BB'S IRISH TRADITIONAL TUNE LIBRARY
Dance Tunes from "IRISH FOLK DANCE MUSIC"
J. O'Brien, Boston 1952
= = = = = = = = = = = =
Jerry O'Brien was a box player from Kinsale, Co. Cork, who arrived in the
Boston area in 1921 and became a respected teacher and recording artist.
Among his pupils was Joe Derrane, with whom O'Brien recorded. 

This tune collection has long been out of print, as is O'Brien's "Irish
Accordion Tutor. Thanks to Mary McGowan for providing me her late father's
copy of "IFDM".
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

The "non-dance" tunes (waltzes, songs, etc.) will be put in a separate
folder.

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Transcriber's note:
Owing no doubt to the fact that O'Brien was a box player, many of the
setting in his book are loaded (overloaded?) with ornamentation that
I'm afraid would be of little use to anyone interested more in the tune
itself and less in how Messrs. O'Brien or Derrane would be playing it.
For that reason, I have taken my (usual) liberty of simplifying the
tunes whenever I thought such editing was required. The "source version"
(i.e, O'Brien's) will be found under the "BB version" in the unlikely
event that anyone wants to know what it would sound like as actually
performed by O'Brien or his disciples.

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

contents of this file

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

X:59001
T:ANVIL REEL, The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:D
dA|BADA dADA|BADA defd|BADA dADA|defd efdA|
BADA dADA|BADA defd|BADA dADA|defd efdA||
dfaf bfaf|dfaf gfef|dfaf bfaf|defd efdA|
dfaf bfaf|dfaf g2fg|afeg fdef|dBAB defc|Hd4z4|]

%%%

X:59002
T:BABES in the WOODS (polka)
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:2/4
R:polka
K:D
A/B/A/G/ FA|def2|gf/e/fe|dfA2|
A/B/A/G/ FA|def2|gf/e/fe|1d2d2:|2d2cd||
|:e>fed|cea2|e>^def|gecA|
e>fed|cea2|gf/e/fe|1 "thru"d2cd:|2 "final"d2d2|]

%%%

X:59003
T:BANKS OF INVERNESS (polka), The
C:ABC/arr. BB
N:Close relative of "Lakes of Sligo"
%Q:1/4=200
L:1/4
M:C|
R:polka
K:G
D>E DB,|DEGA|BdAB/A/|GEEG|
D>E DB,|DEGA|BdAB/A/|G2G2 :|
BddB|ceed/c/|BdAB/A/|GEED|
BddB|ceed|gfed|e2-ef|
g>fed|e/f/e/d/ Bd|cBAB/A/|GEEG|
D>E DB,|DEGA|BdAB/A/|G2G2 |]

%%%

X:59004
T:BANKS OF NEWFOUNDLAND, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
c|BGG AGD|GBd gfg|ded BGA|BAA Adc|
BGG AGD|GBd gfg|ded BGA|BGG G2:|
c|dgg gfg|eaa aga|bge dGA|BAA ABc|
[1 dgg gfg|eaa aga|bge dGA|BGG G2:|
[2 BGG AGD|GBd gfg|ded BGA|BGG HG3|]

%%%

X:59005
T:BARREN ROCKS OF ADEN, The
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:2/4
R:polka
K:D
A/d/|f>afe|dfAd|ceAd/e/|fAde|
f>afe|dfAd|ceAB/c/|d2d :|
f/g/|a>gdf|efAe/f/|gece|fdAf/g/|
a>gdf|efAe/f/|gecA|d2d :|

%%%

X:59006
T:BILLY O'ROURKE THE PIPER
C:ABC/arr. BB 
%Q:1/4=160
M:6/8
R:jig
K:G
A|G2E EDB,|D2D DEF|G2G GAB|c3 B2A|
G2E EDB,|DED DB,D|EFG A2F|G3 G2 :|
D|G2A B2c|d2e d2D|G2A B2c|d3-dBc|
e2e d2d|c2c B2A|G2G GAB|c3 B2A|
G2E EDB,|D2D DEF|G2G GAB|c3 B2A|
G2E EDB,|DED DB,D|EFG A2F|G3 HG3|]

%%%

X:59007
T:BILLY RUSH'S OWN
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D % source key = A
B|ABA AFA|Bdd ede|faf bge|fdd edB|
ABA AFA|Bdd ede|faf ede|fdd d2:|
e|faa afd|gfe fdd|efe ede|faf gfe|
faa afd|gfe fdd|1 efe ede|fed ed :|
[2 ABA AFA|Bdc Hd3|]

%%%

X:59008
T:BIT O' GINGER, The
T:Lilting Fisherman
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
c|dBG GBd|gfg efg|dBG GFG|AFD DFA|
dBG GBd|gfg efg|dBG FGA|BGG G2 :|
K:D
B|ABA AFA|fgf f2e|dfe dcB|AFF F2G|
ABA AFA|BcB Bcd|cec ABc|1 "thru"dfe dc:|
[2 "final"dfe Hd3|]

%%%

X:59009
T:BLACKBIRD (hornpipe), The
C:ABC/arr. BB
%Q:1/4=130
L:1/8
M:C|
R:hornpipe
K:D
zd|B2d2 =c2B2|ABAG AB=cA|dcde dcAF|GAGF D2DE|
FEFG A2fe|dcde dcAF|GAGF D2D2 |D4-D2:|
de|fede f2g2|abag fgaf|g2gf gbaf|gagf d2de|
fede f2g2|abag fgaf|gagf d2d2|defg abag|
fgaf gage|f2ed c2AB|cdec defg|a3z ABAG|
FGAB =cBce|dcAF GAGF|D2D2 HD4|]

%%%

X:59010
T:BOSTON POLKA, The
C:ABC/arr. BB
N:This is pretty much the same tune as "Denis Murphy's Polka",
but whether it's an "ancestor" or a "descendant" is a matter of 
debate! Quite possibly Murphy heard it while living in the US and
brought it home with him when he returned to Ireland. . .possibly!
%Q:1/4=100
L:1/8
M:2/4
R:polka
K:D
e|fg/e/ de/B/|AD FA|GE Ed|cB cA|
fg/e/ de/B/|AD F>A|GE ec/d/|ed d:|
B|Af f/e/f|Ag g/f/g|Af f/e/f|gf/e/ dB/c/|
Af f/e/f|Ag g/f/g|fg/f/ ec/d/|ed d:|

%%%

X:59011
T:BOYS OF BALLYSODARE (reel), The
C:ABC/arr. BB
N:For some reason this tune is titled "Dublin Lasses" in the book.
%Q:1/4=180
M:C
R:reel
K:G
B|dGG2 dGeG|dBGA BAA2|dGG2 dedB|AcBA GED2|
dGG2 eGG2|dGG2 BAA2|dGG2 dedB|AcBA GED2 ||
%
gfga bgaf|gfga beef|gfga bgaf|gfed Bdef|
gfga bgaf|gfga beea|b2ab gedB|AcBA GED2 ||
%
Bdd2 Bdgd|BdgG BAA2|Bdd2 gedB|AcBA GED2|
Bdd2 Bdd2|Bdd2 BAA2|gBB2 GBdB|AcBA GED2 ||"final"HG4z4||

%%%

X:59012
T:BOYS OF THE TOWN
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
D|G3 GBd|edB dBA|GAG GBd|edB AFD|
GAG GBd|edB gfg|edB AGA|BGG G2 :|
B|def gfg|agf edB|def gfg|agf e2B|
[1 def gfg|agf efg|edB AGA|BGG G2 :|
[2 def gbb|faa efg|edB AGA|BGG HG3 |]

%%%

X:59013
T:BRIAN BORU'S MARCH
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:Ador
D|cAA Aed|cAA Adc|BGG Gdc|BGG Ged|
cAA Aed|cAA a3|efe e2d|cAA A2 :|
G|ABd e2d|e2d e2d|GAB d2B|d2B d2B|
ABd e2d|e2d e2d|GBd e2d|cAA A2 :|
B|A^GA a^ga|A^GA a^ga|GFG gfg|GFG gfg|
A^GA a^ga|A^GA a3|efe e2d|cAA A2 :|

%%%

X:59014
T:BRIDIE MORLEY'S (reel)
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:Ador
A2AB AGEG|ABcd e2dB|G2GA GEDE|GABG DGBG|
A2AB AGEG|ABcd e2dB|ABcd eaag|1 eBGA BedB :|\
[2 eBGA BAA2||
eaag eaag|eaab aged|eggg eggg|agga gedf|
eaag eaag|eaab aged|ABcd eaag|1 eBGA BAA2 :|\
[2 eBGA BedB|HA4z4|]

%%%

X:59015
T:BURNT POTATO, The
T:Little Burnt Potato
C:ABC/arr. BB
N:"Canadian" 
%Q:1/4=160
M:6/8
R:jig
K:D
g|a^ga bag|afd A2e|fef g2f|e3-e2d|
e2f e2d|c2e a2a|a^ga ba=g|f3-f2g|
a^ga bag|afd A2e|fef g2f|e3-e2d|
e2f e2d|c2e a2a|aba gfe|d3-d2||
%
A|f2A f2A|f3-f2e|def agf|g3-g2g|
[1 gba gfe|dcB A2g|a^ga ba=g|f3-f2 :|
[2 gba gfe|dcB A2g|a^ga b=ge|Hd6|]

%%%

X:59016
T:BUTCHER'S MARCH, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
B|ded BAB|dAA ABc|ded BAB|dBG G2B|
ded BAB|dAA Aeg|faf gfe|dBG G2:|
c|eAA fAA|edB ABd|eAA gfe|dBG GBd|
[1 eAA fAA|edB A2g|faf gfe|dBG G2 :|
[2 eAA fAA|eAA efg|faf gfe|dBG HG3|]

%%%

X:59017
T:CANADIAN (barn dance), The
C:ABC/arr. BB
%Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G
D2|:G4 d3g|eged edBA|GFGA B2G2|d2D2E2F2|
G4 d3g|eged edBG|A^GAB cBc^c|defe d2cA|
G4 d3g|eged edBA|GFGA B2G2|e6 Bd|efe_e d2Bd|
efe_e d2ef|gfga gfef|g2d2B2A2:|"final"HG4z4||

%%%

X:59018
T:CATHOLIC BOYS, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G % source key = A
A|BGG dGG|BGG ded|cAA eAA|egf edc|
BGG dGG|BGG ded|c2d ege|dBG A2 :|
G|Bdd d^cd|Bdd d^cd|cee e^de|fag ged|
Bdd d^cd|Bdd dBG|GBd ege|1 "thru"dBG A2 :|
[2 "final"dBG AGF|HG6|]

%%%

X:59019
T:CAWLEY'S FROLICS (reel)
C:ABC/arr. BB
N:Version of "Man of the House"
%Q:1/4=180
M:C
R:reel
K:Edor
E2BE GABE|E2BA FBAF|E2BE FABc|dBAF BAFA|
E2BE B,EGE|E2BA FBAF|E2BE FABd|edBA GEE2 ||
efge fgaf|g2fg edBd|e^def gabg|agdf geef|
geBd gabg|agbg a2ga|bgag egdg|eBBA GBAF||"final"HE4z4|]

%%%

X:59020
T:CHASE ME CHARLIE
T:Cock of the North
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
A|B2B BAG|B2d efg|BdB BAG|ABA AGA|
B2B BAG|B2d efg|BdB AGA|G3-G2 :|
d|g2d e2d|g2d e2d|BdB BAG|ABA ABd|
g2d e2d|g2d e2d|BdB AGA|G3-G2 :|

%%%

X:59021
T:CLARE REEL, The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:Amix
P:Amix
FG|A3B AGFD|A2AG Addc|A^GAB A=GFG|DGGF G2FG|
A^GAB A=GFG|Adde f2ed|eaga efge|dcAF G2 :|
GA|BAeA fAef|dcAB cded|cA eA fAef|dcAF G2GA|
cA eA fAef|dcAB cBcd|eaga efge|1 "thru"dcAF G2 :|
[2 "final"dcAF EGFE|HA4z4|]

%%%

X:59022
T:COLEMAN'S FANCY (reel)
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:Ador
e2BA eABA|G2BG dGBd|eABA eABA|dBGA BABd|
eABA eABA|GABG dGAB|c2ec dBAc|dBGA BAA2 :|
c2ec gcec|c2ec dBGB|c2ec gcec|dBGA BAAB|
c2ec Gcec|Gcec dBGB|c2ec dBB2|dBGA BAA2 :|

%%%

X:59023
T:COMING IN (barn dance)
C:ABC/arr. BB
%Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G 
D2|G2BG A2Bc|dedB cBAF|G2BG A2Bc|dcAB GFED|
G2BG A2Bc|dedB cBA2|AB^cA B=c^cd|eAB^c d2||
Bc|d2dB c2AF|G4-G2gf|e2dB GABG|A4-A2df|
g2gf efge|dedB d2Bc|d2dB c2AF|G4-G4|]

%%%

X:59024
T:CON McCARTHY'S FAVORITE (hornpipe)
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:D
AF|D2 d2 DFAB|defe dcBA|FDAF BFAF|G2ED CDEF|
D2 d2 DFAB|defe dcBd|AdFB AFEF|D2DE D2 :|
de|fdd2 Add2|fdad bdaf|g2ed cdef|g2bg agfg|
Add2 AdFd|Add2 AdFd|Adfa gece|d2dc d2 :|

%%%

X:59025
T:CONNAUGHTMAN'S RAMBLES
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:D
A|FAA dAA|BAA dAA|FAA Afe|dBB BAG|
FAA dAA|BAA def|afe dfe|1 dBB BA :|\
[2 dBB B2||
e|fbb faa|afe d2e|fbb faa|afd ede|
fbb afe|dBc def|afe dfe|1 dBB Bd :|\
[2 dBB HB3 |]

%%%

X:59026
T:COPLEY POLKA, The
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:C|
R:polka
K:D
E|A>B AF/G/|AF Ad|A>B AG/F/|GF E2|
DE FG|AB cd|ef/e/ ce|1 dA G:|2 d2 d||
e|f2 g>e|fd cB|Ad cd|fe ed/e/|
f2 g>e|fd cB|Ag ec|d2 d:|

%%%

X:59027
T:COPPERPLATE (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:Ador
D|G2dB G2dB|GBdc BGGB|A2ec A2ec|A2ec dDEF|
G2dB G2dB|GBdc BGGB|ABcd efge|ageG BAA :|
e|g2dg egde|gbaf gfdg|a2ea faea|abbg agef|
g2dg egde|gbaf gfdB|ABcd efge|ageG BAA :|

%%%

X:59028
T:CRONIN'S FAVORITE (hornpipe)
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
BA|GABc dBde|g2ge dega|bage dBGA|B2AG AcBA|
GFGB dBde|g2ge dega|bage dBAB|G2BG G2 :|
fg|add^c dega|beed efga|bgaf gfed|BABG AcBA|
GFGB dBde|g2fe dega|bage dBAB|G2AF G2 :|

source version:
N:O'Brien's "florid" setting of this session favorite.
BA|GABc dBde|g2ge dega|bage dBGA|B>A A/B/A/G/ AcBA|
GFGB dBde|g2ge dega|bage dBAB|G2 G/A/B/G/ G2 :|
(3efg|a>d d/f/d/^c/ dega|b>e e/g/e/d/ efga|(3bag (3agf gfed|
B>A A/B/A/G/ AcBA|GFGB dBde|g2fe dega|bage dBAB|G2 G/A/G/F/ G2 :|

%%%

X:59029
T:CROOKED STOVE PIPE (polka), The
C:ABC/arr. BB
%Q:1/4=220
L:1/4
M:C|
R:polka
K:G
A|GB B/d/B|GB B/d/B|GB eB/c/|dc c/B/G|
FA A/B/A|FA A/B/A|dd/d/ ef|1 gd c :|2 g2 g||
a|b2 -ba|g2 -gf|ed/e/ fg|a2 -ab|
c'2 -c'a|f2 -fe|dB/d/ ef|g2 g :|

%%%

X:59030
T:CUCKOO'S NEST (reel), The
C:ABC/arr. BB
N:Interesting re-casting of a hornpipe as a reel!
%Q:1/4=180
M:C
R:reel
K:Amix
ed|c2B2 Acec|aecA d2cd|ecdc Bced|cAec Bfed|
c2 B2 Acec|aecA d2cd|ecdc Bfed|cAAG A2||
ce|a2af abc'a|beed e3f|g2ef gbag|fddd dfed|
c2B2 Acec|aecA d2 cd|ecdc Bced|cAAG A2 ||
Bd|e3c A2 Bd|efec A2Bc|dBGB dBGB|dBGG G2FG|
Aeef ed B2|Aeec d2 cd|ecdc Bced|cAAG HA4 |]

source version
ed|c2B2 Acec|aecA d2cd|ecdc Bced|cAec Bfed|
(3cdc (3BcB Acec|aecA d2cd|ecdc Bfed|cAAA A2||
ce|a2af abc'a|beee e3f|(3gag ef gbag|fddd dfed|
c2B2 Acec|aecA d2 cd|ecdc Bced|cAAA A2 ||
(3Bcd|e3c A2 (3Bcd|efec A2Bc|dBGB dBGB|dBGG G2FG|
Aeef ed (3BcB|Aeec d2 cd|ecdc Bced|cAAA A4 |]

%%%

X:59031
T:DAISY BELL
C:ABC/arr. BB
%Q:1/4=160
N:O'Brien's version of this tune seemed "off-balance" in the playback.
The fact that part 2 of the source version has only 7 measures doesn't 
help. But I thought this was an interesting enough tune worth re-working 
a little! 
M:6/8
R:jig
K:Ador
d|e2A A2^G|A2B c2d|e2d e2f|g3-g2e|
G2A B2c|d2e d2c|dBG dBG|A2G A2 :|
g|a2b a2f|e2d e2f|gec def|g3-g2e|
a2f g2e|f2d e2^d|e2A A2^G|1 "thru"A2B ce :|
[2 "final"A3-A3|]

source version:
d|e2A A2^G|A2B c2d|e2d e2f|g3-g2e|
G2A B2c|d2e d2c|B3-B2G|A2G A2 :|
a2a a2g|e2d e2f|g3 efg|a2f g2e|
f2d e2^d|e2A A2^G|1 "thru"A2B c2d :|
[2 "final"A3-A3|]

%%%

X:59032
T:DAWN (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G 
B,|G,2B,D C2EC|D2B,D GABG|ADBD cDBD|AcBA GEDB,|
G,2B,D C2EC|D2B,D GABd|edef g2fe|1 dcBA GED :|2 dcBA G3||
f|gfgd edBd|eaag fdeg|fdad fdad|g2dB cdef|
gfgd edcB|cdef gfge|dBge d2BG|1 "thru"AGEA G3 :|
[2 "final"AGEA GEDB,|HG,4z4|]

source version:
A,2CE D2FD|(3EFE CE ABcA|BEcE dEcE|(3Bcd cB AFEC|
A,2CE D2FD|(3EFE CE 
>e|f/a/f/e/ fg agbf|1 edcB AFEC :|2 edcB A2||
(3efg|agae f/g/f/e/ ce|fbba gefa|(3gfe be gebe|ad'ec' d'ead'|
a/c'/a/g/ a>e fedc|defg a/b/a/g/ af|ecaf (3efe cA|1 BAFB A2 :|\
[2 BAFB AFEC|A,8|]

%%%

X:59033
T:DRUNKEN PIPER, The
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
F|DFF FEF|AFF F2 E|DFF FEF|AFD E2 F|
DFF FEF|DFA d2 e|fed BdB|AFD E2:|
f|ecA AcA|ecA A2 f|ecA Ace|fdB Baf|
ecA BAF|Ace a2b|c'ba faf|ecA B2:|
A|dFF FEF|AFF FEF|dFF dFF|AFD E2 A|
dFF FEF|DFA d2 e|fed BdB|1 "thru"AFD E2:|
[2 "final"AGE GFE|D6|]

%%%

X:59034
T:DUBLIN HORNPIPE, The
T:Cuckoo
C:ABC/arr. BB
N:This is one tune where I'd recommend keeping the high c's in the 
2nd part if you can manage them. If you can't, double the /a/ or 
substitute /e/ for /c'/. (Ditto for the triplets in m.15 - fun, but
don't hurt your fingers!)
%Q:1/4=150
M:C|
R:hornpipe
K:G
d|BGBD cBc^c|dBge dBGD|EAcB AGFG|ABGE d2 B,D|
B^ABd cBc^c|dBge dBGD|EAcB cAFG|A2G2 G2 :|
d|bgg2 d2Bg|bgg2 d2Bb|c'aa2 f2cb|c'aa2 f2cg|
bgg2 d2Bg|bgg2 d2Bg|a2g2 f2e2|1 "thru"d2cA B2c :|
[2 "final"dcef Hg4|]

source version:
zd|BGBD cBc^c|dBge dBGD|EAcB AGFG|
(3ABA (3GFE d2 B,D|B^ABd cBc^c|dBge dBGD|\
EAcB cAFG|(3ABA G2G2 :|gb|bgg2 d2 Bg|bgg2 d2 Bb|
c'aa2 (3fgf cb|c'aa2 (3fgf cg|bgg2 d2 Bg|bgg2 d2 Bg|
(3aba (3gag (3fgf (3efe|1d2 (3cdc Bd :|2 (3dcB (3AGF G4-|G8|]

%%%

X:59035
T:DUKE OF LEINSTER (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
G2BG DGBG|d2e^c dBAB|G2BG DGBe|dBAB GEDE|
G2BG DGBG|d2e^c dBAB|GBB2 dBB2|AcBA GEDB ||
dgg2 bgg2|agbg ageg|dgg2 bgge|dBAB GED2|
dgg2 bgg2|agbg a2ga|bgag efgf|dBAB GFDE||"final"HG4z4|]

%%%

X:59036
T:EAVESDROPPER, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
D|GBB BAG|Bdd BdG|cee dBG|BAA AFD|
GBB BAG|Bdd BGB|cee dBA|BGG G2 :|
d|gfg afd|efg dBG|cee dBG|BAA Adf|
gab afd|efg dBG|cee dBA|BGG G2:|

%%%

X:59037
T:FATHER HANLEY'S 
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:A
E|FEC E2A|FEC Ece|fec ABc|BAF AFE|
FEC E2 A|FEC Ece|fec ABc|BAA A2:|
d|ece Ace|afa faf|ece fec|BcB Bcd|
ece Ace|afa faf|ece fec|ABA A2:|

alternate version in G
K:G
D|EDB, D2 G|EDB, DBd|edB GAB|AGE GED|
EDB, D2 G|EDB, DBd|edB GAB|AGG G2:|
c|dBd GBd|geg ege|dBd edB|ABA ABc|
dBd GBd|geg ege|dBd edB|GAG G2:|

%%%

X:59038
T:FAVOURITE JIG, The
C:ABC/arr. BB
N:Sounds like O'Brien's version of "The Kesh" (ditto "Wicky Sears",
#59140 below, at least in the first part)
%Q:1/4=160
M:6/8
R:jig
K:G
D|GAG GAB|ABA ABd|edB gdB|AGA BGD|
GAG GAB|ABA ABd|edB gdB|AGG G2:|
A|BGG dGG|efg dBG|BGG dGG|edB AGA|
BGG dGG|efg dBG|gfg aga|bgg g2 :|

%%%

X:59039
T:FIRST HOUSE IN CONNAUGHT (reel)
C:ABC/arr. BB
N:O'Brien's interesting setting of this old reel. Either in G minor 
or G major, the accented F's in mm 3-4 and 11-12 tend to be played as 
natural. This is in contrast to the setting that appears in other
collections (e.g. "Allan's Irish Fiddler", tunefolder 11) where
all F's are sharp.
%Q:1/4=180
M:C
R:reel
K:Gdorian
GF|DGG2 AGG2|AddB cAGA|F2cF dFcF|F2AF GFDC|
DGG2 AGG2|AddB cAGF|defg agfd|cAFA G2 :|
cd|g^fga gfdg|g2ag g^fd=f|f2df f2df|f2ag gfd^f|
g^fga gfdg|gba^f gfdc|defg agfd|cAFA G2 :|

(2) version in G major
N:For what it's worth, this is the way I would play it!
K:G
GF|DGG2 AGG2|AddB cAGA|F2cF dFcF|F2AF GFDC|
DGG2 AGG2|AddB cAGF|defg agfd|cAFA G2 :|
cd|gfga gfdg|g2ag gfdf|f2df f2df|f2ag gfdf|
gfga gfdg|gbaf gfdc|defg agfd|cAFA G2 :|

(3) version in Ador
N:However . . .
If you think keeping this tune in a minor key is a good idea,
here's an easier version for non-box players:
K:Ador
AG|EAA2 BAA2|Beec dBAB|G2dG eGdG|G2BG AGED|
EAA2 BAA2|Beec dBAG|efga bage|dBGB A2 :|
de|a^gab agea|a2ba a^ge=g|g2eg g2eg|g2ba age^g|
a^gab agea|ac'b^g aged|efga bage|dBGB A2 :

%%%

X:59040
T:FIVE LEAF CLOVER (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:Ador
d|eAAB AGEF|G2AF GFDB|cBcd efed|Bdef gfed|
eAAB AGEF|G2AF GFDB|cBcd efed|cABG A3 :|
d|eaab agef|g2af gfdB|cBcd efed|Bdef gfed|
eaab agef|g2af gfdB|cBcd efed|cABG A3 :|

%%%

X:59041
T:FLOWERS OF SPRING (hornpipe), The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:D
dB|A2FA DFA,E|d2 FA dfab|afdf gfec|dcBA GFEd|
AdFA DFA,E|d2 FA dfab|afdA CEAG|F2 D2 D2 :|
FG|ADd2 fdd2|baga fdd2|BdFA dAFA|GFED CE A,2|
ADd2 fdd2|baga fdd2|BdFD CEAG|F2 D2 D2 :|

%%%

X:59042
T:FOUR SEASONS (hornpipe), The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
D|GBGF GBdG|c2BA Bdge|d^cde dBGA|BedB AFDF|
GBGF GBdG|c2BA Bdge|d^cde dBGB|A^GAB =G3 :|
c|d2dB degf|edef gfge|d^cde dBGA|BedB AFDF|
GBGF GBdG|c2BA Bdge|d^cde dBGB|A^GAB =G2 :|

source version:
D2|G2 G/B/G/F/ GBdG|c2 B/c/B/A/ Bdge|d^cde dBGA|BedB AFDF|
G2 G/B/G/F/ GBdG|c2 B/c/B/A/ Bdge|d^cde dBGB|A^GAB =G2 :|
(3Bc^c|d2dB degf|edef gfge|d^cde dBGA|BedB AFDF|
G2 G/B/G/F/ GBdG|c2 B/c/B/A/ Bdge|d^cde dBGB|A^GAB =G2 :|

%%%

X:59043
T:FRIENDLY VISIT (hornpipe), The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
A|G2DG BGBd|c2AB cdef|g2df ecAG|FGAB cAFD|
G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2G2 :|
d|g2dB GBdg|e2cA FGAg|f2ed cdeg|f2e2 dcBA|
G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2G2 :|

source version:
B>A|G2DG BGBd|(3cBc AB cdef|g2df ecAG|FGAB cAFD|
(3GAG DG BGBd|c2AB cdef|gdBG FAdc|B2G2G2 :|
(3Bcd|g2dB GBdg|e2cA FGAg|f2ed cdeg|(3fgf (3efe dcBA|
(3GAG DG BGBd|c2AB cdef|gdBG FAdc|B2G2G2 :|

%%%

X:59044
T:GALTEE MOUNTAINS (reel), The
C:ABC/arr. BB
%Q:1/4=180
N:Single in source.
M:C
R:reel
K:D
G|AFF2 EFDE|FEGF FAdB|AFF2 EFDE|FBBA FEE2|
AFF2 EFDE|FEGF FAdB|AFF2 EFDE|F2EF D3 :|
G|A3B AGFG|ABde feeg|fded BddB|ABde fedB|
A3B AGFG|ABde feeg|fded BddB|ABde fdd :|

%%%

X:59045
T:GALWAY BELLE (polka), The
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:2/4
R:polka
K:Em
E>F GA|Be B2|AF DF|EF DF|
E>F GA|Be B2|AF DF|E2 E2:|
ed/e/ B2|ed/e/ B2|AF DF|EF D2|
ed/e/ B2|ed/e/ B2|AF DF|E2 E2|
e/d/e B2|e/d/e B2|AF DF|EF DB,|
E>F GA|Be B2|AF DF|E2 HE2|]

%%%

X:59046
T:GARRY OWEN
C:ABC/arr. BB
N:Note that my version omits O'Brien's "variations" (mm 17-32).
%Q:1/4=160
M:6/8
R:jig
K:G
f|edc BAG|BcB B2f|edc BAG|ABA A2f|
edc BAG|BcB B2c|def gdB|ABA A2 :|
c|d2B d2B|d2B dgf|e2c e2c|e2c e2f|
g2a b2a|gfe dcB|def gdB|1 "thru"ABA A2 :|
[2 "final"AFA HG3|]

source version:
g/f/|edc BAG|BcB B2 g/f/|edc BAG|ABA A2 g/f/|
"5"edc BAG|BcB B2c|def gdB|ABA A2 :|
B/c/|"9"d2B d2B|d2B dgf|e2c e2c|e2c e2f|
"13"g2a b2a|gfe dcB|def gdB|ABA A2 :|
g/f/|"17"efg dBG|BcB Bgf|efg dBG|ABA Agf|
efg dBG|BcB B2c|def gdB|ABA A2 :|
B/c/|"21"d2B d2g|b3-bag|f2a e2f|gba gfe|
"25"d2B d2g|b3-bag|fga e2f|g3-g2 :|

%%%

X:59047
T:GAY GORDONS (barn dance), The
C:ABC/arr. BB
N:"barn dance"
%Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G % source key = A
d2|G2GA B2AG|cBcd e2dc|BGdG BGdG|BAAG AdBA|
G2GA B2AG|cBcd e2dc|Bdgd BdcA|B2G2G2 :|
d2|g2ge d2BG|cBcd e2dc|BGdG BGdG|BAAG AdBd|
g2ge d2BG|cBcd e2dc|Bdgd BdcA|B2G2G2 :|

source version:
K:A
e2|A2AB c2BA|dcde (3fgf ed|cAeA cAeA|cBBA BecB|
A2AB c2BA|dcde (3fgf ed|ceae cedB|c2A2A2 :|
e2|a2af e2cA|dcde (3fgf ed|cAeA cAeA|cBBA Bece|
a2af e2cA|dcde (3fgf ed|ceae cedB|c2A2A2 :|
P:version in G

%%%

X:59048
T:GEESE IN THE BOG
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:Am % source key = Bm
B|cEE GEE|cEE GAB|cEE GED|EAA A2B|
cEE GEE|cEE GAB|cBA GED|EAA A2 :|
B|cde ged|eaa ged|cde ged|eaa a2B|
cde ged|eaa ged|cBA GED|EAA A2 :|

%%%

X:59049
T:GEORGE WHITE'S FAVORITE (reel)
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
Bd|eBB2 eBdB|AGAB GEDE|GBB2 dBB2|eBdB A2Bd|
eBB2 eBdB|AGAB GEDE|GABd gedB|AGAB G2 :|
ze|gede gaba|gfga gdBe|dega b2ag|eaab a2ga|
bgag egde|gede gaba|gfga gedB|AGAB G2 :|

%%%

X:59050
T:GIRL I LEFT BEHIND ME (polka), The
T:Brighton Camp
C:ABC/arr. BB
%Q:1/4=220
L:1/4
M:C|
R:polka
K:G
g/f/|ed cA/G/|AGE>F|GG GB/c/|d2B g/f/|
ed cB/G/|AGE>F|GA DE/F/|G2G:|
A|Bdef|gdBG|Bdef|g2fg/f/|
ed c/B/G|AGE>F|GADE/F/|G2G:|

%%%

X:59051
T:GOLDEN EAGLE (hornpipe), The
C:ABC/arr. BB
N:O'Brien's D sharps make a nice sound but D natural will work if
your instrument can't manage D sharp.
%Q:1/4=150
M:C|
R:hornpipe
K:G
BA|GB,DG BDGB|dGBd gbag|fed^c =cAFD|GBAG FDBA|
GB,DG BDGB|dGBd gbag|fed^c ADFA|GDBD G2 :|
b2|bB^df bagf|e^def gfg^g|aA^ce agfe|edd^c d2ab|
c'afd ^cdef|gfga bgag|fAde dFBA|GDBD G2 :|

%%%

X:59052
T:HAG WITH THE MONEY, The 
C:ABC/arr. BB
N:O'Brien's version is lacking the C naturals that are normally 
played in this tune. Hard to tell if that's actually the way O'Brien 
played the tune or if a key signature "scribal error" is involved.
I'm going with "scribal error"! (To hear the D major version of this
- which actually doesn't sound too bad - delete "mix" after D in the 
K: field before playback.)
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Dmix
Add ABc|AGE G2 E|Adc A2 B|cBA GED|
Add ABc|AGE EGF|DFA cde|dcA GFG:|
ABc d2 e|fed edc|ABc d2 e|faf gec|
ABc d2 e|fed efg|aed cde|1 "thru"dcA GFG:|
[2 "final"dcA GEC|D6|]

%%%

X:59053
T:HALF SET (polka), The
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:C|
R:polka
K:D
FA AA|BA FA|d>c ed|c2 B2|
gf af|gf ed|c>A Bc|1d2 A2:|2 d2 d2||
f2-fe|d2-dA|F>A ed|c2 B2|
g2-gf|e2-ed|c>A Bc|1 B2 A2:|
[2 d2 Hd2|]

%%%

X:59054
T:HARDIMAN'S FANCY
C:ABC/arr. BB
N:Recorded by De Danann as “Joe Derrane’s”.
%Q:1/4=160
M:6/8
R:jig
K:Bm
A|BdB BAF|AFE EFE|DFA def|afe dBA|
BdB AFF|AFE EFE|DFA def|edB B2 :|
d|efe edB|AFF dFF|def afa|bab aff|
bff afa|baf edB|def afd|edB B2 :|

%%%

X:59055
T:HASTE TO THE WEDDING
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:D
B|AFA Aaf|ede fdB|AFA AFD|GEE EFG|
AFA Aaf|ede fdB|Aaf ede|fdd d2 :|
f|afa afa|bgb bgb|afa afd|gee efg|
b3 f3|ede fdB|Aaf ede|fdd d2 :|

%%%

X:59056
T:HAYMAKER REEL, The
C:ABC/arr. BB
%Q:1/4=180
M:4/4
L:1/8
R:reel
K:Ador
Bd|eAAB AGEF|G2 AF GFDB|cBcd efed|Bdef gfed|
eAAB AGEF|GBAF GFDB|cBcd efed|cABG A2:|
Bd|eaab agef|g2 af gfdB|cBcd efed|Bdef gfed|
eaab agef|gbaf gfdB|cBcd efed|cABG A2:|

%%%

X:59057
T:HENNESSY'S HORNPIPE
T:Pretty Maggie Morrissey
C:ABC/arr. BB
N:|G/A/G/F/| in 2,6,8,14,16 replaced by |AF|.
%Q:1/4=150
M:C|
R:hornpipe
K:G
c|dBGB cAFA|G2AF GABc|dgfg efge|dBGB A2B^c|
dBGB cAFA|G2AF GABc|dgfg ecAF|G2AF G2 :|
c|dgfg efge|dgfg edB^c|dgfg bgeg|dBGB A2B^c|
dBGB cAFA|G2AF GABc|dgfg ecAF|G2AF G2 :|

%%%

X:59058
T:HOLLY BUSH (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
BGG2 E2DE|G2Bd efgd|BGG2 DGAB|cBAc BGG2|
BGAF E2DE|G2Bd efgd|BGG2 DGAB|cBAc BGG2||
Bdd2 edd2|Bdef gfed|Bdd2 BdgB|cBAc BGG2|
Bdd2 edd2|Bdef gfga|bgaf gfed|egfa gfed||\
"final"Hg4z4|]

%%%

X:59059
T:HUMORS OF LISSADEL (reel)
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:Edor
f|eBB2 eBdc|BGG2 GFED|B,EED B,EED|FBBA FBBd|
eBB2 eBdc|BGG2 GFED|B,EEB, EFGA|BGFG E3 :|
f|eBB2 BAFA|defd cdec|d2ce defg|afdA gecA|
dfed BcdB|ABAF ABce|fddc dfab|afdf e3 :|

%%%

X:59060
T:HUNDRED PIPERS, The 
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:A
B|c2D EDE|F2G A2f|e2B cBA|BcB BAB|
c2D EDE|F2G A2 f|e2c BAB|A3 A2:|
B|c2d ece|f2g agf|e2B cBA|BcB BAB|
c2d ece|f2g agf|e2c BAB|A3 A2:|

%%%

X:59061
T:I'VE GOT A BONNET TRIMMED WITH BLUE (polka)
C:ABC/arr. BB
%Q:1/4=200
L:1/4
M:C|
R:polka
K:G
GA/B/ ce|dG B2|de/d/ cA|GBBD|
GA/B/ ce|dG B2|de/d/ cF|AGG2 :|
de/f/ ge|dG B2|de/d/ cA|GBB2|
de/f/ ge|dG B2|de/d/ cF|AGG2 :|

%%%

X:59062
T:IF THERE WEREN'T ANY WOMEN (barn dance)
C:ABC/arr. BB
N:"barn dance". Have fun with the Eb!
%Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G
Bc|dedB GABG|E2_E2D2GA|Bd^cd edBG|A6Bc|
dedB GABG|E2_E2D2GA|BdBG A^GAB|G4-G2:|
d2|e3f g3f|e2d2d2GA|Bd^cd edBG|A4-A2Bc|
dedB GABG|E2_E2D2GA|BdBG A^GAB|G4-G2:|

%%%

X:59063
T:INVER RACES (reel), The
T:Glencolumkille
C:ABC/arr. BB
N:Single in source.
%Q:1/4=180
M:C
R:reel
K:D
A,2|DCDE FEDF|Adcd BAFA|BEcE dBAF|GEFE DB,A,B,|
DCDE FEDF|Adcd BAFA|Bdec dBAG|FDEC D2 :|
de|fded cAAg|fdfe gbag|fded cAAF|GBAG FDDg|
fded cAAg|fdef g2fg|afge fded|1 "thru"c2Ac dB :|
[2 "final"c2Ac dBAF|HD4z4|]

%%%

X:59064
T:IRISH WASHERWOMAN, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
d|BGG DGG|BGB dcB|cAA EAA|cBc edc|
BGG DGG|BGB dcB|1 cBc ABc|def g2 :|
[2 cBc Adc|BGG G2||d|gdB GBd|gfg bag|
fdd Add|fdf agf|egg dgg|cgg Bgg|
[1 cBc Adc|BGG G2 :|2 cBc ABc|def Hg3|]

%%%

X:59065
T:JACKSON'S REEL
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
P:P1
gBB2 GBB2|gBB2 dBB2|gBB2 gage|fgfe dcBA|
gBB2 GBB2|gBB2 dBB2|gBB2 gage|fgfe defg||
%
P:P2
add2 adbd|add2 ee e2|add2 abag|fgfe defg|
add2 bdd2|add2 fee2|add2 abag|fgfe d^def||
%
P:P3
g2gf gdBd|gfga gdBd|g2gf gbag|f2e2 d2ef|
g2gf gdBd|gfga gdBd|g2gf gbag|f2e2 d2ef||
%
P:P1 repeat
gBB2 GBB2|gBB2 dBB2|gBB2 gage|fgfe dcBA|
gBB2 GBB2|gBB2 dBB2|gBB2 gage|fgfe d2ef|Hg4z4||

%%%

X:59066
T:JAMES RYAN'S FAVORITE (reel)
C:ABC/arr. BB
N:Single in source
%Q:1/4=180
M:C
R:reel
K:Gmix
A|BdGA BGdG|AcFc AFcF|BdGA BGdG|AcFG AGGA|
BdGA BGdG|AFF2 AcBA|GABd gbag|^fdcA BGB :|
d|gfga gfde|fefg fdce|dfga gfde|^fdcA BGBd|
gfga gfde|fefg fdcA|GABd gbag|^fdcA BGG :|

%%%

X:59067
T:JERRY DALY'S HORNPIPE
C:ABC/arr. BB
N:I'm not sure where O'Brien got the c-sharps in mm 8 and 16 (in the 
source version). O'Neill has two settings of this tune in ONMI1850 
and neither one has C-sharps, which IMnsHO don't add much to the tune. 
You can try O'Brien's version and see which you prefer.
%Q:1/4=150
M:C|
R:hornpipe
K:Ador
d|cABG A2BA|GEDE G2Bd|egfa gedc|B2G2 Gded|
cABG A2BA|GEDE GABd|egfa gedc|Aaec A3 :|
g|a^gab a=gef|gedB G2ef|gfga gfef|gedB GBAG|
EAAG AcBA|GEDE GABd|egfa gedB|Aaec A3:|

source version:
ed|cABG A2BA|GEDE G2Bd|(3efg fa gedc|(3BcB G2 Gded|
cABG A2BA|GEDE GABd|(3efg fa gedc|Aae^c A2 :|
(3efg|a^gab a=gef|gedB G2ef|gfga gfef|gedB GBAG|
EAAG AcBA|GEDE GABd|(3efg fa gedB|Aae^c A2 :|

%%%

X:59068
T:JOE DERRANE'S COMPOSITION (hornpipe)
C:ABC/arr. BB
%Q:1/4=150
N:"barn dance"
N:A wonderful tune that could only have been composed by the great
Joe Derrane! Do your best with the accidentals because they're so
important to the tune.
L:1/8
M:C|
R:hornpipe
K:D
de|fBdf eAce|dGBd cF^Ac|B2d2 f2b2|afdf a2de|
fBdf eAce|dGBd cF^Ac|BfdB AecA|F^Adc B2||
fg|afdc Bdgb|b2a2 a2fa|a2g2 g2ga|g2f2 f2fg|
afdc Bdgb|b2a2 a2fa|gfge cBcd|e2dc d2 :|
K:G
Bc|dGBd e^GBd|eAce f^A^ce|fBdf gBeg|agec A2dc|
BDGB d2cB|AcAB cAdc|BDGB ADFA|GBAF G2 :|
GF|EB,EG B2EB,|EGB2 B2AG|FAFE D2FG|AFDF A2GF|
EB,EG B2EB,|EGB2 B2AG|F2ED B2AF|B2E2E2 :|

source version:
de|fBdf eAce|dGBd cF^Ac|(3B^AB (3dBd (3fdf (3b^gb|afdf a2de|
"5"fBdf eAce|dGBd cF^Ac|BfdB AecA|F^Adc B2||
|:fg|"9"afdc Bdgb|b2a2 a2fa|a2g2 g2ga|g2f2 f2fg|
"13"afdc Bdgb|b2a2 a2fa|gfge cBcd|(3efe dc d2 :|
K:G
Bc|"17"dGBd e^GBd|eAce f^A^ce|fBdf gBeg|agec A2dc|
"21"BDGB d2cB|(3ABc AB cAdc|B/c/B/D/ GB A/B/A/D/ FA|GB (3AGF G2 :|
GF|"25"EB,EG B2EB,|EGB2 B2AG|FAFE D2FG|AFDF A2GF|
"29"EB,EG B2EB,|EGB2 B2AG|F2ED B2AF|(3BdB E2E2 :|

%%%

X:59069
T:JOHN McGRATH'S COMPOSITION (reel)
C:ABC/arr. BB
C:"(John McGrath) New York" % (O'Brien's note)
%Q:1/4=180
M:C
R:reel
K:D
Bc|dFF2 AFFE|DEFD EB,B,2|A2FA BFAF|EDEF E2Bc|
[1 dFF2 AFFE|DEFD EB,B,2|A2FA BFAF|EDEF D2 :|
[2 dcde cBcd|BGBd AFF2|D2FA BFAF|EA,CE D2||
c|d2fd edfd|BABd AFF2|D2FA BFAF|1 EDEF E2Bc|
d2fd edfd|BABd AFF2|D2FA BFAF|EDEF D3:|
[2 EDEF E2de|fdba gdd2|BABd AFF2|D2FA BdAF|EA,CE HD4|]

%%%

X:59070
T:JOHNNY THE DAISY-O
C:ABC/arr. BB
N:A close relative of "Gallant Tipperary Boys". I reworked the
second part to put a bit of contrast to the first part. 
%Q:1/4=160
L:1/8
M:6/8
R:jig
K:D
A|dAF DFA|B2A A2A|d2d ede|f2d def|
gfe f2d|edc d2A|BAG FGA|B2A A2 :|
e|d2c dfa|b2g a2g|fed ede|fga baf|
gfe f2d|edc d2A|BAG FGA|1 B2A A2 :|\
[2 B2c Hd3|]

source version:
K:D % originally C
A|dAF DFA|B2A A2A|d2d ede|f2d def|
gfe f2d|edc d2A|BAG FGA|B2A A2A ||
d2d d2A|B2A A2A|d2d ede|f2d def|
g2e f2d|edc d2A|BAG FGA|1 B2A A2 :|\
[2 B2d d3|]

%%%

X:59071
T:KILDARE FANCY (hornpipe), The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:D
E2|F2DF AFDB|A2FA fedc|B2Be gefd|e2dB A2GE|
F2DF AFDB|A2FA fedc|B2Be gefd|c2Ac d2 :|
de|fdce BdAF|DAde fdcd|eAA2 fAA2|e2dB A2de|
fdce BdAF|DAde fdcd|eAfA gAfA|c2Ac d2 :|

source version:
E2|(3FGF DF AFDB|(3ABA FA fedc|B/c/B/A/ Be gefd|(3efe (3dcB (3ABA (3GFE|
(3FGF DF AFDB|(3ABA FA fedc|B/c/B/A/ Be gefd|(3cec (3ABc d2 :|
de|fd (3cde (3Bcd AF|DAde fdcd|eAA2 fAA2|(3efe (3dcB A2de|
fd (3cde (3Bcd AF|DAde fdcd|eAfA gAfA|(3cec (3ABc d2 :|

%%%

X:59072
T:KILDERRY HORNPIPE, The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:D
c|d2FA BAFA|dAfd ecAe|f2df gfed|c2A^G A2Bc|
d2FA BAFA|dAfd ecAe|f2df gfec|dafa d2 :|
%
fg|afde fdaf|bged ceag|fgaf bged|1 c2A^G Aef=g|
afde fdaf|bged ceag|fgaf bgec|dafa d2 :|
%
[2 c2A^G A^ABc|d2FA BAFA|dAfd ecAe|f2df gfec|
dafa Hd4|]

source version:
(3ABc|d2FA BAFA|dAfd ecAe|(3fgf df gfed|(3cec A^G A^ABc|
"5"d2FA BAFA|dAfd ecAe|(3fgf df gfec|dafa d2 :|
fg|"9"afde fdaf|bged ceag|fgaf bged|(3cdc A^G Aef=g|
afde fdaf|bged ceag|fgaf bgec|dafa d2 ||
fg|"17"afde fdaf|bged ceag|fgaf bged|(3cec A^G A^ABc|
"21"d2FA BAFA|dAfd ecAe|(3fgf df gfec|dafa d4-|d8|]

%%%

X:59073
T:KILLALOE POLKA, The
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:C|
R:polka
K:D
G|AD FD|AB/F/ EF/G/|AD GE/D/|CEE F/G/|
AD FD|AB/F/ E>F|GE cA/G/|EDD :|
c|AB/c/ dc|AB c2|E>F GF|EF GE|
AB/c/ dc|AB c2|G>E cE|EDD2|
AB/c/ dc|AB c2|E>F GF|EFGE|
AB/c/ dc/d/|ed cA|G>E cE|EDHD2|]

%%%

X:59074
T:KILLYBEGS HOUSE (reel)
C:ABC/arr. BB
N:In the "Windy Gap"/"Ah Surely" family.
%Q:1/4=180
M:C
R:reel
K:G
A^GAc B=GGA|BGBd gedB|A^GAc B=GGD|e2dc BGGB|
A^GAc B=GGA|BGBd gfga|bgag efgd|e2dc BGG2 ||
bgg2 agef|gage dega|bgg2 aged|eaag eaba|
bgg2 agef|gage dega|bgag eagd|e2dc BGG2 |]

%%%

X:59075
T:LAD O'BEIRNE'S DREAM (reel)
T:Stony Steps
C:ABC/arr. BB
N:1:O'Brien has "O'Byrne's" - excusable since that was the family
that owned Copley Records, for whom he recorded! (Thanks to Brian
Conway for the alternate name.)
%Q:1/4=180
M:C
R:reel
K:D
DFAB dFF2|ABdf e2d2|FAA2 BFAF|FEAG FDDF|
[F3A3]B AFF2|ABdf e2d2|FAAc BGAF|FEAG FDD||
g|fddc defg|bfbf afeg|(3fed ed fded|BdAG FDDe|
fddc defg|afbf afeg|fefd efdg|fgaf gfec||"final"Hd4z4|]

%%%

X:59076
T:LARK ON THE STRAND, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
D|E3 EDE|FDB, DB,D|EFD EFA|BdA BAF|
EFE EDE|FDB, DEF|DB,A, D2E|FBF AF :|
E|DFA d2A|dfe dAF|DFA d2A|BAF AFE|
DFA dAB|dfe d^cd|efe edB|1 "thru"BAF AF :|
[2 "final"BAF AFD|HE3z3||

%%%

X:59077
T:LAST NIGHT'S FUN (reel)
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:D
B|ADFD A2Bd|AEFD FABd|ADFD A2Bd|egfe dBB2|
ADED A2Bd|ADED FABd|ADED A2Bd|egfe dBA||
B|dff2 aff2|dff2 egfe|dff2 aff2|egfe dBAB|
dff2 aff2|dff2 e2fg|afbf afeg|2ed BGAF|HD4z4|]

%%%

X:59078
T:LEG of the DUCK, The 
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:D
e|fdd edd|fef dBA|Bee e2 d|Bee ede|
fdd edd|fef dBA|Bdd d2A|Bdd d2:|
e|fga efg|fef dBA|Bee ede|Bee e2g|
fga efg|fef dBA|Bdd d2A|Bdd d2:|

%%%

X:59079
T:LEINSTER HORNPIPE, The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
c|B2AB A2FA|G2gf edBG|FGAB cdef|gdBG Aedc|
B2GB A2FA|G2gf edBG|FGAB cdef|1 gdbd gfed :|\
[2 g2f2 g2 ||
e|dgfg dgBG|dgfg bagf|eAfA gAfA|edcB dcBA|
GBDB GBDB|G2gf edBG|1 "thru"FGAB cdef|g2f2g3 :|
[2 "final"gdbd gfed|g2 f2 g4|]

source version:
dc|B2AB A2FA|G/A/G/F/ gf edBG|FGAB cdef|gdBG Aedc|
(3BcB GB (3ABA FA|G/A/G/F/ gf edBG|FGAB cdef|1 gdbd gfed :|\
[2 g2 f2 g2 ||(3Bcd|dgfg dgBG|dgfg bagf|eAfA gAfA|edcB dcBA|
GBDB GBDB|G/A/G/F/ gf edBG|FGAB cdef|1 g2f2g2 :|2 gdbd gfed|\
"final"g2 f2 g4|]

%%%

X:59080
T:LIMESTONE ROCK (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
dc|BGG2 AGG2|DGG2 A2dc|BGG2 AGAB|cA BG Aedc|
BGG2 AGG2|DGG2 A2dc|BGG2 AGAB|cA BG A2||
Bd|e2dB e2dB|e2dB A2Bd|eBB2 gBB2|cABG A2Bd|
egg2 eaa2|gedB A2Bd|eggf gabg|agef Hg4|]

%%%

X:59081
T:LIVERPOOL HORNPIPE, The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:D
AG|FDFA dfaf|gefe dcBA|GBEB FADA|FADA GFED|
FDFA dfaf|gefe dcBA|dfaf bgec|dafa d2 :|
(3ABc|dfAf ceBe|ceBe dcBA|GBEB FADA|FADA GFED|
FDFA dfaf|gefe dcBA|dfaf bgec|dafa d2 :|

%%%

X:59082
T:MAID OF MOUNT KISCO, The
C:P. Killoran
C:ABC/arr. BB
N:O'Brien's modal second part is a nice addition to this "session
chestnut"! (Wonder if Derrane had anything to do with that . . .)
%Q:1/4=180
M:C
R:reel
K:Ador
A|EAA2 BAAD|EAA2 BAAD|EGGF AGGG|EGDG EGDG|
EAA2 BAAD|EAA2 BcBd|edef gage|1 dBGB AcB :|\
[2 dBGB AGE||
K:Amix
G|A2cA eAcA|G2BG DGBG|A2cA eAcA|BdgB dBGB|
A2cA eAcA|G2BG DGBG|A2cA eAcA|BdgG BAA||
K:Ador
d|eaab agef|gedB GABd|eaab agef|gede g2df|
abaf gage|dedB GBdf|eAAB gage|1 "thru"dBGB ABc :|
[2 "final"dBGB AcBG|HA4z4|]

%%%

X:59083
T:MAMMA'S PET (reel)
C:ABC/arr. BB
%Q:1/4=180
M:4/4
L:1/8
R:reel
K:Ador
G2 FG EDEF|G2 BG dGBG|G2 FG EFGA|Beed BA A2|
G2 FG EDEF|G2 BG dGBG|G2 FG EFGA|Beed BA A2:|
eAcA eAcA|G2 BG dGBG|eAcA eAcA|Bded BA A2|
eAcA eAcA|G2 BG dGBG|efed BAGA|Bded BA A2:|

%%%

X:59084
T:McCARTHY'S HORNPIPE
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:A
E2|AGAc ecAc|dcdf ecAc|defd cdec|BAGA BdcB|
AGAc ecAc|dcdf edfg|aecA dBGB|Aaec A2 :|
fg|aece fece|Aece fece|defd cdec|BAGA BdcB|
AGAc ecAc|dcdf edfg|aecA dBGB|Aaec A2 :|

%%%

X:59085
T:McDONOUGH'S HORNPIPE
T:Galway, Flowers of Antrim
C:ABC/arr. BB
N:2:There are two separate tunes here: measure 1-16 is the one usually referred
to as "Galway Hornpipe" (e.g. Foinn Seisiun fs.3/035galw_h), while O'Neill 
calls measure 17-32 "Flowers of Antrim" (in G in ONMI1850, file name onmi.hps/065fant). "Flowers" is also called "McDermott's". Both tunes have other names (naturally!)
N:3:The /c/ in m. 27 is usually played as natural.
%Q:1/4=150
M:C|
R:hornpipe
K:D
P:The Galway Hornpipe
A,|D2FA dAFD|CDEF GECA,|D2FA dcdf|e2dB A2GE|
D2FA dAFD|CDEF GFEC|DdcB A2FE|F2D2D3 :|
e|fefg fedc|BABc B2cd|e^def e=dcB|AFdF A2Bc|
dcde fdAF|GFGA BdcB|AdcB A2GE|F2D2D3 :|
%
P:Flowers of Antrim/McDermott's
e|dcdA FABA|GFGE C2ED|CDEF GBcd|e2dB A2fe|
dcdA FABA|GFGE C2ED|CDEF GABc|dAfA d2 :|
B|A2dF A2dF|A2dF A2GF|Ee=cG EecG|Ee=cB G2FG|
A2dF A2dF|A2dF A2GF|Dged cABc|dAfA d2 :|

source versions:
P:The Galway Hornpipe
A,|D2FA dAFD|CDEF GECA,|D2FA dcdf|(3efe (3dcB (3ABA (3GFE|
"5"D2FA dAFD|CDEF GFEC|DdcB (3ABA (3GFE|F2D2D2 :|
de|"9"f^efg fedc|B/c/B/A/ Bc B2cd|e^def e=dcB|AFdF A2 (3ABc|
"13"dcde fdAF|GFGA (3Bcd cB|AdcB (3ABA (3GFE|F2D2D2 :|
%
P:Flowers of Antrim/McDermott's
fe|"17"dcdA FABA|GFGE C2ED|CDEF GBcd|(3efe (3dcB A2fe|
dcdA FABA|GFGE C2ED|CDEF GABc|dAfA d2 :|
AB|"25"(3AFA dF (3AFA dF|(3AFA dF A2GF|EecG EecG|EecB G2FG|
(3AFA dF (3AFA dF|(3AFA dF A2GF|Dged cABc|dAfA d2 :|

%%%

X:59086
T:MISS CASEY'S 
C:ABC/arr. BB
N:"The Orphan" is a close 3-part relative of this (see entry
in mvbt2 folder)
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:Em
D|EFE EDB,|GFG AGA|BdB ABA|GEE DB,D|
EFE EDB,|GFG AGA|BdB ABA|GEE E2:|
d|efe edB|AGA def|edB ABA|GEE DB,D|
[1 efe edB|AGA def|edB ABA|GEE E2 d|
[2 EFE EDB,|GFG AGA|BdB ABA|GEE HE3|]

%%%

X:59087
T:MISS McLEOD'S REEL
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
G2BG DGBG|BcBA B2AF|G2BG DGBG|AFDF AcBA|
G2BG DGBG|BcBA Bcd2|efed Bdef|gedB AcBA :|
G2gf efg2|BcBA B2AF|G2gf efgf|agfe dcBA|
G2gf efg2|BcBA Bcd2|efed Bdef|gedB AcBA:|
"final"HG4z4|]

%%%

X:59088
T:MISS MONA(G)HAN'S REEL
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:D
FE|D2FD FAA2|BcBA FAA2|dedB ABde|fedf edAF|
D2FD FAA2|BcBA FAA2|dedB AdcB|AGFE D2 :|
df|a2ab afdf|gagf edBc|dedB ABde|fede eAdf|
a2ab afdf|gagf edBc|dedB AdcB|AGFE D2 :|

%%%

X:59089
T:MIST ON THE MEADOW
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
B|cec BdB|AGA BGE|DGG AGA|BdB GAB|
cec BdB|AGA BGE|DGG AGA|BGG G2:|
B|GBd gfg|ede gdB|GBd gdB|AGA BGE|
GBd gfg|ede gdB|GAB Adc|BGG G2 :|

%%%

X:59090
T:MORAN'S HORNPIPE
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:D
AG|F2E2 DEFG|ABA^G A2de|fdge agec|d2 AF GBAG|
F2E2 DEFG|ABA^G A2de|fdge agec|d2ec d2 :|
ag|fefg ageg|fefg agef|aged cdec|dBAF G2ag|
[1 fefg ageg|fefg agef|aged cdef|d2ec d2 :|
[2 F2E2 DEFG|ABA^G A2de|fdge agec|d2ec Hd4 |]

source version:
AG|(3FGF (3EFE DEFG|ABA^G A2de|fdge agec|d2 AF GBAG|
"5"(3FGF (3EFE DEFG|ABA^G A2de|fdge agec|d2 d/f/d/c/ d2 :|
ag|"9" f/a/f/e/ fg ageg|f/a/f/e/ fg agef|aged cdec|dBAF (3GAG ag|
"13" f/a/f/e/ fg ageg|f/a/f/e/ fg agef|aged cdef|d2 d/f/d/c/ d2 ||
ag|"17"f/a/f/e/ fg ageg|f/a/f/e/ fg agef|aged cdec|dBAF GBAG|
"21"(3FGF (3EFE DEFG|ABA^G A2de|fdge agec|d2 d/f/d/c/ d2 |]

%%%

X:59091
T:MOUNTAIN (hornpipe), The
C:ABC/arr. BB
N:I don't think I've run across this lovely tune anywhere else!
%Q:1/4=150
M:C|
R:hornpipe
K:G
A|G2gd edBA|G2gd edBG|DGBG AGBG|DGBd cBAB|
G2gd edBA|G2gd edBd|gfgd ecAF|G2AF G3 :|
c|BABc d2d2|cBcd e2e2|AGAB cBcA|Ggfa g2g2|
dcdg eceg|fdfa gfge|dBdg ecAF|G2AF G3 :|

%%%

X:59092
T:MUG OF BROWN ALE, The
C:ABC/arr. BB
N:ONMI1850 calls this "Old Man Dillon"
%Q:1/4=160
M:6/8
R:jig
K:Ador
F|EAA ABd|edB c2A|BGG DGG|Bdc BAG|
EAA ABd|ede abg|edc Bcd|eAA A2 :|
f|gef g2a|gef g2d|BGG DGG|Bdc BAG|
[1 geg g2a|gef g2d|edc Bcd|eAA A2 :|
[2 EAA ABd|ede abg|edc Bcd|eAA HA3|]

%%%

X:59093
T:MURPHY'S HORNPIPE
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
EF|GABG EFGE|ABcA FGAF|GBdg ecAG|FGAF DEFD|
GABG EFGE|ABcA FGAF|GBdg ecAF|GgdB G3 :|
Bc|dedc BcdB|efed cdef|gfgd ecAG|FGAF DEFD|
GABG EFGE|ABcA FGAF|GBdg ecAF|GgdB G3 :|

%%%

X:59094
T:MY LOVE IS BUT A LASSIE (polka)
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:2/4
R:polka
K:D
e|dA FA|dd df/e/|dA FA|Be ef/e/|
dA FA|Bg fe|dB/A/ Bd/e/|fdd :|
g|afge|fd d/e/g|af g>a/|be e>g|
af ge|dg fe|dB/A/ Bd/e/|fdd :|

%%%

X:59095
T:NIGHT I SPENT DOWN AT BRADY'S, The
C:ABC/arr. BB
%Q:1/4=160
N:I'm not sure if the accented F's are meant to be natural or
sharp. There are three F's clearly marked as sharp (mm 7,15,23)
but none of the others have any markings at all. Basically your
guess is as good as mine. The MP3 will have all F sharps.
M:6/8
L:1/8
R:jig
K:G
D|D2G GFG|ABc d2e|fef ded|cAG FDC|
D2G GFG|ABc d2 e|fed BA^F|G3 G2:|
f|gfg def|gfg a2 g|fef ded|cAG F2 f|
gfg def|gfg a2 g|fed cA^F|G3 G2:|
f|gfg def|gfg a2 g|fef ded|cAG FDC|
DGG GFG|ABc d2 e|fed cA^F|G3 G2:|

%%%

X:59096
T:NORAH CRIONA
C:ABC/arr. BB
N:O'Brien has "Creina"
%Q:1/4=160
M:6/8
R:jig
K:G
G2G G2A|B2G d2B|G2G G2B|A2B cBA|
G2G G2A|B2G d2B|A2e e^de|A2B cBA :|
d2d d2c|B2G d2B|d2d d2B|A2B cBA|
d2d d2c|B2G d2B|A2e e^de|A2B cBA :|"final"HG3z3|]

%%%

X:59097
T:NORAH DALY (polka)
C:ABC/arr. BB
N:This is the melody of the song "Muirshin Durkin".
%Q:1/4=110
L:1/8
M:2/4
R:polka
K:D
E|FF ED|EA-AB|cA GE|FD-DE|
FF ED|EA-AB|cA GE|D2-D:|
A|dd ed|cA-AB|cA GE|FD-DA|
dd ed|cA-AB|cA B^G|A3A|
dd ed|cA-AB|cA GE|FD-DA|
FF ED|EA-AB|cA GE|D4|]

%%%

X:59098
T:NORRIE LEARY 
C:ABC/arr. BB
%Q:1/4=160
L:1/8
M:6/8
R:jig
K:G
A|BdB G2D|EFG D2c|BdB GAB|c3 A2c|
BdB G2D|EFG D2F|EFG AFD|G3 G2:|
A|Bdd dBd|BdB G2A|Bdd dBG|c3 A3|
Bdd dBd|BdB G2D|EFG AFD|G3 G2:|

%%%

X:59099
T:NOVA SCOTIA (barn dance), The
C:ABC/arr. BB
%Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:G % source key = A
Bc|dedB GBdg|f2c2 c2AB|cdcB ABcd|e2d2 B3c|
dedB GBdg|f2e2 a3g|fgfe dcBA|G2B2G2 :|
d2|B2d2 d^cde|d2c2 cBAB|A2e2 e^def|e2d2B3c|
[1 d2e2f2g2|g2f2 fefg|f2e2 e^def|e2d2 d2 :|
[2 d2e2f2g2|a2g2 e3g|fgfe dcBA|G2B2HG4|]

%%%

X:59100
T:O'CONNELL'S REEL
T:Honeymoon Reel
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
dc|BGG2 DGG2|Bdef gedc|BGG2 DGG2|BedB Aedc|
BGGG DGGG|Bdef gfga|bgaf gfed|e2dB A2 :|
Bd|edef edBG|Bdef gedc|BGGE DGGA|BedB A2Bd|
edef edBG|Bdef gfga|bgaf gfed|1 "thru"e2dB A2 :|
[2 "final"e2dB ADEF|HG4z4|]

%%%

X:59101
T:O'KEEFFE'S HORNPIPE
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
EF|GFGA BGBd|gfga bgdB|AGAB cBcg|afge dBcA|
GFGA BGBd|gfga bgdg|egdc BGAF|G2AF G2 :|
Bc|dedc Bcdf|ecAG FAdc|Bdfa gfgf|ecAG FAdB|
GFGA BGBd|gfga bgdg|egdc BGAF|G2AF G2 :|

source version:
(3DEF|GFGA BGBd|gfga bgdB|AGAB cBcg|(3agf (3gfe dBcA|
GFGA BGBd|gfga bgdg|(3efg dc BGAF|G2 G/A/G/F/ G2 :|
Bc|dedc Bcdf|ecAG FAdc|Bdfa gfgf|ecAG (3FGA dB|
GFGA BGBd|gfga bgdg|(3efg dc BGAF|G2 G/A/G/F/ G2 :|

%%%

X:59102
T:OFF TO CALIFORNIA (hornpipe)
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
EF|GFGB AGED|GBdg e2df|gfgd edBG|ABAG E2DF|
GFGB AGED|GBdg e2df|gfgd edBG|AGAB G2 :|
fg|gfeg fedf|edef edBd|gfgd edBG|ABAG E2DF|
G2BG AGED|GBdg e2df|gfgd edBG|AGAB G2 :|

source version:
(3DEF|GFGB AGED|GBdg e2 (3def|gfgd edBG|ABAG E2 (3DEF|
GFGB AGED|GBdg e2 (3def|gfgd edBG|AGAB G2 :|
(3efg|gfeg fedf|edef edBd|gfgd edBG|ABAG E2 (3DEF|
G2BG AGED|GBdg e2 (3def|gfgd edBG|AGAB G2 :|

%%%

X:59103
T:OLD BLACKGUARD (barn dance), The
C:ABC/arr. BB
%Q:1/4=150
L:1/8
M:C|
R:hornpipe
K:D
Bc|d2F2 A2BA|G2C2E3D|CDEF GFGA|B2AG A2Bc|
d2F2 A2BA|G2c2 e3f|gfed cABc|d2d2d2 :|
AG|F2A2 dfed|c2B2 G3d|c2B2 EFGA|B2AG ABAG|
F2A2 dfed|c2B2G3f|gfed cABc|d2d2d2 :|

source version:
(3ABc|d2F2 A2BA|G2C2E3D|CDEF GFGA|(3BcB A2 A2(3ABc|
d2F2 A2BA|G2c2e3f|gfed cABc|d2d2d2 :|
AG|F2A2 dfed|c2B2G3d|c2B2 EFGA|(3BcB A2 ABAG|
F2A2 dfed|c2B2G3f|gfed cABc|d2d2d2 :|

%%%

X:59104
T:OLD DUDEEN (reel), The
C:ABC/arr. BB
N:O'Brien gives no source for this but it may be a composition of 
John McGrath's. ("Old" is sometimes omitted.)
%Q:1/4=180
M:C
R:reel
K:D
fe|dBBA FEFA|dcde fgfe|dBBA FEFA|BdcA B2BA|
BcBA FEFA|dcde fgfe|dBBA FEFA|BdcA B2||
Bc|dcBc dcBc|fbbf afef|dcBc dcde|fbaf e2de|
fBBc dcde|fbbf aff2|bff2 aff2|bfaf e2dc||"final"HB4z4|]

%%%

X:59105
T:OLD SEA CAPTAIN (hornpipe), The
C:ABC/arr. BB
N:As I listened to this tune I began to think that it might be a D 
modal (= all c's natural) rather than straight D as O’Brien has it. 
Well, that didn't work out, so I kept the C's sharp except for the 
accented ones in mm 4 and 12.
%Q:1/4=150
M:C|
R:hornpipe
K:D
Bc|d2ec ABce|dcAF DEFG|ABGA FGAB|=c2A2 A2B^c|
d2ec ABce|dcAF DEFG|ABGA FGEF|D2DE D2 :|
AB|Acde fefg|fdec dcAG|A2AG FGAB|=c2A2 A3g|
fdec d2cA|BGAF DEFG|ABGA FGEF|D2DE D2 :|

%%%

X:59106
T:PADDY CRONIN'S FAVORITE
T:Dark Girl
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:C|
R:polka
K:D
FA Ad|Bd A>F|GB AF/A/|BE GF/E/|
DF Ad|Bd A>F|GB A/B/G|FD Dz :|
FA Ad/e/|f>d ed|Bd AF/A/|BE GE/F/|
DF Ad/e/|f>d ed|Bd A/B/G|FDDz :|

%%%

X:59107
T:PADDY IN LONDON
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:Ador
f|eAA fAA|gfg age|dBG GFG|BGG Bcd|
eAA fAA|gfg age|dBd gdB|ABA A2 :|
d|efg a^ga|aba age|dBd gdg|gba ged|
[1 efg a^ga|aba age|dBd gdB|ABA A2 :|
[2 efg a2b|c'bc' age|dBd gdB|ABA A3|]

%%%

X:59108
T:PADDY on the TURNPIKE (reel)
C:ABC/arr. BB
N:This is O'Brien's arrangement, with two added parts and all F's sharp. 
It's a very nice setting of a tune that as played today - as two parts 
consisting of mm 1-16 below - replaces the F sharps with F naturals 
(except in mm 8 and 16). "Flowers of Limerick" is another name for the 
tune played this way (cf. Allan's Irish Fiddler, tunefolder 11).
%Q:1/4=180
M:C
R:reel
K:G
GF|DGGF G2GA|BGcA BGAF|DFFE F2FG|AGAc BGFE|
DGGF G2GA|BAGA Bcde|fefd cAFA|BGAF G2 :|
GA|Gggf g2ga|bgga bgaf|d^cde fefg|abag fdcA|
dggf g3d|BAGA Bcde|fefd cAFA|BGAF G2 :|
GF|DGGA BAGB|dcBd cBAG|FGAB cAFA|cBcA BGAF|
GFGA BABd|cBAB cdeg|fefd cAFA|BGAF G2 :|
df|gddf gbag|fede fgaf|eccd efge|dcBA GcBA|
G2GA BABd|cBAB cdeg|fefd cAFA|BGAF G2 :|

%%%

X:59109
T:PAPA'S PET (reel)
C:ABC/arr. BB
%Q:1/4=180
M:4/4
L:1/8
R:reel
K:Ador
EAA2 BGG2|BGdG eGdG|EAA2 BGG2|BGdB cAAG|
EAA2 BGG2|Bdd2 edBe|eBde gbaf|gedB cA A2:|
eaa2 egdB|A2GA Bd d2|eabg a2 ga|bg g2 bgag|
abga egdB|ABGA Bd d2|e3f g2af|gedB cA A2:|

%%%

X:59110
T:PET OF THE PIPERS, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:A
E|A3 cBA|ecA aec|A3 cBA|BGE dBG|
A3 cBA|ecA aec|fga ecA|dBG A2:|
e|aga fga|gba gfe|aga fga|bag afg|
afg edc|fed cBA|fga ecA|dBG A2:|

%%%

X:59124
T:SPEED the PLOW (reel)
C:ABC/arr. BB
N:This tune is called "Peter Street" in the book. Not sure why that
happened but in any case I replaced O'Brien's title with one usually 
associated with this tune.
%Q:1/4=180
M:C
R:reel
K:D
d3A BAFB|AFF2 EDDE|F2AF G2BG|ABde fdd2:|
faa2 afdf|g2fg edBd|faa2 afdB|ABde fdd2|
faa2 afdf|g2fg edBd|A2AF G2BG|ABde fdd2|]

%%%

X:59111
T:PLAINS OF BOYLE (hornpipe), The
C:ABC/arr. BB
N:Source doesn't have C natural in m.4.
%Q:1/4=150
M:C|
R:hornpipe
K:D
B|AFDF AFDB|A2GB AFDe|fedf edce|dcAB cAGE|
ADDF AFDB|A2GB AFDe|f2e2 d2A2|F2D2D2 :|
fg|afdf gfec|dfed BAFA|BAFA BAGA|B2GA BAFf|
agfa gfec|dfed BAFG|A3F GBAG|F2D2D2 :|

source version:
B|AFDF AFDB|(3ABA GB AFDe|fedf edce|dcAB cA (3GFE|
ADDF AFDB|(3ABA GB AFDe|(3fgf (3efe d2 (3ABA|(3FAF D2D2 :|
fg|afdf gfec|dfed BAFA|B/c/B/A/ FA BAGA|B/c/B/A/ GA BAFf|
agfa gfec|dfed BAFG|A3F GBAG|(3FAF D2D2 :|

%%%

X:59112
T:PRETTY GIRLS of the VILLAGE (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:D
ABdf e2dB|AFDE FEE2|ABdf e2df|afeg fdd2 :|
faa2 gbb2|afef dBB2|fdef gbab|afef d4|
faa2 gbb2|afef dBB2|A2FG ABdf|afeg fdHd2|]

%%%

X:59113
T:QUARRELSOME PIPER (hornpipe), The
C:ABC/arr. BB
N:O'Brien's "florid" setting of this lovely tune. Proceed with his
version at your peril. Mine, on the other hand, is "borrowed" from 
O'Neill - lots more "user-friendly"!
%Q:1/4=150
M:C|
R:hornpipe
K:G
EF|G2F2 E2D2|BDGB AGEF|GBdf edcA|Ggfe d2cA|
G2F2 E2D2|BDGB AGEF|GBdf edAF|GBAF G2:|
B2|eBB2 gBB2|eBgB eBB2|dAA2 fAA2|dgfe d2cA|
G2F2 E2D2|BDGB AGEF|GBdf edAF|GBAF G2:|

source version:
(3DEF|(3GAG (3FGF (3EFE d2|BDGB AG E/F/E/D/|
GBdg ecAG|(3FGA (3GFE (3DGB dD|
(3GAG (3FGF (3EFE d2|BDGB AG E/F/E/D/|GBdg (3ecA (3DEF|
(3GBd (3gdB G2 :|(3Bcd|(3eBB (3BBB (3gBB (3BBB|
(3eAA (3AAA (3fAA (3AAA|eAfA eAfA|dgfe d2 cA|
(3GAG (3FGF (3EFE d2|BDGB AG E/F/E/D/|GBdg (3ecA (3DEF|
(3GBd (3gdB G2 :|

%%%

X:59114
T:RAKISH PADDY (reel)
C:ABC BB, arr. JOB
N:Another O'Brien arrangement of a "chestnut"!
%Q:1/4=180
M:C
R:reel
K:Dmix
AB|c2cB c2AB|cBAG EGG2|Add^c d3c|dBAG FDAB|
cedB c2AB|cBAG EGG2|DEFG ABc^c|dBAG FD :|
cd|egg2 aggf|eggf ecc2|eaa2 baaf|eaaf gfed|
egg2 aggf|egge defg|afge fde^c|dBAG FD :|
AB|c2gc ecgc|ecgc ecc2|d2ad fdad|fdad fdd2|
c2gc ecgc|ecgc defg|afge fde^c|dBAG FD :|
cd|egg2 ecc2|ecgc ecc2|faa2 fdd2|fdad fdd2|
egg2 ecc2|ecgc defg|afge fde^c|1 "thru"dBAG FD :|
[2 "final"dBAG FDAB|Hd4z4|]

%%%

X:59115
T:RED HAIRED LASS (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:G
BGGF G2BG|G2BG AGED|DGG2 BGBd|egdB cBAF|
BGGA G2BG|G2BG AGED|DGG2 BGBd|egdB cBAB||
d2 gd edgd|d2gd edBd|d2 gd edef|gedB cBAB|
d2 gd edgd|d2 gd edBd|c4 B3A|G2Bd efgd||"final"Hg4z4|]

%%%

X:59116
T:ROAD TO THE ISLES (hornpipe), The
C:ABC/arr. BB
N:"Scotch"
%Q:1/4=150
M:C| 
R:hornpipe
K:A
EA|c4 ecBc|ABAG F2AG|FDFG ABce|B6 EA|
c4 ecBc|ABAG F2d2|cecA EGBG|A4-A2 :|
cd|eEEB cEEB|ABAG F2AG|FDFG ABce|B6 cd|
eEEd cEEG|ABAG F2d2|cecA EGBG|A4-A2 :|

%%%

X:59117
T:ROSE in the HEATHER, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:D
D|FAF EFE|DFA BAF|Adf ede|fdB AFE|
FAF EFE|DFA AFA|BdB AFE|FDD D2 :|
e|fdB ABd|faa afd|gag fed|Bee efg|
fdB ABd|faa afd|bag afe|fdd d2 :|

%%%

X:59118
T:ROSSPORT REEL, The
C:ABC/arr. BB
N:A version of "The Providence Reel"
%Q:1/4=180
M:C
R:reel
K:D
EDEB, D2FA|defd g2fg|edBd A2dA|B2AF EDEF|
DEFD ADED|defd g2fg|edBd A2dA|B2AG FDD2 :|
fdcd fdge|fdcd ecAg|fdcd f2ed|efge fddf|
fgaf gfec|dcAF G2BG|A2GB A2ag|faeg fdd2 :|

%%%

X:59120
T:SAILOR'S BONNET (reel), The
C:ABC/arr. BB
%Q:1/4=180
N:Note A-BB structure.
M:C
R:reel
K:D
A2FA dffe|dfef dBB2|A2FA dffe|dBGE FDD2:|
faab afdf|afef dBB2|gbbc' bafa|baaf fee2|
bafg afdf|afef dBB2|A2FA dffe|dBGE FDD2 :|

%%%

X:59119
T:SAILOR'S HORNPIPE, The
C:ABC/arr. BB
N:1:O'Brien's is kind of a "box player special" version of this
well-known tune. 
N:2:There's a setting of this ONMI1850 called "Jack's the Lad" 
(onmi.hps/101jlad). Yes, this is Popeye's theme song!
%Q:1/4=150
M:C|
R:hornpipe
K:G
gf|g2G2G2dc|Bdgf gbag|a2A2A2ag|f2d^c d2df|
gfed edcB|cBAG AGFE|DGFA GBAc|B2G2G2 :|
dc|Bdgd Bdgd|e2c2c2ed|^ceae ^ceae|f2d2d2cB|
c2e2 edcB|cBAG AGFE|DGFA GBAc|B2G2G2 :|

source version:
K:D
dc|d2D2D2AG|FAdc dfed|e2E2E2ed|cea^g a2ac'|
d'c'ba bagf|gfed edcB|Adce dfeg|f2d2d2 :|
AG|FAdA FAdA|B2G2G2BA|^GBeB GBeB|c2A2A2gf|
g2b2 bagf|gfed edcB|Adce dfeg|f2d2d2 :|
P:BB version in G

%%%

X:59121
T:SAND'S HORNPIPE
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
ef|g2dB GBed|cBAG FADF|GABc dBGB|Adce d2ef|
g2dB GBed|cBAG FADF|GBdB ecAF|GgdB G2 :|
cB|ABAG FDEF|GABc dBGB|cBcd edcB|Adce d2ef|
g2dB e2cA|d2 Bd cAFA|GBdB ecAF|GgdB G2 :|

%%%

X:59122
T:SLIEVENAMON HORNPIPE, The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
BA|GDB,D EDB,D|GBAG E2DF|GBdf gdBg|cBAG Fedc|
BGFG EDB,D|GBAG E2DF|GBdg egdc|B2G2G2 :|
Bc|dgg2 bgg2|dgbg agfg|afab [c'a]bag|egfe dcBc|
dgg2 bgg2|d2bg egdA|Bdgd BdcA|B2G2G2 :|

%%%

X:59123
T:SOUTHERN SHORE (hornpipe), The
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
EF|GABG DFAF|GABG D2GF|EFAB cBAF|Gd^cd fd=cA|
GABG DFAF|GABG D2GF|EFAB cAFA|GgdB G2 :|
AG|Fdd^c d2AG|Fdd^c d2ed|^cdef gece|dAfA dedc|
B2A2 Gded|cBAG F2Bd|gfgd ecAf|GgdB G2 :|

%%%

X:59125
T:SPORTSMAN'S FANCY (reel), The
C:ABC/arr. BB
%Q:1/4=180
M:C
R:reel
K:Ador
edBA G3A|Bdef g2fg|edBA GAB^c|d2ed BAA2:|
eaag bgag|eaaf g2fg|eaag bgaf|gedB BAA2|
eaag bgag|eaaf gfga|bgaf gfed|Bdef gfag||"final"Ha4z4|]

%%%

X:59126
T:SQUARE DANCE POLKA, The
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:C|
R:polka
K:G
f|gB dG|Bd de/d/|cA AB/d/|ed de/f/|
gB dG|Bd de/d/|cA A/F/G|A2 G :|
K:D
F|AB/c/ df/g/|ag f>g|a_a ge|ba ^ga|
AB/c/ df/g/|a af>g|ag e/c/d|ed d :|

source version:
K:G
e/f/|gBdG|Bdde/d/|cA A/B/c/d/|ed d/^d/e/f/|
gBdG|Bdde/d/|cA A/G/F/G/|(3A/B/A/ GG :|
K:D
F|A B/c/ d/e/f/g/|aaf>g|a_age|ba^ga|
A B/c/ d/e/f/g/|aaf>g|agec/d/|(3e/f/e/ dd :|

%%%

X:59127
T:STRIKE THE GAY HARP
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:D
d2B cAA|dAG FED|d2B cAA|dAF EFA|
def Bcd|ABG FGE|DED D2F|AFE EFA :|
fef fdf|aba afe|d2e faa|bge ecA|
d2f afa|bfb a2g|fed dfe|dAF EFA :|
def dfe|dAF DFA|def dfe|DAF EFA|
def Bcd|ABG FGE|DED D2F|AFE EFE :|"final"HD6|]

%%%

X:59128
T:TADEY REGAN'S POLKA
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:2/4
R:polka
K:G
E|A>B cd|ef/d/ ea|ge de/d/|cA GE|
A>B cd|ef/d/ ea|ge de/d/|cAA :|
g|a>a ge|dB Gf/g/|aA AB/c/|dB GD|
A>B cd|e/f/d ea|ge de/d/|cAA :|

%%%

X:59129
T:TAYLOR'S FANCY (hornpipe)
C:ABC/arr. BB
%Q:1/4=150
M:C|
R:hornpipe
K:G
EF|GABG AB cA|defd gfdA|Bd BG Ac AF|GABG AFDF|
GABG AB cA|defd gfdA|Bd BG Ac AF|GgdB G2 :|
Bd|gfga gd Bd| gabg agfe|d^cde fagf|defd cAFA|
GABG AB cA|defd gfdA|Bd BG Ac AF|GgdB G2 :|

%%%

X:59130
T:TOM WARD'S DOWNFALL (reel)
C:ABC/arr. BB
N:O'Brien has this as a "circular" AA-B-AA tune. It's usually played 
as AABB today but I've kept it as A-B-A
%Q:1/4=180
M:C
R:reel
K:G
BGGF G2ED|EAA^G A2=GE|DEGA BAAc|BABd edgd|
BGGF G2ED|EAAB A2GE|DEGA Bdef|gedc BGG2 ||
%
egga g2ed|eaab a2ge|dega bgaf|gedc BGG2|
egga g2ed|eaab a2ge|dega bgaf|gedB A2GA||
%
BGGF G2ED|EAA^G A2=GE|DEGA BAAc|BABd edgd|
BGGF G2ED|EAAB A2GE|DEGA Bdef|gedc BGHG2|]
a

%%%

X:59131
T:TOMMY SULLIVAN'S JIG 
C:ABC/arr. BB
%Q:1/4=160
M:6/8
L:1/8
R:jig
K:A
cAF E2 F|ABc dce|cAF E2 F|ABA AFE|
cAF E2 F|ABc dcd|efe ecA|BcB AFE:|
Acc Acc|Acc dcB|Acc Acc|ABA AFE|
Acc Acc|ABc efg|afe ecA|BcB AFE:|A6||

P:version in G
K:G
BGE D2E|GAB cBd|BGE D2E|GAG GED|
BGE D2E|GAB cBc|ded dBG|ABA GED:|
GBB GBB|GBB cBA|GBB GBB|GAG GED|
GBB GBB|GAB def|ged dBG|ABA GED:|

%%%

X:59132
T:TONGS BY THE FIRE, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
D|GBd cAF|Gge dBG|cec BdB|ABG FED|
GBd cAF|Gge dBG|cec Bag|fef g2 :|
d|gdB gdB|gfa gdB|gfg eag|fdd def|
gbg faf|ege def|gdB AGA|BGG G2 :|

%%%

X:59133
T:TREAD on the TAIL OF MY COAT
C:ABC/arr. BB
%Q:1/4=160
N:A slip jig based on a song tune (or vice-versa)!
L:1/8
M:9/8
R:jig
K:G
D|DGG GAG FGA|BGB cAB c2c|
DGG GAG FGA|BGB cAF G2E|
DGG GAG FGA|BGB cAB cBc|
ded cAG FGA|BGB cAF G2||
B|ded cAG FGA|ded cAB cBc|
ded cAG FGA|BGB cAF G2c|
ded cAG FGA|ded cAB cde|
fed cAG FGA|BdB cAF HG3 |]

%%%

X:59134
T:TRIPPING to the WELL (polka)
C:ABC/arr. BB
%Q:1/4=220
L:1/4
M:C|
R:polka
K:G
D|:G>A BG|EG ED|G>A Bd|BA A2|
G>A BG|EGED|dB/G/ DG/A/|BGG :|
c|dB GF/G/|BG ED|dB G>A|BAA2|
dB GF/G/|BG ED|dB/G/ D>A|BGG :|

%%%

X:59135
T:TYPICAL IRISHMAN
C:ABC/arr. BB
N:A song set as a jig. A fun tune!
%Q:1/4=160
M:6/8
R:jig
K:G
e|d2c d2e|d2c B2c|d2c B2A|G3-G2B|
A2d e2g|e2d c2B|A2e e2=f|^f3 d2:|
f|g2a b2g|f2e def|g2d c2B|A3 B2c|
dcd f2e|d2c A2B|cdc B2A|G3-G2:|

%%%

X:59136
T:WANDERING MINSTREL, The
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:D
B|ADD BAF|Ade fdB|ADD BAG|FAF GFE|
ADD BAF|Ade fdB|AdB AFE|FDD D2 :|
B|ABd ede|fdB AFA|BdB AFD|EFE E2e|
faf ede|fdB AFA|BdB AFE|FDD D2 :|
g|fdf afd|gbe gbe|fdf afd|ceA ceA|
fdf afd|gbe gbe|faf ede|fdd d2:|

%%%

X:59137
T:WHITE COCKADE (polka), The
C:ABC/arr. BB
%Q:1/4=110
L:1/8
M:C|
R:polka
K:G
G/A/|BB cA/G/|dB Bg/e/|dB BG/A/|BA AG/A/|
BB cA/G/|Bd g>a|bg/f/ eg/e/|dB B :|
B/c/|dB gB/c/|dB Bc|dB gf/g/|aA AG/A/|
BB cA/G/|Bd g>a|b/a/f e/g/e|dB B :|

%%%

X:59138
T:WICKY SEARS
C:ABC/arr. BB
%Q:1/4=160
M:6/8
R:jig
K:G
D|GED G2A|BdB ABd|edd gdd|ege dBA|
GED G2A|BdB ABd|edd gdB|AGF G2 :|
d|gfg efg|fdd edc|B^cd efg|fd^c def|
[1 gfg efg|fdd edB|ege dBA|BGF G2 :|
[2 gfg aga|bag efg|efe dBA|BGF HG3|]