BB'S IRISH TRADITIONAL TUNE LIBRARY
Dance Tunes from "Waifs and Strays of Gaelic Melody" (F.O'Neill, 1922)
"Dedicated to the Spirit of THE GAELIC LEAGUE and The Realization 
of its Patriotic Aims"
=========================================================

folder contents

====================================================================
The commentary in quotations following some tunes is Chief O'Neill's. 
In other places the comments seems to be from some source other than
the Chief himself. The text blocks are non-printing.

Comments in the N: field are mine unless noted otherwise. I have placed 
the "classical" expressions (e.g. "andante") in a Y: field which is 
non-productive in ABC (i.e. won't interfere with anything else). Of 
course such expressions serve no purpose in a traditional dance-tune 
context 

The original ABC transcriptions are by Paul Kinder (2000) and the files 
were maintained by John Chambers. Thanks to both of them!

====================================================================
MATERIAL NOT INCLUDED:

Some tunes included in WSGM have not been included in this file
because they occur elsewhere. A list of these duplicate tunes is
here.

The non-dance material (airs, songs, most marches, etc.) omitted from 
this file can be found in folder 582.

====================================================================

BB note:
This is probably as good a place as any to mention a conjecture of mine 
that several of the tunes contained in "Waifs and Strays" were in fact 
compositions of O'Neill's. There are no attributions to other musicians 
(in fact by 1922, many of the original contributors to the earlier volumes 
were dead or - as happens all too frequently with musicians - no longer 
on speaking terms with the Chief or each other), nor does O'Neill list 
himself as a source as he had not hesitated to do in the earlier volumes. 
Will we ever really know if a fine reel like "Dolly Dimple" is one of 
the Chief's own? Probably not.

====================================================================

X:581001
T:ARKANSAS TRAVELER (reel), The 
B:WSGM.238
S:F.O'Neill
C:ABC Kinder/Black (arr)
Q:1/4=180
M:4/4
L:1/8
R:reel
K:G
d2|GBAG E2GE|D2CD E2G2|ABAG B2BG|ABAG E2D2|
GBAG E2 GE|D2 DD G2 Bd|gfgd egdc|BGAF G2||
Bc|dcBd cBAc|BAGB AFDF|GEGB AFAc|BAGB A2 Bc|
dcBd cBAc|BAGB AFDF|gfgd egdc|BGAF HG4|]

"Vying in popularity with 'Turkey in the Straw', another American
favorite claims our affection. Famous in song and story, its origin
has baffled investigation. An exhaustive research conducted by
Dr. H.C. Mercer, an official of Bucks County Historical Society
(Doylestown, Pa) relating to its history and antecedants failed of
its purpose. All lines of inquiry extending to Kentucky, Arkansas,
and Louisiana, ended in contradiction and uncertainty. Furthermore,
the quaint dialogue between the 'Traveler' and the backwoods
fiddler was based on nothing more substantial than a fertile
imagination. The opening paragraph of Dr. Mercer's essay 'On the 
track of the Arkansas Traveler', published in the Century Magazine, is
well worth quoting:
       'Sometime about the year 1850 the American musical myth
        known as 'The Arkansas Traveler' came into vogue among
        fiddlers. It is a quick reel tune with a backwoods story
        talked to it while played, that caught the ear at sideshows
        and circuses, and sounded over the trodden turf of fair
        grounds. Bands and foreign-bred musicians were above
        noticing it, but the people loved it, and kept time to it,
        while tramps and sailors carried it across the seas to vie
        merrily in Irish cabins with 'The Wind that Shakes the Barley'
        and'The Soldier's Joy'.
Though classed as a reel, the tune as printed with Dr. Mercer's clever
essay and elsewhere, is scored as a Buckdance, and in a key much
too low for certain instruments. The editor who is responsible for the
setting above presented ventures to suggest that like 'Old Zip Coon'
or 'Turkey in the Straw', 'The Arkansas Traveler' had been evolved
from a venerable Irish strain by some backwoods fiddler whose identity
is lost in the oblivion which engulfed the composers of the multitude
of Irish melodies that have survived many influences inimical to their
preservation."

%%%

X:581002 
T:ASTLEY'S HORNPIPE 
S:"Wilson's Companion to the Ballroom" (1816)
B:WSGM.332
C:ABC Kinder/Black (arr.)
M:4/4
Q:1/4=150
L:1/8
R:hornpipe
K:G
BA|GABc dcBd|gfge e2d2|BdBG cecA|BdBG GFED|
GABc dcBd|gfge e2d2|BdBG cecA|G2F2G2 :|
Bc|defg fafd|gbge fafd|defg a2c2|BdBG GFED|
BdBG cecA|fafd gbge|dgfe dcBA|G2F2G2 :|

%%%

X:581003
T:BANTRY BAY BOYS, The 
B:WSGM.115
C:ABC Kinder/Black (arr.)
Q:1/4=160
M:6/8
R:jig
L:1/8
K:Ador
d|ecA AcA|ecA A2f|dBG GBG|dBG Bcd|
ecA AcA|ecA c2d|e2a g2e|dBG A2:|
B|cdc cBA|GEG GAB|cdc cBA|e3 B2B|
cdc cBA|GEG GAB|e2a g2e|dBG A2:|

%%%

X:581004 
T:BASHFUL BEAU (reel), The
B:WSGM.224
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:I'm guessing that is E dorian (= c's sharp), although
there are no accidentals in the source.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Edor
defg fcdB|ADFD FAdc|BEEF GABc|dBAc BEE2|
Bdef d2dB|ADFD FAdc|BEEF GABc|dBAc BEE2 ||
e2ef g2fe|defg afdf|e2ef gfge|dBAc BEE2|
e2ef g2fe|defg afdf|gabg fagf|egfa g2fd|He4z4|]

%%%

X:581005 
T:BECAUSE I WAS A BONNIE LAD (reel) 
S:"Aird's Selections" 1782-97
B:WSGM.225
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:A
e|cBAa faec|dfec B3B|cBAa faec|dfec A3 :|
e|cBAc defd|cAec B2B2|cBAc defg|afec A2A2|
cAeA fAea|cAec B2fg|afge fdec|dfec HA4|]

source version:
e|cBAa (3fga ec|dfec B3 B|cBAa (3fga ec|dfec A2 A:|
e|cBAc defd|cAec (3BAB B2|cBAc defg|afec (3AGA A2|
cAeA fAea|cAec (3BAB Bf/g/|afge fdec|dfec (3AGA A||

%%%

X:581006 
T:BIDDY I'M NOT JESTING (reel) 
S:F.O'Neill
B:WSGM.067
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
R:reel
Q:1/4=180
K:G
D2|DEGA B2AG|AGAB d2BG|E2DB, DEGA|B2AF A2D2|
DEGA B2 AG|AGAB d2 BG|E2 DB, DEGA|B2GF G2:|
D2|GABd e2 ge|dBGE c2Bc|dBGE DEGA|B2AF A2 D2|
DEGA B2 AG|AGAB d2BG|E2DB, DEGA|B2GF G2:|

%%%

X:581007
T:BONNIE BLUE FLAG, The
B:WSGM.070
C:ABC Kinder/Black (arr.)
S:F.O'Neill
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|B2A BAB|c2B cBc|dcd B2G|A3-ABd|
g2e f2g|e2d B2G|A2F G2F|G3-G2 :|
f|g2e gfe|f2e fed|ede gfe|d3 -def|
g2e f2g|e2d B2G|A2F G2F|G3-G2 :|

"Not less popular than 'Johnny I hardly knew ye' in the North was 
'The Bonnie Blue Flag', the Southern National Air, which was to the 
boys in grey what 'Yankee Doodle' was to the boys in blue. In Adair 
Fitzgerald's 'Famous Songs' we are told the words of 'The Bonnie Blue 
Flag' were written in 1862 by Mrs. Annie Chambers Ketchum to an Irish 
melody adapted or composed by Henry McCarthy. After a fruitless search 
in several old time collections for the now very rare strain it is 
presented as noted from the author's memory."

%%%

X:581008
T:BONNIE LAD (reel), The 
S:F.O'Neill
B:WSGM.226
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
R:reel
Q:1/4=180
K:D
G|FEDF AdAF|GBAF E2EG|FEDF AdAF|GBAF DBAG|
FEDF AdAF|GBAF E2 EG|dBcA BGAF|GBAF D3 :|
G|FDAD BDAD|FDAF E2 EG|FDAD BDAD|EFGA BdcA|
FDAD BDAD|FDAF E2 EG|dBcA BGAF|GBAF D3 :|

%%%

X:581009 
T:BONNY WOODS AND BRAES (hornpipe)  
S:F.O'Neill
B:WSGM.108
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
R:hornpipe
Q:1/4=150
K:G
EF|G2GA Bdd2|cABG AGFD|G2GA Bd d2|egfa g2b2|
G2 GA Bd d2|cABG AGFD|G2GA Bd d2|egfa g2 :|
ef|gaba gfed|efge dcBA|gaba gfed|egfa g3 d|
gaba gfed|efge dcBA|G2FA Bd d2|egfa g2 :|

"Known only as 'The Highland Fling', this cheerful tune has served
for that purpose as long as the editor can remember. For its name
as above printed, we are indebted to Officer William Walsh, whose
memory in such matters is phenomenal."
%%endtext

%%%

X:581010 
T:BOY FROM HOME, The 
S:Patrick Stack, Chicago
B:WSGM.113
C:ABC Kinder/Black (arr.)
N:Starts out like "Saddle the Pony"!
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
D|GBA G2B|def gdB|GBA G2B|AFD DEF|
GBA G2 B|def gfg|ecA GAG|FEF G2:|
B|d3 dcd|e2f gfe|dec Bcd|ecA GFE|
d3 dcd|e2f gfg|ecA GAG|FEF G2:|

%%%

X:581011 
T:BOYS OF BALLYCASTLE (hornpipe), The 
B:WSGM.321
C:ABC Kinder/Black (arr.)
S:Pat Dunne ms
M:C|
L:1/8
Q:1/4=150
R:hornpipe
K:Em
ef|gfed edBd|edeg B2BA|G2 GA BABd|e2A2 A2ga|
bagf gfed|edeg B2 BA|G2 GA BcBA|G2E2 E2:|
gf|e2B2 B2gf|e2B2 B2 gf|e2 ef gfga|b2e2 e2ga|
bagf gfed|edeg B2BA|G2 GA BcBA|G2E2 E2:|

%%%

X:581012
T:BOYS OF CURRAGHMORE (hornpipe), The 
B:WSGM.314
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:C|
L:1/8 
Q:1/4=150
R:hornpipe
K:D
FE|D2DF A2FA|defe dBAD|GABG F2DE|F2E2 E2FE|
D2DF A2DA|defe dBAD|GABG AcBG|F2 D2 D2:|
cd|e2 ec A2DA|d2 dc defd|d2 dB AFDE|F2 E2 E2 FE|
ADDF A2DA|defe dBAD|GABG AcBG|F2 D2 D2:|

%%%

X:581013 
T:CABAR FEIGH (reel)
T:Deer's Horns
B:WSGM.252
S:John Kelly, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:Dmix
A|c2dB cGAB|cBAG ECC2|d2ec d2Ac|dABG FGAB|
c2dB cGAB|cBAG ECCE|D2EG ABce|dcAG FDD :|
d|ecgc acgc|egfg ecce|fdad bdad|faga fddf|
ecgc acgc|egfg ecce|dcBc ABce|dcAG FDD :|

"When first received with a batch of fine tunes noted down by our
unselfish friend Francis E. Walsh from the playing of clever San
Francisco musicians, the foregoing reel under a slightly different
name was recognized as a variant of 'Rakish Paddy' previously
printed in The Music of Ireland, and O'Neill's 'Dance Music of
Ireland'. Another variant named 'Sporting Pat' is to be found in
O'Neill's 'Irish Music for Piano or Violin'. Under the circumstances,
another variant seemed superfluous, but coming from such a
famous fiddler as John Kelly of Roscommon, it has been cheerfully
welcomed to our pages.

A favorite with all capable pipers and fiddlers of our acquaintance
for many years, the tune under any of its recognized names does
not appear in the Bunting, Petrie or Joyce publications. As
'Caper Fey' it was printed in Bremner's 'Second Collection of Scots
Reels or Country Dances', London 1768; yet omitted from 'The Glen
Collection of Scottish Dance Music', Edinburgh 1891.

Most Highland Bagpipe note books include a suitable setting of the
tune under the correct title as above, in Gaelic and English."
%%endtext

%%%

X:581014
T:CALEDONIAN HUNT (reel), The
B:WSGM.265
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
Q:1/4=180
M:4/4
L:1/8
R:Reel
K:D
A|FAdA BdAF|GBAF BEEA|FAdA BdAF|GBAG FDDG|
FAdA BdAF|GBAF BEEG|FAdA BdAG|ABde fdd :|
f|dfaf bgaf|dfaf geef|dfaf bgaf|Aaag feef|
dfaf bgag|dfaf geeg|fdef dBAF|ABde fdd :|

source version:
A|FAdA BdAF|GBAF BEEA|FAdA BdAF|GBAG FDDG|
FAdA BdAF|GBAF BEEG|FAdA B/c/d AG|FA Eg fdd||
f|d/e/f/g/ af bgaf|d/e/f/g/ af geef|d/e/f/g/ af bgaf|\
Aaag feef|
d/e/f/g/ af bgag|d/e/f/g/ af geeg|fdef dBAF|ABde fdd2|]

"This favorite first appeared in Ross' 'Choice Collection of Scots
Reels Country Dances and Strathspeys', Edinburgh 1780."

%%%

X:581015 
T:CAMERON HOUSE (reel)
B:WSGM.239
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:Playing /B,/ in mm 1 and 3 would be fine if you can manage it.
Q:1/4=160
M:4/4
L:1/8
R:Reel
K:Em % source key Am
A|BEEF GFE2|D2FE FAGD|BEEF GABc|dBAF GEE:|
B|efge Bde2|dBAd FDDB|efge Bdec|dBAF GEEB|
efge Bde2|dBAd FDDF|GBEB efge|dBAF GEE2 |]

source version:
E/D/|EAAB cBA2|GGGA Bd c/B/A/G/|EAAB cAca|\
ge e/d/c/B/ cAA:|
e|abc'a ee a2|gedg BGGe|abc'a ee a2|ge e/d/c/B/ cAAe|
abc'a ee a2|gedg BGGB|ceAe aec'a|ge e/d/c/B/ cAA2|]

%%%

X:581016 
T:CAPT. CORBETT'S HORNPIPE 
B:WSGM.309
S:Francis E. Walsh, San Francisco
C:ABC Kinder/Black (arr.)
Q:1/4=150
M:4/4
L:1/8
R:Hornpipe
K:D
fg|afge dfed|ceAA ABAG|FAdf gecd|e2dB A2fg|
afge dfed|ceAA ABAG|FAdf gece|d2 dc d2:|
cd|eAGA fAgA|eAGA f2ef|gfge dfec|dcdB A2 AG|
FAA2 GBB2|AFAd gfed|cdef gece|d2 dc d2:|

%%%

X:581017 
T:CAPT. KELLER'S REEL 
B:WSGM.209
S:"McGoun's Repository" c.1803
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
R:Reel
Q:1/4=180
K:Em 
F|G2BG dBgB|G2BG FDAF|G2Bc dBgB|AFDF GEE:|
E|B,EGE BEGE|B,EGE FDAF|B,EGE BEGE|AFDF GEDC|
B,EGE BEGE|B,EGE FDAF|B,EGE BGeB|afdf geHe2|

source version:
K:Gm
A|B2 (3dcB fdbd|B2 (3dcB AFcA|B2 (3dcB fdbd|cAFA BGG:|
G|DGBG dGBG|DGBG AFcA|1 DGBG dGBG|cAFA BGG:|\
[2 DGBG dBgd|c'afa bgg||

"The above clever tune first appeared in 1761 in 'A Collection of the
Newest and the Best Reels and Country Dances', published in
Edinburgh by Neil Stewart. As 'Capt. Keller's Reel' it has been
reprinted in recent years, but without the spirited second finish."
%%endtext

%%%

X:581018
T:CHARMING MARY KELLY (reel)
B:WSGM.222
S:F.O'Neill
C:ABC Kinder/Black (arr.)
Q:1/4=180
N:Single in source.
M:4/4
L:1/8
R:reel
K:D
A|FDD2 d2AB|cAGF EFGE|FDD2 d2AB|cAGE FDD2|
FDD2 d2AB|cAGF EFGE|DFEG FABd|cAGE FDD :|
B|Addc d2ed|cAGF EFGE|Addc d2cd|eaag edd2|
Addc d2ed|cAGF EFGE|DFEG FABd|cAGE FDD :|

%%%

X:581019 
T:CLEVER COLLEEN (reel), The
B:WSGM.264
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G % source key A
A|G2BG ADDA|G2BG BdgB|G2BG ADDd|gedB G2D2|
G2BG ADDA|G2BG BdgB|G2BG ADDd|gedB G3 :|
e|g2df edBd|g2fg afdf|g2df edBd|gedB G2df|
gfed edcB|cBAG FGAc|BdGg fadf|1 "thru"gfaf gfd :|
[2 "final"gfaf gfdB|HG4z4|]

Source version:
K:A
E|A2 (3cBA BEEB|A2 (3cBA ceac|A2 (3cBA BEEe|afec A2E2|
A2 (3cBA BEEB|A2 (3cBA ceac|A2 (3cBA BEEe|afec A2||
(3efg|a2eg fece|a2ga bgeg|a2eg fece|afec A2 (3efg|
agfe fedc|dcBA GABd|ceAa gbeg|agbg agec|]

%%%

X:581020
T:COLONEL McBAIN'S REEL 
B:WSGM.262
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
Q:1/4=180
M:4/4
L:1/8
R:Reel
K:Edor
EF|GEBE GABG|FDAD FGAF|GEBE GABc|dBAF E2EF|
GEBE GABG|FDAD FGAF|GEBE GABc|dBAF E2 :|
ef|gefd edBc|dBAG FDD2|gfed edBA|Beed e2ef|
gefd edBc|dBAG FDD2|EFGA B2Bc|dBAF E2 :|

"'Col. McBain's Reel' first appeared in print in Bremner's '2nd
Collection of Scots Reels, or Country Dances', London 1768,
and reprinted in McGoun's 'Repository of Scots and Irish;
Strathspeys, Reels, etc.', Glasgow 1803. Its popularity was not
confined to Scotland for we find it named 'Duke of Clarence Reel'
in Lavenu's 'New Country Dances for the Year 1798', published at
London. A setting of this noted reel as played by the experts of the
Irish Music Club of Chicago may be found on page 116 of O'Neill's
'Dance Music of Ireland'.
In composition and fluency of rhythm the variant above presented
compares very favorably with the original especially when given
expression on the fiddle in the inimitable style of the genial
Paddy Stack from whom the manuscript was obtained."

%%%

X:581021 
T:COME TO THE BRIDAL
B:WSGM.195
F:file ID wsgm/027cbsj
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:9/8
L:1/8
Q:1/4=150
K:G
D|GAG Gge dBG|ABA ABd e2g|
GAG gfe dBG|ABc BAG E2:|
d|gdg gag fed|edB gab a2b|
gab abg fed|1 "thru"efg dBG A2:|
[2 "final"efg dBA HG3|

%%%

X:581022 
T:CONTRADICTION REEL, The 
B:WSGM.215
S:J.O'Neill
C:ABC Kinder/Black (arr.)
N:"A variant of 'Miss Gunning's Delight'" (F.O'N.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:A
e|c2BA BEED|CEAc dfed|c2BA GABc|defg afed|
c2BA BEED|CEAc dfed|c2BA GABg|afec A3||
g|aAA2 aAcA|GBEB GBEg|aAA2 aAcA|GBEB cAAg|
aAA2 aAcA|GBEB EBEg|agfe fedc|dEFG A4|]

P:Variations
aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|dcBA EA A2|
aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|dcBA EA A2||
cefe cefe|dcBA BE E2|cefe cefe|fagb afed|
cefe cefe|(3fga ec BE E2|ecea fdfa|gbeg aefd||

source version:
K:A
e|c2 (3cBA BEED|CEAc dfed|c2 (3cBA GABc|defg afed|
"5"c2 (3cBA BEED|CEAc dfed|c2 (3cBA GABg|afec A3||
g|"9"aAA2 aAcA|GBEB GBEg|aAA2 aAcA|GBEB cAAg|
"13"aAA2 aAcA|GBEB EBEg|agfe fedc|dEFG A4|]

%%%

X:581023
T:COTTAGE in the GROVE (reel) 
B:WSGM.289
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:Ador
B|AcBc A2GE|DEGB edd2|eaaf gedB|AcBc AGEG|
AcBc A2GE|DEGB edd2|eaaf gedB|AcBc A3 :|
g|abaf gede|gedB GBdB|eaaf gedB|AcBc A2fg|
agbg agbg|agbg fedf|eaaf gfec|1 "thru"dfaf ged :|
[2 "final"dfaf gedB|HA4z4|]

%%%

X:581024 
T:CROSSING THE FIELD (reel)
B:WSGM.276
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
B|DGBG DGBG|DFAF DFAF|DGGA Bcde|fdcA BGAF|
DGBG DGBG|DFAF DFAF|DGGA Bcde|fdcA BGG :|
e|g2gf gfde|f2fe fdcA|fdde fgag|egfa gfga|
bgag fddg|fdcA BGAF|DGGA Bcde|fdcA BGG :|

%%%

X:581025 
T:CURLY MIKE (reel)
T:Piper's Despair 
B:WSGM.277
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:Em
D|E2GE BEFA|BdAd BdAF|D2FD ADFA|BdAd BdAF|
E2GE BEFA|BdAd BdAF|D2FD ADFA|BdAd Bee :|
f|e2ge bege|bege bege|defg afdf|afdf afdf|
e2ge bege|bege bege|g2gf gbag|fgaf bee :|

source version:
N:Ornamentation in mm 5-8 similar to mm 1-4
E2 (3GFE BEFA|(3Bcd Ad (3B^cd AF|D2 (3FED ADFA|(3B^cd Ad (3B^cd AF|
E2GE BEFA|BdAd BdAF|D2FD ADFA|BdAd Bee2||
e2 (3gfe bege|bege bege|defg afdf|afdf afdf|
e2 (3gfe bege|bege bege|g2gf gbag|fgaf bee2|]

%%%

X:581026
T:CURRAGH RACES (reel), The
B:WSGM.268
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:This tune is usually played in Am today.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:Edor
BEE2 BEFE|D2FD ADFD|BEE2 BABc|dBAc BEE2|
BEE2 BEFE|D2FD ADFD|G2GE F2FG|AFDF GEE2||
G2BG dGBG|G2BG FADF|G2BG dcBG|FADF GEE2|
G2BG dGBG|G2BG FADF|GABc dcdB|AFDF GEHE2|]

"In former O'Neill publications John McFadden's setting of this reel
was given preference, being in the florid style of that famous
traditional fiddler. The version here presented memorized from lilting
by the editor in schoolboy days, may not be devoid of interest
especially as the arrangement is suited to the scales of the Highland
or Irish warpipes."

%%%

X:581027
T:CUTTIE SARK (reel), The 
B:WSGM.285
S:J.O'Neill
C:ABC Kinder/Black (arr.) 
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
D2|G2BA G2DB|G2BG dGBg|G2BA G2DB|cABG ADFA|
G2 BA G2 DF|GABc dGBg|bagf g2 Bd|cABG ADFA||
dc g2 dc g2|edBc dcBA|GABc de g2|edcB ADFA|
dB g2 dB g2|edBc dBdg|bagf egdb|caBg ADFA||"final"HG4z4|]

"Though plainly of Scotch origin both in name and tone, 'Cuttie Sark'
is not to be found in any of the old Scotch or Miscellaneous
Collections which have been examined. Translated in English,
'Cutty Sark' means Short Shirt, or Chemise, and as far as memory
serves me, the above setting had been obtained from a comparatively
modern manuscript obtained from Sergt. James O'Neill."

%%%

X:581028 
T:DALKEITH MAIDEN (reel), The 
B:WSGM.066
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
R:reel
Q:1/4=180
K:Em
DE|GFGA B2AG|AGAB d3e|dBAG AcBA|G2E2E2:|
ef|gfga g2 eg|agab a2 ge|g3 a bage|g2 d2 d2 ge|
dBAG A2 ge|dBcg E2 ge|dBAG AcBA|G2E2HE2|]

"There is enough resemblance between the above melody and that
 which follows to suggest a common origin. The 'Dalkeith Maiden'
 was taken from Aird's  'Selections of Scotch, English, Irish and
 Foreign Airs, Vol.III', published in  Glasgow, 1786. The earliest
 setting of 'Biddy I'm Not Jesting' available is that obtained by
 Petrie in 1829  from Paddy Coneely, the famous Galway piper,
 and which appears in the key of A Flat in the Stanford Petrie
 'Collection of Irish Music'. The source of this memorized version
 of earlier years cannot now be recalled by the writer."

%%%

X:581029 
T:DARLING DAN (reel)
B:WSGM.275
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
A|GBdB cBAG|FADA FADA|BGBd eceg|bgaf gedB|
GBdB cBAG|FADA FADA|BGBd eceg|bgaf dgg :|
e|bgg2 affa|gddg fdcA|Bdce dfeg|fagb a2ga|
bgg2 affa|gddg fdcA|Bdce dfeg|1 "thru"fagb ged :|
[2 "final"fagb gedf|Hg4z4|]

%%%

X:581030
T:DELANEY'S FROLICS (reel)  
B:WSGM.242
S:F.O'Neill
C:ABC Kinder/Black (arr.)
Q:1/4=180
M:4/4
L:1/8
R:Reel
K:D
c|B2Bc A2Bc|dBcA BEE2|B2Bc A2fg|afeg fdd :|
e|fddc dfaf|gfed cdeg|fddc defd|eaag edd2|
fddc dfaf|gfed cdeg|f2fd g2ge|afge fdHd2|]

%%%

X:581031 
T:DEVIL TO PAY (reel), The 
B:WSGM.140
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source.
Q:1/4=180
M:4/4
L:1/8
R:Reel
K:A
B|ceAe ceAe|ceag fedc|dfBf dfBf|dfba gfed|
ceAe ceAe|ceag fedc|dfBf dfBf|edcB A3 :|
D|EBGB EBGB|ceAe ceAe|dfBf dfBf|gabg a2 aa|
bagf edcB|cBAF E2 Bd|ceAe ceaf|edcB A3 :|

%%%

X:581032 
T:DEVONSHIRE HORNPIPE, The 
B:WSGM.318
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
Q:1/4=150
M:4/4
L:1/8
R:Hornpipe
K:G
ef|g2fg edcB|cecA GFED|B,DGD cBAG|F2D2 D2d2|
g2fg edcB|cecA GFED|B,DGD EGcA|B2G2G2:|
Bc|dcBc defd|egBd c2ze|ed^cd efga|fa^ce d2zd|
g2g2 gdBd|g2g2 gece|gdBG EGcA|B2G2G2:|

%%%

X:581033
T:DIGGING FOR GOLD 
B:WSGM.128
S:J.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
Q:1/4=160
R:jig
L:1/8
K:Ador
eAB c2e|dcB c2d|eAB c2e|dcd eag|
eAB c2e|d2c Bcd|eAA gfe|dcB A2z:|
eaa efg|dec Bcd|eAB c2e|dcd efg|
eaa bag|edc Bcd|eAA gfe|dcB A2z:|

%%%

X:581034 
T:DOLLY'S THE GIRL FOR ME 
B:WSGM.187
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:9/8
L:1/8
R:jig
Q:1/4=150
K:D
G|FAF d2A d2A|BdB AFD E2G|
FAF d2 A d2 g|faf edc d2 :|
g|fdf gag fed|c2A c2d e2g|
[1 fdf gag fed|c2A Bce d2 :|
[2 fdf afa bag|fed ABc Hd3|]

%%%

X:581035
T:DONEGAL REEL, The 
B:WSGM.247
S:P.Dunne ms
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:D
A,|D2DE FEFA|dFAF BFAF|E2EF GFGA|BdAF EGFE|
D2DE FEFA|dFAF ABde|faec dABG|F2EF D3:|
A2|defg afdf|afdf a2gf|edef gfed|edef g2fe|
defg afdf|afdf abag|f2e2 dABG|F2EF D2:|

%%%

X:581036 
T:DORSETSHIRE HORNPIPE, The 
B:WSGM.319
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:Hornpipe
K:G % source key Bb
dc|BABc dcBA|GFGB D2DC|B,DGB cBAG|F2A2 A2dc|
BABc dcBA|GFGB D2 DC|B,DGB AcFA|G2 G2 G2:|
FG|AGFE DEFG|A2 A2 A2 GA|BAGF EFGA|B2 B2 B2 DC|
B,D G2 CE A2|DG B2 EG c2|B2 AG DGFA|G2 G2 G2:|

%%%

X:581037
T:DROMEY'S FANCY 
B:WSGM.127
S:Patrick Stack, Chicago
C:ABC Kinder/Black (arr.)
N:First part = "Swallow Tail"
M:6/8
L:1/8
R:jig
Q:1/4=160
K:Em
F|GEE BEE|GEE BAG|FDD ADD|dcB AGF|
GEE BEE|GEE B2c|ded BAF|GEE E2:|
A|Bef gfe|fed BAG|FDD ADD|A2G FED|
[1 Bef gfe|fed BAG|GEE BAF|GEE E2:|
[2 EDE G2A|BAB def|edB BAF|GEE HE3|]

"This catchy strain which is a superior variant of 'The Dancing Master'
in O'Neill's 'Dance Music of Ireland' was introduced to Chicagoans by
John Dromey, an excellent fluter, and amateur piper, whose name it
bears. Mr. Dromey who is yet hale and hearty, was in his prime, a
generation ago, the star of every Irish gathering, for as a traditional 
singer of Irish songs, he was unrivalled."

%%%

X:581038 
T:DUMFRIES HOUSE 
B:WSGM.169
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
D|G3 G2g|dBG GAB|cGE EFG|AFD DEF|
G3 G2 g|dBG GAB|cec BdB|gdc BAG|
G3 G2 g|dBG GAB|cde dcB|AFD DEF|
G3 G2 g|dBG GAB|cAG FEF|G3 G2||
d|dBd dBd|gag f2e|dBd dcB|AFD D2 d|
dBd dBd|gag f2e|dcB AGF|gdc BAG|
dBd dBd|gag f2e|dBd dcB|AFD D3|
dBd ece|fdf gfe|dcB cAd|GAG HG3|]

"'Dumfries House' is one of the numbers on 'A Collection of Scots
Reels, or Country Dances, and Minuets, etc.' composed by John
Riddle at Ayr, and sold by himself about the year 1766."

%%%

X:581039
T:DUNSE DINGS ALL (reel) 
B:WSGM.248
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:Source has this in A major, but I think A modal sounds better
(and more Scots!)
M:4/4
L:1/8
R:Reel
Q:1/4=180
K:Amix
ceef aecA|ceeg a3e|ceeg aecA|BGGB g2g2:|
cAec fcec|cBec a2ae|cBec fdec|BGGB g2gB|
cAec fcec|cBec a2ae|afge fdec|BGGB g2gB||"final"HA4z4|]

"From Glen's Analytical Table we learn that a tune named 'Dunse
Dings A' ' was printed in Neil Stewart's 'A Collection of the Newest
and the Best Reels, or Country Dances, Adapted for the Violin or
German Flute', Edinburgh 1761-62. Dunse is a town in the Lowlands,
a few miles from the English border, that gave name to several tunes.
'Dunse Dings A' ' signifies in plain English 'Dunse surpasses or
excels all', an exaggerated yet pardonable expression of local pride."

%%%

X:581040 
T:EARLY ROSE (reel), The 
B:WSGM.223
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
A|G2BG FGAc|Bdef g2 dg|ecAG FGAc|BGAF GFED|
DGBG FGAc|Bdef g2 dg|ecAG FGAc|BGAF G3 :|
e|g2fg a2ga|bgaf g2 dg|egfa g2 dg|ecAF GFED|
gbag fagf|egfa g2 dg|egfa g2 ga|1 "thru"bgaf ged :|
[2 "final"bgaf gedf|Hg4z4|]

%%%

X:581041
T:FACTORY LASS (reel), The 
B:WSGM.232
S:Miss Theresa Geary, Chicago
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:D
de|fedB A2FA|BAGB AFDg|fedB A2GF|Eeed e2ag|
fedB A2FA|BAGB A2FA|BcdB cdeg|fdec d2:|
de|fgaf g2ag|fgaf fdA2|BABc dedc|Beed cde2|
[1 fgaf g2ag|fgag fdA2|BABc dfag|fdec d2:|
[2 fgaf bgaf|gefd edBc|BABc dfag|fdec Hd4|]

"'The Factory Lass' was first heard by the editor at Gaelic Park
Chicago on July 4th, '22. It was cleverly rendered in concert by
Mr. Mullaney, Miss Geary, and Mr. McGrath, on the Irish or Union
Pipes, Violin, and Flute, respectively. The similarity of strain,
especially in the the first part, to that of the 'Home Made Reel'
which follows [#233] may be noticed."

%%%

X:581042 
T:FAIRLY SHUT OF HER 
B:WSGM.159
S:"McGoun's Repository" 1803
C:ABC Kinder/Black (arr.)
M:6/8
R:jig
Q:1/4=160
L:1/8
K:Em
D|EGE EGE|E2B BGE|EGE EGE|D2A AFD|
EGE EGE|E2B BGB|cBA dcB|D2A AF:|
D|BdE B2E|BdE BGE|BdE B2E|BdB AFD|
BdE B2E|Bdc BGB|cBA dcB|1 "thru"D2A AF:|
[2 "final"D2A DEF|HE3z3|]

"Altho McGoun's tune was at hand for years, and was not known to
our traditional musicians, I hesitated to claim it as Irish, until
O'Farrell specifically notes it as being Irish in his 'Collection for
the Irish or Union Pipes'. Few variants, while preserving a distinct
strain, differ so widely in their development. O'Farrell was a
renowned Irish piper who took part in operatic performances on
the London stage late in the 18th Century."

%%%

X:581043 
T:FAIRY HURLERS (reel), The
T:Walsh's Favorite
B:WSGM.228
S:J.Tamony & J.Kelly, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:Am
AB|c2gc acgc|c2ge dBGB|c2gc acgc|fage dBGB|
c2gc acgc|Bcge dcBd|c2gc acgc|eage dBGB||
%
A2 cA eAcA|A2ge dBGB|A2 cA eAcA|gfgd BGGB|
A2 cA eAcA|A2 ge dBGB|A2 cA eAcA|g2gd BGGB||
%
cdef gfge|cdec dBGB|cdef gfge|afge dBGB:|
%
cA eA fAeA|cA eA dBGB|cA eA fAeA|g2gd BGGB:|
%
Aceg fdec|Acec dBGB|Aceg fdef|gfge dBGB:|
%
cA eA cA eA|cA eA dBGB|cA eA cA ef|gfge dBGB:|"final"A4z4|]

source version:
AB|c2gc acgc|c2ge dBGB|c2gc acgc|fage dBGB|
"5"c2gc acgc|Bcge dcBd|c2gc acgc|eage dBGB||
"9"A2 (3cBA eAcA|(3AGA ge dBGB|A2 (3cBA eAcA|gfgd BGGB|
"13"A2 (3cBA eAcA|A2 ge dBGB|A2 (3cBA eAcA|g2gd BGGB|
"17"cdef gfge|cdec dBGB|cdef gfge|afge dBGB:|
"21"(3cBA eA fAeA|(3cBA eA dBGB|(3cBA eA fAeA|g2gd BGGB:|
"25"Aceg fdec|Acec dBGB|Aceg fdef|gfge dBGB:|
"33"(3cBA eA (3cBA eA|(3cBA eA dBGB|(3cBA eA (3cBA ef|gfge dBGB:|

"According to legendary lore the fairies or good people enjoy the same
activities and pastimes, especially hurling and dancing, as they did
before being called to another life. Many a tale is told of their
kidnapping a competent piper when necessary to entertain them
at their festivities in the subterranean they are said to occupy
within the ancient raths or forts so numerous all over Ireland.
The Fairy Faith survives."

%%%

X:581044 
T:FALLS OF DOONASS (reel), The
T:Clancy's Reel
B:WSGM.299
S:James Clancy, San Francisco
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:D % source key = C
G|FDD2 DFA2|dAFA dAFA|GEE2 EGBe|edBe edBA|
FDD2 DFAd|dAFA dAFA|g2gf gbag|fedc d2A :|
e|fdd2 fdad|fgab afed|cAAB cecA|cdef g2 g2|
fdd2 fdad|fgab afed|g2gf gbag|1 "thru"fedc dcd :|
[2 "final"fedc dBAG|HD4z4|]

%%%

X:581045 
T:FAR AWAY WEDDING, The 
B:WSGM.138
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:D
A|FDD ADD|FDF AGF|GEE BEE|BEB BAG|
FDD ADD|FDD AGF|EFA B2A|BdF E2 :|
D|FAA A2B|FAA AGF|GBB B2A|GBB BAG|
FAA A2B|FAA AGF|EFA B2A|1 "thru"BdF E2 :|
[2 "final"BAF GFE|HD3z3|]

%%%

X:581046
T:FEMALE HERO, The 
B:WSGM.168
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
D|Bdc BGB|cAc BGB|Bdc BGB|ABG FED|
Bdc BGB|cAc BGB|gfe dcB|A2d AF :|
c|BAG GDG|BGB gdc|BAG GDG|cAF ABc|
BAG GDG|BGB g2d|efg dcB|1 "thru"cAF AB:|
[2 "final"cAF AGF|HG3z3|]

%%%

X:581047
T:FICKLE FORTUNE (reel) 
B:WSGM.279
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:D
D2FD ADFD|A,2CA, EA,CA,|D2FD ADFD|Bdce dBAF|
D2FD ADFD|A,2CA, EA,CA,|D2FD ADFD|Bdce fdd2||
fafd fafd|egec egec|fafd fafd|egec dcBA|
defa fdBd|cdfg ecAc|dfec dcBA|FABc dBAF||"final"HD4z4|]

%%%

X:581048
T:FIDDLERS' FROLIC (reel) 
T:Lawson's, Farewell to Leitrim
B:WSGM.305
S:P.Stack, Chicago
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
R:Reel
Q:1/4=180
K:Dmix
d2AG FDDF|Ecc2 EcBc|dBcA BGAG|FGEF Dgfe|
d2AG FDDF|EccB c2B^c|dBcA BGAG|FGEG FDD2||
fdcd fdag|fdcd cdeg|fdcd f2ed|cdag fdd2|
f2df f2df|edcd efge|abga fgeg|abag fgfe||"final"Hd4z4|]

%%%	

X:581049
T:FIG FOR A KISS, A 
B:WSGM.200
S:"Preston's Selections of Reels & Country Dances", London 1768
C:ABC Kinder/Black (arr.)
N:This is a different setting from the "session" version, whose
first part is closer to tunes in the "Dublin Streets" family.
M:9/8
L:1/8
R:jig
Q:1/4=150
K:Em
E2B BGE BGE|FAE AFd AFD|
EFG ABc BAG|BeB AGF E3:|
eBe geg bge|dAd fdf afd|
[1 eBe geg bge|gfe Be^d e3 :|
[2 egf edc BAG|BeB AGF HE3|]

%%%

%%%

X:581050 
T:FOND of the LADIES 
B:WSGM.154
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
e|dBG AGE|GED D2E|G2G A2A|BAA Age|
dBG AGE|GED D2 E|G2 G A2 A|BGG G2:|
D|G2 G GAB|A2 A ABd|eee efg|dBG AGE|
GAG GAB|ABA ABd|ede gdB|AGE G2:|

"Following the example of Dr. Petrie and Dr. Joyce, whose collections
abound in variants, some of which differ but slightly from others in
their pages; the editor has continued the practice, rather than risk
the loss of a worthy strain. Of that class is 'Fond of the Ladies',
the opening bars of which remind us of 'Sweet Biddy Daly', or 'The 
Irishman's Heart to the Ladies' previously printed."

%%%

X:581051
T:FOUR-HAND REEL, The 
B:WSGM.207
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:This is aka "Five Mile Chase" (and lots of other names - see 
the Chief's note below).
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
EF|G2BG dGBG|FADA FADA|G2BG dGBd|egfa gedB|
G2 BG dGBG|FADA FADA|G2 BG dcBd|egfa g2||
%
ef|gdBd edBd|gdBd e2 ef|gdBd edBd|egfa g3 d|
gabg efge|dedc BGBd|edef edBd|egfa ge ||
%
dB|G2 BG dcBG|FDAD BDAD|G2 BG dcBd|egfa gedB|
G2 BG dcBG|FDAD BDAD|G2 BG dcBd|egfa g2 ||
%
ef|g2 gf gdBd|faag fdef|g2 gf gdBd|egaf g3d|
gabg efge|dedc BGBd|edef edBd|egaf gedB||"final"HG4z4|]

" 'The Four Hand Reel' as far as the writer is aware was first brought
to Chicago in 1886 by Barney Delaney, an excellent Irish piper. So
versatile was he, like most great Irish musicians, in the manipulation
of his instrument, that he varied his tunes according to fancy
without detriment to tone or rhythm, but rather to the advantage of
the general effect. Although not included in any collection of Irish
music published beyond the Atlantic, the strain must have been quite
popular in the Eastern States, for we find the tune in a Boston
publication no less than four times, and named respectively:
'Corporal Casey's Favorite', 'Lady Gardner's Reel', 'Parnell's Reel',
and 'Yellow-Haired Laddie'; all consisting of but two parts each.
The setting here presented was memorized from Delaney's playing,
but no bare scoring of measured bars could do justice to his
inimitable execution.

Since the foregoing was written I find that 'The Five Mile Chase'
in R.M. Levey's 'Second Collection of the Dance Music of Ireland',
London, 1873; consisting of but two parts, is also a variant of
'The Four Hand Reel'."

%%%

X:581052
T:FRISKY FANNY (reel)
B:WSGM.301
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
ef|g2gf g2d2|edBc dBGB|A2AG A2B2|DEGA BGG2|
gfaf g2 d2|edBc dBGB|A2 AG A2 D2|EGAF G2 :|
EF|GABc dgg2|edBc dgg2|edce dcBd|cABG AGEF|
GABc dggd|edBc dg g2|edce dcBd|cBAB G2 :|

%%%

X:581053
T:GAELIC CLUB, The 
B:WSGM.143
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:Ador
A|cBA AGE|ABA ABc|BAG GAG|dcd GAB|
cBA AGE|AGA c2d|efe dcB|cAA A2 :|
d|eaa efg|eaa ged|eaa gdc|BGG G2B|
[1 cBA AGE|AGA c2d|efe dcB|cAA A2:|
[2 cBc dcd|edB c2d|efe dcB|cAA HA3|]

"This setting of the Gaelic Club' differs materially from the 'Glasgow
Club' of the Highlanders, and the 'Gaelic Club Jig' in former O'Neill
collections, the second part being new and original."

%%%

X:581054
T:GAME OF LOVE (reel), The 
B:WSGM.259
S:J.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:Edor
dc|BEEF GBdB|AFDE FGAc|BEEF GABc|dBAc BEE2|
BEEF GBdB|AFDE FGAc|BEEF GABc|dBAc BEE2||
Bdef gfge|defg afed|Bdef gfed|BdAc BEE2|
Bdef gfge|defg afdf|g2 ba gfed|BdAc BEHE2|]

%%%

X:581055
T:GILLA MACHREE 
B:WSGM.191
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:9/8
L:1/8
Q:1/4=150
K:G
G2F G2B dBG|E2G ABG FED|
[1 G2G G2A Bcd|efg agf g2z:|
[2 G3 GFG Bcd|efg agf g2||
d|gag gfe dcB|A2A ABG FED|
[1 gag gfe dBd|efg agf g2:|
[2 gag bag afd|efg agf Hg3|]

%%%

X:581056 
T:GILLIE CALLUM'S SWORD DANCE (hornpipe)
B:WSGM.102
S:W.Walsh, Chicago
C:ABC Kinder/Black (arr.)
M:4/4
Q:1/4=150
R:hornpipe
L:1/8
K:Amix
A2cA d2BG|A2cA d2cA|B2ge d2BG|A2cA dBe2:|
A2cA g2BG|A2 cA a2 cA|a2 cA g2 BG|A2 cA dB e2|
A2cA a2BG|A2 ce aeae|gage dgBg|eafg Bde2||A8|

"This characteristic Scottish dance tune was first printed in
'Bremner's 2d Collection of Scots Reels, or Country Dances',
London 1768. Like most tunes of that early date, the composer's
name is unknown. The origin of the name is traced to 'Callum a
chinn mhoir', anglicized Malcom Canmore, which signifies Callum
of the big head. He incurred the displeasure of the Highlanders
by marrying a Saxon princess which involved many unpopular
changes. Gillie Callum, or Callum's tax-gatherer, (an odious
official everywhere) has been immortalized in melody, while
the traditional story is well nigh forgotten.

The Sword dance is of high antiquity, and diversified in form
according to race, and the period of its practice. The
picturesque Sword Dance of the agile Highlanders alone has
survived to the present day."

%%%

X:581057
T:GIRL THAT WEARS GREEN, The  
B:WSGM.114
S:J.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
A|GBd edB|gBB dBG|ABd edB|BAA A2D|
GBd edB|gBB dBG|ABd edB|AGG G2:|
f|geg aga|geg aga|gaf gee|def BAG|
GBd edB|gBB dBG|ABd edB|AGG G2:|

%%%

X:581058 
T:GIVE ME A LASS  
B:WSGM.122
S:"Aird's Selections" 1782-97 (". . .With A Lump of Land")
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
G|ABd e2A|f2A e2A|ABd e2A|gfe dBG|
ABd e2A|f2A e2f|gag gfe|dBg dB:|
f|gag f2e|f2g a3|gag gfe|d2g dBG|
gag gfe|f2g aga|bag gfe|1 "thru"dge dB:|
[2 "final"dge dBA|HG6|]

%%%

X:581059 
T:GOLDEN WEDDING (reel), The
B:WSGM.244
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:D
c|BAFG ADD2|BAFG A2Ac|BAFG ADD2|ABde fdd :|
e|fdfg abag|fdfa be e2|fdfg abaf|efge fd d2|
fdfg abag|fdfa be e2|agfe d^cBc|ABde fdHd2|]

%%%

X:581060
T:GOOD FELLOW, The  
B:WSGM.183
S:J.O'Neill
C:ABC Kinder/Black (arr.)
M:9/8
L:1/8
R:slipjig
Q:1/4=150
K:D
C|DED D2d F3|DED D2d GEC|DED D2d F3|EFE cBA GE:|
B|AcA GBG F3|AcA GBG AFD|AcA GBG F3|EFE cBA GE:|
C|D2 a ged c3|d2 e f2 a gec|faf ged c3|cAG FAF GE:|
C|DED dAG F3|DED dAF GEC|DED dAG F3|1 "thru"EFE cBA GE:|
[2 "final"EFE cBA GEC|HD6z3|]

%%%

X:581061 
T:GOOD LUCK AND MORE OF IT (reel)
B:WSGM.286
S:P.Stack, Chicago
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:Ador
A2cA EAce|dcBA GBEB|A2cA EAce|ecBd cABG|
A2cA EAce|dcBA GBEB|A2cA ceaf|ecBd cAA2||
aece fece|dcBA GBEB|aece fece|ecBd cAA2|
aece fece|dcBA GBEB|agfe ceaf|ecBd cABG||"final"HA4z4|]

%%%

X:581062
T:GREEN GROWS THE RASHES (reel)
B:WSGM.217
S:"Neil Gow & Son's Complete Repository" c.1805
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
A|G2BA BGGB|A2ed eAAB|c2ce dAGB|AcBA GEE:|
A|G2gf gddg|e2ag aeef|gage dAGB|AcBA GEEA|
G2gf gddg|e2ag aeef|gbeg dgBg|AcBA GEE2||"final"HG4z4|]

"Robert Burns' song to this oldtime favorite strain, was in general
circulation among the Irish peasantry early in the last century,
and the name is still well remembered. The melody much older
than the poet's day, was known as 'We're a' dry wi' drinking o't'.
In reel time it was first printed in 1761 by Neil Stewart of Edinburgh
in 'A Collection of the Newest and Best Reels, or Country Dances,
Adapted for Violin or German Flute'. The traditional Irish version of
the tune as remembered by the editor may prove not uninteresting
to the musical student of a later generation."

%%%

X:581063 
T:GREEN GROWS THE RUSHES-O (reel)
B:WSGM.218
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:This is considered more of a fling than a reel today but being 
in 4/4, it can be played either way.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
D|G2GA BGG2|ABcd eAAB|c2ed B2dB|AcBA GEE:|
d|gfga ge d2|eaab agef|gfge dcBG|AcBA GEEf|
gfga ge d2|eaab agef|gfge dBgB|AcBA GEE||"final"HG4z4|]

%%%

X:581064
T:HARE IN THE CORN, The 
B:WSGM.171
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:As I note elsewhere, this tune appears in one form or another in
almost every 18th-19th century collection I've come across. But I
don't think I know anyone who plays it today!
M:6/8
L:1/8
R;jig
Q:1/4=180
K:G
c|BGB def|gdc B2G|cec BdB|cAA A2c|
BGB def|gdc B2G|Aag fef|gGG G2:|
c|dBB GBB|dBB GBB|cAA FAA|cAA GBc|
dBB ecc|fdd gee|dBB cAf|gGG G2:|

"A rather florid setting of 'The Hare in the Corn', procured 'from a
piper in 1800' is printed in Bunting's 'Ancient Music of Ireland',
published in 1840, with notation 'Author and date unknown'.
The name is not indexed in any of the Petrie or Joyce Collections.
The setting herewith presented was taken from Aird's 'Selections
of Scotch, English, Irish, and Foreign Airs', 1782-97. It is also 
knownas 'The Hare in the Corner'."

%%%

X:581065 
T:HEEL OF THE HUNT (reel), The 
B:WSGM.294
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
R:Reel
Q:1/4=180
K:C
cd|e2dB e2dB|G2AG EGG2|AGAB cBcd|eage d2:|
cd|efgf efg2|eaag eaa2|efgf efg2|afge d2 cd|
efgf ef g2|eaag ea a2|AGAB cBcd|eage dcAB|Hc4z4||

"The above reel, which is a variant of 'The Five-Leaved Clover' in
former O'Neill Collections, is printed as remembered from boyhood
days at the dances, before 'patrons' were proscribed."

%%%

X:581066 
T:HIBERNIAN DANCE 
B:WSGM.093
S:Clinton's Irish Melodies 1840
C:ABC Kinder/Black (arr.)
N:If the /c'/s in m13 cause you problems, play /a/. Guaranteed
nobody will know the difference!
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
d|g2d B2G|AGA fef|g2 d ded|c2A A2d|
g2 d B2G|AGA fef|g2 d dec|BGG G2:|
d|gfg efg|abg fed|gfg aga|bgg gab|
c'bc' efg|abg fed|g2d dec|BGG G2:|

%%%

X:581067
T:HINCHY'S FANCY 
B:WSGM.177
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
A|BAB GBG|AFD F2G|AGA fed|cAG FGA|
BAB GBG|AFD EFG|AGA fed|cAF G2:|
d|gfg afd|gfg a2 d|gfg b2g|a2 g fga|
geg fdf|ece cde|fef ded|cAF G2:|

"The above jig, named after a blind fiddler of East Clare two
generations ago, is a better setting of 'Hinchy's Delight', first
published in 'O'Neill's Music of Ireland' (1903). It was noted down
from the whistling of Daniel Rogers in Chicago many years ago."

%%%

X:581068 
T:HOLIDAY FANCY (polka), The
B:WSGM.083
S:J.O'Neill
C:ABC Kinder/Black (arr.)
N:1:As the Chief indicates in the note following, he didn't know much
about this interesting little tune. 2/4 time could be a march or hornpipe 
or even a reel. I decided on a polka since there are so few in any of 
the Chief's books!
N:2:This sounds like it should return to part 1 after part 4 but there 
are no segno or DC/DS indications to that effect. In any case I have
taken the liberty etc. etc.
M:2/4
L:1/8
R:polka
Q:1/4=120
K:G
D|GG BB|dc/B/ AB/A/|GG BB|AF/E/ DE/F/|
GG BB|dc/B/ AB/A/|GG AF|G2 G||
%
d|gg gd/B/|dc/B/ AB/A/|GG BB|AF/E/ Dd|
gg gd/B/|dc/B/ AB/A/|Bd de|dc B||
%
A|GG BB|dc/B/ AB/A/|GG BB|GF/E/ DE/F/|
GG BB|dc/B/ AB/A/|GG AF|G2 G||
%
d|cA AB/c/|dd de/f/|gf ag|fd de/d/|
cA AB/c/|dd de/f/|ge d^c|d=c B||
%
A|GG BB|dc/B/ AB/A/|GG BB|AF/E/ DE/F/|
GG BB|dc/B/ AB/A/|GG AF|G2 HG2|]

"This spirited tune was found among the O'Neill manuscript
but without a title. With a view to its identification in the
Index we have named it."

%%%

X:581069
T:HOME MADE REEL, The 
B:WSGM.233
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:D
de|fedB A2FG|AFBF A2de|fedB A2FA|Beef e2de|
fedB A2 FG|AcBG A2de|fefd BAFA|Bdde d2 ||
de|fdad fddg|fdaf e2de|1 fdad fddA|Bdde d2:|\
[2 faaf gabg|afef Hd4|]

%%%

X:581070
T:HOMEWARD BOUND (hornpipe) 
B:WSGM.053
S:F.O'Neill
Z:Kinder/Black
M:4/4
L:1/8
R:hornpipe 
Q:1/4=120
K:D % source key G
FE|D2FE D2FG|A2FG A2fe|d2AF GFGA|B2ED E2FE|
D2FE D2FG|A2FG A2fe|d2cA BAGE|F2 D2 D2 :|
FG|A2d2 dcde|d2cB AGFA|Begf edef|e2BG B2cB|
A2d2 dcde|fefg a3g|fafd egec|d2 dc d2 :|

source version (as march):
FE|D2 DD D2 FG|A2 AA A2 fe|d2 A2 GFGA|B2 E2 E2 FE|
D2 DD D2 FG|A2 AA A2 fe|d2 A2 BAGE|F2 D2 D2||
FG|A2 d2 dcde|d2 A2 A2 FA|B2 e2 edef|e2 B2 B2 cB|
A2 d2 dcde|fefg a3 g|fafd (3efg ec|d2 dd d2|]

"This spirited march was memorized by the writer in early life;
all circumstances relating to its acquirement being now forgotten.
We have no assurance of its Gaelic origin, yet few would deny
that it was worth preserving at least. For obvious reasons, a
name has been supplied for its identification."

%%%

X:581071 
T:HOPETOWN HOUSE (reel)
B:WSGM.303
S:"Caledonian Muse" London 1785
C:ABC Kinder/Black (arr.)
N:In source the second part only has 6 measures. I have combined
O'Neill's first and second endings to make up a complete second part.
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:G
E2BE dEEe|dBAF DEFA|E2BE dEEe|dBAF BEE2:|
Eeef gefd|BdAF DEFD|Eeef gefd|BdFA BEE2|
Eeef gefd|BdAF DEFD|gfge fde^c|dBAF BEHE2|]

"'Hoptown House' as it was then named was first printed in the
9th Number of Robert Bremner's 'A Collection of Scots Reels and
Country Dances', Edinburgh 1760. The editor has taken the liberty
of supplying it with a second finish."

%%%

X:581072
T:HOW WE SPENT the CHRISTMAS (reel)
B:WSGM.230
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180 
R:Reel
K:D
df|eAA2 BGG2|A2fe dBB2|eAA2 BGG2|Agfe d2:|
de|fdfa fdfa|eddf dBB2|1 fdfa fdfa|edeg d2:|\
[2 ABAF ABdf|afef Hd4|]

%%%

X:581073 
T:HUMORS OF BOTTLE HILL, The  
B:WSGM.182
S:J.P.Walsh
C:ABC Kinder/Black (arr.)
N:Part 1 of this is same as "Fig for a Kiss". See the editor's notes
on "Splashing of the Churn" (#58167).
M:9/8
L:1/8
R:slip jig
Q:1/4=150
K:Edor
F|G2B E2B BAG|F2A D2A AGF|
G2B E2B BAG|Bcd AGF E2:|
A|B2e e2e efg|f2d def afd|
B2e e2f gfe|fef agf e2d|
B2e e2e efg|f2d d2d d2f|
a2f g2e e2c|d2B AGF HE3|]

%%%

X:581074 
T:HUMORS OF CORK, The 
B:WSGM.165
S:J.O'Neill
C:ABC Kinder/Black (arr.)
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|DEF GAB|Bgf efg|dBG AGF|GBG AFD|
DEF GAB|Bgf efg|dBG AGF|DGF G2:|
d|gfe agf|gfe dcB|ceg dBG|ABA BGE|
DEF GAB|Bgf efg|dBG AGF|DGF G2:|

%%%

X:581075 
T:HUMORS OF LISTIVAIN, The  
B:WSGM.085
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:1:Note ten measures in each section!
N:2:Although the Chief doesn’t mention him, I’m 99% certain 
that this is one of "Squire" Walker Jackson's tunes. It appears 
in pretty much the same setting as this one in his “Celebrated 
Irish Tunes” (1774) (tunefolder 30).
R:jig
M:6/8
L:1/8
Q:1/4=150
K:Ador
EAA AGA|BAB GAB|eAA AGA|BAB g3|egg dee|
Bdd GAB|eAA AGA|BAB g3|egg dff|BEG A3:|
eaa aga|bab g3|aga e3|gfg d3|efd B2G|
ABG E3|EAA AGA|BAB g3|egg dff|BEG A3:|

"The above setting, of which there are several variants, is no
doubt the original. In O'Farrell's 'National Irish Music for the
Union Pipes', 1797-1800, a tune named 'Jerry's Rambles' closely 
follows it. More distinct variants are 'The Jolly Old Woman' and 
'The Humors of Bandon', the latter as printed in O'Neill's 'Dance 
Music of Ireland' being the arrangement favored by modern dancers."

%%%

X:581076
T:HUMORS OF ROSS, The 
B:WSGM.111
S:"O'Farrell's Pocket Companion" 1804-10
C:ABC Kinder/Black (arr.)
N:O'Farrell's version (OFPC3.133) starts |BGB GBG|BGB Bdc|\
BGB BGB|AFA ABc|
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
c|BGB AFA|BGB Bdc|BGB A2G|FGA Bdc|
BGB AFA|BGB BdB|c2c cec|AFA AB:|
%
A|Bdd d2 e|dBG ABc|Bdd d2B|AFA ABc|
Bdd dge|dBG BdB|cec BdB|AFA AB:|
%
A|BGG BGd|BGG ABc|BGG BGd|AFA ABc|
BGG dGG|BGG BdB|cec BdB|AFA AB:|
%
A|Bdd dBg|dBG ABc|Bdd dcB|AFA ABc|
B2d c2e|dBG BdB|cec BdB|1 "thru"AFA AB :|
[2 "final"AFA FED|HG6|]

%%%

X:581077 
T:I WISH YOU WOULD MARRY ME NOW 
B:WSGM.231
S:"Preston's Collection of Scots Reels and Country Dances" 1768
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Am
EAAB c2ce|dcBA GABG|AEE2 c2ce|dBgB A2A2:|
agea geae|fedg BGdB|agea geae|gdgB A2 A2|
agea geae|gedg BGdB|cAdB ecae|gegB A2HA2|]

%%%

X:581078 
T:I'LL GO NO MORE TO YON TOWN (reel)
B:WSGM.256
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:A
fg|a2ae c2A2|ceAc d2AB|ceae c2A2|dfed cAfg|
a2 ae c2 A2|ceAc d2AB|ceae c2A2|dfed cA:|
AB|cAeA fAed|cAec dBBd|cAeA fded|ceBd c2BA|
cAeA fAed|cAec dBBd|cABc defg|1 "thru"afed cA :|
[2 "final"afed cAHA2|]

"Popular since its first publication in Bremner's 'Collection of Scots
Reels or Country Dances' 1767, 'I'll gae nae mair to yon town' has
been a fruitful source of variants which circulated under various
titles. The variant herewith presented, was found without a name
in Sergt. O'Neill's manuscripts."

%%%

X:581079 
T:INNIS'S JIG 
B:WSGM.134
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
D|GAG BAG|dBG e2g|edc BAG|EAA A2B|
GAG BAG|dBd e2 G|gfe dec|BGG G2:|
d|gdB GAG|DED GAG|edc BAG|EAA A2f|
gdB GAG|ecA FED|gfe dec|BGG G2:|

%%%

X:581080 
T:IRISH HOP PICKERS, The  
B:WSGM.185
S:"Wilson's Companion to the Ballroom" 1816
N:In the O'Flannagan "Hibernia Collection", this is referred to 
as "The Irish Hop Pickers' Reel"!
C:ABC Kinder/Black (arr.)
R:slipjig
Q:1/4=150
M:9/8
L:1/8
K:G
G2A B2c dBG|A2B c2d ecA|
G2A B2c dBG|d2g agf g3:|
d2 g gag fed|efe gfe d2B|
cdc edc BdG|E2E FED G3:|

%%%

X:581081 
T:IRISH PAT (reel)
B:WSGM.246
S:P.Dunne ms
C:ABC Kinder/Black (arr.)
N:This is a version of "Sporting Pat (Paddy)"
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Ador
EAAB GABG|EAAB G2 ED|EAAB GABd|gfge d2BG:|
geef defd|geeg a2ab|geef defd|efge d2cd|
geef defd|geeg a2ga|bagf gfed|efge d2BG||"final"HA4z4|]

%%%

X:581082
T:JACK O'NEILL'S FANCY HORNPIPE 
B:WSGM.335
S:J.E.O'Neill, Chicago
C:ABC Kinder/Black (arr.)
Q:1/4=150
R:hornpipe
M:4/4
L:1/8
K:G
EF|GFGA BAGF|E2e2 e2dc|BGdB ABcA|G2BG DCB,D|
GFGA BAGF|E2e2 e2dc|BGdB ABcA|GBAF G2:|
ba|gafg egba|g2f2 e2ag|fgef dfag|f2e2 d2ba|
gafg egba|g2f2 e2Bd|edef gfga|1 "thru"b2e2e2:|
[2 "final"bagf edBA|HG4z4|]

source version:
(3DEF|GFGA BAGF|E2 e2 (3efe dc|BGdB AB (3cBA|(3GFG BG DCB,D|
GFGA BAGF|E2 e2 (3efe dc|BGdB AB (3cBA|GB (3AGF G2:|
ba|gafg egba|(3gag (3fgf e2 ag|fgef dfag|(3fgf (3efe d2 ba|
gafg egba|(3gag (3fgf e2 (3Bcd|1 edef gfga|b2 e2 e2:|2 edef gfga|\
bagf edBA|]

%%%

X:581083 
T:JACKSON'S BOTTLE OF CLARET 
B:WSGM.133
S:Paul Alday's "Pocket Volume ..." c.1800
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R;jig
Q:1/4=160
K:G
D|G2G AGA|B2f gdB|c2A BGE|GAG GED|
G2G AGA|B2f gdB|c2A BGE|GAG G2:|
d|gfg efg|fdB B3|gfg efg|afd d2f|
gfe agf|gfe edB|cBA BGE|GAG G2:|

%%%

X:581084 
T:JACKSON'S FROLIC 
B:WSGM.130
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:There's another tune by this name (as "Jackson's Frolick" in 
the Murphy collection, tunefolder 16), but it's a slip jig.
M:6/8
L:1/8
R;jig
Q:1/4=160
K:D
B|A2D FED|FAD FED|GBG FAF|EFE E2B|
A2 D FED|FAD FED|B2G A2F|DED D2:|
d|f2 d edB|d2c BAF|EFE EFA|e3 efa|
fed edB|d2c BAF|AFF d2D|DED D2:|

"An anonymous variant of 'Jackson's Frolic' was memorized from
the fluting of James Moore in Chicago some fifty years ago.
Another version of the tune heard later differed so materially in
the second part, that it was added as a third part to Moore's
variant, and printed as 'Kitty of Oulart' in former O'Neill
collections."

%%%

X:581085 
T:JACKSON'S OVER THE WATER  
B:WSGM.175
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=150
K:G
B|GEE GEE|ABA AGA|BcB BAG|ABA AGA|
B2c BAG|dBd efg|dBB BAG|A3 A2:|
a|gee aff|gee dBB|gee aff|gee e2a|
gee b2a|gee efg|1 "thru"dBA BAG|A3 A2:|
[2 "final"dBA BAF|HG6|]

%%%

X:581086
T:JENNIE ROCK THE CRADLE (reel) 
B:WSGM.220
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:As the Chief points out, this is a version of Walker 
Jackson's reel "Jack Latin" (many alternate spellings).
M:4/4
L:1/8
Q:1/4=180
R:reel
K:D
Bc|dAFA DAFA|dAFG A2Bc|dAFA DAFA|GFEF G2Bc|
dAFA DAFA|dAFG A2Bc|dBcA BGAF|GFEF G2||
%
FE|DFAc BGAF|DFAB A2 AF|DFAc BGAF|GFEF G2FE|
DFAc BGAF|DFAB A2Bc|dBcA BGAF|GFEF G2||
%
AG|FDAD BDAD|FDAB A2AG|FDAD BDAD|GFEF G2AG|
FDAD BDAD|FDAB A2Bc|dBcA BGAF|GFEC HD4|]

source version:
(3ABc|dAFA DAFA|dAFG A2 (3ABc|dAFA DAFA|GFEF G2 (3ABc|
dAFA DAFA|dAFG A2 (3ABc|dBcA BGAF|GFEF G2||
FE|DFAc BGAF|DFAB A2 AF|DFAc BGAF|GFEF G2 FE|
DFAc BGAF|DFAB A2 (3ABc|dBcA BGAF|GFEF G2||
AG|(3FED AD BDAD|(3FED AB A2 AG|(3FED AD BDAD|\
GFEF G2 AG|
(3FED AD BDAD|(3FED AB A2 (3ABc|dBcA BGAF|GFEF G2||

"A tune known to me as 'Jenny Rock the Cradle' was declared to be
'Jacky Latin' by a musical acquaintance, and it was under the latter
name that it was printed in O'Neill's 'Dance Music of Ireland' in
1907. If both tunes were derived from Jackson's original composition, they
furnish a striking illustration of how time, taste, and development
diversify a strain of music in a few generations."

%%%

X:581087 
T:JENNY DANG THE WEAVER (reel)
B:WSGM.293
S:Patsy Touhey ms
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:Reel
K:D
d|B2BA B2dB|ABdf gfed|A2AF A2dB|ABdf gfe :|
c|d2 fd efge|d2fd g2fe|d2fd efgf|eaaf gfec|
d2 fd efge|d2fd g2ga|bgaf gfed|Bdef gfec||"final"Hd4z4|]

"This old time Scotch reel found in many publications, ancient and
modern, first appeared in Bremner's 'Collections of Scots Reels or
Country Dances', 1757. The version of it as played by the famous
Patsy Touhey on the Irish or Union pipes, much less cranky than
the original and later versions, may be found interesting."

%%%

X:581088
T:JERRY O'REILLY'S JIG 
B:WSGM.118
S:J.O'Reilly, SFO
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
c|dgg bag|aba gdc|AGG dGG|FDd cAG|
Bdg bag|aba gdc|AGG FdF|AGF G2:|
c|ded cAA|dgd cAG|GDB cAG|FDd cAG|
dcA fef|gfe cAG|DGG BcA|BGF G2:|

%%%

X:581089 
T:JERRY O'REILLY'S REEL 
B:WSGM.254
S:J.O'Reilly, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
A|G2BG dGBA|G2dB AGFA|G2BG dcBd|g2ed BGF:|
f|g2fg egdd|g2fg fgaf|g2 fg egdd|g2ed BGFA|
g2fg egdd|g2fg fgaf|bgaf ged2|eged BGFA||"final"HG4z4|]

%%%

X:581090
T:JIMMY O'BRIEN'S REEL 
B:WSGM.304
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Dmix
AB|cAAB cAAG|F2G2 A2AB|cAAB cAAG|F2GE FD :|
de|fefg a2ag|FAA2 FAA2|fefg a2ag|BABc d2d2|
fefg a2ag|FAA2 FAA2|fde^c dfec|d2 dc Hd4|]

%%%

X:581091 
T:JOHNNY WHEN YOU DIE (reel) 
B:WSGM.267
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:A
c2Ac d2Bd|c2Ac BEEB|c2Ac d2Bd|cABG A2 A2|
c2Ac d2dd|c2Ac BEEB|c2Ac d2Bd|cABG A2 A2||
ceeg f2 ed|c2 Ac BEEB|ceeg f2 ed|cABG A2 A2|
ceeg f2 ed|c2 Ac BEEB|cdeg f2 ef|g2 fg afeg||"final"Ha4z4|]

"The above is a variant of 'Well May the Keel Row', a North of
England song tune. It is not listed in Glen's 'Analytical Table of
Old Scotch Dance tunes'. As 'Jenny's Frolics' it appears in
Vol. 2 Paul Alday's 'A Pocket Volume of Airs, Duets, Songs,
Marches etc'., Dublin  C 1800."

%%%

X:581092 
T:JOYFUL HOUR (reel), The 
B:WSGM.234
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Dm
ABAG FGAB|cdcA BdcB|ABAG FGAg|fde^c Add2:|
defg afge|fdcA FGAc|defg afge|fde^c Add2|
defg a2ge|fage f2df|afge abag|fde^c AdHd2|]

%%%

X:581093 
T:KELLY'S NUMBER TWO (reel) 
B:WSGM.253
S:J.Kelly, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
B|AGGF G2GF|DFCF DFCF|AGGF GABc|d2ge fdc:|
A|G2gf gagf|dBcB AGFD|G2gf g2fg|agfg afg2|
dgga g2ag|f2af defg|afge fdcB|1 "thru"A2ag fdc :|
[2 "final"A2ag fdcA|HG4z4|]

%%%

X:581094
T:KENNEDY'S BRIDAL JIG 
B:WSGM.131
S:J.Kennedy, Chicago
C:ABC Kinder/Black (arr.)
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
D|G3 BGB|def gfe|dBG GFG|AFD DFA|
G3 BGB|def gfe|dBG FGA|BGF G2:|
A|Bee edB|def g2 a|bag agf|gfg edB|
[1 Bee edB|def g2 a|bag agf|gfg e2:|
[2 G3 BGB|def gfe|dBGF GA|BGF HG3|]

%%%

X:581095
T:KITTY O'NEILL'S FANCY (reel) 
B:WSGM.204
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
N:There's another "Kitty O'Neill" in "Music of Ireland" (#77), 
but it's not related to this one. Seems odd that the Chief 
would use the same name for two unrelated tunes, but it happens
(and occasionally I get the feeling that the Chief didn't have
as much to do with editing this volume as he did with the first
two). I added "Fancy" to distinguish the two tunes - can't imagine 
the Chief objecting too much!
N:Single in source.
Q:1/4=180
R:reel
K:G
BA|G2DG E2DE|GFGA Bdd2|edcB cBAF|GBAG E2DE|
G2DG E2 DE|GFGA Bd d2|edcB cBAF|GBAF G2 :|
GA|Bdde d2BA|Bddf efg2|Bdde d2B2|cABG EGD2|
Bdde d2BA|Bddf efg2|gfge d2B2|cABF G2 :|

%%%

X:581096
T:KNUCKEEN FREE (hornpipe)
T:Chnoicin Fraoich
B:WSGM.312
S:F.O'Neill
C:ABC Kinder/Black (arr.)
H:< cnoicín fraoich, "little heathy hill"
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:Ador
cd|eged c2 Bc|AcBA G2EG|ABAG EDEG|AGAB cBcd|
eged c2 Bc|AcBA G2EG|ABAG EDEG|A2 AA A2:|
E2|ABcd e2 ef|gage dBGd|eg ed c2 Bc|AGEF G2cd|
[1 eg ed c2 Bc|AcBA G2EG|ABAG EDEG|A2 AA A2:|
[2 eg ed cedB|AcBA G2EG|ABAG EDEG|A2 AA HA2|]

"In the days of our fathers, 'An Chnoicin Fraoich', or 'Little Heathy
Hill', both as song and air enjoyed no little popularity in the
province of Munster, particularly in the counties of Cork and Kerry.
As an air several settings of the melody have been printed, but never
as a hornpipe until now, and under its colloquial name among the
peasantry.

"It will be remembered that many notable dance tunes, especially
hornpipes and long dances, have been derived from song airs, such
as 'The Blackbird', 'The Job of Journeywork', 'The Garden of
Daisies', 'Rodney's Glory', and many others."

%%%

X:581097 
T:LADY HARRIOT HOPE'S REEL 
B:WSGM.241
S:"McGoun's Repository" 1803
C:ABC Kinder/Black (arr.)
N:Slightly different from O'Farrell's setting (OFPC2.80)
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D % source key = F
F|DFAd BAGF|dfed eEEF|DFAd BAGF|GEAF D3 :|
c|dAde dfed|cAeA fAeA|dAde dfed|Bdce d2d2|
dAde dfed|edef gfef|dBAG FdBG|AFGE HD4|]

"I saw this tune in manuscript written in West Cork early in the
19th Century. The fact remains that it had been preserved in
printer's ink in Bremner's 'Collection of Scots Reels, or Country
Dances',  Edinburgh 1757. Its oldtime popularity is attested by
its inclusion in several other worthy Collections long out of print,
such as 'The Caledonian Muse' 1785; and Neil Gow's and Sons'
'Complete Repository etc'., 1805."

%%%

X:581098
T:LADY'S EARRING (reel), The
B:WSGM.258
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:Single in source.
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
DE|FAAc dABG|FAdF GFED|FAAc d2eg|fdec dABG|
FAAc dABG|FAdF GFED|FAAc d2 eg|fdec d2 :|
Bc|d2 dB ceAc|d2df egce|d2 dB ceag|fdec d2Bc|
d2 dB ceAc|d2 df egce|d2 dB ceag|1 "thru"fdec dA :|
[2 "final"fdec dABc|d4z4|]

%%%

X:581099 
T:LASSES OF SOLOHOD, The 
B:WSGM.198
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:9/8
L:1/8
R:slip jig
Q:1/4=150
K:G
d|c2A A2G F2D|D2G G2A B2d|
c2 A A2 G F2 D|EFG A2 F G2:|
c|Bce d2 B c2 A|Bce d2 B c2 d|
[1 Bce d2 B c2 A|B2 G G2 A B2:|
[2 efg d2 B c2 A|B2 G G2 A B2:|

"The above is a variant of 'The Rakes of Solohod', No. 454 in
'O'Neill's Dance Music of Ireland'."

%%%

X:581100
T:LAST OF THE LOT (jig) 
B:WSGM.178
S:F.O'Neill
C:ABC Kinder/Black (arr.)
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Am
d|e2e dBd|ege dcA|BGG dGG|BAG ABd|
eee dBd|ege dBA|BGG dBG|EAG A2:|
e|a3 bag|eaa ged|BAA BGG|BcA BGG|
a2a bag|eaa ged|BAA dBG|EAG A2:|

%%%

X:581101 
T:LEAGUE REEL, The 
B:WSGM.273
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
AF|G2Bd gdBd|cBAG FADA|GFED CEag|fdcA G2:|
ga|bg g2 bgdg|af f2 afdg|bgaf gefd|ecdB cABF|
G2 Bd gdBd|cBAG FADA|GFED CE ag|fdcA HG4|]

%%%

X:581102
T:LEINSTER HORNPIPE, The 
B:WSGM.307
S:F.E.Walsh, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
Bc|B2GB A2FA|Gdgf edBG|FGAB cdef|gdBG A2dc|
B2GB A2FA|GBgf edBG|FGAB cdef|g2 f2 g2 :|
Bc|dgfg dgBg|dgfg bagf|eAfA eAfA|edcB dcBA|
GBDB GBDB|GBgf edBG|FGAB cdef|g2 f2 g2 :|

%%%

X:581103 
T:LETTER FROM HOME (reel), A 
B:WSGM.213
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
GA|B2BA Bdd2|efed egg2|BcBA GABG|AGEF G2:|
ef|gfed edBd|gfed e2 ef|gfed edBA|BGEF G2 ef|
gfed edBA|gfed e2 ef|gbag fagf|edef Hg4|]

%%%

X:581104 
T:LIGHT AND AIRY 
B:WSGM.176
S:"Neil Gow & Sons Complete Repository", Edinburgh 1805
C:ABC Kinder/Black (arr.)
N:There's an unrelated slip jig with this title in ONMI. 
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
e|d3 BdB|GBd gdB|d3 BdB|A2B c2e|
d3 BdB|GBd gdB|cac BgB|A2 B c2:|
e|gag gdB|gag gba|gag gdB|A2 B c2 e|
gbg ac'a|gbg faf|gfe dcB|A2 B c2:|
e|dBG G2 B|dBG Bdg|dBG G2 B|A2 B c2 e|
dBG GBd|gfe dcB|cac BgB|1 "thru"A2 B c2:|
[2 "final"AFD HG3|]

"'Light and Airy' first appeared in 'A Choice Collection of Scots Reels
or Country Dances & Strathspeys, etc.,' published by Robert Ross at
Edinburgh, 1780."

%%%

X:581105
T:LIGRUM CUS 
B:WSGM.105
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:No repeats in source.
M:6/8
L:1/8
R:jig
Q:1/4=160
K:D
ABA A2G|F2 E D3|ABA AFA|B3 d3|
dcB ABG|FGE D3|def ecA|B3 d3:|
d2e fgf|e2 d c2 A|d2 e fgf|e3 A3|
d2e fgf|e2 d cBc|dcB AFA|B3 d3:|

"The expression 'Ligrum Cus', evidently corrupt Gaelic, may be
translated 'Let go my foot'. It may also relate to the rent
question. [BB - ???]  We can hardly blame the Scotch, while 
Irish titles in 'Moore's Melodies' present similar difficulties."

%%%

X:581106 
T:LILT FROM HOME, A  
B:WSGM.125
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:Ador
G|EAA AGA|BAB G2A|Bee dBA|BAB GED|
EAA AGA|BAB G2 A|Bee dBG|BAA A2:|
d|gfg edB|BAA A2B|GBG dBA|BAB G2d|
gfg edB|BAB G2A|Bee dBG|BAA A2:|

%%%

X:581107 
T:LIMBER ELBOW, The  
B:WSGM.251
S:P.Stack, Chicago
C:ABC Kinder/Black (arr.)
R:reel
Q:1/4=180
M:4/4
L:1/8
K:A
e2cA eAcA|e2cA BEEd|e2cA eAcA|BdcA BAFB|
a2ga fgeg|fedf ecAc|defd cdec|BdcA BAFB||
A2cA BAdB|A2cA BAFB|1 A2 cA BAcd|efed cBAG:|
[2 d2cA BFAF|EFAB cAHA2|]

%%%

X:581108 
T:LISCARROLL HORNPIPE, The 
B:WSGM.334
S:J.O'Reilly, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
dc|BGBd gabg|agge dedc|BGBd cAFG|AGFD FAdc|
BGBd gabg|agge dedc|BGBd cAFA|G2 GF G2:|
ga|bagf gbag|fed^c defg|a2 af gbag|fge^c d2 ef|
gbaf gage|dedB cedc|BGBd cAFA|G2 GF G2:|

%%%

X:581109 
T:LONG ROOM, The  
B:WSGM.197
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:9/8
L:1/8
R:jig
Q:1/4=150
K:G
B|G2A GBG Bcd|G2A GBG AFD|
G2A GBG Bcd|e2e fed g2:|
f|g2b gag fed|g2b gbg afd|
g2b gag fed|efg afd g2:|
c|BGB BGB c2d|BGB BGB AFD|
BGB BGB c2d|ege fed g2:|

%%%

X:581110 
T:LUCY CAMPBELL'S HORNPIPE 
B:WSGM.326
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Not related to "Lucy Campbell's Reel".
M:C
L:1/8
Q:1/4=150
R:hornpipe
K:D
FG|A3B A2F2|Adcd BAGF|A2d2 cdef|e2E2 E2FG|
A3B A2F2|d3e f2e2|fdcd BAGF|A2D2 D2:|
%
fe|d2B2 A2F2|d2e2 f2e2|d2B2 Adfa|g2e2 egfe|
d2B2 A2F2|d2e2 f2e2|d2A2 BAGF|A2D2 D2:|
%
FG|A2d2 gfed|a2d2 gfed|A2d2 gfga|b2e2 e2 FG|
A2d2 gfed|a2d2 gfed|gdBG FAde|f2d2 d2:|
%
fe|d2f2 A2f2|d2f2 A2f2|d2f2 FAdf|e2E2 E2 fe|
dff2 Aff2|dff2 Aff2|gfga geag|f2d2 d2:|
%
fg|a3b agfe|d2e2 f2e2|d2B2 Bdfa|g2e2 egfg|
fgab agfe|dcde f2e2|fdcd BAGF|A2D2 D2:|
%
dB|ADFG BAGF|ADFG BAGF|ADFG BAGF|B2E2 E2dB|
BAGF GFGA|BABc dede|fdcd BAGF|A2D2 D2:|

%%%

X:581111 
T:MAIDS OF TIPPERARY (reel), The 
B:WSGM.229
S:P.Dunne ms
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:D
AFF2 AFdB|AFF2 BEE2|AFF2 AFdF|D3E FDD2:|
defg abag|fded fdBc|defg abag|fdec d2d2|
defg abag|fded fdBc|defg abag|fdec Add2|]

%%%

X:581112
T:MAMMA'S PET (reel)
B:WSGM.205
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:This tune exists today without O'Neill's second part.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
EF|G2FG EGD2|G2BG dGBG|G2FG EGD2|Beed BcAB|
G2 FG EG D2|GABc dBAB|G2 FG EG D2|Beed B2 A2||
%
BAGA Bc d2|Beed Bc d2|BAGA Bc d2|Beed B2 A2|
BAGA Bc d2|Beed BcdB|G2 GB A2 Ac|Beed B2 A2||
%
eAA2 edBA|GFGA Bc d2|eAA2 edBc|d2 ef g2 fg|
eAA2 edBA|GFGA Bc d2|G2 GB A2 Ac|Beed B2 A2|]

"In boyhood days I memorized the first part of this reel from the 
fiddle playing of Mr.Downing, a gentleman farmer who taught me the
rudiments of music on the flute. Thirty-five years later the second
part was supplied by A.S. Beamish, another West Cork musician. Being 
without a name the tune was called 'Timothy Downing' or 'Downing's Reel', 
in the O'Neill Collections. With a third part obtained from the famous 
fiddler John McFadden of Mayo, this tripartite reel is presented under 
its presumably true name."

%%%

X:581113
T:MARQUIS OF HUNTLY'S REEL 
B:WSGM.208
C:W. Marshall
S:"McGoun's Repository" c.1803
C:ABC Kinder/Black (arr.)
N:As far as I'm concerned, low B's and middle B's are pretty much
interchangeable!
M:4/4
L:1/8 % dotted rhythm
Q:1/4=180
R:reel
K:Em % source key Gm
B,EEC B,EE2|DEFG AFDF|B,EED B,EE2|dABF EFGA|
BEED BEEF|DEFG AFDF|BEED BEEe|dABF E2E2||
efge Bege|fdAB dAfd|efge Bege|gdB^d ege2|
efge fdeB|dABd FDAF|B,EED B,EE2|dABF HE4|]

"This fine reel first published in 1781 is but one of many composed by
Wm. Marshall, who for thirty years was in the service of the Duke of
Gordon as butler and house steward. In music as in other accomplish-
ments he was entirely self taught. His playing of strathspeys and 
reels was so inspiring, it is said, that neither the old nor the young 
could overcome their inclination to dance. As an amateur violin player 
of Scottish dance music, he was unrivalled in the last half of the 18th 
Century. No composer of his time was so victimized by plagiarists who 
appropriated his tunes, changed a few notes, and passed them off as 
their own under different titles."

Source version:
K:Gm
DGGE DGG2|FGAB cAFA|DGGF DGG2|fc d/c/B/A/ G2G2|
DGGF DGGA|FGAB c/B/A/G/ FA|DGGF DGGg|fc d/c/B/A/ G2G2||
gabg dgbg|a/g/f/d/ cd fcaf|gabg dgbg|b/a/g/f/ d^f g/g/g g2|
gabg afgd|fcdf AFcA|DGGF DG G2|fc d/c/B/A/ G2G2||

%%%

X:581114 
T:McNALLY'S HORNPIPE 
B:WSGM.325
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:C|
L:1/8
R:hornpipe
Q:1/4=150
K:G
ef|gfaf gedB|cedc BGGD|GABc defg|agfa g2ef|
gbaf gedB|cedc BGGD|GABc dedc|BGAF G2:|
AB|cAAG FGAB|cdef gdBd|bgaf gfed|egfa g2ef|
gbaf gedB|cedc BGGD|GABc dedc|BGAF G2:|

%%%

X:581115 
T:MERRILY DANCE THE QUAKER 
T:1760 version
B:WSGM.096
S:"Bremner's Collection of Scots Reels or Country Dances" 1760
C:ABC Kinder/Black (arr.)
N:It's changed a wee bit in the course of 360+ years!
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
GAB D2B|A2G E2D|GAB D2D|E3 F3:|
dcB edc|dcB ABc|dcB efg|B3 d3|
dcB gfe|dcB A2A|GAB D2D|E3 HG3|]

"For over a century the name 'Merrily Kissed the Quaker' has been
associated with a tune or Special Dance in Ireland, but no song or
verse relating thereto has been traced. In 'O'Farrell's Pocket
Companion for the Irish or Union Pipes 1804-10', we find the tune
with name annotated 'New Sett Irish'. Continuing the investigation
we discover that 'Merrily Dance the Quaker' (probably the original
tune) was printed in No. 7 of 'Bremer's Collections of Scots Reels,
or  Country Dances' issued in 1760. The traditional version in North
Kerry taken from the Rice-Walsh manuscript serves to illustrate how
far a tune may deviate from the original in a few generations."

%%%

X:581116 
T:MISS BAIN'S FANCY (reel)
B:WSGM.211
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:The D sharps are nice but not necessary.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Em
B|E2EF GABd|D2AD FDAF|E2EF GABG|BEED E3:|
f|gef^d e2Be|dBAd FDAF|efed B^def|geB^d eBef|
gefd e2 Be|fcdA FDAf|gdeB dGAB|GEE^D HE4|]

%%%

X:581117 
T:MISS BAIN'S REEL 
B:WSGM.210
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:D
B|AFDF AdcB|dfeg e2e2|AFDF AdcA|BdAF D3 :|
f|afdf abaf|geaf e2eg|afdf abaf|geaf d2fg|
afdf abaf|geaf e2eg|fdec dBAF|GBAF HD4|]

%%%

X:581118 
T:MISS BROWN'S FANCY 
B:WSGM.184
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:The slip jig with the same title in CRE5 (#60) is not 
the same tune.
M:9/8
L:1/8
R:jig
Q:1/4=150
K:G
E|D2A A2G ABc|D2A BGE G2E|
D2 A A2 G ABc|BAG AGE G2:|
B|c2d ecA A2 c|B2 c dBG G2B|
[1 c2 d ecA ABc|BAG AGE G2 :|
[2 c2 d e2 f g2 e|dBG AGE HG3|]

%%%

X:581119 
T:MISS BROWN'S FAVORITE (reel) 
B:WSGM.212
S:Aird's Selections 1782-97
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
c|BGGA FGAc|BGGA gdcB|caBg AGFD|EcAF G3 :|
d|gdgb fgaf|gabg afdf|gdbd fdad|fgaf g2g2|
dfad cegc|BdgB DAcA|BdgB cAec|EcAF HG4|]

%%%

X:581120 
T:MISS CORBETT'S REEL 
B:WSGM.202
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
N:There are no accidentals in the source, but to my ear this
is clearly a modal tune.
Q:1/4=180
M:4/4
L:1/8
R:reel
K:Dmix
E|D2FD ADFD|EcGc EcGc|D2FD ADFD|BdAd FDD:|
g|fdag fddf|ecgf ecce|fdag fdec|dBAd FDDg|
fdag fddf|ecgf ecce|fdef fagb|afge fdHd2|]

%%%

X:581121
T:MISS FARR'S REEL 
B:WSGM.245
S:P.Dunne ms
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
R:reel
Q:1/4=180
K:Ador
G|Aced cAec|Acec dBGB|Aced cAed|BEEF GAB :|
g|ea a2 caea|Bg g2 dgBg|ea a2 caec|BEEF GABG|
ea a2 caea|Bg g2 dgBg|afge fdec|BEEF GABG|HA4z4|]

%%%

X:581122
T:MISS FORBES' RETURN (hornpipe)
B:WSGM.073
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
Q:1/4=150
N:Single in source.
M:4/4
L:1/8
R:hornpipe
K:G
GA|B2 d2 cBAG|B2 d2 efge|d2 de dBGA|B2 A2 A2 GA|
B2 Bd cBAG|B2 d2 efge|d2 ge dBAc|B2 G2 G2 :|
d2|g2 ga gfed|efge agfe|d2 de dBGA|B2 A2 A2 d2|
g2 ga gfed|efge agfe|d2 ge dBAc|B2 G2 G2 :|

"'Miss Forbes' Return' as noted by Humphrey Murphy in Sergt. James 
O'Neill's manuscripts differs notmaterially from 'Miss Forbes' Farewell' 
as printed in Aird's 'Selections of Scotch, English, Irish and Foreign
Airs' 1782-97. This strain is no less popular in Ireland than it is with 
Highland pipers everywhere. It may be claimed that Murphy's variant is 
more Irish in character than the original."

%%%

X:581123
T:MISS GUNNING'S DELIGHT (reel) 
B:WSGM.214
S:Aird's Selections 1782-97
C:ABC Kinder/Black (arr.)
N:There's a slightly different setting of this in CRE2.
M:C % source=2/4
L:1/8
R:reel
Q:1/4=180
K:G
B2AG FADC|B,DGB ADD2|B2AG FADc|BdcA BGG2:|
gGgG gG G2|FGBA FGBA|gGgG gGGA|B2AG DGG2:|
Bded Bded|edcB ADD2|Bded Bded|edef gGG2:|

source version:
B2AG (3FGA DC|B,DGB AD D2|B2AG F/G/A Dc|B/c/d DA BGG2:|
gGgG gG G2|F/G/A/B/ A2 F/G/A/B/ A2|gGgG gGGA|B2AG DGG2:|
Bded Bded|edcB ADD2|Bded Bded|edef gGG2:|

"Well-born and of surprising loveliness only equalled by their poverty,
the famous Gunning sisters, Maria and Elizabeth, born in Roscommon
and educated in Dublin, became Lady Coventry, and Dutchess
of Hamilton respectively, in 1752, one year after their arrival in
London. The marriages of 'two Irish girls of no fortune who are
declared the handsomest women alive' were great public events.
'May the Luck of the Gunnings attend you' was a proverbial Irish
blessing.

The above setting of a tune composed in their honor, and printed in
'Aird's Selection of Scotch, English, Irish and Foreign Airs, vol.1',
is doubtless the original. A highly elaborate and difficult
variant in four parts found in Sergt. James O'Neill's manuscripts,
entitled 'The Contradiction' was printed in former O'Neill
Collections.

As an example of what may be developed from a simple composition
by a skillful hand, both original and variant are herewith submitted
for comparison."

%%%

X:581124 
T:MISS SINGLETON'S REEL 
B:WSGM.257
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:I re-did the first part to make it IMnsHO a little more interesting.
Source version is below in case you want to see what I'm talking about!
Q:1/4=180
M:4/4
L:1/8
R:reel
K:G
e|dBBA GEEG|DB,DE D3e|dBBA GEEG|DGBG Acde|
dBBA GBdg|eBBc dcde|dBcA GBdg|fdcA G3 :|
e|dBBe dBBe|dBBd e2 eg|dBBd efed|BAGB A2 AB|
deBe deBe|deBc d2 ef|gefd ecdB|AGED G3 :|

source version:
e|dBBA GEEG|DB,DE D3 e|dBBA GEEG|DGBG A3 e|
dBBA GEEG|DB,DE D3 e|dBBA GEEG|DGBG A3 :|
e|dBBe dBBe|dBBd e2 eg|dBBd efed|BAGB A2 AB|
deBe deBe|deBc d2 ef|gefd ecdB|AGED G3 :|]

%%%

X:581125 
T:MISS WARDLAW'S REEL  
B:WSGM.270
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:4/4
Q:1/4=180
L:1/8
R:reel
K:G
D|G2BG BgdB|G2BG FAFD|G2BG BgdB|cAFA G3:|
f|g2 df ecAc|BdFA GFED|g2 df ecAc|BdDF G2 Gf|
g2 df ecAc|BdFA GFED|cedf ecAc|BdFA HG4|]

%%%

X:581126 
T:MOLLY FROM LONGFORD (reel) 
B:WSGM.291
S:Patsy Touhey manuscript
C:ABC Kinder/Black (arr.)
N:The only way this tune makes sense to me is to consider it as
A-B-A, otherwise the /d4/ at the end of part 2 serves no purpose.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
BA|GEEF GEDE|GEEA BcBA|GEEF GEDB|cABG A2:|
BA|Beec d2cd|eAAF GEGA|Beec d2cd|eAAG A3c|
Beec d2cd|eAAF GBdc|Beed Beed|cABc d4||
GEEF GEDE|GEEA BcBA|GEEF GEDB|cABG A2BA|
G2EF G2DE|GBdc BcBA|GEEF GEDB|AFDF HG4|

"'Molly' is a variant of 'Pay the Girl Her Fourpence', No. 804
in O'Neill's 'Dance Music of Ireland'."

"Pay the Girl her Fourpence":
K:Em
fe|dBB2 dBGB|dcAc g2fe|dcBc dBGf|gefd egfe|
dBB2 dBGB|dedB dfga|bagb afdf|gefd e2:|
ef|g2bg fgaf|gefd edBd|g2bg f2af|gefd e3f|
gabg fgaf|gefd edBd|g3e fefg|1afdf e2:|2afdf He4||

%%%

X:581127 
T:MONIEMUSK REEL, The 
B:WSGM.221
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:There's a tune called "Money Musk" in both "Music of Ireland" (#1361)
and "Dance Music of Ireland" (#614) (same tune in both volumes). This
tune isn't related to that one.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BGG2|
gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BGG2 ||
%
gdBd edBd|gdBd eA A2|gdBd edBc|dcAc BGGd|
gdBd edBd|gdBd eA A2|gefd ecdc|BcAc BGG2||
%
g2gf g2df|g2fg efd2|g2af g2dc|BcAc BGG2|
g2gf g2df|g2fg efd2|gefd ecdc|BcAc BdcA|HG4z4|

source version:
e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BGG2:|
gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:|
gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:|
[2 gefd ecdc|BcAc BG G2||g2 gf g2 (3def|
g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def|
g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||

"The origin or meaning of the name of this popular tune defied
investigation and inquiry for many years. Eventually a glance
thru the pages of McGoun's 'Repository of Scots and Irish Airs,
Strathspeys, Reels, etc.', Glasgow 1803, led to the solution of
the puzzle. Among the contents was 'Sir Archibald Grant of
Moniemusk's Reel'. The popular name Moniemusk was that of an 
estate, and the full name of the reel being inconveniently
long, it was abbreviated to 'Moniemusk' and the rest of the
name forgotten. The first and second parts as above noted
constitute the original tune composed by Daniel or Donald
Dow, a musician of note who died at Edinburgh in 1783.
The third was substituted for the more difficult second by modern
fiddlers, and the fourth, the editor memorized from the playing of
Wm. McLean, the greatest Highland piper of his day in Chicago,
some fifty years ago."

%%%

X:581128
T:MOONLIGHT ON THE LOUGH (hornpipe) 
B:WSGM.075
S:Rice-Walsh manuscripts
C:ABC Kinder/Black (arr.)
N:The source doesn't specify what type of tune this is, so
I'm going with hornpipe! (But note: no repeats in source.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
BA|G2GF GABc|dBge d2ga|b2ag edef|gfga g2BA|
G2GF GABc|dBge d2ga|b2ag edea|g2gf g2 :|
ga|b2ag edef|gfga bged|B2ge dBAG|A2FG A2BA|
G2GF GABc|dBge d2ga|b2ag edea|g2gf g2 :|

%%%

X:581129
T:MORNING CHEER (reel)  
B:WSGM.261
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Ador
A2BA A2Bd|efdg efg2|G2BG G2BG|AcBA GEE2|
A2BA A2Bd|efdg efgf|afgf efga|gedc BAA2 :|
eaag agbg|agbg agef|dggf gfaf|gfaf gedf|
eaag agbg|agbg agef|gdef gbaf|gedc BAA2 :|

"This is a variant of 'Jim Moore's Fancy in O'Neill's 'Dance
Music of Ireland' 1907."

%%%

X:581130 
T:MRS. WILSON'S HORNPIPE 
B:WSGM.329
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
M:C|
L:1/8
Q:1/4=150
R:hornpipe
K:G
d2|gfge decd|Bcdc BcAB|GFGA BcdB|AGFE D2d2|
gfge decd|Bcdc BcAB|GFGA BcAB|G2B2 G2:|
dc|BcAB G2A2|BcAB G2A2|BcdB edcB|AGAB A2d2|
BcAB G2A2|BcAB G2A2|BcdB AGAB|G2B2 G2:|

%%%

X:581131
T:MURPHY'S WEATHER EYE 
B:WSGM.163
S:"Clinton's Irish Melodies" 1840
C:ABC Kinder/Black (arr.)
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
e|fgf edc|fdB BAF|Add dcd|fed ede|
fgf edc|fdB BAF|Add cde|fdc d2:|
A|FAA BAA|dAA BAG|FAd dcd|fec e2A|
FAA BAA|dAA BAG|FAd ede|fdc d2:|

%%%

X:581132 
T:NELSON'S HORNPIPE 
B:WSGM.316
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
Bc|d2ec B2cA|GFAF GABc|d2gf edcB|ABcA GFED|
d2 ec B2 cA|GFAF G2 dc|BGcA BGAF|G2 G2 G2:|
Bc|d2 gf edcB|edef g2 d2|efgf edcB|ABcA GFED|
d2 ec B2 cA|GFAF G2 dc|BGcA GFAF|G2 G2 G2:|

"This tune is a variant of 'The Cloone Hornpipe' pubished in 
'O'Neill's Music of Ireland' and 'O'Neill's Dance Music of Ireland'.

It was obtained from Sergt. James Early who learned it from his
tutor on the Union Pipes 'Old Man' Quinn. Like many other fine
tunes it was anonymous, so it was named 'The Cloone Hornpipe'
in honor of the famous piper's native town and parish in County
Leitrim, Ireland.

Its continued popularity is evidenced by its inclusion in a recent
Irish Collection under the identical name invented for it by its
sponsor, Sergt. James Early of Chicago."

%%%

X:581133 
T:NEVER GROW OLD (reel)
B:WSGM.249
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:Sounds very Scots but the source gives no information about it.
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:D
A|FDAF d2dA|d2df eEEA|FDAF d2dB|cdeg fddA|
FDAF d2 dA|d2 df eEEA|FDAF dABG|FAdg fdd :|
g|fede fgaf|gfed cAeg|fede fgaf|ecdB Addg|
fdfg fgaf|gfed cAeg|fdgb afge|fdec d3 :|

%%%

X:581134 
T:NEW YEAR'S NIGHT (reel)
B:WSGM.284
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:No repeats in source.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Ador
gf|eAA2 edBd|egdB GABd|eAA2 edBc|d2ef g2gf|
eAA2 edBd|egdB GABd|eAA2 edBc|gedB A2 :|
BA|G2Bd g2ge|dedB d2BA|G2 Bd g2af|gedB AcBA|
G2Bd g2ge|dedB dega|bgag egfa|gedB A2 :|

"This reel, memorized probably from "Barney" Delaney's wonderful
piping, seems to have been omitted from former O'Neill collections."

%%%

X:581135
T:O'CONNOR'S FROLICS 
B:WSGM.166
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
M:6/8
Q:1/4=160
R:jig
L:1/8
K:Em % source key Dm
A|BGG BGG|cAA cAA|BGG BGG|AGA FGA|
BGG BGG|cAA cAA|cec dBA|GEE E2:|
%
A|Bee ede|fgf edc|Bee egb|aff f2 B|
Bee ede|fge dcB|cec dBA|GEE E2:|
%
F|EGG BGG|eGG BGG|EGG BGG|AFF F3|
EGG BGG|eGG BGG|cBc dBA|GEE E2:|
%
A|Bee ede|dcB BGB|Bee ede|fdB Bde|
gee fdd|edc BGB|cBc dBA|GEE E2:|

%%%

X:581136 
T:OLD MAID (reel), The 
B:WSGM.298
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:The double quarter notes suggest that this tune might make a better 
fling than reel. You could try it both ways.
Q:1/4=180
M:4/4
L:1/8
R:reel
K:D
dBAB defe|dBAB e2e2|dBAB defe|dcBc A2A2|
dBAB defe|dBAB e2e2|defg afef|dcBc A2A2 ||
f2fe f2fe|dBBd ecde|f2fe defe|dcBc A2A2|
f2fe f2fe|dBBd eABc|defg agfe|dABc Hd4 |]

%%%

X:581137 
T:OLD WALLS OF LISCARROLL 
B:WSGM.164
S:P.D.Reidy ms
C:ABC Kinder/Black (arr.)
N:Since "Walls of Liscarroll" is usually played today as a D modal
tune, I have included a modal version of Part 2. Otherwise the source
version is straight D major.
Q:1/4=160
R:jig
M:6/8
L:1/8
K:D
A|DFF DGG|EFF DEE|DFF GEA|FDD D2E|
DFF GFG|ABA fed|ecA GFE|FDD D2:|
P:part 2
A|cBc dfd|ecA AGE|cBc dcA|AGE GAB|
cBc dcd|efg fed|ecA GFE|FDD D2:|
P:part 3
A|dcd AGF|EDE GFE|dcd AFA|GFE D2 A|
dcd AGF|EGGE fed|ecA GFE|FDD D2:|
P:part 4
A|dFF AFF|dFF AGF|GEE cEE|GBA GFE|
dFF AFF|Ade fed|ecA GFE|FDD D2:|
P:part 2 as modal
A|=cBc dfd|e=cA AGE|=cBc dcA|AGE GAB|
=cBc dcd|efg fed|e=cA GFE|FDD D2:|

"In the year 1902 a thin oblong book of manuscript music came to
hand from Prof. P.D. Reidy, 'Professor of Dancing, London and
Castleisland'. Altho it included forty tunes from the repertory of
five competent fiddlers, nearly all were variants of tunes already
in our possession. The above as played by Daniel J. Kelleher
is one of the exceptions. There can be little doubt that Mr.
Reidy's title was well deserved, because his fame as a dancer
and dancing master in early life in North Kerry was successfully
maintained later in life in London, where he was esteemed as
an authority on the subject. Frequent mention of his name
appears in 'Irish Minstrels and Musicians'."

%%%

X:581138 
T:ORIGINAL ONE-HORNED SHEEP, The 
B:WSGM.120
S:S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|BGG AGG|BGB c2A|BGG AGG|BGB A2G|
BGG AGG|BGB c2e|GBd efg|dBG A2:|
A|Bdd dBG|Bdd d2G|Bdd dBA|GED G2 A|
Bdd dBG|Bdd e2d|BcB ABA|GED G2:|

"An Irish song extolling the many good qualities of
'An sean caora adarcach' in supplying drink, food,
and clothing to her owner was sung to this air.
No. 238 in O'Neill's 'Dance Music of Ireland' is a
sprightly variant."

%%%

X:581139
T:OXFORD CASTLE 
B:WSGM.121
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:6/8
N:Use /a/ if /c'/ is a problem.
L:1/8
Q:1/4=160
R:jig
K:G
A|GBd dBd|geg dBd|ece dBG|FAA A2A|
GBd dBd|gag gdB|1 dgb c'af|dgf g2:|\
[2 dgb afd|dgf g2||
a|bgb afd|gbg dBG|ece dBG|FAA A2a|
bgb afd|ege dBG|1 BdA AFD|DGF G2:|\
[2 Bdg edc|BGF HG3|]

%%%

X:581140 
T:PADDY MCNAMARA'S REEL 
B:WSGM.295
S:"Clinton's Irish Melodies" 1840
C:ABC Kinder/Black (arr.)
Q:1/4=180
M:4/4
L:1/8
R:reel
K:Ador
AB|c2Bc A2a2|efge dBGB|c2Bc A2ge|dBGB A2:|
AB|cecA cecA|BdBG BdBG|cecA cege|dBGB A2:|
AB|cdef gage|gage dBGB|cdef gbge|1 "thru"dBGB A2 :|
[2 "final"dBGB HA4|]

%%%

X:581141 
T:PADDY STACK'S FANCY JIG 
B:WSGM.142
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:This is an "ancestor" of "Morrison's". Considering the Chief's
comments below, tune should probably be called "Jerry Breen's"!
M:6/8
L:1/8
Q:1/4=160
R:jig
K:Em
E3 BEB|EBE AFD|E3 BEB|edB AFD|
E3 BEB|EBE AFD|EBE BEB|edB AFD:|
%
ede fee|aee fee|efe fef|a2g fed|
ede fee|b2e f2d|ege fde|d^cB AFD|
e2d fee|bge fee|bge fef|a2f def|
gbg faf|ege def|ege d2A|BAG FED||"final"HE6|

"This fine jig, remarkable for originality of composition, and the
technique essential to giving it adequate expression, is a
masterpiece of execution at the hands of the amiable Patrick
Stack who obligingly scored it on paper, after charming us
with it on his fiddle - Coming from Jerry Breen, the much admired
blind fiddler of North Kerry, it was preserved in the Rice-Walsh
manuscript and is now recorded for print for the first time."

%%%

X:581142 
T:PADDY the WEAVER 
B:WSGM.119
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
N:Normally I would look at the accented c's and figure that this was a 
D modal tune, in spite of there being no accidentals in the source. But 
I think the c sharps belong in this tune (cf."Black Rogue"). You can 
replace K:D with K:G if you want to hear the modal version.
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D
d|c2B ABA|c2B A2d|c2B AGA|F2E D2d|
c2B ABA|c2B A2e|f2d gec|d3 D2:|
e|fgf gab|agf efg|f2 d ded|c2 A A2e|
fgf gab|agf efg|f2 d gec|d3 d2:|

%%%

X:581143
T:PARISOT'S HORNPIPE 
B:WSGM.330
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
M:C|
L:1/8 % dotted rhythm
Q:1/4=150
R:hornpipe
K:G
BA|GFGA BABG|cdcB A2BA|GFGA BABG|AGFE D2BA|
GFGA BABG|cdcB A2 dc|BdGB AcFA|G2 G2 G2:|
AG|FGEF D2 cB|ABGA F2 AB|cAed cAed|cdcB cAGF|
GFGA BABG|cdcB A2 dc|BdGB AcFA|G2 G2 G2:|

%%%

X:581144 
T:PAT HEALY'S HORNPIPE 
B:WSGM.310
S:John Kelly, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
dB|cBAc BAGA|Bdef g2af|gedB cdef|gedB A2dB|
cBAc BAGA|Bdef g2af|gedB cBAc|B2 G2 G2:|
ef|gbaf gdBd|gbaf g2af|gedB cdef|gedB A2 dB|
cBAc BAGA|Bdef g2 af|gedB cBAc|B2 G2 G2:|

%%%

X:581145 
T:PAT ON PARADE (hornpipe) 
B:WSGM.074
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:No repeats in source.
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:D
Bc|d2dc d2ef|gece d2ef|gfgb afdf|edcB ABcA|
dfef d2 ef|gece d2ef|gfgb afef|d2 dc d2 :|
ef|gfga b2ag|fefg a2 fe|dcde f2 ed|eaab agfe|
d2fe d2ef|gece d2ef|gfgb afef|d2 dc d2 :|

"This March or Hornpipe tune noted from memory may be worthy of preser-
vation, but when or where it was acquired the writer is unable to state.
Suggestion supplied the name."

%%%

X:581146
T:PATSY'S PIGEON ON THE GATE*
B:WSGM.290
S:Patsy Touhey manuscript
C:ABC Kinder/Black (arr.)
N:There are so many versions of this tune that I figured giving it
a name of its own wouldn't be a problem!
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Edor
dc|BEE2 BdcA|BEE2 B2AF|D2FD ADFD|FAAc BAFA|
BEDE BdcA|BEDE B2 AF|A2Bc dcde|fedf e2:|
ed|Beed efed|Bdef gfec|dBAF DFAF|Bdef gfed|
Beed efed|Bdef g2ga|bgaf gfed|egfd e2:|

"Altho' this splendid reel does not appear in the Bunting, Petrie or
Joyce Collections, it was pretty generally known to the pipers and
fiddlers of Chicago, hailing from the west and south of Ireland
and always by the same name. Occasionally variants of the tune
are found in manuscript collections. In arrangement, Touhey's
setting differs both in key and style from that printed in former
O'Neill Collections."

%%%

X:581147 
T:PETTICOAT LASS*  
B:WSGM.129 % as "Petticoat Loose"
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:Since there's a group of unrelated tunes with "Petticoat Loose"
as the title, I have taken the liberty of changing the name of this
particular tune to reduce at least (I hope) some of the confusion!
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
A|B2G AFD|B2 G AFD|DGG AGF|DGG Adc|
B2G AFD|BGB AFD|F2E FAG|FDE FG:|
%
c|BdB cAc|BdB AFD|g2g gdg|gag fdc|
[1 BdB cAc|BGB AFD|f2e fde|fag fd :|
[2 BdB cBA|BAG AFD|f2e fde|fag dcA|HG6|

"'Petticoat Loose' is an old name for a dance tune. A jig under
that name in O'Neill's 'Dance Music of Ireland' bears no resemblance 
to the above."

%%%

X:581148 
T:PIPER'S WHIM, The 
B:WSGM.192
S:W.Walsh, Chicago
C:ABC Kinder/Black (arr.)
M:9/8
L:1/8
R:jig
Q:1/4=150
K:G
A|B3 GBG dBG|BdB gdB efg|
B2 G GBG dBG|AcA fAB c2:|
A|BdB gdB gdB|BdB gdB efg|
[1 BdB gdB gdB|BdB fAB c2:|
[2 bag agf efg|BdB cAF HG3|]

"'The Piper's Maggot', as this old tune was called, first appeared in
print in Bremner's 'Collection of Scots Reels and Country Dances',  
Edinburgh 1758. As the word 'Maggot', which means an odd fancy or whim 
is obsolete in this age, the change of name is permissible. The tune was 
printed in Aird's 'Selections etc.', London 1797, and in later publications 
somewhat varied."

%%%

X:581149
T:RAMBLER FROM ROSS, The
B:WSGM.076 (as march)
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=150
K:G
G|DEG B2G|AGA B2G|DEG B2G|AGF E2G|
DEG B2G|AGA B2G|DEG GBA|GFE D2 :|
G|BAB dBG|AGE AGE|BAB dBG|AGF E2 D|
BAB dBG|AGE GED|DEG GBA|1 "thru"GFE D2:|
[2 "final"DEF HG3|

"This marching tune above was another of McLean's favorites
which seems to be unknown to the pipers of this generation.
The original name not being ascertained, a suggested title
is here presented. McLean was a native of Ross, Scotland."

%%%

X:581150
T:RAMBLING RAKE (reel), The 
B:WSGM.288
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Em
D2|E2EF GFGA|BcBA GBdB|AGFE DFAF|EFGB c2AF|
E2 EF GFGA|BcBA GBdB|AGFE DFAF|E2GF E2 :|
%
d2|efed B2 g2|efed B2 ef|agfe defg|agfe defg|
bagf efga|bagf efga|bggb affa|gefd edBd|
efed B2 g2|efed B2 BA|GBdB AGFE|DFAF dBAF|
E2 EF GFGA|BcBA GBdB|AGFE DFAF|EBAF HE4|]

%%%

X:581151 
T:RAVELLED HANK OF YARN (reel), The 
B:WSGM.216 % as "Raveled"
S:G.A.Leech, SFO
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
R:reel
Q:1/4=180
K:G
B2Bd cAAc|BGGB d2cA|B2Bd cAAB|d2cA BGG2|
B2Bd cAAc|BGGB d2cA|BABc d2cA|BdcA BG G2||
fgaf g2 fe|dcAB c2 de|fgaf g2 fe|d2 cA BG G2|
fgaf g2 fe|dcAB c2 de|fgaf bgag|fdcA BGHG2|]

"A few years ago as Mr. Leech was fingering a stray reel on his
flute, Prof. John Cummings (mentioned on page 282-4, Irish
Minstrels and Musicians) remarked 'that's "The Raveled Hank
Of Yarn" and I had forgotten it for the last forty years'. Although
then in his 85th year he buckled on his pipes, and played the
tune in a style which astonished his audience. It is a variant
of No.638 in 'O'Neill's Dance Music of Ireland' ('Nelly O'Donovan')."

%%%

X:581152
T:REDMOND'S FROLICS (reel)
B:WSGM.235
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
GABc dBcB|AFDc BcAF|GABc dBcB|AFDF AGG2|
GABc dBcB|AFDc BcAF|GABc dBcB|AFDF AG G2||
g2 ag fgag|fdde f2 af|gagf g2 ag|fdcA BG G2|
g2 ag fgag|fdde f2 af|gagf gbag|fdcA BGAF||"final"HG4z4|]

%%%

X:581153 
T:REIDY'S REEL 
B:WSGM.287
S:P.Stack, Chicago
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Dmix
d2|cAGB ADD2|FDAD FDAB|cAGB AGFG|Adde fefd|
cAGB ADD2|FDAD FDAB|cAGB AGFG|Add^c d2||
K:D
de|f2fd ecAc|d2ed cAA2|gfgd edcd|eaag ed d2|
eaag efge|fefd cAGB|Addc AddB|Adde fefc|Hd4z4|]

"'Reidy's Reel' is named after a North Kerry fiddler from whose playing
our liberal contributor Mr. Stack learned it in his youth. Altho'
reminiscent of other tunes in certain phrases, 'Reidy's Reel' was
until recently a stranger to Chicago musicians."
%%endtext

%%%

X:581154 
T:REYNARDINE HORNPIPE, The
B:WSGM.315
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
Bc|dedB cBAG|F2ED EAGF|D2DE GABG|cBcd A2Bc|
dedB cBAG|F2ED EAGE|D2 DE GBAB|G2 GA G2:|
BA|GEDE GABc|d2 dd d2 cd|edcB cBAB|cBAB c2 B2|
dedB cBAG|F2 ED EAGE|D2 DE GBAB|G2 GA G2:|

%%%

X:581155
T:RICHER'S HORNPIPE  
B:WSGM.331
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:D
fg|afaf d2cd|ecec A2GF|GABc defg|ecAc e2fg|
afaf d2 cd|ecec A2 GF|Ggbg fdec|d2 dc d2:|
de|fdfd B2 ga|b2 e2 e2 cd|ecec A2 fg|a2 d2 d2 A2|
BcdB AFAF|BcdB AFAF|Ggbg fdec|d2 dc d2:|

%%%

X:581156 
T:RISING STEP, The  
B:WSGM.170
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:Part 1 sounds like a version of "Huish the Cat"
R:jig
Q:1/4=160
M:6/8
L:1/8
K:G
B|DFD G2B|AGE G2B|DFD G2B|AGE E2G|
DFD G2B|AGE G2A|Bdc B2 A|G2E D2:|
B|dcd BAG|BdG BAG|dcd BAG|BAA A2c|
[1 dcd BAG|BdG BAG|ABc B2 A|G2E D2:|
[2 dcd efg|afd edB|cdc B2 A|DEF HG3|]

%%%

X:581157
T:ROPE DANCE, The 
B:WSGM.091
S:"Aird's Selections" 1782-97
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
c|def gfg|d2B Bcd|edc BAG|F2E DBc|
def gfg|d2 B Bcd|edc BcA|G3 G2:|
B|c2B ABA|B2F GAG|c2 A ABA|B2A GBd|
def gfg|d2c Bcd|edc BcA|G3 G2:|

%%%

X:581158
T:ROSIN THE BOW
B:WSGM.099
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
M:6/8
Q:1/4=150
R:jig
L:1/8
K:G
D|GAG BAG|Bcd efg|dBG GAB|E3-E2 D|
GAG BAG|Bcd efg|dBG AGA|G3 G2:|
B|dBd dBd|g2e g2e|dBG GAB|E3-E2 D|
GAG BAG|Bcd efg|1 "thru"dBG AGA|G3 G2:|\
[2 "final"baf agf|Hg6|]

"The name 'Rosin the Bow' has clung to the writer's memory since
childhood, and the tune, like the song about 'Old Rosin the Bow'
(a nickname for the fiddler) may have passed into oblivion, had
not the melody been fortuitously found recently in a faded
miscellaneous manuscript collection long discarded by Sergt. James
O'Neill. A version of it I find is printed in Joyce's 'Old Irish Folk
Music and Songs - 1909'.

%%%

X:581159
T:SEYMOUR'S FANCY (reel) 
B:WSGM.255
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
G2BG Bdd2|c2ec egg2|G2BG Bddg|edcB A2G2:|
g2fg afed|edef gdBd|g2fg afed|edef g2ef|
gbaf edef|gfge dBAB|cBcd efge|dcBG A2G2|]

%%%

X:581160 
T:SHANAHAN'S HORNPIPE 
B:WSGM.322
S:P.D.Reidy ms
C:ABC Kinder/Black (arr.)
N:Source mm 4 & 12: |(3agf (3gfe (3dcB (3cBA|
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
D2|GFGA BGBd|gfga bgdB|A^GAB cBce|afge dBcA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:|
Bc|dcde d2 ef|gfga bgdB|dcde fgaf|afge dBcA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:|

%%%

X:581161 
T:SHUTER'S HORNPIPE 
B:WSGM.317
S:"Wilson's Companion to the Ballroom" 1816
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
EF|G2G2 GABc|dcBA GABG|A2A2 Aced|cBAG FAFD|
G2 G2 GABc|dcBA G2 g2|fafd ege^c|d2 d2 d2 :|
FG|A2 A2 A2Bc|dBAG FAFD|d2 d2 d2ef|gedc BdBG|
e2 c2 c2ge|d2 B2 B2 g2|ecec BAGF|G2 G2 G2 :|

%%%

X:581162
T:SKYLARK JIG, The 
B:WSGM.174
S:P.Dunne ms
C:ABC Kinder/Black (arr.)
M:6/8
Q:1/4=160
R:jig
L:1/8
K:Ador
B|cAA eAA|dBG GAB|cAA eAA|dBG A2B|
cAA ece|dcd GBd|faf gfe|dBG A2:|
B|def g2f|edc Bcd|efg aga|bgg e2f|
gfa gfe|dcd Bcd|cBc age|dBG A2:|

%%%

X:581163
T:SLASH AWAY THE PRESSING GANG (reel)
B:WSGM.065
S:F.O'Neill
C:ABC Kinder/Black (arr.)
Q:1/4=180
R:reel
M:4/4
L:1/8
K:Dmix
A|defd cAAc|BGG2 cAA2|defd cAAc|BGAF D3A|
defd cAAc|BGG2 cAA2|defg abag|fde^c d3 :|
G|ABAG AB c2|GAGF ECEG|ABAG ABcd|cAGE DBAG|
ABAG AB c2|GAGF ECEG|ABAG Adde|fde^c d3 :|

%%%

X:581164 
T:SMILING SUSAN (reel)
B:WSGM.227
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Ador
AB|cABG AGEF|G2Bc dBGB|cABG AGED|EAAB A2:|
AB|cdef g2ef|gage dBGB|cdef gfed|eaab a3B|
cdef g2 ef|gage dBGB|cABG AGED|EAAB A4|]

%%%

X:581165 
T:SPLASHING of the CHURN, The 
B:WSGM.181
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:aka "Gurgling of the Churn"
M:9/8
L:1/8
Q:1/4=150
R:jig
K:Em
G2B E2c BAG|F2A D2G AGF|
G2B E2c BAG|BdB AGF E3:|
g2e g2d edB|f2d ded fga|
[1 g2e g2d edB|dBA ABd e3|
[2 g2e f2d edc|BdB AGF HE3|]

%%textoption align
%%begintext
"This spirited Slip Jig is a variant of 'Dublin Streets', obtained from
Mr. Ennis of the Irish Music Club of Chicago, and published in
former O'Neill Collections. 'The Splashing of the Churn', or in
Irish 'Glugur an Meadair' is the original name of the tune.
Following is another version of it [Humors of Bottle Hill #182],
obtained thru the courtesy of Sergt. James P. Walsh of Chicago, 
whose manuscript collection has been a prolific source of many desirable 
melodies hitherto unpublished."
%%endtext

%%%

X:581166
T:SPORTING IRISHMAN, The 
B:WSGM.112
S:"Clinton's Irish Melodies" 1840
C:ABC Kinder/Black (arr.)
Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
E|D2E D2d|BAG FGE|AdB AFA|EFE E2A|
D2E D2d|BAG FGE|AdB AFA|DEC D2:|
g|a3 b3|aba afd|gag faf|ede fdB|
a3 f3|ede fdB|AFA dAF|DEC D2:|

%%%

X:581167
T:SPRY YOUNG LAD (hornpipe), The 
B:WSGM.324
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:The cadence on V in the second part suggested to me that this
might be an A-B-A tune, although it is not marked as such in source.
M:4/4
L:1/8
Q:1/4=150
R:hornpipe
K:G
ef|g2dc BGGF|GABG A3z|GABc d2g2|fgag fdef|
g2 dc BGGF|GABG A3z|GABc d2g2|fgaf g2:|
Bc|dBGB d2 e2|dcBA G2 AB|cAFA c2 d2|c2 BA G2 Bc|
dBGB d2 g2|f2 e2 c3z|d2^cd ecAB|^cdec d2:|
P:Part 1 repeat
ef|g2 dc BGGF|GABG A3 z|GABc d2 g2|fgag fdef|
g2 dc BG GF|GABG A3 z|GABc d2 g2|fgaf Hg4|

%%%

X:581168
T:STOLEN PURSE, The  
B:WSGM.145
S:F.O'Neill
C:ABC Kinder/Black (arr.)
N:O'Neill has another unrelated tune of the same name in "Dance Music 
of Ireland", #344. As in other instances in this book, it appears that
the writer of the commentary was unaware of this (?)
M:6/8
R:jig
Q:1/4=160
L:1/8
K:G
B|dBG AGA|BGF G2B|dBG ABd|e2f edB|
dBG AGA|BGF G2A|GED G2A|Bdd ed :|
e|def g2b|agf g2e|def g2a|bge edB|
def g2b|agf g2a|bgg agf|1 "thru"e2d e2:|
[2 "final"e2d def|Hg3z3|]

"This rare jig tune which has haunted my memory for years was
evidently derived from 'The Old Woman Lamenting Her Purse',
No. 560, 'O'Neill's Music of Ireland' (1903). The air does not appear
in the Bunting Collections. A setting in which the first part is
repeated after the second part is printed without note or comment
in Petrie's 'Complete Collection of Irish Music'."

%%%

X:581169 
T:STREAMS OF KILNASPIG, The 
B:WSGM.173
S:P.Dunne ms
C:ABC Kinder/Black (arr.)
H:< cill na n-easpaig, "church of the bishop"
(not sure which county, or which bishop!)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
c|dcB AFA|GBd gdB|cBc AFA|GBd c2A|
dcB AFA|GBd gdB|cBc AFA|BGF G2:|
c|def gfg|eag fed|cBc AFA|GBd gec|
def gfg|eag fed|cBc AFA|BGF G2:|

%%%

X:581170 
T:SWEETHEART REEL, The 
B:WSGM.203
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Ador
F|EAAB e2dB|e2dB GABG|EAAB edef|gedB BAA:|
d|eaac' b2ag|efdg egdg|eaac' b2ag|egdB BAA2|
eaac' b2ag|efdg egdg|bgaf gfed|egdB BAHA2|]

%%%

X:581171
T:SWELLS OF COOLRAHAN (reel), The  
B:WSGM.297
S:P.Dunne ms
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
FE|DEGB A2GA|BGAG BGE2|DEGB A2 GA|cded cAA2|
DEGB A2GA|BGAG BGE2|DEGB A2 GA|BdcA G2 :|
Bc|dega bgaf|gfga gedB|dega bgaf|eaab a2 ge|
dega bgaf|gfga gedc|BAGB AGED|EGFA G2 :|

"It may be remarked that Mr. Dunne was a farmer of the townland
of Kilbraugh not far from Thurles, Tipperary. From his wonderful
repertory of dance tunes, generously contributed some years ago,
many have been selected."

%%%

X:581172
T:TAMONY'S HORNPIPE 
B:WSGM.308
S:J.P.Tamony, SFO
C:ABC Kinder/Black (arr.)
Q:1/4=150
M:4/4
L:1/8
R:hornpipe
K:G % source key A
BA|G2DF GBdB|ceAg fdaf|gdBd edBG|FGAB cAFA|
G2DF GBdB|cBAg fdaf|gdBG FAdc|B2A2 G2:|
Bc|d2Bd GBdg|e2ce Afef|gd^cd edBG|FGAB cBce|
d2Bd GBdg|e2ce Afef|gdBG FAdc|B2A2 G2:|

Source version:
K:A
cB|(3AcA EG Acec|dfBa gebg|aece fecA|GABc dBGB|
(3AcA EG Acec|dcBa gebg|aecA GBed|(3cdc (3BcB A2:|
cd|(3efe ce Acea|(3faf df Bgfg|ae^de fecA|GABc dcdf|
(3efe ce Acea|(3faf df Bgfg|aecA GBed|(3cdc (3BcB A2:|

"'Tamony's Hornpipe' is a variant of 'Smith's Hornpipe', No. 384
in O'Neill's 'Irish Music for Piano or Violin'."

%%%

X:581173
T:TANNING THE LEATHER 
B:WSGM.136
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
c|BGG DGG|BGG G2c|BGG DGG|GBA F2c|
BGG DGG|BGG c2 A|BdB cAG|FDD D2:|
f|gdc BAG|GBd def|gdc BAG|FAA ABd|
[1 gdc BAG|GBd c2A|BdB cAG|FDD D2:|
[2 g2f gdc|BGB c2A|BdB cAG|FDD HD3|]

%%%

X:581174 
T:TICKLE THE STRINGS (reel)
B:WSGM.250
S:P.Stack, Chicago
C:ABC Kinder/Black (arr.)
Q:1/4=180
M:4/4
L:1/8
R:reel
K:G
e|d2BA Bcde|dBAc BGG2|GBBd ceeg|fgaf gfg:|
f|g2 bg agbf|g2 bg agef|g2 bg agba|gede g2bg|
dgbg dgbg|dgbg agec|Bcdg edeg|fgaf gfgd|Hg4z4|]

%%%

X:581175
T:TOM CLAIR'S MAGGIE 
B:WSGM.150
S:"noted from Clair's playing by F.O'Neill"
C:ABC Kinder/Black (arr.)
Q:1/4=180
M:4/4
L:1/8
R:reel
K:G
F|E2BE dEBE|E2BE AFDF|E2BE d2d2|e2dB AFDF|
E2BE dEBE|E2BE AFDF|GFEF GFGB|dedB AFD ||
A|Bdef e3g|fdd2 fdd2|g2gf g2g2|afdf afdf|
a2af g2eg|e2ef B3A|DGGF GABd|egdB AFDF|HE4z4|]

"The first part of Mr. Clair's tune differs but little from 'Drowsy
Maggie' in common circumstances."

%%%

X:581176
T:TOUHEY'S FAVORITE REEL 
B:WSGM.292
S:Patsy Touhey manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:D
dc|BEE2 BAFE|D2FD ADFD|BEE2 BAFA|Bdeg fddc|
BE E2 BAFE|DAFA DAFA|BE E2 BAFA|Bdeg fddA||
d2 fd adfd|Bd ef gfec|d2 fd adfd|Bdeg fddc|
d2 fd affd|Bd ef g2 fg|afge fdec|Bdeg fdHd2|]

"This is a special setting of 'Pat Touhey's Reel' in O'Neill's
'Dance Music of Ireland'."

%%%

X:581177 
T:TRYING TO GO TO SLEEP (reel)
B:WSGM.296
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:Ador
cd|efed c2 A2|BAGA c2 d2|efed c2 A2|BAGB A2 cd|
efed c2 A2|BAGA c2 d2|aged c2 A2|BAGB A2||
cd|efed c2 d2|ef g2 ea a2|efed c2 d2|eaag a2 ag|
efed c2 d2|ef g2 ea a2|aged c2 d2|eaag Ha4|]

%%%

X:581178
T:TUMBLE THE TINKER  
B:WSGM.180
S:J.McFadden, Chicago
C:ABC Kinder/Black (arr.)
Q:1/4=160
R:jig
M:6/8
L:1/8
K:G
c|BAG GDG|GBd gdc|BAG GFG|A2G Adc|
BAG GDG|GBd gdB|cec BdB|1 A2G Ad:|2 A2G GB||
c|d3 BGB|def gdB|ded BGB|A2 G ABc|
[1 d2d BGB|def gdB|cec BdB|A2G AB :|
[2 dBd def|gba gdB|cec BdB|A2G FED|GH6|]

"An excellent double jig called 'Tumble the Tinker' was printed for
the first time in the enlarged edition of 'O'Neill's Irish Music for
Piano or Violin', issued in 1915. It was obtained from John McFadden, a
clever traditional Irish fiddler of Chicago, who until then had forgotten
the tune since last leaving his native Mayo some forty years before.
Since its publication as stated, a spirited second finish has been
developed. As varied in the present setting 'Tumble the Tinker',
heretofore so little known, is assuredly worthy of preservation, and
enhanced publicity."

%%%

X:581179 
T:WALLACE TWINS (reel), The
B:WSGM.281
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
BGAF G2AF|DEFG AGGF|DGGF GABc|d2 eg fdcA|
BGAF G2AF|DEFG AGGF|DGGF GABg|fdcA BG G2||
g2ag fgag|fdde fdcA|Gggf g2fg|agfg agga|
bgaf gbag|fdde f2fg|afge fage|dcde fdcA||"final"HG4z4|]

%%%

X:581180 
T:WALLS OF ENNISCORTHY, The 
B:WSGM.135
S:P.Stack, Chicago
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
B3 Bdc|B3 AGF|DGG AGF|AGG Adc|
B3 BdB|B3 AGF|FGB cAA|FDE FGA:|
B3 c3|BGG ABd|g3 gdB|dgg fdc|
B3 c3|BGG ABd|fef gdB|EDE FGA:|"final"HG6|]

"An excellent setting of a Double Jig as played by Delaney, Early,
and McFadden, and of which the above is a popular variant that was 
printed for the first time in the O'Neill Collections 1902-09
and named 'The Merry Old Woman'".

%%%

X:581181 
T:WALSH'S FROLICS 
B:WSGM.089
S:F.E.Walsh, SFO
C:ABC Kinder/Black (arr.)
N:Note no repeats; there's also an extra measure in part 2 (cf.
source version below)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
c|B2G BdB|B2G Bdg|e2A Aag|f2d def|
g2 d gfe|d2 c Bcd|edB d2A|GBA G2:|
a|b2 g agf|g2 f efg|e2 d efg|d2 c Bcd|
e2 A Adc|B2 G BdB|ed^c d2 B|GBA G3|]

source version:
d/c/|B2G BdB|B2G Bdg|e2A Aag|f2 d def|
g2 d gfe|d2 c Bcd|edB d2A|GBA G2 d|
b2 g agf|g2 f efg|e2 d efg|d2 c Bcd|
e2 A Adc|B2 G BdB|B2 G Bdg|ed^c d2 B|GBA G3|]

%%%

X:581182
T:WAVES OF TRAMORE, The  
B:WSGM.124
S:W.J.McCormick, Chicago
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
c|BGB BGB|AFA ABc|ded cAF|GBd g2c|
BGB BGB|AFA ABc|dfd cAF|AGF G2:|
c|def gag|fed cBc|def gag|fef g2c|
[1 def gag|fed cAG|BdB cAF|AGF G2:|
[2 dgb afd|ege dBG|BdB cAF|AGF G3|]

"'The Waves of Tramore', obtained from our versatile friend
Mr. McCormick, who swings a bow, or fingers a chanter with
equal facility, is a much better jig than 'Larry Grogan' of
which it is a variant. The latter was composed early in the
18th century by Lawrence Grogan of Johnstown Castle,
Kilkenny, a 'gentleman piper', celebrated in song and story.
'Larry Grogan' was printed in Aird's 'Selections of Scotch,
English, Irish and Foreign Airs' (Glasgow, 1782) and in
'The Hibernian Muse' (London 1787). An unmusical second part
detracted from its popularity, altho few Irish dance tunes have
been favored with such liberal publicity."

%%%

X:581183 
T:WHAT'S THAT TO ANY ONE 
B:WSGM.140
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
R:jig
Q:1/4=160
K:G
c|ded dBd|dge dBG|cee dBG|FAA A2c|
ded dBd|dge dBG|cee dBA|BGF G2:|
d|gag gfg|afd def|gag gfg|afd d2f|
gbg faf|ege def|gdB AGA|BGF G2:|

%%%

X:581184 
T:WHITESIDE'S HORNPIPE 
B:WSGM.160
S:James Whiteside ms
C:ABC Kinder/Black (arr.)
M:C|
L:1/8
Q:1/4=150
R:hornpipe
K:G
Bc|dcAc BAGB|AFDF G2 Bc|dedB cBAB|c2A2 A2Bc|
dBGB cAFA|GFEF G2 Bc|dfgf dcAF|G2 GF GA :|
Bc|d2^cd dBGB|c2Bc cAFA|B2^AB B=AGB|AGFA c2Bc|
d2^cd dBGB|c2Bc cAFA|BAGB AGFA|G2GF G2 :|

%%%

X:581185
T:WINK AND I'LL FOLLOW YOU 
B:WSGM.110
S:F.O'Neill
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:G
D|B2A G3|GBA G3|B2A G2A|B2A BGE|
B2A G3|GBA G2E|FEF d2B|e2B AF :|
A|B2d e2d|fed e3|B2d e2f|g2e fdB|
[1 B2^c d2B|edc d3|B2 ^c d2 e|f2e dB:|
[2 B2^c d2 =c|B2A G3|FEF d2B|e2B AFD||HG6||

"The Single Jig, like the Double Jig, is in six eight time, but differs
from the latter chiefly in having at most but one triplet in each bar.
More ancient that the Double Jig, the dance steps of the Single Jig are
more light and graceful." (BB note: To the Chief's comments I would add 
that single jigs are the basis of most slides, which evidently weren't 
yet known by that name in the Chief's day.)

%%%

X:581186 
T:WINK OF HER EYE (reel), The 
B:WSGM.266
S:Rice-Walsh manuscript
C:ABC Kinder/Black (arr.)
N:Single in source.
M:4/4
L:1/8
Q:1/4=180
R:reel
K:G
A|BGFG EGDG|BGFG AGEG|BGFG EGDG|Bged BdAc|
BGFG EGDG|BGFG AGEG|BGFG EGDG|Bged Bde :|
f|g2gf gbag|egde Bdef|gfef gbag|egde BA A2|
GABd gbag|egdB G2ga|bgaf gefd|1 egfa ged:|2 egfa gedf|g8||

%%%

X:581187 
T:WINTER EVENING, A 
B:WSGM.082
F:file ID wsgm/259wgq
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:This tune and the other "Winter" jigs are "gan ainm" tunes that
belong to the "Winter Garden Quadrille". 
M:6/8
Q:1/4=160
R:jig
L:1/8
K:D
e|fdB AFA|BGB AFA|fdB AFA|B2c d2e|
fdB AFA|BGB AFA|fdB AFA|B2 c d2 :|
e|f2 a e2 f|dcd A2 g|f2 a e2 f|gfg a3|
bab aga|gfg ede|fdB AFA|B2 c d2 :|

%%%

X:581188
T:WINTER FROST, The 
B:WSGM.082
F:file ID wsgm/259wgq
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:This tune and the other "Winter" jigs are "gan ainm" tunes that
belong to the "Winter Garden Quadrille".
M:6/8
Q:1/4=160
R:jig
L:1/8
K:D
B|FAA Afe|dBB BAG|FAA d2 e|fdd dAG|
FAA Afe|dBB BAG|FAA d2 e|fdd d2 :|
g|fef afe|dBc d2 e|fgf ede|fdA Bde|
fef afe|dBc d2 e|fgf ede|1 "thru"fdA Be :|
[2 "final"fdA BGE|HD6|]

%%%

X:581189 
T:WINTER IN SLIGO
B:WSGM.082
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:This tune and the other "Winter" jigs are "gan ainm" tunes that
belong to the "Winter Garden Quadrille".
M:6/8
Q:1/4=160
R:jig
L:1/8
K:Em
E2B BAG|F2d AFD|E2A BGB|AGF e2f|
gfe dcB|AFd AFD|E2A BGB|AGF E3 :|
eBe gab|aga faf|eBe gbg|afd e2f|
gfe dcB|AFd AFD|E2A BGB|AGF E3 :|

%%%

X:581190
T:WINTER STARS, The 
B:WSGM.082
S:J.O'Neill ms
C:ABC Kinder/Black (arr.)
N:This tune and the other "Winter" jigs are "gan ainm" tunes that
belong to the "Winter Garden Quadrille".
M:6/8
Q:1/4=160
R:jig
L:1/8
K:G
GBB dBB|gBB dBB|cAA fef|gfa gdB|
GBB dBB|gBB dBB|cAA fef|g3 g3 :|
afd dcd|edc BAB|dBG GFG|AcB A2 c|
Bdg gdB|dfa afd|def def|g3 g3 :|

%%%

X:581191 
T:WOODS OF OLD LIMERICK, The  
B:WSGM.141
S:J.Kelly, SFO
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:D % source key F
G|FDD EFG|Add cBG|FDD EGG|ECA, EFG|
FDD EFG|Add cAG|F2 D EAG|EDC D2:|
e|fdd ded|cAA A2f|gec def|gec d2 e|
fed ecA|Bcd cAG|F2 D EAG|EDC D2:|

%%%

X:581192 
T:YESTERDAY'S KISSES 
B:WSGM.172
S:Aird's Selections 1782-97
C:ABC Kinder/Black (arr.)
M:6/8
L:1/8
Q:1/4=160
R:jig
K:Ador
E|ABA ABd|egB A2c|BAB GBG|BAB GAB|
cBc dcd|efe a2g|edc Bcd|eAA A2:|
g|a2 A ABA|a2 A A2f|g2G GAG|BAB G2B|
cBc dcd|ede a2g|edc Bcd|eAA A2:|

"It may be permissable to abbreviate such an involved title as:
'Sae Braely as I was kiss'd yestreen' into 'Yesterday's Kisses'
both for convenience and euphony, especially as the sentiment
has not been clouded by the change. This jig preserved also in
Aird's 'Selections', has been given circulation recently on the
player-pianos."

%%%

% % % end of WSGM ABC file % % %