASSES, The  
S:F.O'Neill
B:ONMI.1219
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G % source key = A
GE|DGGB AGge|dBAc BGEG|DGGB AGge|dBAB G2:|
ef|gfge dgBd|cABG AGef|gfge dgbg|agab g2ga||
bgeg dgBd|cABG AGEG|DEGA BGge|dBAB HG4|]

Source version:
K:A
AF|EAAc BAaf|ecBd cAFA|EAAc BAaf|ecBc A2:|
eg|agaf eace|dBcA BAfg|agaf eac'a|babc' a2ab||
c'afa eace|dBcA BAFA|EFAB cAaf|ecBc A2|]

%%%

X:495197
T:MAGPIE'S NEST, The  
S:Carey
B:ONMI.1365
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
AddA BAFA|dAFA GFED|FAAB AFEF|1 ABde fee2:|\
[2 ABde fdd2||
a2af g2ge|f2fd ecA2|a2ag fedB|ABde fee2|
a2fa g2eg|f2df ecAF|G2BG F2AF|ABde fdHd2|]

%%%

X:495198 
T:MAID at the CHURN, The  
S:McNamara
B:ONMI.1462 
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
P:"A"
GF|DGGA BGAF|DEFd cFAF|DGGA Bcdg|fdcA BGAF|
DGGA BGAF|DEFd cFAF|DGGA Bcdg|fdcA G4||
P:"B"
gdg2 gbag|gcc2 fgaf|gdg2 gbag|fdcA BGBd|
gdg2 gbag|fdef gfga|bgge fdeg|fdcA BGAF||
P:"A" repeated
DGGA BGAF|DEFd cFAF|DGGA Bcdg|fdcA BGAF|
DGGA BGAF|DEFd cFAF|DGGA Bcdg|fdcA HG4|]

Source version:
GF|DGGA BGAF|DEFd cFAF|DGGA Bcdg|FD (3cBA BGAF|
DGGA BGAF|DEFd cFAF|DGGA Bcdg|FD (3cBA G4||
gd (3gfg gbag|gc (3cBc fgaf|gd (3gfg gbag|FD (3cBA BGBd|
gd (3gfg gbag|fdef gfga|(3bag (3gfe FD eg|FD (3cBA BGAF||
%

%%%

X:495199
T:MAID IN THE CHERRY TREE, The  
S:F.O'Neill
B:ONMI.1538 % A-B-A
F:file ID: onmi.reels/199mct
Z:Brennan/Black
N:Source's key signature of A major is incorrect, at least in
terms of the way the tune is played today. See the introductory 
note on "Ambiguous Tunes".
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
cd|:eAAF G2cd|eAA2 gefd|eAAF G2Bc|dBgB BAA2:|
eaa2 baag|eaag  eg dg|eaa2 baaf|gedB BAA2|
eaa2 baag|eaaf g2ga|bgaf gefd|edgB BAA2|]

%%%

X:495200
T:MAID OF ATHLONE, The  
S:McFadden
B:ONMI.1480 
Z:Brennan/Black
N:The Bothy Band recorded this as "The Enchanted Lady". I don't think
they played it as A-B-A but sometimes it's hard to tell! Anyway a great
tune
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
P:"A"
A3G FAdB|AGFD EA,A,2|ABAG FAdB|ABda fdd2:|
P:"B"
f2df e2df|afeg fBBg|f2df e2dA|BdAG FDDg|
f2df e2df|afdf fBB2|AFAB deba|faeg fddB||
P:"A" repeated
A3G FAdB|AGFD EA,A,2|ABAG FAdB|ABda fddB|
A3G FAdB|AGFD EA,A,2|ABAG FAdB|ABda fdHd2|]

%%%

X:495201
T:MAID THAT DARE NOT TELL, The  
S:J.O'Neill
B:ONMI.1405
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
G|FAAF GBBG|FAAF GFED|FAAF GFGA|BdAF D3:|
g|fdeg fdef|gfed B2Ag|fdeg fdeg|faef d2dg|
fdeg fdef|gfed B2A2|FAFA GFGA|BdAF HD4 |]

%%%

X:495202
T:MAIDS OF MITCHELLSTOWN, The  
S:Cronin
B:ONMI.1410 % A-B-A
Z:Brennan/Black
N:The source setting is D major but nobody plays it that way. The Bothy 
Band recorded it as a D minor tune, and I'll stick to that version. 
(If you want to hear the Chief's version, replace "K:C" with "K:D".)
%Q:1/4=180
R:reel
M:C|
L:1/8
K:C % source key = D major
P:D dorian
D2AG EFGE|ABGE cAGE|D2AG EFGB|ABGE CEGE|
D2AG EFGE|ABGE cAGE|D2AG EFGB|AcGE EDD2||
DEGA c2AG|Adde f2ed|cAGE FEFG|AFGE EDDz|
DEGA c2AG|Adde f2ed|cAGE FEFG|AddB cAGE||"final"HD4z4|]

%%%

X:495203
T:MAN OF THE HOUSE, The  
S:O'Reilly
B:ONMI.1398
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
D|E2BE GABG|E2BE FDAD|E2BE GABc|dBcA BEE:|
e|efge fgaf|gfed edBd|efge fgaf|gfed Beed|
efge fgaf|gfed efga|bgaf gfed|eBBA GEHE2 |]

%%%

X:495204
T:MAN WITH THE MONEY, The  
S:J.O'Neill
B:ONMI.1359 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
F|E2BE GEGF|E2BG FDDF|E2BE GABG|FdAG FDDF|
E2BE GEGF|E2BG FDDF|EFGE FGAF|GdAG FDD :|
F|EeeB GABG|FDdD FAFD|EedB cABG|FDFA dAFD|
EeeB GBAF|EedA FDDF|Eege fdeB|1 "thru"dcBA FDD :|
[2 "final"dcBA FAGF|HE4z4|]

%%%

X:495205
T:MAPLE TREE, The  
S:J.O'Neill
B:ONMI.1381 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
af|e2cB ABAF|EFAc dcBA|BABc dcBc|Aagf eagf|
e2cB ABAF|EFAc dcBA|BdcB Aaec|BABc A2 :|
ed|cAce aece|dcBc dfed|cAce aece|Bbba gfed|
cAce aece|dcBc dfed|c2Ac dBGB|Aaec A2 :|

%%%

X:495206
T:MARY GRACE 
S:F.O'Neill
B:ONMI.1256
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
P:"A"
B|cAA2 EAA2|BGdc BGG2|1 cAA2 EAA2|cded cAA:|\
[2 A^GAB cBcd|egdB BAA||
P:"B"
|:z|Bdef gfgd|BGG2 DGG2|Bdef g2fg|1 egdB BAA:|\
[2 abaf gfed||
P:"A" repeated
|:cAA2 EAA2|BGdc BGG2|1 cAA2 EAA2|cded cAAd:|\
[2 A^GAB cBcd|egdB BAHA2|]

%%%

X:495207
T:MARY O'NEILL'S FANCY 
S:Miss O'Neill
B:ONMI.1291 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
Bd|egdB G2GF|DGG2 DGGB|dBAB G2GA|Beed efge|
dBAB G2GF|DGG2 DGGB|dBAB G2GA|Beed e2 :|
ze|dBB2 dBge|dBB2 d2g2|dBB2 g2fg|eg dB A2Bc|
dBB2 dBgf|edef g2ga|bgaf gefd|edef g2 :|

%%%

X:495208
T:MASON'S APRON, The  
B:ONMI.1343
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
ed|cAA2 ABAF|EFAc dcBA|dBB2 BcBA|Bcde fefg|
aAA2  ABAF|EFAc dcBA|Bcde fefa|A2cB A2 :|
e2|cAeA fAeA|cAeA fedc|dBfB bBfB|defg afed|
cAeA fAeA|EFAc dcBA|Bcde fefa|A2cB A2 :|

%%%

X:495209
T:MAUDE MILLER
S:Delaney
B:ONMI.1204
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". I wonder if these 
tunes - and there are a lot of them in the O'Neill's volumes - were 
ever played with c sharps instead of c naturals, and if so, when and 
why was there a change?
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^D modal"
dcAG FADF|E2ce dEcE|dcAG FADF|Dddc dfed|
dcAG FADF|E2ce dEcE|dcAG FADF|Dddc d2d2||
fedf efge|afge afge|fedf efge|afge fde2|
fedf efge|afge f2fg|afge fdec|Addc dfec|Hd4z4|]

%%%

X:495210
T:MAURICE CASEY'S FANCY 
S:Casey
B:ONMI.1421
Z:Brennan/Black
N:Almost all the G's in this tune are G sharp in the book.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
AcBc AGEF|G2BG edBd|eaaf gfed|AcBc AGEG|
AcBc AGEF|G2BG edBd|eaaf gfed|AcBG A2A2||
a2ba gede|gedB GABd|eaaf gedB|AcBG A2A2|
a2ba gede|gedB GABd|afge fdec|dBgB A2A2|]

%%%

X:495211
T:McFADDEN'S FAVORITE 
S:McFadden
B:ONMI.1492 
Z:Brennan/Black
N:A fierce tune if you can handle the bass notes! (Always OK to
play them up an octave if you can't.)
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
G2FG EGDB,|G,A,B,D EA,A,2|DGGD EGaf|gedc BdAF|
G2BG EGDB,|G,A,B,D EA,A,2|DGGD EGef|gedc BGG2||
P:"B"
gfga bgag|gabg eaaf|gfga bgag|eg dc BGG2|
gfga bgag|gabg eaaf|gabg gedc|Baag eg dB|]
P:"A" repeated
G2FG EGDB,|G,A,B,D EA,A,2|DGGD EGaf|gedc BdAF|
G2BG EGDB,|G,A,B,D EA,A,2|DGGD EGef|gedc BGHG2|]

%%%

X:495212 
T:McFADDEN'S HANDSOME DAUGHTER 
S:McFadden
B:ONMI.1289 % A-B-C-A
Z:Brennan/Black
N:Source key for this classic 3-part reel is A, which gives a great 
sound but may be difficult for some instruments because of the G sharp.
I have transposed it down to G, which will be the key of the PDF
and the sound file. But the original A version is below.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
E|D3E GABG|AGAg dBGE|D2EF G2ge|dBAc BGGE|
D3E GABG|AGAg dBGE|D2EF G2ge|dBAc BGG ||
%
f|gdBd efge|dcBG AEE2|gdBd efge|dcBA GBef|
gdBd gdBG|A2BG AGEG|gfed efge|dcBA GABc||
%
c|Bd2e dBgB|dBgB eAA2|Bd2e dBgB|DEGd BGG2|
Bdde dBgB|dBgB eAA2|Bdef gage|dBdf gdBA|HG4z4|]

source version:
K:A
E3F ABcA|BABa ecAF|E2FG A2af|ecBd cAAF|
E3F ABcA|BABa ecAF|E2FG A2af|ecBd cAAg||
%
aece fgaf|edcA BFF2|aece fgaf|edcB Ac eg|
aecA|B2cA BAFA|agfe fgaf|edcB ABcd||
%
ce2f ecac|ecac fBB2|ce2f ecac|EFAe cAA2|
ceef ecac|ecac fBB2|cefg abaf|ec eg aecB|HA4z4|]

%%%

X:495213
T:McFADDEN'S OWN REEL 
S:McFadden
B:ONMI.1293 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
E|F2ED EA,A,2|DFAc dBAG|F2AF EA,A,A|BdAG FDD2|
F2ED EA,A,2|DFAF DFdB|AGFD EA,A,A|BdAG FDD :|
c|dAFA dgfe|dAFd BEE2|dAFA dgfe|dABG FDD2|
d2dc dgfe|d2cA BEE2|dcBc dbaf|1 "thru"dBAG FAd :|
[2 "final"dBAG FDEC|HD4z4|]

%%%

X:495214
T:MERRY BLACKSMITH, The  
S:F.O'Neill
B:ONMI.1509
Z:Brennan/Black
N:One of the four or five tunes in the O'Neill books that the
Chief didn't get from another Irish musician! ("Off to California"
and "Far From Home" are two others that come to mind.) This is also 
called "Ike Forrester's Reel"; O'Neill first heard it (? from Ike) when 
he was teaching school in Missouri (after the shipwreck and before
the Chicago PD). The 2023 version of this tune is 100% the same as the
1900 version.
N:Single in source. 
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
D2|d3A  BAFA|ABdA BAFA|ABde fded|Beed egfe|
d2dA BAFA|ABdA BAFA|ABde fdec|dBAF D2 :|
fg|a3g f2fe|d2dA BAFA|ABde fded|Beed egfe|
abag f2fe|d3A BAFA|ABde fdec|dBAF D2 :|

%%%

X:495215
T:MERRY DAYS of EASTER, The  
S:McFadden
B:ONMI.1193 
Z:Brennan/Black
N:You can replace |bc'ba| (m.11) with |b3a|
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
P:"A"
dc|BGGA Bcdg|eg dB A2dc|BGGA Bcdg|eg dB G2:|
P:"B"
ga|bgaf gfed|eaag a2ga|bgaf gfed|Bdef g2ga|
bgaf bgaf|eaab a2ga|bc'ba gfed|eaaf gedc||
P:"A" repeated
BGGA Bcdg|eg dB A2dc|BGGA Bcdg|egdB HG4|]

%%%

X:495216
T:MERRY HARRIERS (1st Setting), The  
S:F.O'Neill
B:ONMI.1338 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
P:"A"
eAA2 g2fg|eAAc BGG2|eAA2 g2fg|1 afge dgfg:|\
[2 afge d2||
P:"B"
|:^cd|eaag efgf|eaa^g ed^cd|eaag efgb|1 afge d2:|\
[2 afge dgfg|]
P:"A" repeated
eAA2 g2fg|eAAc BGG2|eAA2 g2fg|1 afge dgfg:|\
[2 afge Ha4|]

%%%

X:495217
T:MERRY HARRIERS (2nd Setting), The  
S:McFadden
B:ONMI.1338 % A2-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
eAA2 egfg|eAA2 BGBd|eAA2 efgb|1 afge dgfg:|\
[2 afge d2||
Bd|egg2 afge|dggd BGBd|egg2 afgb|afge d2Bd|
egg2 bgg2|dggd BGBd|eggf gabg|afge dgfg||
P:"A" repeated
eAA2 egfg|eAA2 BGBd|eAA2 efgb|1 afge dgfg:|\
[2 afge dBGB|A8|

%%%

X:495218
T:MERRY MERCHANT, The  
S:McFadden
B:ONMI.1313 
Z:Brennan/Black
N:Alternate m.16 = |b3a gedB|
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
EF|GBdg eg dB|GABG AGEF|GBdg egdg|egfa gedB|
G2fg eg dB|GABG AGEF|GBdg egdg|egfa g2 :|
cd|eaag fdef|gfga bged|eaag fddf|egfa g2dg|
eaag fddf|gfga bgef|gfeg a2ga|1 "thru"bc'ba ge :|
[2 "final"bc'ba gedB|HG4z4|]

%%%

X:495219 
T:MERRY SISTERS, The  
S:Mrs.Cantwell
B:ONMI.1267
Z:Brennan/Black
N:Note that ONMI version is "dorian" (C's sharp) only in
second part and in mm 19 and 20. I don't know this tune
so I'll stay with the Chief's setting.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:Em
BE FD BdcA|BE FD dAFA|BE FD BdcA|1 dDD2 ADFA :|\
[2 dAFB E2z2||
%
Bee^c d2cA|Bee^c dAFA|Bee^c d2cA|BAB^c dAFA|
Bee^c d2cA|Bee^c defg|afge fdec|BABc dAFA||
%
BdcA BFAF|BEE2 BEFA|BdcA BFAF|dDD2 ADFA|
BdcA BFAF|BEE2 BEFA|DFA^c d2eg|fde^c dBAF|HE4z4|]

%%%

X:495220
T:MESSENGER, The  
S:F.O'Neill
B:ONMI.1231 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
ED|G2Bd g2dg|edcB ABcA|BGGB g2dg|ecAF G2:|
P:"B"
ef|gfeg fddf|gfef g2ef|gfeg fedc|BGAF G2ef|
gfeg fddf|gfef g2ga|bgaf gedc|BGAF GFED|]
P:"A" repeat
G2Bd g2dg|edcB ABcA|BGGB g2dg|ecAF HG4|]

%%%

X:495221
T:MICKEY by the FIRESIDE 
B:ONMI.1445 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
d2dB AFAB|d2dB gfec|d2dB ADFA|gfed cABc|
d2dB AFAB|d2dB gfec|d2dB ADFA|gfed cdef||
d2ad fdad|d2ad gfec|d2ad fdad|cBAB cdef|
d2ad fdad|d2ad cdef|gbaf gefd|edcB ABcA|\
"final"HD4z4|]

%%%

X:495222
T:MILLER'S DAUGHTER, The  
S:Cronin
B:ONMI.1288
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
ag|ecc2 ecfc|dfec B2af|ecc2 ecAc|BABc A2af|
ecc2 ecac|dfec B3f|ecea fdfa|gefg a2 :|
fg|afge fdef|afec B2fg|afge fdec|defg agaf|
eaga bgaf|ecAc B2Bc|Addc defa|gefg a2 :|

%%%

X:495223
T:MILLER'S MAID, The  
S:Delaney
B:ONMI.1258 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
B|A2FA BcdB|A2FA BEEB|A2FA Beec|dABG FDD :|
c|dAFA dfaf|gfed cdec|dAFA BABc|dABG FDDc|
dAFA dfaf|gfed cd e2|defg abaf|gbag fdHd2|]

%%%

X:495224
T:MILLINER'S DAUGHTER, The  
S:F.O'Neill
B:ONMI.1180
Z:Brennan/Black
N:Source has F naturals in mm 10 and 16. I don't think anyone uses
them anymore.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2BG DGBG|A2eg fdcA|G2BG DGBd|cAFG AGG2 :|
dgg2 dgg2|d=ff2 d=ff2|dgg2 dgg2|dcde fdcA|
dgg2 bgaf|dcde fefg|afge fdec|dcde fdcA|"final"HG4z4|]

%%%

X:495225
T:MILLS ARE GRINDING (1st Setting), The  
S:J.O'Neill
B:ONMI.1378
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
GFGA B2Bc|ded^c dgg2|=FEFG A2Bc|dedc BGGz|
GFGA B2Bc|ded^c dgga|bgaf gdde|=fdcA BGGz||
gfga g2ga|bgag fdde|=fefg f2ce|dcBA BGGz|
gfga g2ga|bgag fddg|bgaf gdde|=fdcA BGGz|]

%%%

X:495226 
T:MILLS ARE GRINDING (2nd Setting), The   
S:Ennis
B:ONMI.1379 
N:See the introductory note on "Ambiguous Tunes". I have a feeling that 
the accented C's in part 2 are C naturals. (Replace "K:G" with "K:D" 
to hear the source version.)
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
D2DE FEFG|ABGB Addz|D2DE FEFG|ABGF EFGE|
D2DE FEFG|ABGB Addg|fdec d2AB|cBcG EDDz||
dcdB c2Bc|d2fd cAAc|d^cdB =cBcA|GEcE EDDz|
dcdB c2Bc|d2fd cAAg|fde^c d2AB|cBcG EFGE|\
"final"HD4z4|]

%%%

X:495227
T:MILTOWN MAID, The  
S:McFadden
B:ONMI.1329
Z:Brennan/Black
N:Source m.4 = |FD (3edc dAFA|
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dc|BEE2 Bdcd|BFDF dAFA|BEE2 Bdce|fdec dAFA|
BEE2 Bdcd|BFDF dAFA|BABc dcde|fdec dAFA||
Beec d2dc|Beed dAFA|Beec dfag|fedc dAFA|
Beec d2dc|Beec defg|afba gfeg|faef dfed|\
"final"He4z4|]

%%%

X:495228
T:MINISTER'S DAUGHTER, The 
S:Cronin
B:ONMI.1319
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:A
ed|cAce cAAe|cAce f2ea|1 AceA cAec|Bcde f2:|\
[2 afge fdec|Bfed cAA2||
a2af ecAc|aecf e2 eg|a2af ecAc|Bcde f2 eg|
abaf ecAc|aecf e2 eg|afge fdec|Bfed cAHA2|]

%%%

X:495229
T:MISS BRADY 
B:ONMI.1324
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:Em
D|EFGA BAB^c|dDDE FDFD|EFGA BAGF|GBAF GEE:|
d|efge fafd|efge fddf|gfed eg fe|dBAF GEE:|

%%%

X:495230
T:MISS CAMPBELL 
S:J.O'Neill
B:ONMI.1366
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
G|AFAc dcdf|edef edBd|AFAc Bdgb|1 afge fdB :|\
[2 agec edd||
f|abaf gefd|gefd ceef|abaf gefd|gedB Addf|
abag fedf|egfd ceef|dAFA Bdfb|afec edHd2 |]

Source version:
B|:AF (3ABc dc (3def|edef edBd|AF (3ABc Bdgb|1 afge fdBd:|\
[2 agec edd||
f|abaf gefd|(3gfe FD ceef|abaf gefd|(3gfe (3dcB Addf|
abag fedf|eg FD ceef|dA (3FGA Bdfb|afec edd2 |]

%%%

X:495231 
T:MISS CRAWFORD 
S:J.O'Neill
B:ONMI.1197 
Z:Brennan/Black
%Q:1/4=180
N:C sharps in mm 10 & 14 seem out of place but I left them in anyway.
R:reel 
M:C|
L:1/8
K:Em % source key = Gm
BA|GEDE B,EDE|FDD2 FDAD|GEDE B,EDE|AFdF EABA|
GEDE B,EDE|FDD2 FDAD|GEDE B,EDE|AFdF E2E2||
Eeed efed|BdAd ^cAGF|Eeed efed|AFdF E2E2|
egdf efde|BdAd ^cAGF|GEAF GBce|dBAF HE4|]

Source version:
K:Gm
dc|BG^FG DGFG|AFF/=E/F AFcF|BG^FG DGFG|cAfA Gcdc|
BG^FG DGFG|AFF/=E/F AFcF|BG^FG DGFG|cAfA G2G2||
Ggg^f gag=f|dfcf =ec (3cBA|Ggg^f gag=f|cAfA G2G2|
(3gab (3fga gafg|dfcf =ec (3cBA|(3BAG (3cBA (3Bcd (3=e^fg|\
(3f=ed (3cBA G4|]

%%%

X:495232
T:MISS JOHNSON 
B:ONMI.1376 
Z:Brennan/Black
%Q:1/4=180
N:This seems like an "upside-down" setting with the high part first.
I've heard it played both ways, so take your choice.
R:reel
L:1/8
M:C|
K:G
dc|Bcde dcBc|dBgB bBgB|Bcde dcBc|Aaag fedc|
Bcde dcBc|dBgB bBgB|bagf gfed|egfa gedc||
BcBA G2BG|DGBG DG B2|BcBA G2BG|FGAB cedc|
BcBA G2BG|DGBG DGBc|dBcA BGAF|DEFG ABcA||\
"final"G8|]

%%%

X:495233
T:MISS McDONALD 
S:McFadden
B:ONMI.1210
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C
L:1/8
K:G
dc|BGG2 BGdG|BGG2 g2fg|aAA2 AcBA|Bdef ge:|
%
dB|GFGD EDEF|GFGD B,G,B,D|GFGD EDEG|egdc BA :|
%
af|gdd2 gagf|edef gdBd|gdd2 gagf|edef g2ga|
gdBd gdBd|edef gdBd|g2gf gbag|edef gbaf||
%
e2dc BAAB|GBdB GBdg|e2dB cABA|GEDE G2g2|
eg dB cABA|GBdB GBdg|eg dB cABA|GEDE HG4|]

%%%

X:495234
T:MISS McLEOD'S REEL (Irish Version) 
B:ONMI.1418
Z:Brennan/Black
%Q:1/4=180
R:reel
N:You can use |a2ag a2ba| for m.12
M:C|
L:1/8
K:G
BA|G2BG DGBG|B2BA BcBA|G2BG DGBG|A2AG AcBA|
G2BG DGBG|B2BA B2d2|e3f edef|gedB AcBA||
G2gf edeg|B2BA BcBA|G2gf edeg|a2ag ac'ba|
g2gf edeg|BcBA B2d2|efed cdef|gedB AcBA|\
"final"G8|]

%%%

X:495235
T:MISS MONAGHAN 
S:Ennis
B:ONMI.1312
Z:Brennan/Black
N:A familiar session tune, usually played with parts A and B doubled.
I've never heard anyone play the third part shown here.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
D2 FD FAA2|BcBA FAAB|dedB ABde|fede f2e2|
D2 FD FAA2|BcBA FAAB|dedB ABdB|AFDF E2D2||
%
faab afdf|gefd edBc|dedB ABde|fede f2e2|
faab afdf|gefd edBc|dedB ABdB|AFDF E2D2||
%
defg abaf|gfed cAAG|FAdB cdeg|fdgf e2Ac|
defg abaf|gfed cAAc|defd ecdB|AFGE HD4|]

%%%

X:495236
T:MISS PATTERSON 
S:J.O'Neill
B:ONMI.1407
Z:Brennan/Black
N:aka "Miss Patterson's Slippers," "Master Crowley's," 
"Blue Bells". Single in source.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
B,EA,E B,EGE|FDA,D A,DFD|1 B,EA,E B,EGE|FDB,D E2E2:|\
[2 DFAD GBA^c|dBAF E2E2 :|
ebgb f2eg|fdad bdad|ebgb f2ef|d^cdF E2E2|
ebgb f2eg|fdad bdad|GAB^c dcdB|AFdF E2E2 :|

%%%

X:495237
T:MISS THORNTON'S 
S:F.O'Neill
B:ONMI.1266 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
zD|G2Bd gdBd|cBAB cedc|BGAF GBdg|ecAF GFED|
G2Bd gdBd|cBAB cedc|BGAF GBdg|ecAF G4||
P:"B"
b2ag b2ag|egdg egdg|b2ag b2ag|egfa gfga|
bgag bgag|egdg egdg|bgaf gfed|egfa gedB||
P:"A"repeated
G2Bd gdBd|cBAB cedc|BGAF GBdg|ecAF GFED|
G2Bd gdBd|cBAB cedc|BGAF GBdg|ecAF HG4|]

%%%

X:495238
T:MISS WALLACE 
S:Mahony
B:ONMI.1452 % A-B-A
Z:Brennan/Black
%Q:1/4=180
%Q:1/4=180
R:reel  
L:1/8
M:C
K:G
zD|GBAF G2AF|D2 FD ADFD|DGGF GABc|dcde fdcA|
GBAF GBAF|D2 FD ADGF|DGGF GABc|dfeg fdcA||
dggf gbag|fdd2 fdcA|dggf g2fg|agbg aggf|
dggf gbag|fgef defg|afge fdec|dfeg fdcA||
"final"GBAF G2AF|D2FD HG4|]

%%%

X:495239
T:MOLLIE MCCARTHY 
S:Kennedy
B:ONMI.1507
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
DAFA DAFA|DAFA GEE2|DAFA DFAF|dBAG FDD2:|
afdf gfed|gefd Bee2|afdf gfed|faeg fdd2|
afdf gfed|gefd Bee2|afge fdec|dBAG FDHD2|]

%%%

X:495240
T:MOLLY MALONE 
S:F.O'Neill
B:ONMI.1468
Z:Brennan/Black
%Q:1/4=180
R:reel  
L:1/8
M:C|
K:G
d|g2dc B2GB|Abag fdef|gfgd ecdB|cAFD GBdf|
g2dc B2GB|Abag fdef|gbfa egdB|cAdc BGG :|
c|BGDG EGDG|ABcA cedc|BGDG EGce|gedc BGGc|
BGDG EGDG|ABcA cedc|BdgB ceag|fdcA BGG :|

%%%

X:495241
T:MOLLY PUT THE KETTLE ON 
S:McNamara
B:ONMI.1363
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
Bded cAAc|Bcdc BG G2|ceed cBAG|EDEG A2A2|
Bded cAAc|Bcdc BG G2|cBcA B2AG|EDEG A2A2||
Bdef g2fg|aged cA A2|Bdef g2fg|ageg a2a2|
Bdef g2fg|aged cA A2|ceed cAAG|EDEG A2A2|]

%%%

X:495242 
T:MOLLY WHAT AILS YOU? 
S:F.O'Neill
B:ONMI.1413
Z:Brennan/Black
N:1:Version of "Fisherman's Lilt"/"Kerryman's Daughter" 
N:2:Source key of D takes tune too high, so I have
transposed it down to G.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G % source key = D
DEDB, DEGA|BdAB GEEG|DEDB, DEGA|BdAB GFGE|
DEDB, DEGA|BdAB GEEG|DEDB, DEGA|edAB G2G2||
Bdd2 cee2|dBAB GEE2|Bdd2 ceef|gfed e2e2||
Bdd2 cee2|dBAB GEEG|DEDB, DEGA|edAB HG4|]

Source version:
K:D
ABAF ABde|(3fga ef dBBd|ABAF ABde|(3fga ef dcdB|
ABAF ABde|(3fga ef dBBd|ABAF ABde|baef d2d2||
faa/^g/a gbb/a/b|afef dBB2|faa/^g/a gbbc'|d'c'ba b2b2||
faa/^g/a gbb/a/b|afef dBBd|ABAF ABde|baef d2d2|]

%%%

X:495243
T:MONDAY MORNING 
S:Dillon
B:ONMI.1525 
Z:Brennan/Black
N:Key signature is 2 sharps in source.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G 
P:"A"
GBdg edcB|g2bg aAAB|GBdg edcB|cedc BGG2:|
P:"B"
g2gf gbag|fgaf bgaf|g2gf gbag|fgaf bgg2|
Bggf gbag|fgag bgaf|gbag fagf|eg fa gedB|]
P:"A" repeat
GBdg edcB|g2bg aAAB|GBdg edcB|cedc BGHG2|]

%%%

X:495244
T:MONEY MUSK ("Irish Style"), The  
S:Cronin
B:ONMI.1180
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
af|ecc2 fcdf|edcA BEGB|edcB Aaga|befg agaf|
edca fcdf|edcA BEGB|edcB Aaga|fdBd cAA||
e|agae cefg|agba gaef|agae cdeg|fdBd cAAe|
aggf feec|dfec dcBA|GABd cefa|gbeg a4|]

%%%

X:495245
T:MOONCOIN REEL, The  
S:Fr.Dollard
B:ONMI.1431
Z:Brennan/Black
%Q:1/4=180
N:Source has no C naturals in mm 11 and 12
R:reel
M:C|
L:1/8
K:D
Bc|d2AF DFAc|dced cAAc|BAGF GABc|dced cABc|
d2AF DFAc|dced cAGA|BAGF GABc|dcec d2||
de|fdad fdad|fdad fddf|e=cgc ecgc|e=cgc ecce|
fdad fdad|fdad fddf|g2gf gbag|fdec d4|]

%%%

X:495246
T:MOONLIGHT RAMBLE, The  
S:McNamara
B:ONMI.1463 % A-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:C
"A"
gf|ecc2 GEE2|Ddd^c d3f|ecc2 GFED|CcBd c2:|
"B"
cf|ecgc acgc|Add^c d3f|ecgc acgc|GcBd c3f|
ecgc acgc|Add^c d3f|eg ag fedc|GcBd cegf|]
P:"A" repeated
ecc2 GEE2|Ddd^c d3f|ecc2 GFED|CcBd c4 |-c6||

%%%

X:495247
T:MORE LUCK TO US 
S:J.O'Neill
B:ONMI.1299
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
FE|D2DF A2AB|AFdB AFDF|Eeed e2ef|gefd BABc|
d2DF A2AB|AFdB AFDF|G2BG F2AF|EFGA B2 :|
zA|dcde dAFA|dcdB A2FD|EFGA BABd|gefd B2AB|
dcde dAFA|dcdB AFDF|G2BG F2AF|GABc d2 :|

%%%

X:495248
T:MORE POWER TO YOUR ELBOW 
S:O'Reilly
B:ONMI.1476
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
GE|DGGB AGGB|dGBG AGEG|DGGB AGGg|dgdB AGEG|
DGGB AGGB|dGBG AGEG|DGGB AGGg|dgdB G2 :|
ef|g2ge dgge|dBGB AGE2|g2ge degb|agab a2ga|
bagb ageg|dGBG AGEG|DGGB AGGg|egdB G2 :|

%%%

X:495249
T:MORNING STAR, The  
S:F.O'Neill
B:ONMI.1191 % as A-B-A
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
GA|B2BA BGEF|GABd efed|B2BA BGEG|FGAF G2:|
GA|Bdef g2eg|f2df edBA|Bdef g2fg|agfg e2dc|
Bdef g2eg|f2df edBA|Bdd^c d2ef|geaf gfed|]
P:"A" repeated
B2BA BGEF|GABd efed|B2BA BGEG|FGAF HG4|]

%%%  

X:495250
T:MOTHER IN LAW, The  
S:McFadden
B:ONMI.1331
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
DEFG BAA2|BAdB AFEF|DEFA BAA2|BdAF EDB,E|
D2FA BAA2|B2dB ABde|faec dBAd|BdAF EDEF||
ABde feef|defd edBd|ABde feec|dBAF EDB,E|
ABde feef|dfaf edBd|faec dBAd|BdAF EDHD2|]

%%%

X:495251
T:MOUNTAIN LARK (1st Setting), The  
S:Kennedy
B:ONMI.1243
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:Em
D2BA Bdef|deBd AFDF|E2BA Bdef|dBAF BEEz|
D2BA Bdef|deBd AFDF|E2BA Bdef|gefd Bee2||
eBB2 efge|fdad bdad|eBB2 efge|fedf e2ef|
eBBB efge|fdad bdad|gafg egfe|dBAF BEHE2|]

%%%

X:495252
T:MOUNTAIN LARK (2nd Setting), The  
S:Delaney
B:ONMI.1244
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
B|AGG2 AGFE|D2G2 AdcB|A2G2 AGFD|FEFG Adc:|
e|dgg2 agg2|dgfg fdcA|dgg2 agg2|dcde fdcA|
dgg2 agg2|dgfe f2fg|afge fdec|dcde fdcA|\
"final"G4z4|]

%%%

X:495253 
T:MOUNTAIN ROSE, The  
S:Tobin
B:ONMI.1549
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
gf|eAA2 e2dc|BAGA BcdB|eAA2 ecdc|BAGB Agfg|
eAA2 eg dc|BAGA Bcdf|eaag egdc|BAGB A2 :|
zA|BGBd gfga|bgaf gedf|eaab agab|[ac']2ba gedc|
BGBd gfga|bgaf gedf|eaag eg dc|BAGB A2 :|

%%%

X:495254
T:MOURNE MOUNTAINS, The  
S:J.O'Neill
B:ONMI.1201
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
BGGA G2ED|EAAB A2GE|DEGA BABd|eg dB cBAG|
BGGA G2ED|EAAB A2GE|DEGA BABd|eg dc BGG2 :|
dgga g2ed|eaab a2ge|dega bagf|egdB cBAc|
dgga g2ed|eaab a2ge|dega bagf|gedc BGG2 :|

%%%

X:495255
T:MULLINGAR RACES, The  
S:McFadden
B:ONMI.1534
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
zA,|D2FD EA,A,E|DEFA Bcde|faec dcdA|BdAF EGFE|
DEFD EA,A,E|DEFA Bcde|faec dBAG|FGEF D2 :|
Bc|d2fd adfb|afdf edBc|d2fd adfd|Beed egfe|
d2fd adfb|afdf edBc|dgfe dBAG|FGEF D2 :|

%%%

X:495256
T:MURTOUGH MULLOY 
S:McFadden
B:ONMI.1522
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:Em
A,|B,EEF GBAG|FDAD BDAD|GFEF GAB^c|1 dBAF GEE :|\
[2 d^cdB e3||
f|gfef gbag|fdad bdad|gfef gbag|fe^de feef|
gfef gbag|fdad bdad|gfef gfe^c|dBAF GEHE2|]

%%%

X:495257 
T:MUSIC IN THE GLEN 
S:Cronin
B:ONMI.1183 % as AA-BB-A
Z:Brennan/Black
N:ONMI has this tune in A, but I think it's more frequently played
today in G. I have both versions here. (The PDF and sound file will
be the G setting).
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G % source key = A
G2BG EGDC|B,DGB AGAB|c2ec BdGB|cABG AGED|
G2BG EGDC|B,DGB AGAB|cdef gfge|dcBA G4 :|
BGdG eGdc|BGdB cAFA|BGdG eGdf|gdBG AGED|
BGdG eGdf|gdfg afdf|gefd ecdB|1 cABG AGEF :|
[2 cdef dcBA|HG4z4|]   

Source version:
K:A
A2cA FAED|CEAc BABc|d2fd ceAc|dBcA BAFE|
A2cA FAED|CEAc BABc|defg agaf|edcB A2z2||
cAeA fAed|cAec dBGB|cAeA fA eg|aecA BAFE|
cAeA fAeg|aega bgeg|afge fdec|dBcA BAFG||
A2cA FAED|CEAc BABc|d2fd ceAc|dBcA BAFE|
A2cA FAED|CEAc BABc|defg agaf|edcB A2z2||

%%%

X:495258
T:MUSICAL PRIEST, The  
S:McFadden
B:ONMI.1284
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
BA|FBBA BABd|cBAf ecBA|FBBA B2Bd|cBAc B2:|
%
Bc|d2dc dfed|cAeg faec|d2dc defb|afec B2Bc|
dcdc dfed|cAeg faec|dcBc defb|afec B2||
%
Bc|dBB2 bafb|afec ABce|dBBA bafb|afec B2de|
fbba bafb|afec ABce|dcBc defb|afec dBcA||
"final"HB4z4|]    

%%%

X:495259 
T:MY HONEY IN THE HOUSE 
S:McNamara
B:ONMI.1491 
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes".
Lots of accented c's so I'm going D modal on this one.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^D modal"
DEFG A2AB|cAdB cAGE|DEFG A2AG|EFGE FDD2|
DEFG A2AB|cAdB cAGE|Add^c dfed|cAGE FDD2 :|
d2fd efge|d2fd edcB|AGAB c2cB|EFGE FDD2|
d2fd efge|d2fd edcB|Add^c dfed|cAGE FDD2 :|   

%%%

X:495260
T:MY LOVE IS FAIR AND HANDSOME 
S:F.O'Neill
B:ONMI.1220 
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
ge|dBAB GFEF|G2BG dGBe|dBAB GFED|1 Beed ef:|2 EGFA G4||
dega bgab|gfga gdBd|dega bgab|gafg efge|
dega bagf|gfef g3a|1 bagf gfed|eg dg efge :|
[2 bagf gfec|dBAB HG4|]     

%%%

X:495261 
T:MY LOVE IS IN AMERICA 
S:Delaney
B:ONMI.1327
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". Have to wonder if this 
tune was ever played as a straight D major, even by piper Delaney 
(= Chief's source). If you change G to D in the K: field, you can hear
how D major sounds - not bad, but . . . strange! 
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
FEFG ABcB|Addc Add2|FEFG ABcA|GBAG FDDE|
FEFG ABcB|Addc defg|afge dfed|cAGE FDD2:|
fdeg fdec|Addc Addg|fdeg fdcA|GBAG FDDg|
fdeg fdec|Addc defg|afge dfed|cAGE FDD2:|    

%%%

X:495262
T:MY MARYANNE 
S:McFadden
B:ONMI.1194
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:C
d|cded cAGB|Adde dcAB|cded cAGE|FAGE FGAB|
cded cAGB|Adde dcAB|cded cAGE|F2GE EDD2||
egge cBcd|eaag aged|egge dfed|cAGA c2cd|
egge cBcd|eaab agef|gefd eged|cAGA Hc4|]    

%%%

X:495263
T:MY SWEETHEART JANE 
S:J.O'Neill
B:ONMI.1546
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
DGGF Adde|ABcA dBcA|DGGF Adde|fdcA BGAF|
DGGF Adde|ABcA dBcA|DGGF Adde|fdcA AGG2||
dggf g2ag|fdde fgaf|dggf gbag|fdcA dBcA|
dggf g2ag|fdde fga2|bgaf gdde|fdcA AGG2|]     

%%%

X:495264
T:NELLIE O'DONOVAN 
S:Cronin
B:ONMI.1394
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
B2Bd dcAc|BGGB d2cA|B2Bd dcAc|d2cA AGGA|
B2Bd dcAc|BGGB d2cA|BABd dcAc|dBcA AGG ||
e|fgaf gfeg|fdcA Adde|fgaf gfeg|fdcA AGGe|
fgaf gfeg|fdcA Adde|fefg abag|fdcA AGGA|\
"final"HG4z4|]    

%%%

X:495265 
T:NEW DEMESNE (1st setting), The  
C:Kennedy
B:ONMI.1208 
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". No accidentals
in source but I'm 99% sure this is a D modal tune.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^D modal"
D2 FD ADFD |Ecc2 GcEc|D2 FD ADFD |\
[1 cAGF EFGE:|2 cAGE ED D2||
f2df f2df|e2ce e2ce|f2df f2dB|cAGE EDD2|
f2df f2df|e2ce e2ce|fgaf gedB|cAGE EFGE||"final"D4z4|]    

%%%

X:495266
T:NEW DEMESNE (2nd Setting), The  
S:Early
B:ONMI.1209 
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". The source
version actually shows some accidentals!
%Q:1/4=180
R:reel 
M:C
L:1/8
K:G
"^D modal"
D2 FD ADFD|Ecc2 edcA|D2 FD Eddc|ABGF EDCE|
D2 FD ADFD|Ecc2 edcA|DEFG Addc|ABGE EDD2||
%
fedc Acdf|edcd efge|fedc dcdf|eaag edd2|
f2df f2df|e2ce e2ce|dfeg fagb|afge fdd2||
%
faag fddf|efgf eccg|faag fddB|cAGE ED D2|
faag fddf|efgf ecce|dfeg fagb|afge fdd2||
%
f2df f2df|e2ce e2ce|f2df f2dB|cAGE EDD2|
f2df f2df|e2ce e2ce|dfeg fagb|afge fdHd2|]    

%%%

X:495267
T:NEW MAIL COACH, The  
S:McNamara
B:ONMI.1302
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
P:"A"
dB|AG FD FAAg|fgec dcBd|AG FD FAAg|fgec d2:|
P:"B"
Bc|d2fg a2fd|cded cABc|d2fg a2fd|cABc d2Bc|
d2fg a2fd|cded cABc|defg abag|fgec dcdB|]
%
P:"A" repeated
AG FD FAAg|fgec dcBd|AG FD FAAg|fgec Hd4|]    

%%%

X:495268
T:NEW POTATOES, The  
S:O'Reilly
B:ONMI.1505 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
EBBA FAFA|EBBA FDE2|EBBA FAFA|BAdA FDE2:|
P:"B"
Beeg fded|Beeg fdd2|Beeg fded|BAdA FDE2|
Beeg fded|Beeg fdd2|bgaf gfed|BAdA FDDF|]
P:"A"repeated
EBBA FAFA|EBBA FDE2|EBBA FAFA|BAdA FDHE2|]    

%%%

X:495269
T:NEW ROAD, The  
S:J.O'Neill
B:ONMI.1250
Z:Brennan/Black
N:Questionable modality in this one. I've opted to stay in D major
(except for the C naturals in m.6).
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
DFED dfed|cAGF EFGE|DFED dfed|cAGE AFGE|
DFED dfed|cAGF E=cc2|DFED dfed|cAGE FDD2||
fefg fagf|eAce g2ag|fede fage|fdec Adde|
fede fagf|eAce g2fg|afge dfed|cAGE FDD2|]    

%%%

X:495270
T:NORA O'NEILL 
S:Mahony
B:ONMI.1453
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:C
g2g^f gece|gage fdde|g2g^f gece|fagf ecc2|
g2g^f gece|gage fddf|efge agfe|fagf ecc2||
GcEc Gcec|Gceg fdd2|GcEc Gcec|Bagf ecc2|
GcEc Gcec|Gceg fdd2|agfe fedc|Bagf ecHc2|]  

%%%

X:495271 
T:NORTHERN LASSES, The  
S:J.O'Neill
B:ONMI.1531 % A-BB
Z:Brennan/Black
N:Note that part 2 repeats.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
ef|gGG2 EGDG|EGDG EGAB|cBAG FGAB|cBAB cdef|
gGG2 EGDG|Aaaf gfed|cBAG FGAc|BGAF G2||
Bd|:g2dg egdg|agbg agef|g2dg egdg|agba g2ga| 
bgaf gfed|Bdef gedc|Bdef gfge|1 Bgba gfef:|\
[2 dBcA HG4|]   

Source version:
K:G
(3def|gG (3GFG EGDG|EGDG EGAB|cBAG FGAB|cBAB cdef|
gG (3GFG EGDG|Aaaf gfed|cBAG FGAc|BGAF G2||
Bd|:g2dg egdg|agbg agef|g2dg egdg|agba g2ga| 
(3bag (3agf gfed|Bdef gedc|(3Bcd ef gfge|\
[1 Bgba gfef:|2 dB (3cBA G4|]

%%%

X:495272
T:O'DWYER'S REEL
S:Cronin
B:ONMI.1287
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
G|FADA FADA|FAAB A2GF|GBEB GBEB|GBBc B2AG|
FADA FADA|FAAB A2GF|EFGB ABcA|d2AG FDD2||
AGAB c2AB|cBAG FDD2|Addc d2Ac|d2AG FDD2|
AGAB c2AB|cBAG FDDC|DEFG ABcA|d2AG FDD2|]   

%%%

X:495273
T:O'REILLY'S FANCY 
S:O'Reilly
B:ONMI.1414
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
D|E2EF GFGE|DEFG AFDF|EDEF GFGA|BdAc BEE:|
A|BcAc BeeB|cBAc BEE2|BcAc Beef|gegd e2e2|
BcAc BeeB|cBAc BEE2|BcAc Beef|gbaf He4|]      

%%%

X:495274
T:O'REILLY'S GREYHOUND 
S:O'Reilly
B:ONMI.1488 % A-B-A
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
gf|edBA G2BG|Bdef gbag|egdB GFGA|Beed BAAg|
edBA G2BG|Bdef gbag|eg dB GFGA|Beed BAA2||
eaag bgag|eaaf gdBd|eaag bgag|egdB GABd|
eaag bgag|eaaf g2ga|bgag edef|gbaf g2g2|]     

%%%

X:495275
T:OLD GREY GANDER, The  
S:Kennedy
B:ONMI.1345
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
EAAB c2BA|BGGA BcdB|AEAB cdef|1 gedB c2BA :|\
[2 gedB BAA2||
a2ea a2ge|d2BG Bdd2|a2ea a2ba|gedB BAA2|
a2ea a2ge|d2BG Bdd2|EAAB cdef|gedB BAHA2|]    

%%%

X:495276
T:OLD MAIDS OF GALWAY, The  
S:F.O'Neill
B:ONMI.1417
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
eBB2 e2dB|A2GA dBgf|egdf e2dB|A2GA BGG2:|
g2fg efde|g2bg eaaf|g2fg efdB|A2GA BGG2|
g2fg efde|g2bg eaa2|bgaf gedB|A2GA BGG2|]     

%%%

X:495277
T:OLD PENSIONER, The  
S:McFadden
B:ONMI.1315 
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
P:"A"
Bc|d2BA BEEG|FDAD FABc|dBcA BEEA|1 Bged cA :|\
[2 Bgec d2||
P:"B"
Bc|d2fd adfd|d2fd cdec|d2fd adfd|dBAF EFAc|
d2fd adfd|d2fd cdec|defd cdec|dBAF EFBc||
P:"A" repeated
d2BA BEEG|FDAD FABc|dBcA BEEA|1 Bged cABc :|\
[2 Bgec Hd4|]    

%%%

X:495278
T:OLD SCHOOLMASTER, The  
S:McFadden
B:ONMI.1441 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:C
G2GA cded|cAA2 cGAG|EGGA cdea|gece d2cA|
G3A cded|cAA2 AcAG|EGGA cdea|gece d2c2||
g3d efgd|eaag eaag|eggf gfgb|afge d2cd|
eggf g3d|eaag eaaa|gede cdea|gece d2cA||\
"final"Hc8|]    

%%%

X:495279
T:ON THE RIVER BANK 
S:Stack
B:ONMI.1473
Z:Brennan/Black
N:Note the unusual key change between parts. This sometimes means
an A-B-A tune but there's no indication of that in the source.
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
d^cAF G2GF|DEFG ABcA|d^cAF GBAF|DEFG ABcA|
d^cAF G2GF|DEFG ABcA|d^cAF GBAF|DFAc BG G2||
K:D
Addc d2cd|efcd efge|fgef d2dc|AGFG ABcB|
Addc d2cd|efcd efge|faef d2dc|Aceg fdd2|]    

%%%

X:495280
T:OUR HIGHLAND COUSINS  
B:ONMI.1400
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". I also raised this 
a step on the presumption that "our highland cousins" would probably 
prefer playing this in A!
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Dmaj
"^A modal"
B|A2ed cdef|g2dg Bgdg|Afed Bdef|gfgd BAA:|
e|a2ea caef|g2dg Bgdg|a2ea caef|gfgd BAAe|
a2ea AaBf|g2dg Bgdg|agef gaba|gedB BAA2|]    

%%%

X:495281
T:OVER THE BRIDGE TO PEGGY 
S:Ennis
B:ONMI.1234 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
P:"A"
dB|AFdB AFDF|AFdB A2dB|AFdB ABde|fedf e2dB|
AFdB AFDF|AFdB A2de|faaf gece|dBAF D2z2||
P:"B"
defg abaf|gage abaf|defg abaf|bgaf e2d2|
defg a2af|bagb a2af|gfeg f2fd|egfd efdB||
P:"A" repeated
AFdB AFDF|AFdB A2dB|AFdB ABde|fedf e2dB|
AFdB AFDF|AFdB A2de|faaf gece|dBAF HD4|]    

%%%

X:495282
T:PADDY MURPHY'S WIFE 
S:J.O'Neill
B:ONMI.1526
Z:Brennan/Black
N:Accidentals are actually indicated in the source!
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^D modal"
G|FDAF BGAF|EGcG ECCE|FDAF BGAF|Dddc dDD:|
g|fada fdaf|egcg ecgc|fada fdad|BdAG FDDg|
fada fdad|egcg ecgc|afge fdec|dABG FDD2 |]     

%%%

X:495283
T:PADDY RYAN'S DREAM (1st setting) 
S:McNamara
B:ONMI.1181 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
P:"A"
AEE2 cABG|EGDC B,CDB,|A,2A,B, CDEG|1 cABG ABcB:|\
[2 cABG A4||
P:"B"
Aaa^g aecA|Aggf gdBG|Aaa^g aefd|edcB cABG|
Aaa^g aecA|Aggf gdBG|AcBd cedf|edcB ABcB||
P:"A" repeated
AEE2 cABG|EGDC B,CDB,|A,2A,B, CDEG|1 cABG ABcB:|\
[2 cABG HA4||    

%%%

X:495284
T:PADDY RYAN'S DREAM (2nd Setting) 
S:McFadden
B:ONMI.1182
Z:Brennan/Black
N:Just what you'd expect from Mr. McFadden!
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
cB|AEE2 cBAG|EGDC B,A,G,B,|1 A,EA,E  A,2A,E|ABcB AedB:|\
[2 A,2G,A, B,C E2|AcBG A2 ||
cd|eaag agef|gedc BGGf|eaa^g agef|gedf eAAg|
eaag agef|gfgd BcdB|AcBd cbag|fdef g2fg|"final"a8|]

source version:
cB|:AEEE cBAG|EGDC B,A,G,B,|1 A,EA,E  A,2A,E|ABcB AedB:|\
[2 A,2G,A, B,C E2|AcBG A2 ||
(3Bcd|eaa^g agef|(3gfe dc BGGf|eaa^g agef|(3g=fe df eAAg|
eaa^g agef|gfgd BcdB|(3ABc (3Bcd cbag|fdef g2fg|"final"a4z4|]    

%%%

X:495285
T:PADDY'S SURPRISE 
S:F.O'Neill
B:ONMI.1516
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
EF|G2BA GABc|dBec dBAB|G2BA GABc|dcAB GFED|
G2BA GABc|dBec d2ef|gfge dBge|dBAB G2 :|
ef|gfgd edBd|gabg agef|gfgd edBd|cABG AGEG|
gfgd edBd|gabg agef|gfge dBge|dBAB G2 :|    

%%%

X:495286
T:PAT TUOHEY'S REEL 
S:Tuohy
B:ONMI.1340
Z:Brennan/Black
N:1:"A noted uilleann piper who Chief O'Neill 'persuaded' to leave a 
show in New York for the refined and salubrious life of a policeman 
in Chicago." (Brennan) 
N:2:In O'Neill's own "Irish Minstrels and Musicians" Patsy's last 
name is spelled 'Tuohey'. He was born near Loughrea, Co. Galway in 
1865 and died in the Bronx in 1923.
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
BEE2 BAFE|D2FD ADFD|BEE2 BAFE|1 Bdeg fdec:|\
[2 Bdeg fee2||
e2ge Bege|defg agfg|e2ge Bege|defa gee2|
e2ge Bege|defg a2ga|bgaf gefe|defa gee2|]    

%%%

X:495287
T:PEELER'S JACKET, The  
S:F.O'Neill
B:ONMI.1184 
Z:Brennan/Black
N:aka "Flannel Jacket"
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
G2BG DGBG|FGAB c2Bc|dggf d2eg|fdcA BGAF|
G2BG DGBG|FGAB c2Bc|dggf d2eg|fdcA BGGz||
gagf d2ef|gfga bgaf|gagf d2eg|fdcA BGGz|
gagf d2ef|gfga bgaf|gbag fdeg|fdcA BGAF|\
"last time"HG4z4|]     

%%%

X:495288
T:PEGGY ON THE SETTLE 
S:F.O'Neill
B:ONMI.1245 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:Em
egfd eAA2|edBd eAA2|egfd eAA2|BGdc BGBd:|
edef g2ag|edef gdBd|edef g2ga|bgaf gdBd|
edef g2ag|edef gdBd|gdBd g2ga|bc'ba gfed|\
"final"He4z4|]    

%%%

X:495289
T:PETER KENNEDY'S FANCY 
S:Miss Kennedy
B:ONMI.1275 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
BA|G2GF G2BA|GABA GEED|EGGA GABd|egdB BAAB|
G2GF G2BA|GABA GEED|EGGA GABd|egdB BAA2||
d2gd edgd|d2gd BAAB|d2gd edef|gedB BAAB|
d2gd edgd|d2gd BAAB|c2cA BABd|egdB BAAB||"final"HG4z4|]    

%%%

X:495290 
T:PETER STREET 
S:J.O'Neill
B:ONMI.1325 
Z:Brennan/Black
N:This tune is played either in A or G, depending on the instrument, so
I have included both settings here. PDF and sound file will be the A 
version.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:A
FG|A2 cA eA cA|eAaA gAfA|eA cA eAfA|BEcE dEBE|
A2 cA eA cA|eAaA gAfA|efec eaec|BABc A2 :|
GF|E2GE BEGE|BEdE cEBE|A2cA eAcA|eAaA gAfA|
efec agaf|efec agaf|ecag fedc|1 "thru"BAGF EF :|
[2 "final"BAGF EBAG|HA4z4|]   

P:lowered version in G
K:G 
EF|G2 BG dG BG|dGgG fGeG|dG BG dGeG|ADBD cDAD|
G2 BG dG BG|dGgG fGeG|dedB dgdB|AGAB G2 :|
FE|D2FD ADFD|ADcD BDAD|G2BG dGBG|dGgG fGeG|
dedB gfge|dedB gfge|dBgf edcB|1 "thru"AGFE DE :|
[2 "final"AGFE DAGF|HG4z4|]

%%%

X:495291
T:PICK YOUR PARTNER 
S:McFadden
B:ONMI.1391
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^E dorian"
de|fBcA Bcde|fBBd e2de|fBcA Bcde|fbaf e2:|
Bc|d2fd adfd|d2fd edBc|d2fd adfd|bgaf edBc|
d2fd adfd|d2fd edBc|defg agaf|bgaf He4|]   

%%%

X:495292 
T:PIGEON on the GATE, The  
S:F.O'Neill
B:ONMI.1406
Z:Brennan/Black
N:ONMI version of this session staple is a single reel in A minor, but 
I've never heard it played as anything but a double reel in E minor 
(which avoids the high c's).
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^E dorian"
dc|BEE2 Bdcd|BEE2 B2AF|D2FD ADFD|DFAc d3c|
BEE2 Bdcd|BEE2 B2AF|DFAB d2de|fedf e2 :|
ed|Beed efed|Beef gfed|Bddc dedB|ABde fded|
Beed efed|Beef gfed|BABc dedB|AFDF E2 :|   

Source version:
K:G
"^A dorian"
gf|:eAA2 eg^fg|eAA2 e2dB|1 G2BG dGBG|
GBdf g2fg:|2 GBde g2ga|bagb a2||
ag|eaag abag|eaab c'bag|eggf gage|dega bgag|
eaag abag|eaab c'bag|edef gage|dBGB A4|]

%%%

X:495293
T:PIPER'S SON, The  
S:J.O'Neill
B:ONMI.1519
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
"^E dorian"
BEEc dcdB|A2 FD FAA2|BEEF GABc|dcdB e2dc|
BEEc dcdB|AD FD FAA2|BEEF GABc|dBAc BEE2||
edef gfge|defg afdf|edef gfec|dBAc BEE2|
edef gfec|defg afdf|g2fd ecdA|BdAc BEHE2|]   

%%%

X:495294
T:PLAID MANTLE, The  
S:McFadden
B:ONMI.1426
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
AG|FEDE FGAF|GBAG FDDE|FEDE FGAg|fdec dcAG|
FEDE FGAF|GBAG FDDE|FEDE FGAg|faec d2||
de|fedc dcAF|GBAG FDDg|fdec dcAg|faec d2de|
fedc dcAF|GBAG FDDE|FEDE FGAg|faec Hd4|]   

%%%

X:495295 
T:PLEASURES OF HOME, The  
S:F.O'Neill
B:ONMI.1200
Z:Brennan/Black
N:IMO this tune is a hornpipe that somehow strayed into the Reel section 
(you rarely see reels end on three quarter notes). Note too that it 
doesn't repeat in the source.
N:2:The accidentals in the tranposed version correspond to the ones in 
the source. Have fun with the D and E sharp! (That's why I doubled my
version - twice the fun!)
%Q:1/4=180
R:reel 
M:C
L:1/8
K:D
"^E dorian"
BA|GE2E E^DEF|GFGA B2AG|FD2D DCDE|F^EFG A2BA|
GE2D B,CDB,|EFGA B2AG|FDFA GEFD|B,2E2 E2 :|
EF|GFGA BcBA|GFGA B2Bc|dedB ABAG|FDFG A2BA|
GFGE FE^DF|EFGA B2Bc|dBAF DFAF|G2E2 E2 :|   

Source version:
K:Gm 
dc|BG2G G^FGA|BABc d2cB|AF2F F=EFG|A^GAB c2dc|
BG2F DEFD|GABc d2cB|AFAc BGAF|D2G2 G2||
GA|BABc dedc|BABc d2d=e|fgfd cdcB|AFAB c2dc|
BABG AG^FA|GABc d2d=e|fdcA FAcA|B2G2 G4|]

%%%

X:495296
T:PRETTY BLUE SEAGULL, The  
S:O'Reilly
B:ONMI.1399 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^E dorian"
BEE2 FEBE|ADD2 DFAd|BEE2 FEFA|BdcA BEE2:|
e2eB e2eB|d2dB d2dB|e2eB e2eB|ABdF FEE2|
efgf edBc|dedB d2dB|ABde fedB|ABdF FEHE2|]   

%%%

X:495297 
T:PRETTY PEGGY 
S:J.O'Neill
B:ONMI.1476
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
A|d2fd AFED|d2fd egfe|d2fd AFDF|GBFA EDCE|
d2fd AFED|d2fd egfe|fagc dBAG|FDEC A,DD :|
A|FDAD BDAD|FDAD CEEG|FDAD BDAD|GEFD A,DDA|
FDdD cDBD|ADGD CEEG|FAdf ecdB|AFGE FDD :|   

Source version:
A|d2fd AFED|d2fd egfe|d2fd AFDF|GBFA EDCE|
d2fd AFED|d2fd egfe| (3fga (3gec (3dcB (3ABG|FDEC A,DD||
A|FD AD BDAD| FD AD CEEG|FD AD BDAD|(3GFE FD A,DDA|
FD dD cDBD|AD G/F/E/D/ CEEG|FAdf ecdB|AFGE FDD|]
%

%%%

X:495298
T:PURE DROP, The  
S:Cronin
B:ONMI.1305
Z:Brennan/Black
N:Closely related to "Tom Steele"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dDD2 FDFA|d2ef gfge|dDD2 FDFA|BEEF GABc|
dDD2 FDFA|d2ef g2fg|afge fdec|BEEF GABc||
d2fd adfd|d2ef g2fe|d2fd adfd|BEEF GABc|
d2fd adfd|d2ef g2fg|afge fdec|BEEF GABc||\
"final"d4z4|]   

%%%

X:495299
T:PUSH ABOUT THE JORUM 
S:J.O'Neill
B:ONMI.1420 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
P:"A"
dB|AD FD CEEG|FDAD BcdB|AD FD CEEG|FGEF D2:|
P:"B"
ed|cAeA fAeA|fAec dcBA|cAeA fAeA|fAec d2ed|
cAeA fAeA|fAec dcBA|dfdB cecA|Bcde fdA ||
P:"A" repeat
|:B|AD FD CEEG|FDAD BcdB|AD FD CEEG|FGEF D3:|   

source version:
K:D
dB|AD FD CEEG|FDAD BcdB|AD FD CEEG|FGEF D2:|
ed|(3cBA eA fAeA|(3fga ec dcBA|(3cBA eA fAeA|(3fga ec d2ed|
(3cBA eA fAeA|(3fga ec dcBA|dfdB cecA|Bcde fdBd"_DC"||

%%%

X:495300 
T:RAINY DAY, The   
S:McFadden
B:ONMI.1196
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^A dorian"
EAAG A2Ac|BcdB cBAc|BGGA G2GA|Bdef gdBG|
EAAB AGAB|cBAB cdef|gbaf gedB|GBdB cAA2 :|
eaag agag|edef gabg|eggf g2ga|bgaf gedf|
eaag agag|edef gaba|gedB GBaf|gedB cAA2 :|   

%%%

X:495301
T:RAKISH PADDY 
S:Delaney
B:ONMI.1532
Z:Brennan/Black
N:No C naturals in source. Played AA-BB today, so
I added repeats.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^D modal"
cBcd cBAB|cAGF EFGc|Addc defe|dcAG FGAB|
cedB cBAB|cAGF EDCE|DEFG ABce|dcAG FDD2:|
egg2 agfg|efgf ecc2|eaa2 bgag|eaag egdg|
egg2 agfg|efge defg|afge fdec|dcAG FDD2:|

%%%

X:495302
T:RAMBLER'S REST, The  
S:Early
B:ONMI.1415
Z:Brennan/Black
N:Version of "Tie the Bonnet". 2nd part ending seems to indicate that
this is an A-B-A tune, but the source doesn't say that.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^A modal"
P:"A"
B|A2Ag fde^c|A2Ac BGGB|A2Ag fdef|gfgd BGG:|
P:"B"
f|eaaf gfed|^cAeA cdef|eaaf gfef|gfgd BGGf|
eaaf gfed|^cAeA cdef|afge fdef|gfge BGG2 |]
P:"A" repeated
A2Ag fde^c|A2Ac BGGB|A2Ag fdef|gfgd BGGB|HA4z4|]

%%%

X:495303
T:RAMBLING SAILOR, The  
S:J.O'Neill
B:ONMI.1502
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
c|dBB2 cBcA|dcdA FDFA|d2Bd cBAF|AGFD EFAc|
dcBd cBcA|dcdA GFEF|D2FE DFAF|GABc dcB ||
%
c|dcde fefg|a2ab agfe|dcde fegf|efed cABc|
d2de fefg|a2ab agfe|dBB2 cBcA|dAFD GAB ||
%
c|defe dcdA|BdAF GABc|d2fe defg|agab agfe|
defe dcdA|BdAF GFEF|D2FE DFAF|GABc Hd4|]

%%%

X:495304
T:REEL OF BOGIE, The  
S:Ennis
B:ONMI.1449
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dc|BEE2 BAFA|BFAF DEFA|BEE2 BAFA|dcdf e2dc|
BEE2 BAFA|BFAF DEFA|dcde fdec|dBAF E2||
FE|D2Ac dcdA|BdAF BFAF|D2Ac dcde|fdcA BFAF|
D2Ac dcdf|edef g2fg|afge fdec|dBAF EFGE|HD4z4|]

%%%

X:495305
T:REEL OF MULLINAVAT, The  
S:Kennedy
B:ONMI.1316
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:Em
ef|gfed BAGF|GBAF E3F|1 GBAF GAB^c|
dBBA Be:|2 GBAF GABA|Beed e2||
ef|gfef gebe|gebe afdf|1 gfef gebe|
afde fe:|2 gebe g2fg|afdf He4|]

%%%

X:495306 
T:REPEAL of the UNION, The  
S:Early
B:ONMI.1179
Z:Brennan/Black
N:Source key is D, but this tune is now generally played
as D modal. See the introductory note on "Ambiguous Tunes".
N:Source m.15 = |(3agf (3gfe FD (3=cBA|
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
A2 FD ADFD|GEcE dEcE|ADFD ADFD|GEdE E2D2|
A2 FD ADFD|GEcE eEcE|AEFD A2FD|GEcE D2D2||
Adde fdec|ABcA dBcA|Adde fdec|GEcE D2 D2|
Adde fdec|ABcA dBcA|afge fdcA|GEcE HD4|]

%%%

X:495307
T:ROBIN REDBREAST 
S:Cronin
B:ONMI.1395
Z:Brennan/Black
N:2:See the introductory note on "Ambiguous Tunes". This is actually 
quite nice as A major but I'm going with A modal anyway - lots of 
/dBGB/ pushes me in that direction. (To hear the tune in A major,
substitute "A" for "D" in the K: field.)
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^A modal"
cd|ecAB c3d|edce dBGB|AGAB cBcd|efge afgf|
ecAB c3d|edce dBGB|AGAf gfgf|edcB A2||
cd|eaag efge|dBge dBGB|AGAB cBcd|edef gfed|
eaag efge|dBge dBGB|ABcd efge|dBGB A4|]

%%%

X:495308
T:ROLL HER on the MOUNTAIN 
S:J.O'Neill
B:ONMI.1309
Z:Brennan/Black
N:Source m.15 = |(3fga (3fga gece|
%Q:1/4=180
R:reel 
M:C| 
L:1/8
K:D
A2FA A2FD|B2BA BcdB|A2FA DFAF|GABc dfdB|
A2FA A2FD|B2BA BcdB|A2FA dBAF|GBAG F2D2||
d2df edcB|ABcd efge|d2df edcA|BGFG E2D2|
d2df edcB|ABcd efge|f2fa gece|dBAF E2HD2|]

%%%

X:495309
T:ROLLING DOWN THE HILL 
S:J.O'Neill
B:ONMI.1508
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
e2cA e2cA|BGEF G2GB|AGAB cBcd|efge dgfg|
e2cA Acec|dcBA G2GB|AGAB cBcd|eage d2cd||
efgf efgf|eaag eaag|efgf efgf|afge d2d2|
efgf efgf|eaag eaag|edcB cdef|gfge d2BG||\
"final"HA4z4|]

%%%

X:495310
T:ROLLING ON THE RYEGRASS 
T:Shannon Breeze
S:F.O'Neill
B:ONMI.1553 
Z:Brennan/Black
N:aka "Shannon Breeze". Played as AA-BB today (no third part). 
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
dB|:A2AF DFAF|GEDE GBdB|BAFA DFAd|BGFG E2D2|
FAAF DFAF|GEDE GBdB|BAFA DFAd|BGFG E2D2||
%
ABde f2fa|gefd edBd|ABde fefg|afdf e2d2|
ABde f2fa|gefd edBd|ABde faab|afdf e2d2||
%
A2Ac BAGF|GABc dBAG|FGAc BGGB|AFDF E2D2|
FAAc BAGF|GABc dBAG|FGAB defb|afdf e2Hd2|]

%%%

X:495311
T:ROSE in the GARDEN, The  
S:Early
B:ONMI.1314
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:A
AF|EFAc d2dB|c2cA BcAF|EFAc d2fd|ecBA FAAF|
EFAc d2dB|c2cA BcAF|EFAc dfaf|ecBA FAA2||
ceec d2fd|ceec BAFA|ceec d2fd|ecBA FAA2|
ceec d2fd|ceec BAFA|cefg abaf|edcB HA4|]

%%%

X:495312
T:ROSELAND HILL 
S:Walsh
B:ONMI.1484
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C % 2/4 in source
L:1/8 % 1/16 in source
K:G
G2BA GABd|e2ef edBA|G2BA GABc|dBAB AFED|
G2BA GABd|e2ef edBA|G2BA GABc|dBAB G2z2||
e2eB e2z2|edef gfeg|fddc defg|abaf gfed|
e2eB e2z2|edef g2fg|agfa gfeg|edef edBA|\
"final" G8|]

%%%

X:495313
T:ROVING BACHELOR, The  
S:J.O'Neill
B:ONMI.1450 
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
P:"A"
GA|B2BA B2ge|d2ge dBGA|B2BA B2ge|dBAB GFED|
B2BA B2ge|d2ge dBGA|B2BA B2ge|fedf e2||
P:"B"
ef|gfed eBBd|gfed e2ef|gfed eBBA|Bedf e2ef|
gfed eBBd|gfed e2ef|gbag fage|d2ge dBGA||
P:"A"repeated
B2BA B2ge|d2ge dBGA|B2BA B2ge|dBAB GFED|
B2BA B2ge|d2ge dBGA|B2BA B2ge|fedf He4|]

%%%

X:495314
T:SAILOR'S CRAVAT, The  
S:McFadden
B:ONMI.1446
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
d2fe dcBd|ABFB ADFA|d2fe dcBd|AFDF GEE2|
d2fe dcBd|ABFB ADFA|d2fe dcBd|AFEG FDD2||
AddA BAFA|defd Bee2|AddA BcdB|AFGE FDD2|
AddA BAFA|defd Bee2|AddA Bgfe|dBAG FDD2|]

%%%

X:495315
T:SAILOR'S JACKET, The  
S:J.O'Neill
B:ONMI.1368
Z:Brennan/Black
N:Source m.15 = |(3agf (3gfe fded|. This could well be a modal tune
but my version is the same as the source's.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dfec A2AB|cdef gfge|dfec A2AB|cBcG EDD2:|
d2fd adfd|c2ec gcec|d2fd adfd|eaag edd2|
defg afge|cdef g2fg|afge fded|eaag edd2|]

%%%

X:495316
T:SAILOR'S RETURN, The  
S:F.O'Neill
B:ONMI.1375
Z:Brennan/Black
N:2:aka "Eileen Curran"
N:3:Surce m.13 = |(3gfe FD eBB^c|
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
"^E dorian"
GFED B,EEG|FDAD BDAD|GFED B,DEF|GFGA Beef|
gefd eBBc|dBAG FDD2|GFED B,DEF|GBAF GEE2||
Eeed efed|Dddc dedF|Eee^d Beef|gefd Beef|
gefd eBB^c|dBAG FDD2|GFED 3B,DEF|GBAF GEHE2|]

%%%

X:495317
T:SALAMANCA REEL, The  
S:J.O'Neill
B:ONMI.1348
Z:Brennan/Black
N:Single in source.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
dB|ADFD ADFD|Adcd fdcd|BEGE BEGE|Beed cdeg|
fddg fdcA|Bdce dfag|fdec dBAG|FGEF D2 :|
fg|afdg bgeg|fdec dcBA|Bdce dfeg|fagb a2fg|
abaf gfeg|fdec dfag|fdec dBAG|FGEF D2 :|

%%%

X:495318
T:SAME OLD STORY, The  
S:Walsh
B:ONMI.1540 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C % source2/4
L:1/8 % source 1/16
K:G
zD|G2BG ABcA|BdcA BGAD|G2BG ABcA|BdcA GDEF|
G2BG ABcA|BdcA BGAD|G2BG ABcA|BdcA G2||
zD|G2GF GABd|edef edBA|G2GF GABG|ABAG FDEF|
G2GF GABd|edef edBd|gfgd edBG|AGEF G4|]

%%%

X:495319
T:SATIN SLIPPER, The  
S:McFadden
B:ONMI.1304 
Z:Brennan/Black
N:Looks like A-B-A but not marked as such in the source.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
P:"A"
A3B AFFA|dcBA BAFA|dcBd cBAc|BAFA BdcB|
A2AB AFFA|dcBA BAFA|dfed cedc|BAFA B3||
P:"B"
c|defg agab|afeg fBBc|defg agab|afeg fddc|
defg agab|afec defg|agfe fedc|dcBA BdcB|]
P:"A" repeated
A2AB AFFA|dcBA BAFA|dfed cedc|BAFA HB4|]

%%%

X:495320
T:SAUNTERING IN THE LANE 
S:J.O'Neill
B:ONMI.1487
Z:Brennan/Black
N:Single in source.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
Bc|d3A BAFE|DFAc dcBA|dfaf bagf|eagb a2Bc|
dcdA BAFE|DFAc dcBA|dfaf bgec|dfec d2 :|
A2|defg afdf|afgf afdc|defg afdf|gfed c2Bc|
defg afdf|afgf afdf|gfed cABc|dfec d2 :|

%%%

X:495321
T:SCOLDING WIFE, The  
S:F.O'Neill
B:ONMI.1430
Z:Brennan/Black
%Q:1/4=180
N:Source key signature is 2 sharps.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
D2DE FEFD|GFGA BGAF|D2DE FEFG|AdcA GECE|
D2DE FEFD|GFGA BGAc|d2dg fdce|fdcA AGG2||
fdcd fgaf|gfga bgag|fdcd fgag|fdcA G2G2|
fdcd fgaf|gfga bgag|bgag fgag|fdcA AGG2|]

%%%

X:495322 
T:SCOTCH MARY 
S:F.O'Neill
B:ONMI.1510
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
AB|cEE2 cded|cEEF G2AB|cEE2 cded|cABG A2AB|
cEE2 cded|cEEF G2AB|cEEG cded|cABG A2||
K:D
"^A modal"
cd|eaag efed|cdef g2fg|eaag efed|cABG A2cd|
eaag efed|cdef g2fg|afge fded|cABG A4|]

%%%

X:495323
T:SECOND WEDDING, The  
S:J.O'Neill
B:ONMI.1440 
Z:Brennan/Black
%Q:1/4=180
R:reel
L:1/8
M:C
K:G
P:"A"
dc|BGAG BGAF|G2Bd gedc|BGAG BGAG|EAAG ABcA|
BGAG BGAF|G2Bd gedc|BGAG BGAG|FDEF G2||
P:"B"
Bd|gfge fgaf|g2bg afdf|gfge fgaf|bgef g2Bd|
gfge fgaf|g2bg afdf|gfge fefd|egfa gedc|]
P:"A"repeat
BGAG BGAF|G2Bd gedc|BGAG BGAG|EAAG ABcA|
BGAG BGAF|G2Bd gedc|BGAG BGAG|FDEF HG4|]

%%%

X:495324 
T:SERGEANT EARLY'S DREAM 
S:McFadden
B:ONMI.1419
N:I was surprised to see that O'Neill has this as an A major tune - 
I've never heard it played as anything but D minor! But musically
they're pretty much the same tune, i.e. pitch relationships are the 
same, just in different places on the staff (over-simplification but
I didn't want to go into too much detail).
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:C
"^D dorian"
cB|ADDE FEFA|GECD EFGE|DA,DE FEFG|Adde fedc|
ADDE FAcA|GECD EFGE|DA,DB cecA|GFEA, D2||
FG|Addc d2dc|Adde fedc|AccB cBcd|efec dcAG|
Addc dcdc|Adde fedB|cedB cAGE|FDEA D4|]

Source version:
K:A
gf|eAAB cBce|dBGA BcdB|AEAB cBcd|eaab c'bag|
eAAB cege|dBGA BcdB|AEAf gbge|dcBe A2||
cd|eaag a2ag|eaab c'bag|eggf gfga|bc'bg aged|
eaag agag|eaab c'bag|gbaf gedB|cABe A2|]

%%%

X:495325
T:SHEARING THE SHEEP 
S:McFadden
B:ONMI.1515
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:A
P:"A"
EAAB ABcB|ABcA BFF2|EAAB ABce|faec d2cB|
A3B ABcB|ABcA BFF2|EAA2 ABce|faec A2cd||
P:"B"
e2ae feaf|eaec d2cd|e2ae fefb|afec d2cd|
e2ae feaf|eaec d2cB|c2cB cefb|afec dBcA|]
%
P:"A" repeated
EAAB ABcB|ABcA BFF2|EAAB ABce|faec d2cB|
A3B ABcB|ABcA BFF2|EAA2 ABce|faec A4|]

%%%

X:495326
T:SHEEHAN'S REEL 
S:Fielding
B:ONMI.1213
Z:Brennan/Black
N:Source has |=f| in mm 11 and 12; tune is not usually played today
using them. (Just for the record, there aren't too many other
instances where the Chief considers a tune 'modal' when it isn't [or 
'is no longer'] - usually it's the other way around!)
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
D|G2BG DGBG|ABcA BGGB|A^GAB cBcA|EAAG FDEF|
G2BG DGBd|cBAB cdef|gedB c2Bc|dBcA BGG ||
f|g2bg dgbg|gbag fdde|f2af dfaf|gbag fddf|
g2bg dgbg|gbag fdef|gedB c2Bc|dBcA BGHG2|]

%%%

X:495327
T:SHIPS ARE SAILING 
S:F.O'Neill
B:ONMI.1264
Z:Brennan/Black
N:Single in source but now usually played AA-BB.
N:Another example of a tune played today exactly as it was 120+
years ago (D-sharps excepted).
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
Beed B^cdB|AD FD AD FD|EDEF GFGA|1 Beef gfed:|\
[2 Beed e2||
ef|gfga bgeg|fefg afdf|gfga bgeg|fedf e2ef|
gfga bgeg|fefg afdf|g2ge f2fd|edef gfed|"final"e8|]

%%%

X:495328 
T:SILVER TIP, The  
S:Kennedy
B:ONMI.1185
Z:Brennan/Black
N:Source has no C naturals but this is clearly a modal tune (or
- more accurately - is a modal tune now).
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^D modal"
DEFG ABAF|GEcE dEcE|DEFG ABAF|GEcE EDD z:|
d2fd efge|fafd ecAG|FAAB cBcG|EFGE FDD z|
d2fd efge|fafd ecAF|GBGB FAFA|EFGE FDHD2|]

%%%

X:495329 
T:SKIBBEREEN LASSES, The  
S:Beamish
B:ONMI.1469
Z:Brennan/Black
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:D
"^A modal"
e2cA cdef|gedc BcdB|e2cA cdef|gedB cAA2|
e2cA cdef|gedc BcdB|cAcd edef|gedB cAA2||
cAce a2ef|gedc BcdB|eAA2 a2ef|gedB cAA2|
cAce a2ef|gedc BcdB|A2cd eaaf|gedB cAHA2|]

%%%

X:495330
T:SLEEPY MAGGIE 
S:J.O'Neill
B:ONMI.1424
%Q:1/4=180
R:reel
Z:Brennan/Black
N:This tune is in the unusual key of "B dorian" (= B minor with G's
sharp.) Since none of those G's is accented, you can get by with playing
G natural and nobody will notice (probably).
M:C|
L:1/8
K:A
"^B dorian"
f2de fBde|f2df eAce|f2de fBde|fgaf eAce:|
fBdB fBde|fBdB eAce|fBdB eBde|f^gaf eAce|
fBdB fBde|fBdB eAce|dcBc defg|abaf eAce||
|:fBbB fBde|fBbB aAce|fBbB aB^gB|fB^gB aAde:|\
"final"HB4z4|]

%%%

X:495331 
T:SLIGO CHORUS, The  
S:Ennis
B:ONMI.1273
Z:Brennan/Black
N:I had some trouble figuring out the underlying harmony for this tune,
since both parts ended on "G" which shouldn't normally happen in a
tune in the key of D. I think I sort of solved the problem but I await
comments. 
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
"^A modal"
AG|FDAD BDAD|FDAc d2AG|FDAD BGG2|BdcA GBAG|
FDAD BDAD|FDAc d2Ac|dfec dcac|dcAF G2 :|
AB|cABG A2AB|cAB^G A2ed|cBcd eaaf|gedc dfed|
cABG A2AB|cAB^G A2Bc|dfec dcAc|1 "thru"dcAF G2 :|
[2 "final"GBAG HA4|]

Source version (for pipers only!)
AG|FD AD BDAD|FD (3ABc d2AG|FD AD BG (3GFG|BdcA GBAG|
FD (AD) BDAD|FD (3ABc d2 (3ABc|dfec dc (3ABc|dcAF G2||
AB|cABG a2 AB|cAB^G A2ed|cBcd eaaf|gedc dfed|
cABG a2 AB|cAB^G A2 (3ABc|dfec dc (3ABc|dcAF G2|]

%%%

X:495332
T:SLIGO LASSES, The  
S:McFadden
B:ONMI.1392
Z:Brennan/Black
N:Not shown in source as A-B-A but m.12 points in that directob.
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2BG DGBG|D2 FD dAFA|G2BG DGef|1 gedc BGAF:|\
[2 gedc BGG2||
g2bg dgbg|fgag fdef|g2bg dgbg|dega bg g2|
dgbg dgbg|fgag fdef|gaba gedc|"12"BDAG FDEF|]
P:"A" repeated
G2BG DGBG|D2 FD dAFA|G2BG DGef|gedc BGHG2|]

%%%

X:495333
T:SMASH THE WINDOWS 
S:J.O'Neill
B:ONMI.1382
Z:Brennan/Black 
N:A nice 4/4 version of the jig of the same name. It's in ONMI as a 
single, but to me it sounded better as a double! 
%Q:1/4=180
R:reel
M:C % source 2/4
L:1/8 % source 1/16
K:D
%%MIDI program 1 23
E|DFED F2A2|defd ecAF|G2GE F2FD|E2EF GFEF|
DFED F2A2|d2fd ecAd|f2fd gece|d2dc d3:|
g|a2f2 defg|f2g2 agfa|g2e2 cdef|e2f2 gfeg|
f2ed g2fe|a2gf g2fe|f2ed gece|d2dc d3:|

%%%

X:495334 
T:SMOKY HOUSE, The  
S:Stack
B:ONMI.1504
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D % source key = Am
"^E dorian"
EF|GEBE GEBE|FDDE FGAF|GEBE GEBE|AFDF E2EF|
GEBE GEBE|FDDE FGAF|GFEF GABc|dBAF E2||
ef|gfed edBc|dBAG FDDf|gfed edBA|Bdef e2ef|
gfec dfec|dBAG FD D2|EFGA BABc|dBAF E4|]

%%%

X:495335
T:SNOW on the HILLS 
S:Lawson
B:ONMI.1306
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2dG BGdG|GABd cAFA|G2dG Bcde|fdcB cAFA|
G2dG BGdG|GABd cAFA|GABc dfeg|fdcA GABc||
dgga bgaf|dggf d2cA|dgga bgag|fdcA GABc|
dgga bgaf|dggf defg|abag fgfe|defd cAFA|\
"final" HG4z4|]

%%%

X:495336
T:SPINNERS DELIGHT, The  
S:J.O'Neill
B:ONMI.1380 
Z:Brennan/Black
N:Source m.7 = |(3cBA (3cde dBGB|
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
ed|c2cB Acec|dcBA GABd|cAce fdfa|gbeg afed|
c2cB Acec|dcBA GABd|cAce dBGB|AcBG A2 :|
cd|e2ag aecA|B2Bc dcBc|Aced ceba|gede fedB|
e2ag aecA|d2fg fgaf|e2gf edcB|AcBG A2 :|

%%%

X:495337 
T:SPINNING WHEEL, The  
S:Cronin
B:ONMI.1203
Z:Brennan/Black
N:As the Chief mentions in his fascinating sketch of Edward Cronin 
in "Irish Minstrels and Musicians" (p.392), there was "but one rival" 
(not specified but probably Sergeant James O'Neill) for Cronin's 
fiddling abilities in the Chicago traditional music scene. The 
highly-ornamented settings of Cronin's contributions to the various 
collections would seem to bear this out. I have added a simplified 
version of this lovely Cronin tune for those of you not enamored of 
great gobs of triplets (show of hands, please?) I think Mr. Cronin
flourished a few years before recording was a possibility, but I
have to think he might have sounded like Coleman.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:A
cAAc BAAd|cefg a2ga|bBBc dcBA|1 defg afed:|\
[2 cefg afec||
AGAF FEEF|A2Bc dcBc|AGAF FEEe|faec dcBc:|
%
Aceg agfe|fefg afdc|Aceg agfe|fagb afdB|
Aceg agfe|fefg agaf|bgaf gefd|fagb afec||
%
faec dcBc|AEAB cAce|faec dcBc|AFFE FAA2:|

Source version:
cAAc BAAd|cefg a2ga|bBBc dcBA|1 defg afed:|2 cefg afec||
(3A^GA AF FEEF|A2Bc dcBc|(3A^GA AF FEEe|(3fga ec dcBc:|
Aceg agfe|fefg afdc|Aceg agfe|(3fga (3gab afdB|
Aceg agfe|fefg agaf|(3bag (3agf (3gfe FD|(3fga (3gab afec||
(3fga ec dcBc|AEAB cAce|(3fga ec dcBc|AFFE FAA2:|
%%textoption align
%%begintext

%%endtext

%%%

X:495338
T:SPORTING BOYS, The  
S:O'Reilly
B:ONMI.1350
Z:Brennan/Black
N:This is another setting of "Boys of Portaferry"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
BA|G2BG AcBA|G2BG GEDE|G2BG ABce|dBgB c2BA|
G2BG AcBA|G2BG GEDE|DEGB cBAe|dBgB c2||
BA|Bdgd edgd|Bdgd e2dc|Bdgd edef|gedB c2BA|
Bdgd edgd|Bdgd e2dc|Bdgd egfa|gedB c2BA|HG4z4|]

%%%

X:495339
T:STAR OF KILKENNY, The  
S:McNamara
B:ONMI.1348 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
dc|BcAF G2GA|B2Ac Beed|BcAF G2ef|gefd Beed|
BcAF G2GA|B2Ac Beed|BcAF G2ef|gefd e2 :|
ef|gfga gdBd|gefd Beef|gfga bgaf|gefd Beef|
gfga gdBd|gefd Beef|gfga bgaf|1 "thru"gefd Be :|
[2 "final"gefd BAFD|E4z4|]

%%%

X:495340
T:STAR of MUNSTER, The  
S:F.O'Neill
B:ONMI.1218
Z:Brennan/Black
N:1:This is a single reel (A-B) in the source but is usually played 
double today.
N:2":F naturals are a nice touch but optional, especially at playing
tempo.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^A dorian"
ed|:c2Ac B2GB|AGEF GED=F|EAAB cBcd|eaaf g=fed|
c2Ac B2GB|AGEF GEDF|EAAB cded|cABG A2z2:|
eaab ageg|agbg agef|gfga gfef|geaf g=fed|
eaab ageg|agbg agef|g2ge a2ag|1 thru"b2ba gfed:|
[2 "final"b2ba gedB|HA4z4|]

%%%

X:495341
T:STRAWBERRY BLOSSOM (1st Setting), The  
S:Carey
B:ONMI.1354
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
fddf edBc|d2ef g2ag|fddf edBc|dBAF E2D2:|
faab afdf|afdf g2g2|faab afdf|gfed B2A2|
faab afdf|afdf g2g2|fa a2fa a2|gfed B2Ac|"final"Hd4z4|]

%%%

X:495342
T:STRAWBERRY BLOSSOM (2nd Setting), The  
S:F.O'Neill
B:ONMI.1355 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
fedf edBd|fddc d2ag|fedf edBc|dBAF E2D2|
fedf edBd|fddc defg|afge fdec|dBAF E2D2|
faab afdf|abaf gfeg|faab afdf|gfed B2A2|
faab afdf|abaf gfeg|faa2 gbb2|gfef gbaf|\
"final"Hd4z4|]

%%%

X:495343 
T:SWALLOW'S TAIL, The  
S:F.O'Neill
B:ONMI.1267
Z:Brennan/Black
N:Source key is A major - not sure if that's a "scribal error"
or if the tune was played that way back in the Chief's day. In
any event I'm treating it as A dorian, which is how it's played
today (with parts repeated). To hear what the A major version 
sounds like, replace G with A in the K: field.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^A dorian"
gf|eAcA eAcA|cdef gedB|G2BG dGBG|cdef g2fg|
eAcA eAcA|cdef g2fg|afge dBGB|AcBG A2 :|
cd|eaag abag|edef gedB|G2BG dGBG|cdef g2f^g|
eaag abag|edef g2fg|afge dBGB|AcBG A2 :|

%%%

X:495344
T:SWEET BIDDY OF BALLYVOURNEY 
B:ONMI.1301
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2BG Bdde|fdgd fdcA|G2BG Bdde|fdcA AG G2:|
g2dg gbag|f2de fgaf|g2dg gbag|fdcA AG G2|
g2dg g2de|fgag fdef|dfga b2ag|fdcA AG HG2|]

%%%

X:495345
T:TADY'S WATTLE 
S:Dunphy
B:ONMI.1416
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
G2BG BddB|cBcd efge|GBdG Bdgd|ecBc A2G2:|
g2a2 bggd|edef gdBG|g2a2 bggd|edcB A2G2|
bgaf gfed|egfa gedB|GBAc Bdgd|ecBc A2HG2|]

%%%

X:495346
T:TAKE YOUR CHOICE 
S:J.O'Neill
B:ONMI.1187 
Z:Brennan/Black
N:This is AA-B in source.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
ge|dGG2 dGBd|efga bage|dGG2 dgBd|egdB BAA2|
dGG2 dGBd|efga bage|dGFG BABd|efga bg :|
ef|g2ba gddg|egdg egdg|a2ba geef|gedB BAA2|
bagb agfa|egdg egdg|bgaf gfed|1 "thru"efga bg :|
[2 "final"efga bgaf|Hg4z4|]   

%%%

X:495347
T:TEAR the CALICO 
S:Cronin
B:ONMI.1255
Z:Brennan/Black
N:Current version of this tune is in D, and parts are 
played 3-1-2.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
GEE2 cABG|AGEG A2BA|GEEE cABG|AFGE D2D2|
GEE2 cABG|AGEG A2Bc|dBcA BGAF|GEDE G2G2||
%
BddB cABG|AGEG A2Ac|BddB cABG|AFGE D2D2|
BddB cABG|AGEG A2A2|BddB cABG|AGAB c2BA||
%
G2BG G2BG|AGEG AcBA|G2BG G2BG|AFGE D2D2|
G2BG G2BG|AGEG AcBA|dBcA BGAF|GEDE HG4|]

%%%

X:495348
T:TEMPLEHOUSE, The  
S:F.O'Neill
B:ONMI.1230
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:Em
EFGE BEGE|D2FD ADFD|EFGA BAB^c|dBAc BEE2:|
g2ef g2eg|fdde fddf|gfef gfeg|fgaf bgef|
gfef gfeg|fdde fddf|efge afge|dBAc BEHE2|]

%%%

X:495349
T:TENT at the FAIR, The  
S:J.O'Neill
B:ONMI.1517 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
P:"A"
A|d2AF DdAF|d2AF DecA|d2AF DdAF|ecac d3:|
P:"B"
A|d2fd adfd|adfd cdef|d2fd adfa|gfed cdef|
d2fd adfd|adfd cdef|afge fdef|gfed cABc||
P:"A" repeated
d2AF DdAF|d2AF DecA|d2AF DdAF|ecac Hd4|]

%%%

X:495350
T:THOMPSON'S REEL
B:ONMI.1337
Z:Brennan/Black
%Q:1/4=180
R:reel
N:1:When I tried transposing this neat tune up to Am, I encountered
a lot of high c's. When I tried dropping it to Em, there were 
too many low A's and B's, so back to Am I went. The version below 
involves an edit of mm 5-12 to eliminate those high c's I mentioned.
N:2:This is single in source.
M:C|
L:1/8
K:Am % source key Gm
ed|cAGE EDD2|EAAG ABcd|ecdB cAGB|EAAG Aced|
cAGE EDD2|EAAG ABcd|ecdB cABG|EAAG A2 :|
zB|c2ec gcac|c2ec aege|c2ec gcac|d^cde =cAA2|
c2ec gcac|c2ec aege|a3a gede|EccG A2 :|

Source mm 5-12:
"5"c2ec gcc'c|c2ec aege|c2ec gcc'c|d^cde =cAA2|
"9"c2ec gcc'c|c2ec aege|c'2c'a ge^de|Ecc^G A2|]

%%%

X:495351
T:THREEPENNY BIT, The  
S:F.O'Neill
B:ONMI.1367
Z:Brennan/Black
N:A version of "New Mown Meadows"/"Docks and Quays of Galway"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
ADD2 EDEG|AcBG AGEG|ADD2 EDEF|G2AG EGG2|
ADD2 EDEG|AcBG AGEG|c2cA B2BG|ABAG EGG2||
Bddf eg eB|BAGB AGEG|Bdd2 efdB|G2AG EGG2|
Bdd2 eg dB|cABG AGEG|c2cA B2BG|ABAG EGHG2|]

%%%

X:495352 
T:TIE the BONNET  
S:Beamish
B:ONMI.1351
Z:Brennan/Black
N:This tune is in straight A major in the source, but is played today 
as a "hybrid" A dorian - A modal tune. 
N:aka "Jenny Tie the Bonnet"
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
A2Ag fdec|A2Ac BGGB|A2Ag fdef|gfge dBGB:|
a2af gfed|^cAeA cAce|a2af gfef|gfge dBGB|
a2af gfed|^cAeA cAce|afge fdef|gfge dBGB|\
"final"HA4z4|]

%%%

X:495353
T:TIE the RIBBONS 
S:Mrs.Cantwell
B:ONMI.1352
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:Em
BGEF GBAG|FGAG FDDc|BGEF G2ef|gefd Beed|
BGEF GBAG|FGAG FDDc|BGEF G2ef|gefd Bee||
f|gfga bgeg|fgag fddf|gfga bgeg|gefd Beef|
gfga bgeg|fgag fdef|gabg fgaf|gfed BeHe2|]

%%%

X:495354
T:TIMOTHY DOWNING 
S:Beamish
B:ONMI.1334 
Z:Brennan/Black
N:I'm not sure I like |^c| in mm 10 and 14 but I left them in
anyway. Feel free to play C natural.
N:2:Source m 5 & 7 = |(3cdc (3BcB a2 G2|
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
P:"A"
c2Bc ABG2|cdef gede|c2Bc ABG2|eaag efde|
c2B2 A2G2|cdef gede|c2B2 A2G2|eaag e2d2||
P:"B"
aede g2ag|ed^cd efge|aede g2ag|eaag efde|
aede g2ag|ed^cd efge|c2cc d2dd|eaag efde||
%
P:"A" repeated
c2Bc ABG2|cdef gede|c2Bc ABG2|eaag efde|
c2B2 A2G2|cdef gede|c2B2 A2G2|eaag e2dB|HA4z4||

%%%

X:495355
T:TIT FOR TAT 
S:Ennis
B:ONMI.1457
Z:Brennan/Black
N:A version of "Limestone Rock". 
N:|e2ge| in m.15 is per source.
%Q:1/4=180
R:reel  
M:C|
L:1/8
K:G
dc|BGGB AGG2|DGG2 A2dc|B2BG A2AB|1 cABG A2:|\
[2 cdef g2||
Bd|e2dB e2dB|e2dB A2Bd|eBB2 gBB2|cABG A2Bd|
e2dB e2dB|e2dB A2Bd|eg2e gagf|edef Hg4|]

%%%

X:495356
T:TOM STEELE 
T:Hand Me Down the Tackle
S:McFadden
B:ONMI.1271 
Z:Brennan/Black
N:Note that O'Neill's setting of this tune doesn't include repeats. 
Over the years, however, it has become standard practice to "double" 
the parts, in which case the "Sligo" second ending (as played by 
Coleman) shown above may be used.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
Bc|dDD2 FABc|dfaf gfec|dDD2 FAdc|BGEF GABc|
dDD2 FABc|dfaf g2bg|afge fded|BGEF GA:|
Bc|d2fd adfd|d2af gfec|d2fd adfd|BGEF GABc|
[1 d2fd adfd|d2af g2fg|afge fded|BGEF GA :|
[2 a^gab afdc|Bged cbag|fdec dcBA|GFEF GABc||
"final"Hd4z4|]

%%%

X:495357
T:TOSS THE FEATHERS (1st Setting) 
S:J.O'Neill
B:ONMI.1224 
Z:Brennan/Black
N:E minor seems to be the most commonly used key for this tune today,
so I transposed the source version up a step. The second setting below
has the "D modal" version if you're more comfortable with that.
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:D
"^E dorian" % source key D dorian
E2BE FEBE|E2BA FAAF|E2BE FEFA|1 Beec dBAF:|2 BdAF BEE2||
Be2e e2de|fede fede|febe gebe|fedf fedf|
fb2a fa2f|egfe dBAF|E2FE FBBc|defe dBAF|HE4z4|]

%%%

X:495358 
T:TOSS THE FEATHERS (2nd Setting) 
S:Ennis
B:ONMI.1225 
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". I'm
pretty confident that this is modal (C's natural).
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
"^D modal"
D2 FD ADFD|D2GF EFG2|A2AG A2Bc|dfed cAGE|
D2 FD ADFD|D2GF EFG2|A2de fdd2|cAGE FDD2 :|
Addc d2cd|edd2 eddc|eaag eaag|edd2 edd2|
eaaf gbag|fgef dcAG|A2AG A2Bc|dfed cAGE :|"final"HD4z4|]

%%%

X:495359
T:TOUCH ME IF YOU DARE (1st Setting) 
S:Miss Kennedy
B:ONMI.1387
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
dc|BGG2 AGFD|BGGd Bdgd|BGG2 AGED|EAAB A2dc|
BGG2 AGFD|BGGd Bdgd|B2AG AGED|EGGA G2||
z2|dega b2ag|eg dg egdB|dega b2ag|eaab a2ge|
dega b2ag|eg dg egdc|B2BG AGED|EGGA HG4|]

%%%

X:495360
T:TOUCH ME IF YOU DARE (2nd Setting) 
S:J.O'Neill
B:ONMI.1388
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^A dorian"
AB|cABG AGEF|GABc dBGB|cABG AGED|EAAG A2:|
E2|ABcd e2ef|gefd ecAG|ABcd e2ed|eaag a2a2|
ABcd edef|gefd ecAB|cABG AGED|EAAG A4|]

%%%
%%%

X:495361
T:TRAVELLER, The  
S:F.O'Neill
B:ONMI.1495 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
D2|G2BG dGBG|ABcd cBAG|Bdgd eg dB|cBAG FADF|
G2BG dGBG|ABcd cBAG|Bdgd eg dc|BGAF G2||
P:"B"
Bd|g2dg Bgdg|gabg agef|g2dg Bgdg|cBAG FADF|
g2dg Bgdg|gabg agef|gfga gfed|eg fa gedB||
P:"A" repeated
G2BG dGBG|ABcd cBAG|Bdgd eg dB|cBAG FADF|
G2BG dGBG|ABcd cBAG|Bdgd eg dc|BGAF HG4|]

%%%

X:495362
T:TRIM THE VELVET 
S:Ennis
B:ONMI.1320
Z:Brennan/Black
N:1:Source has |=f| in final measure of all parts. Since I've
never heard the tune played that way, I changed |=f| to |^f|
(but you're welcome to try it the other way!) 
N:2:Coleman's setting of this starts on part "D".
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:G
P:"A"
G2BG AGFD|G2BG cAFA|G2BG AGFD|defd cAFA:|
P:"B"
dcde dBGB|dedB cAFA|dcde dBGB|defd cAFA|
d3e dBGB|dedB cAFA|d2df e2ef|gefd cAFA||
P:"C"
g2gb a2af|g2ab c'baf|gfgb abaf|defd cA^FA:|
P:"D"
BGdG BGGA|BGdG cAFA|BGdG BGGB|defd cA^FA|
BGdG BGGA|BGdG cAFA|BGG2 cAA2|defd cA^FA||\
"final"HG4z4|]  

%%%

X:495363
T:TURKEYS IN THE STRAW 
S:McFadden
B:ONMI.1520 % with spelling "Turkies" (and with a Gaelic translation 
no less)
Z:Brennan/Black
N:McFadden gets the attribution, but this tune (syncopations and all) 
was the finale of piper Patsy Tuohey's stage performances.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
BA|GE2F EDB,C|DEDB, DEGA|BABc dBGA|BA2G AcBA|
GE2F EDB,C|DEDB, DEGA|Bd2e dBGA|BGAF G2||
GA|Bd2e dBGA|Bdde dcBA|Bdef gfed|BABd e2ef|
gfge dged|BdAG E2GA|BdAG EDB,D|EG2A G4|]

%%%

X:495364
T:TWIN BROTHERS, The  
S:F.O'Neill
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
AB|:c2BG AGEG|DGBG AGEG|BcAB G2Bc|dBAc BGG2:|
g2gf g2dg|egdg egde|g2gf g2d2|eaag eaa2|
fggf g2dg|egdg egde|g2ge a2ag|b2ba gfed||"final"Hg4z4|]

%%%

X:495365 
T:UGLY CUSTOMER, An 
S:Kissane
B:ONMI.1373
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:A
EAcA eAcA|EAce dBB2|EAcA eAcA|afed cABG|
EAcA eAcA|EAce dBBg|agae faec|dBed cAAe||
agae fefg|afec dBBe|agae faec|dBed cAAe|
agae faec|dBcA BFF2|EFED EFAB|cdBd cAHA2|]

P:alternate version in G
K:G 
DGBG dGBG|DGBd cAA2|DGBG dGBG|gedc BGAF|
DGBG dGBG|DGBd cAAf|gfgd egdB|cAdc BGGd||
gfgd edef|gedB cAAd|gfgd egdB|cAdc BGGd|
gfgd egdB|cABG AEE2|DEDC DEGA|BcAc BG G2|]

%%%

X:495366
T:WATCHMAKER, THE  
S:J.O'Neill
B:ONMI.1539  
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:Am
P:"A"
ed|:cAAc BGGB|cAAB cded|cAAc BGGB|cABG EAAB:|
P:"B"
c2ec gcec|G2BG dGBG|c2ec gcec|eaag eaab|
geeg ^fdd=f|ecce dBGB|ABcd efed|cABG EAAB|
P:"A" repeated
cAAc BGGB|cAAB cded|cAAc BGGB|cABG EAHA2|]

%%%

X:495367
T:WELCOME HOME 
S:Cronin
B:ONMI.1499
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
AG|FEFG AFDc|BAGB AGFD|FEFG A3g|fdec dcAG|
FEFG AFDc|BAGB AGFD|FEFG A3g|fdec d2 ||
de|fedf edce|dcAB cAGg|fedf edcA|Adce d2de|
fedf edce|dcAB cAGE|FEFG A3g|fdec Hd4 |]

%%%

X:495368
T:WESTERN LASSES, The  
S:Dunlap
B:ONMI.1552 
Z:Brennan/Black
N:Another member of the "Grand Spey" family
R:reel
%Q:1/4=180
M:C|
L:1/8
K:C
GF|EGcG AGcG|EGcG EDDG|EGcG AGcG|EGDF ECCG|
EGcG AGcG|EGcG EDDG|EGAB cdef|gefd ecc2||
%
e3e d2dc|AcGc AcGc|e3e d2dc|AcGE ED D2|
efec dedc|AcGc AcGc|eaag egdc|AcGE EDD2||
%
efge c2cd|eaag aged|eg ed cBcd|eaag eg dg|
efge c2cd|eaag aged|dged cBcG|AcGF EGFE|HC4z4|]

%%%

X:495369
T:WEXFORD LASSES, The  
S:McFadden
B:ONMI.1390 
Z:Brennan/Black
%Q:1/4=180
R:reel
M:C|
L:1/8
K:D
P:"A"
Bc|dcdA BdAF|DFAg fdec|dBdA BdAF|GBAG FDDA|
dcdA BdAF|DFAg fdec|defd cdec|dBAG FDD||
P:"B"
g|fdde fgaf|gfga bgeg|fdde fgaf|gbag fddg|
fdde fgaf|gfga bgeg|fgaf g2bg|faeg fdec||
P:"A" repeated
dcdA BdAF|DFAg fdec|dBdA BdAF|GBAG FDDA|
dcdA BdAF|DFAg fdec|defd cdec|dBAG FDHD2|]

%%%

X:495370
T:WILLIAM WHITE'S  
S:McFadden
B:ONMI.1521
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:C
G2EG cGEF|GBAG EDD2|GFEG cBcG|ABcd ecc2:|
c2ce g2dB|AGGE GBdB|c2ce g2gf|eaag ecc2|
cBce gfgG|AGGE GBdB|cdef geag|egdf ecHc2|]

%%%

X:495371
T:WIND THAT SHAKES the BARLEY, The  
S:F.O'Neill
B:ONMI.1518 
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:D
P:"A"
B|A2AB AFED|B2BA BcdB|A2AB AFED|gfed BcdB|
A2AB AFED|B2BA BcdB|A2AB AFED|gfed B2d||
P:"B"
e|f2fd g2ge|f2fd Bcde|f2fd g2fg|afed Bcde|
f2fd g2ge|f2fd Bcde|fafd gbge|afed Bcd||
P:"A"repeated
B|A2AB AFED|B2BA BcdB|A2AB AFED|gfed BcdB|
A2AB AFED|B2BA BcdB|A2AB AFED|gfed BABc|Hd4z4|]

%%%

X:495372
T:WINTER APPLES, The  
S:F.O'Neill
B:ONMI.1513 
Z:Brennan/Black
N:A close relative of "Connemara Stockings".
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
P:"A"
ef|g2fd edBA|GABG AGEF|GFGA BABd|eg af gfed|
g2fd edBA|GABG AGEF|GFGA BABd|eg afg2||
P:"B"
ef|gbeg b2ag|fadf a2gf|gbeg b2ag|fadf e2ef|
gb2b b2ag|fa2a a2gf|g2bg f2af|edef gbaf|]
P:"A" repeated
g2fd edBA|GABG AGEF|GFGA BABd|egaf gfed|
g2fd edBA|GABG AGEF|GFGA BABd|egaf Hg4|]

%%%

X:495373
T:WITHIN A MILE OF CLONBUR 
B:ONMI.1435
%Q:1/4=180
Z:Brennan/Black
R:reel
M:C|
L:1/8
K:G
Bddg egdg|egdB BAA2|Bddg edgd|BdAc BGG2|
Bddg egdg|egdB BAA2|bgaf gedc|BdAc BGG2 :|
egdg agbg|egdg eaa2|egdg agbg|edef ag g2|
egdg agbg|egdg eaa2|bgaf gedc|BdAc BGG2 :|

%%%

X:495374 
T:WITHIN A MILE OF DUBLIN 
S:F.O'Neill
B:ONMI.1511
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". Usually heard as D 
modal (= C's natural) today.
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
"^D modal"
dB|ADDE FEFG|ADD2 cABG|ADDE FEFG|AdcA GcBc|
ADDE FEFG|ADD2 cABG|ADDE FEFG|AdcA G2||
FG|Addc AGFG|Adde fdec|Addc AGFG|ABcA G2FG|
Addc AGFG|Adde f2 eg|afge fdec|1 "thru"dcAF G2 :|
[2 "final"dcAF G2EF|HD4z4|]

%%%

X:495375
T:WOMAN of the HOUSE, The  
S:F.O'Neill
B:ONMI.1300
Z:Brennan/Black
N:Not quite today's version, but sort of close!
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
GBB2 cBAB|GBdg e2d2|1 GBB2 cBAB|eAA2 eAA2:|\
[2 G2BG A2GA|BcAc BGG2||
|:f2fd e2ed|gfge dBGB|f2fd e2ed|eAA2 eAA2|
[1 f2fd e2ed|gfge dBGB|G2BG A2GA|BcAc BGG2:|
[2 gaba gfed|efge dBAB|G2BG A2GA|BcAc BGHG4|]

%%%

X:495376
T:WOMEN'S ROCK, The  
S:"After Mr. Tobin"
B:ONMI.1550
Z:Brennan/Black
N:aka "Green Gates" (as double)
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
D|GBdg egdB|GBdg eg dg|eAcA eAcA|cdef gedB|
GBdg egdB|GBdg eg dB|cdef gedc|BGAF G2z2||
dgg2 bgg2|dgfg eg df|eAcA eAcA|cdef gedB|
dgg2 bgg2|dgfg e2dB|cdef gedc|BGAF HG4|]

%%%

X:495377
T:YOU NEVER SAW HER EQUAL 
S:F.O'Neill
B:ONMI.1233
Z:Brennan/Black
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G
Bc|dBGB a2 GB|dBGB A2Bc|dBGB A2GB|cABG A2Bc|
dBGB A2GB|dBGB A2Bd|gfga bagf|gedB A2 :|
Bd|e2 de gedg|e2dB A2Bd|e2de gedB|cABG A2Bd|
e2de gedg|e2dB A2Bd|egfa gedB|1 "thru"cABG A2 :|
[2 "final"cABG A2EF|HG4z4|]

%%%

X:495378 
T:YOU'RE RIGHT MY LOVE 
S:F.O'Neill
B:ONMI.1527
Z:Brennan/Black
N:Relative of "Fisherman's Lilt/Kerryman's Daughter"
R:reel
%Q:1/4=180
M:C|
L:1/8
K:G % source key = D
GE|D2DB, DEGB|dBAB GEEG|DEDB, DEGB|1 dBAB G2:|\
[2 edAB G2||
|:GA|Bdd2 cee2|dBAB GEE2|Bdd2 ceef|gfed e2e2|
[1 Bdd2 cee2|dBAB GEE2|DB,DE GFGB|dBAB G2G2|
[2 gfed egfe|dBAB GEEG|DB,DE GFGB|edAB HG4|]

Source version:
K:D
B|A2AF ABdf|afef dBBd|ABAF ABdf|[1 afef d2d:|\
[2 baef d2d2||
faa2 gbb2|afef dBB2|faa2 gbbc'|d'c'ba b2b2|
faa2 gbb2|afef dBB2|AFAB dcdf|afef d2d2|
faa2 gbb2|afef dBB2|faa2 gbbc'|d'c'ba b2bc'|
d'c'ba (3bc'd' c'b|afef dBBd|AFAB dcdf|baef d2d|]

%%%

X:495379
T:YOUNG ARTHUR DALY 
S:Cronin
B:ONMI.1422
Z:Brennan/Black
%Q:1/4=180
R:reel
L:1/8 % source 2/4
M:C % source 1/16
K:A
A,2CE Acec|dfec BcAF|E2CE Acec|dfec AGA2:|
agab aeca|eaca eaca|agab aeca|befg a2 eg|
agae faec|dBcA BcAF|E2CE Acec|dfec HA4|]

%%%

X:495380
T:YOUNGEST DAUGHTER, The 
T:Tap Room, Ranting Widow
S:F.O'Neill
B:ONMI.1217
Z:Brennan/Black
%Q:1/4=180
R:reel 
M:C|
L:1/8
K:Em
E2BE dEBe|dBAF DEFD|E2BE dEBe|dBAF BEE2:|
Eeef gfed|BdAF DEFD|Eeef gfed|BdAF BEE2|
Eeef gfed|BdAF DEFA|afge fde^c |dBAF BEE2|]

%%%